{"id":80407,"date":"2022-12-19T06:13:10","date_gmt":"2022-12-19T06:13:10","guid":{"rendered":"https:\/\/loopbeatzz.info\/wp\/how-to-recreate-an-authentic-sounding-dub-delay-with-software-gearnews-com\/"},"modified":"2022-12-19T06:13:10","modified_gmt":"2022-12-19T06:13:10","slug":"how-to-recreate-an-authentic-sounding-dub-delay-with-software-gearnews-com","status":"publish","type":"post","link":"https:\/\/loopbeatzz.info\/wp\/how-to-recreate-an-authentic-sounding-dub-delay-with-software-gearnews-com\/","title":{"rendered":"How to recreate an authentic-sounding dub delay with software … – gearnews.com"},"content":{"rendered":"

Creating dub delay in your DAW.  \u00b7  Source: Soundtoys<\/span>
Dub delay is a style of effect that has evolved throughout its use in modern music. The PA system amplifiers and mic mixers of the 1950s and 1960s began to be designed with onboard echo and reverb effects, so it became a standard for vocals and other instruments in Jamaican reggae, dub, and rocksteady soul recordings. <\/strong>
As dub Soundsystem culture<\/strong> grew, the use of these effects become more widespread. Dub delay has since been produced with analogue<\/strong> and digital delay<\/strong> and echo units<\/strong>, from rack gear<\/strong> to guitar pedals<\/strong>. It has become a signature effect<\/strong> with application in many musical styles<\/strong> and also as a sound design<\/strong> tool.
From the pleasing washed-out ambiance<\/strong> created when combined with tonal instruments<\/strong> like vocals<\/strong>, guitars<\/strong>, and keyboards<\/strong> to surreal sounding groove-based<\/strong> passages with drum patterns<\/strong>. Creating dub delay using software<\/strong> can be challenging, so we’ll check out some plugins and different approaches<\/strong>.
You can even create decent dub delay effects with your stock DAW<\/strong> delay<\/strong> and echo plug-ins<\/strong>. All it takes is the right EQ settings<\/strong>. However, some delay plug-ins have HP<\/strong> and LP filters<\/strong>, saturation<\/strong>, or overdrive<\/strong> built in. This gives you the tonal control<\/strong> needed to shape the affected sound<\/strong>.
Swiss audio software company, Togu Audio Line creates a range of plugins based on vintage hardware<\/strong>. Although the TAL Dub X<\/a> isn’t an emulation of one delay unit<\/strong> in particular, it provides just the right set of parameters<\/strong> for creating almost any type of delay effect<\/strong>.
Its simple, modular design<\/strong> has 2 gain stages<\/strong>, with the ability to drive the input<\/strong> level to produce saturation<\/strong>. The 24db\/octave LP filter<\/strong> can be set to pre<\/strong> or post<\/strong> delay, which is useful for tone-shaping<\/strong>.
This is especially handy when working with rhythms<\/strong>, as you can accentuate specific parts<\/strong> of the pattern using the filter<\/strong> and LFO<\/strong>.
The TAL Dub X delay plugin.
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One vintage tape delay plugin to rule them all. Soundtoys are some of the most widely used software plug-ins around, with excellent recreations<\/strong> like the EchoBoy<\/a> and EchoBoy Jr. With an Ampex<\/strong> modeled tape sound and a wide range of vintage emulations<\/strong> to choose from, Echoboy offers effortless creative control<\/strong>.
Each section of the plugin is designed for detail<\/strong> and depth<\/strong>, making the range of applications you can find for this delicious delay endless. However, you don’t need a plugin this elaborate<\/strong> simply to create dub delays, so it’s a pity that EchoBoy Jr. isn’t sold separately.
The EchoBoy vintage echo plugin from Soundtoys<\/a>.
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Soundtoys EchoBoy Download
Another sworn-by industry tool, the Waves H-Delay<\/a> is used across many musical styles, especially on vocals<\/strong>. For a software plugin, it sounds incredibly natural<\/strong> and warm<\/strong>, and the selection of parameters allows you to quickly shape the sound<\/strong> to fit your track.
Useful features like the LoFi<\/strong> switch add character and the knob that links the HP<\/strong> and LP filters<\/strong> is wild when combined with automation<\/strong>. All the controls seem to affect the sound in such a musical way so it’s hard to miss when using H-Delay. Watch the feedback<\/strong> control when using it though, as it’s quite a sensitive beast.
Waves H-Delay.
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Waves H-Series Download
For years, the Dubstation<\/a> plugin from AudioDamage has been the go-to echo plugin for electronic music<\/strong> producers and many other music styles too. This simple bucket brigade<\/strong> style delay allows you to recreate classic dub delay effects<\/strong> without too much learning curve<\/strong>.
The stripped-down interface<\/strong> makes the user more inclined to dive into automation<\/strong> and sound sculpting<\/strong>, while the loop function is extremely useful for creating rhythms<\/strong> without the feedback going out of control. The less-is-more approach might not be for everyone, but it’s certainly closer to the experience of using hardware delay<\/strong> pedals.
Dubstation 2 is a bucket brigade style delay from Audio Damage.
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Although many software emulations of the famous Roland Space Echo<\/strong> exist, the Audiothing Outer Space<\/a> is one of the better ones. Outer Space brings the spectacular green machine to your DAW<\/strong> with a good deal of additional parameters<\/strong>.
For starters, it gets the basics right and can reproduce the outlandish delay sounds<\/strong> you’d want from a Space Echo unit. The difference is this plugin expands from the niche appeal of the original and becomes a more comprehensive delay tool<\/strong>. Once you understand the interface<\/strong>, you can shape and create most delay sounds as you would on any high-end<\/strong> delay plugin.
Outer Space<\/a> is an emulation of the vintage Roland RE-201 Space Echo
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IK Multimedia T-RackS Space Delay Download
FabFilter Timeless 3 Download
Although effects such as echo<\/strong>, delay<\/strong>, and spring reverb<\/strong> were used on guitar for decades, it was when these were applied to vocals that dub delay became more stylistically defined. The subtle but highly recognizable vocal echo<\/strong> used on classics by Sister Nancy<\/a> and Max Romeo<\/a> has created a timeless organic feel, sampled and recreated on countless subsequent records.
Jamaican Soundsystem culture<\/strong> grew with the likes of King Tubby<\/strong>, Scientist<\/strong>, Mad Professor<\/strong>, and Lee “Scratch” Perry<\/strong>, and many followed this legacy in their production workflow<\/strong> – seeking to use the mixing desk as an instrument. The warehouse<\/strong> movement in Berlin for one, identified closely with this sentiment as artists like Basic Channel<\/a> began what is known as Dub Techno today.
Lee “Scratch” Perry at Black Ark Studios
Dub delay also evolved from being a genre-defining effect into a production tool<\/strong>, like many others. The repetitive mechanical feel<\/strong> creates the illusion of ambiance<\/strong> which has been harnessed by some of our favourite artists and producers, especially in dance music<\/strong>.
In the 90s, dub delay was used extensively in trip-hop<\/a> music, while electronic pioneers like Kruder & Dorfmeister<\/strong> turned it into an art form that others like Thievery Corporation<\/strong> could follow.
When combined with great songwriting<\/strong>, the dream-like quality works wonders on the rhythm track<\/strong> of LCD SoundSystem<\/a>‘s Oh Baby<\/em>, or the intro<\/strong> of Barrel Of A Gun<\/em>\u00a0by Depeche Mode<\/a> and also in a modern pop context<\/a>.
Recreating any hardware effect<\/strong> is always a challenge, particularly with something as organic<\/strong> as dub delay. The key is having the right tools<\/strong> for your purpose and developing an understanding of the capabilities<\/strong> and limitations<\/strong>. This could start with the delay plugin native<\/strong> to your DAW<\/strong> and expand as your obsession grows.
Korg nanoKONTROL 2 black
Behringer X-Touch Mini
Novation Launch Control XL MK2
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