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How to Record Audio on an Android Phone – How-To Geek

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Mahesh Makvana is a freelance tech writer who specializes in writing how-to guides. He has been writing tech tutorials for over a decade now. He’s written for some of the prominent tech sites including MakeUseOf, MakeTechEasier, and Online Tech Tips. Read more…
There are many reasons why you might want to record audio on your Android phone. For example, you may want to take voice notes or record a phone call. Luckily, recording sound on Android is super simple using built-in options.

How to Record Sound on Android
    Record External Audio
    Record Internal Audio
    Converting Your Video File to an Audio File

Using your Android phone, you can record both internal and external audio. Simply follow the steps below.
To record your own voice using your phone‘s built-in mic or an external mic, use the stock Voice Recorder app on your phone.
Get started by opening your app drawer and launching the Voice Recorder app.
Depending on your phone model, you’ll have various ways to record the audio. For example, in Samsung’s Voice Recorder, you’ll find three recording options: Standard , Interview , and Speech-to-Text .
To begin recording, at the bottom of the app, tap the red Record button.
Select the record button at the bottom.
Voice Recorder has now started recording. Speak into your phone’s mic (or an external mic) and your voice or other sounds will be captured.
If you’d like to pause the current recording, tap the Pause button.
When you’ve finished the recording and want to save it, at the bottom of your screen, tap the Stop button.
Tap the stop button.
You’ll see a Save Recording prompt asking you to save your current audio recording. Here, tap the text field and type a name for the audio file. Optionally, tap the “Category” drop-down menu and choose a category for your file.
Then, tap the “Save” option.
Save the recorded audio file.
And you’re all done. Your voice recording has been successfully saved on your phone.
Later, you can access your recordings from within the Voice Recorder app.
Most Voice Recorder apps allow you to customize how the sound is recorded. To access those options, in the app’s top-right corner, tap the three-dot menu and choose “Settings.” Then, configure the options the way you prefer.
Select "Settings" in the menu.
RELATED: How to Share Audio Recordings from Google Recorder
Android’s stock Voice Recorder app doesn’t allow you to record the sounds coming from your installed apps. You’ll have to use another built-in feature on your phone or a third-party app to record internal audio on Android.
RELATED: How to Record Discord Audio
The built-in feature that you can use is called Screen Recorder. As the name implies, it records your phone’s screen, but you can also choose to have your phone’s internal sound recorded.
To use the built-in method, pull down twice from your phone’s screen and tap “Screen Recorder.”
Open "Screen Recorder."
On the “Screen Recorder” panel, in the “Sound Settings” section, choose “Media Sounds.” This ensures your recording captures the audio from your installed apps.
Next, tap “Start Recording.”
Choose "Media Sounds" and tap "Start Recording."
You’ll see a countdown before the recording begins. Then, your phone will start recording your phone’s system sounds.
Screen recording countdown.
When you’ve finished recording, in your screen’s top-right corner, tap the stop button.
Select the stop button at the top-right corner.
Your screen recording is now saved in your phone’s Gallery app.
If you prefer keeping your recording in an audio format, then download a free audio conversion app like MP3 Video Converter.
Launch the app once it’s downloaded. Then, on the main app page, tap “Select.”
Tap "Select" in the app.
Choose your screen recording from the list.
Select the screen recording.
This particular app allows you to convert your videos to MP3 or AAC format. To choose between these options, tap the “Copy (AAC)” or “MP3” button, depending on what’s currently selected.
Then, begin the conversion process by tapping “Convert” at the bottom.
Select an audio format and tap "Convert."
Wait while the app converts your file. When it’s done, play your converted file by tapping “Play.” You can find the converted audio file in your file manager by accessing the path listed next to the Play button.
Tap "Play" to play the converted audio file.
And that’s it. Got an iPhone and want to record audio on it? If so, it’s equally easy to do that.
RELATED: How to Record Audio on iPhone
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After debate, Trump urged Blake Masters to 'go stronger' on 'rigged' election claims – The Arizona Republic

Former President Donald Trump pressed Arizona Republican Senate candidate Blake Masters to maintain the 2020 election was “rigged and stolen” after Masters had conceded in a public debate he had seen no evidence of widespread fraud, a new documentary shows.
“I got a lot of complaints about that. I don’t know what you did with the debate, but I heard you did great in the debate, but bad election answer,” Trump told Masters in a phone call that was videotaped for “Tucker Carlson Originals,” a short documentary by the Fox News conservative commentator that posted Tuesday on the Fox Nation streaming site.
At one point on the tape, Trump said he would see Masters the next day, suggesting the call happened Oct. 8, two days after the debate with incumbent Sen. Mark Kelly, D-Ariz., and Libertarian Marc Victor, and just ahead of a rally in Mesa.
Previously: 4 takeaways from Kelly-Masters Senate debate
“You’ve got a lot of support. You’ve got to stay with those people,” Trump told Masters.
“Absolutely, we stay with those people,” Masters responded. “And it was a pleasure to put Mark Kelly on the ropes.”
The Masters campaign did not immediately clarify Tuesday whether he still acknowledges there was no evidence of widespread fraud in election administration, as he said during the debate. Masters has long held the election was “unfair” because reports of potential wrongdoing by President Joe Biden’s son didn’t receive more public attention, and has maintained that view after the debate.
Kelly’s campaign accused Masters of taking orders from Trump.
“Arizona deserves a principled Senator who always puts their interests first, not one who will sell out Arizona voters and cast doubt on our elections just because he was scolded on the phone,” said Sarah Guggenheimer, a spokeswoman for the Kelly campaign.
Trump’s interest in the 2020 election answer brings new attention to an issue central to Trump’s interests and something that Masters has faced questions about as well.
Masters recast his campaign website relating to the election after winning the August Republican primary. It had said, in part, “the 2020 election was a rotten mess — if we had had a free and fair election, President Trump would be sitting in the Oval Office today and America would be so much better off.”
After the primary, it said, “We need to get serious about election integrity.”
On Oct. 12, the day early ballots went out in Arizona and after his phone call with Trump, Masters told Fox News that he still feels like Trump would be sitting in the White House “if everyone followed the law,” then outlined his long-held narrative of coordinated censorship that he said cost Trump the election.
Trump, meanwhile, is freshly facing a subpoena from the House special committee investigating the causes of the riot at the U.S. Capitol by a pro-Trump mob. Several key witnesses have told investigators that Trump knew he lost the election early on but insisted in public that it was stolen.
Earlier in the Carlson video, Masters is shown in what appears to be his campaign van riding away from the debate. He says to his wife, “I said I saw no evidence of fraud. Some people really won’t like that.”
Sometime later in the edited video, Trump advised Masters again to embrace the stolen-election narrative that Trump has held and suggested it is the secret to Republican Kari Lake’s momentum in the governor’s race.
“If you want to get across the line, you’ve got to go stronger on that one thing. That was the one thing. There was a lot of complaints about,” Trump is heard saying.
“Look at Kari. Kari is winning with very little money. If they say, ‘How is your family?’ She says the election was rigged and stolen. You’ll lose if you go soft. You’re going to lose that base.”
“I’m not going soft,” Masters responded. A few seconds later, after Trump hung up, Masters turned to the camera and said, “I didn’t think I went soft.”
In Mesa, Trump declared, “Blake Masters absolutely annihilated Mark Kelly in their debate.”
During a 100-minute speech that often hovered over his false claims of a stolen election, Trump praised Masters at one point, saying he is a “tireless champion” for “election integrity.”
Masters didn’t raise the election issue in two sets of comments to the crowd that day.
During the debate three days earlier, Ted Simons, the moderator, asked Masters to clarify whether vote-counting or election results had been “rigged in any way, shape or form to keep Donald Trump out of the White House.”
“I haven’t seen evidence of that,” Masters replied.
He made that concession after outlining the narrative that the FBI, technology companies and the media effectively tipped the election by suppressing information about Biden’s son, Hunter Biden, who was linked in some media accounts to possible criminal activities.
“I think it’s a problem that the FBI forced Facebook — they pressured Facebook and other Big Tech companies — to censor true information about Hunter Biden’s crimes in the weeks before the 2020 election, and so millions of Americans didn’t get to read about that,” Masters said.
“When the media is lying to people, helping Big Tech, and apparently federal law enforcement, censor information about presidential candidates, well, I think people start to worry about the integrity of their elections,” Masters said.
Trump’s conversation with Masters is a reminder that the first-time candidate won Trump’s endorsement in the five-way Republican primary in June in part because of his willingness to claim the election was “unfair” or effectively stolen. Masters moved to the top of the GOP field only after securing Trump’s backing.
Trump had long telegraphed to Arizona Attorney General Mark Brnovich, another Senate candidate, that he was watching to see what the state’s top law enforcement officer would do with information collected as part of the state Senate’s partisan review of Maricopa County’s ballots in 2021.
GOP support: Rick Scott rallies for Senate hopeful Blake Masters
Brnovich’s office opened an investigation, but ultimately didn’t find widespread fraud and lost the primary with Trump’s public scorn.
The Carlson video also included a moment when Trump tells Masters to urge Peter Thiel, his mentor, co-author and former employer, to get more involved in the final stage of the election.
Trump asked if Thiel, who spent at least $15 million backing Masters’ efforts during the primary, is helping now.
“He is, a little bit more behind the scenes. I don’t know what happened there, but money is flowing in now,” Masters said. Thiel held a fundraiser for Masters after the primary.
Trump urged Masters to “Tell Peter to help you.”
Reach the reporter Ronald J. Hansen at [email protected] or 602-444-4493. Follow him on Twitter @ronaldjhansen.
Support local journalism. Subscribe to azcentral.com today.
Subscribe to our free political podcast, The Gaggle.

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Alloy Personal Training Opens First Florida Location – EIN News

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Caleb Casteel – Alloy Personal Training Franchisee – Casselberry, FL
Alloy Personal Training, the premiere and fast-growing personal training fitness studio franchise, opens first Florida location with several more planned.
Brandi J Bergeron
Moon Mission Media
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Soulja Boy at LIV on Nov. 11th – mxdwn.com

November 7th, 2022 – 11:50 PM
 
“Crank That” legend Soulja Boy is coming to Miami to perform at LIV on November 11th.
Born DeAndre Ramone Way in Chicago, Illinois on July 28, 1990, Soulja Boy moved from Chicago to Atlanta, Georgia at seven years old. At age 14, he moved to Mississippi with his dad, who found a way to help his son reach his musical desires. In November 2005, Soulja Boy posted his songs on YouTube and after receiving positive reviews on the site, he worked harder towards hitting fame on YouTube and MySpace.
In March of 2007, he recorded “Crank That” and released his debut album independently, Unsigned and Still Major, proceeding to drop a self-funded music video starring himself and his new dance “Soulja Boy”. By the end of May, “Crank That (Soulja Boy)” got its first radio airplay and Soulja Boy signed a deal with Interscope Records. 
His single “Crank That (Soulja Boy)” reached number one on the Billboard Top 100 in September of that same year and followed up with his second album souljaboytell.com. In 2008, iSouljaBoyTellem was released and his fourth studio album, The DeAndre Way, in November 2010.
Find your tickets here: https://www.tixr.com/groups/liv/events/soulja-boy-52138
 
Location: LIV
Address: 4441 Collins Ave, Miami Beach, FL 33140 
Show Time: 11:30 p.m.
Ticket Price: $65 (Female GA), $50 (Male GA), $2,500-$6,000 (Table Sections)
Age: 21+
 

[READ FULL BIO]



mxdwn

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Thomas Speidel Obituary (1940 – 2022) – Lake Nona, FL – MilitaryTimes.com – Legacy.com

Thomas Speidel Obituary (1940 – 2022) – Lake Nona, FL – MilitaryTimes.com  Legacy.com
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Donner DMK-25 PRO Review: A Decent Portable MIDI Keyboard For Traveling Producers – Magnetic Magazine

With a range of different portable and beginner-level MIDI controllers flooding the market lately, it can be difficult for a producer to decide which one of the many different options is right for them and their music studio.
Donner, who has made many other popular MIDI controllers over the years, just released their new DMK-25 Pro which features a sleek and elegant aesthetic improvement over its earlier iteration.
We were sent one of these keyboards to review, and it was fun learning how this keyboard stacks up against the rest of the entry-level keyboards on the market lately. So let's dive into our review…
Donner
The Donner DMK-25 Pro is a 25-key MIDI controller with a range of functions whose sole purpose is to help producers of any level start composing music fast. 
Offering many new features and improvements over the other Donner models and iterations, this new keyboard checks many boxes that new producers are looking for in a keyboard.
It has faders and controller points, keys that feel pretty good to play, software to integrate your DAW and setup better, and so much more. Overall, it's a sleek and sexy MIDI controller that gives even the heavy hitters, like Akai, a run for their money.
We've got the basic rundown, so let's dive into the details. 
Donner
After messing around with this keyboard for the better part of two weeks, here are some of the features that stood out to me and made this DMK-Pro keyboard something you should certainly consider when trying to find the right MIDI keyboard for your setup and workflow. 
I was most impressed by the range of music features that this thing had that allowed you to generate unique ideas immediately.
The intelligent Dynamic Scale mode and the Real-Time Multi-Mode Control make arranging and producing basic ideas a breeze, which is unique and fun about this keyboard. I found myself cranking ut starter ideas to later flesh out into full tracks within minutes of loading this thing up.
I knew this was billed as a smaller controller going into this, but I was even more shocked than expected when it arrived at my door. It was even more travel-friendly than I could have guessed! 
What caught me most by surprise was just how damn thin it was, allowing me to slot it into my laptop compartment in my backpack so I could bring it over to a friend's house for a studio session and a student's house for a production lesson. Sure, its lightweight design and thin build come at the expense of some other functionality, but for what it is and how to describes itself, I couldn't have been more stoked! 
Donner makes a handful of different MIDI controllers and production gear. I've followed some of their stuff for a while now, but this was my first opportunity to interact with their team. 
Their customer support line is fantastic and can quickly and easily help assist with any troubleshooting issues that may come up. I experienced some cases with the software included, and I was able to promptly remedy the problem with the resources they had posted online and through the help of their support team. 
I have even heard of stories of Donner offering to replace units that were not working as intended, which is an impressive measure of good faith in today's world. 
Donner has also partnered with Melodics, which provides Donner customers with 40 free lessons and one beginner course with the purchase of the DMK-25 PRO. This is also available for all Donner MIDI keyboards, pad controllers, and e-drum customers. 
Lately, entry-level MIDI controllers are flooding the market with different options and temptations. Each offers only slight variations on what the others bring to the table. But these minor variations can often cause fairly-substantial jumps in prices. 
The Donner DMK-25 Pro avoids the creeping price hikes, coming in at a completely justifiable retail price of only $109. 
This is an excellent keyboard for being an entry-level MIDI keyboard with a ton of decent functionality that few other competitors offer.
Donner
No keyboard at this price point will be perfect, and entry-level gear comes with many issues that beginners may overlook but are true thorns in pro producers' sides.
While I by no means had a laundry list of gripes with this keyboard, here are the two things that stood out to me that could be improved upon. 
I love the number of knobs, faders, and control points on this thing, but the drum pads were less impressive. While they were functional and responsive, the velocity sensitivity didn't measure up to other drum pads I've used on MIDI controllers at this price point. 
The keyboard's thin and lightweight build quality made me hesitant to go hard on the drum pads, too. While this might have just been a perception matter, I feel I should at least mention it. 
Okay, I know this is nit-picky, but cable placement and how you hook keyboards up and into your setup is essential. 
I tend to put my MIDI keyboard directly in front of my computer when producing, which means I typically gravitate towards controllers and keyboards whose cable comes out of the lefthand side of the controller.
But the cable attaches from the back of this keyboard, which means it fits into my setup, although a bit more clunkily than I would have liked. 
Number of Keys: 25
Key Size: Mini
Controls: Pitch bend and modulation touch strips, eight backlit pads, four assignable knobs, four assignable sliders, eight function buttons, six transport buttons, OLED display for visual feedback.
Connectivity: USB Type-C, 3.5MM Jack MIDI out
Dimension: 337X183X26 MM
Weight: 0.68kg 
Managing Editor at Magnetic Magazine – Former Marketing Manager at the Hyperbits Masterclass – Writer, Content Strategist, Music Producer, and Record Label Manager 

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eQ Oyj : Advium advisor to consortium led by Bain in the public cash tender offer for Caverion – Marketscreener.com

North Holdings 3 Oy, a consortium formed by Bain Capital, Security Trading, Fennogens Investments and Corbis, has entered into a combination agreement with Caverion pursuant to which North Holdings 3 Oy will make a tender offer for all of the issued and outstanding shares in Caverion, excluding shares held by Caverion and its subsidiaries. The offer price under the tender offer is EUR 7.00 in cash for each share, valuing Caverion’s total equity at approximately EUR 955 million. The Board of Directors of Caverion, represented by a quorum comprising the non-conflicted members of the Board of Directors, has unanimously decided to recommend that the shareholders of Caverion accept the tender offer.
Advium acts as the financial advisor to the consortium in connection with the tender offer.
Additional information: Caverion: Stock exchange release
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eQ Oyj published this content on 03 November 2022 and is solely responsible for the information contained therein. Distributed by Public, unedited and unaltered, on 03 November 2022 09:04:01 UTC.

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NASCAR Cup Series championship live updates: Joey Logano executes late run, wins title – Charlotte Observer

NASCAR Cup Series championship live updates: Joey Logano executes late run, wins title  Charlotte Observer
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Moog brings back the Moogerfooger effect pedals in a new bundle of plugins for Mac and Windows – MusicRadar

Moog brings back the Moogerfooger effect pedals in a new bundle of plugins for Mac and Windows  MusicRadar
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Robert McPeek Obituary (2022) – Gainesville, FL – Legacy.com

Robert McPeek Obituary (2022) – Gainesville, FL  Legacy.com
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Ellen Weaver announces master’s degree ahead of political debate – WIS News 10

COLUMBIA, S.C. (WIS) – After months of questioning and controversy, a candidate for the South Carolina Superintendent of Education race says she completed the requirements for a master’s degree in Educational Leadership.
Ellen Weaver (R) has been subject to scrutiny from educators and opponents for failing to adhere to the state’s requirement for candidacy.
Per the South Carolina State House, a superintendent of education must hold a master’s degree and have experience in public education. In turn, Weaver enrolled in Bob Jones University (BJU) and is said to have completed 33 hours of coursework in six months’ time.
“I am proud to say I did every lick of work that’s required of this master’s degree. I am incredibly proud of the hard work that I did,” said Weaver over the phone.
Dr. Jim Rex, the last Democratic Superintendent of Education, says Weaver’s academic journey was obscure.
“It’s highly unusual for someone to complete a master’s degree in that time frame. In my experience, it’s unprecedented,” said Dr. Rex in his home.
It is worth noting that at least one BJU faculty member donated to Weaver’s campaign earlier this year. Come August, she was photographed with BJU president Dr. Steve Pettit in his home.
“I don’t think you can draw, necessarily, an implication as to what that means. But it does raise a number of questions as to what that means,” said Dr. Rex.
Meanwhile, Weaver is using the past six months as an example of how hard she’s willing to work for the state’s educational system.
Weaver and Lisa Ellis are scheduled for a televised debate from 7 p.m. – 8 p.m. on Nov. 2.
Notice a spelling or grammar error in this article? Click or tap here to report it. Please include the article’s headline.
Copyright 2022 WIS. All rights reserved.

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Boring Company begins full-scale Hyperloop testing – Not a Tesla App

The first Hyperloop tunnel that hosted student competitions in 2018 and 2019 has been dismantled and replaced with parking spots for SpaceX employees. The tunnel was used for Hyperloop competitions where teams of students from around the world gathered to race their pods. Elon predicted that a 2020 Hyperloop race would include a “10km vacuum tunnel with a curve.”
These ambitions never came to fruition as Hyperloop has had to scale back the past few years, but now full-scale Hyperloop testing is underway.
The Boring Company has recently started testing its first high-speed Hyperloop transportation system, sharing an image of a Tesla Model 3 inside a “full-scale Hyperloop” test tunnel.
Back in 2013, Elon released a white paper describing “Hyperloop,” a new mode of transportation. The initial Hyperloop concept involved sending pods through a tunnel maintained at a partial vacuum to move vehicles at extremely high speeds.
Elon encouraged other businesses to develop the idea and several companies were founded, but 10 years later, there are still no commercial applications of the Hyperloop system.
Elon later founded The Boring Company with the purpose of reducing traffic by developing Hyperloop technology.
So far, The Boring Company has only developed the “Loop” which is essentially a Hyperloop without the vacuum environment. The company has focused on building loops under cities, similar to its first commercial Loop in Las Vegas.
Now, according to the company, full-scale Hyperloop testing has begun. Initially, the recently shared image of the tunnel looks like a simple Loop rather than a Hyperloop. The current tunnel is far from the initial futuristic concept Elon envisioned a decade ago, but this is only the beginning. As The Boring Company pursues more projects like this and the Las Vegas Hyperloop, they will become closer to Elon’s original vision.
The development of steer-by-wire systems, or drive-by-wire, is quickly making the traditional steering wheel obsolete. These systems remove the direct mechanical connection between the steering wheel and the tires, instead sending signals to steer.
This advancement has been on Tesla’s radar for some time, and a well-known Tesla watcher believes they will debut it in their Model S and Model X in 2023.
Chris Zheng, who has insight into Tesla’s supply chain now thinks Tesla may be looking to implement steer-by-wire in the Model S and Model X. He tweeted: Looks like Tesla will have Steering by Wire in 2023, at least the Model S/X? Consider their Yoke steering wheel.
The yoke wheel was revealed along with the new Model S in the summer of 2021. While it has a unique look and may up the cool factor of the car, many observers were not fans of the wheel. The shape does not allow for any hand-over-hand steering, and it can lead to completely crossing the driver’s arms for tight corners.
However, this design would be perfect for a steer-by-wire system and it may have been Tesla’s plan the entire time.
Elon Musk responded to the criticism of the yoke while addressing the drive-by-wire system. In a tweet dated June 17, 2021, he tweeted: I’ve been driving with the yoke for a while & it’s great imo. Progressive steering would require complex gearing or drive-by-wire without direct mechanical link. Will aim for that in a few years.
A lot has happened since that tweet was posted. The competition in the EV sector has jumped significantly, and Toyota, which is late in the electric vehicle market, got the drive-by-wire first. The system appeared in renders later in 2021 and is now in the 2022 Toyota bZ4x and the 2023 Lexus RZ450e. Surely, this has moved Musk’s “few years” goal up by a year or two.
There are many reasons why Telsa would ramp up the production of steer-by-wire. Firstly, the company is continuously looking for ways to reduce parts in the vehicle and therefore speed up the production time. Taking the steering column out, which connects to the universal joint before getting to the rack-and-pinion system, would save some manufacturing time.
Secondly, drive-by-wire delivers a much smoother drive as the steering wheel is no longer connected to something that is on the road. The wheel would not vibrate or pull-on uneven surfaces, making it safer for many drivers, especially those with disabilities or senior citizens, to operate the car.
Finally, the advanced system reacts to several variables to produce a precise steering ratio. That means if you are making a tight turn at slow speeds, perhaps in a parking lot, you would not have to rotate the wheel as much; in fact, it would eliminate hand-over-hand steering altogether.
While the yoke-style wheel wasn’t a hit to start, it is perfect for a steer-by-wire system. With competition heating up in the EV market, Tesla is sure to implement this innovative technology sooner rather than later.
For everything that Teslas offer, these incredible vehicles are missing something available in nearly every other new automobile — Apple’s CarPlay and Android Auto.
Apple and Google released their vehicle user interfaces back in 2014. Yet, eight years and countless requests later, Tesla still doesn’t support CarPlay or Android Auto.
While Tesla’s CEO, Elon Musk has never given an official explanation, there’s plenty of speculation about why the dominant electric vehicle manufacturer does not support these features.
First and foremost, Tesla develops its own software that is miles ahead of traditional car manufacturers.
The huge benefit that other manufacturers gain by integrating CarPlay just isn’t as crucial in a Tesla, which already offers intuitive, responsive software with many features.
Many apps on a phone that would be useful in a vehicle are already available in a Tesla, from navigation, Spotify, phone integration, text messaging, karaoke, to a web browser and more. Although Tesla doesn’t have a robust app store like Apple and Google, it does offer features that cover common use cases.
However, it’s understandable the craving some users may have for CarPlay or Android Auto if Tesla doesn’t support their favorite streaming service, such as Apple Music, SiriusXM or even voice assistants like Siri and Google Assistant.
Although you’re able to listen to music through Spotify, and TIDAL, watch Netflix and YouTube on the car’s large display through Tesla’s software, there will always be more options and features on a phone, regardless of how many features Tesla includes.
One reason for not integrating CarPlay or Android Auto into Teslas is that these systems would break up the Tesla experience.
CarPlay and Android Auto currently operate in their own, separate experiences. This requires you to first pull up CarPlay and then perform your desired task, such as setting your destination or switching music.
In traditional vehicles, this isn’t much of an issue since CarPlay or Android Auto (AA) usually take over the middle infotainment display. This allows CarPlay or AA to remain on screen, which means that you can just tap the app you want.
However, in a Tesla, software features are very tightly integrated, and the addition of CarPlay/AA would break up the seamless experience Tesla currently offers.
For example, in a Model Y music and navigation are usually both displayed on the vehicle’s screen at the same time, something that is not currently possible with CarPlay.
In addition, if the driver maximizes the music player or launches a different app in a Tesla, then Tesla displays navigation information on the left side of the screen, keeping the driver aware of the next turn.
If the driver receives a text message while driving, the driver can see and hear the message being received, regardless of which app is on screen.
However, since all of CarPlay’s features only work in a CarPlay window, this kind of flexibility and integration isn’t possible.
Incorporating CarPlay or Android Auto duplicates a lot of features Tesla already has and removes the ability for Tesla to deep link apps and features.
For example, in a Tesla you could have the maps, phone, calendar, Spotify and other apps in the vehicle’s launcher, giving you one-tap access to the app
For example, imagine if you had Google Maps open and you wanted to view your backup camera then open Spotify. In a Tesla, you’d tap the camera in the launcher, then tap Spotify. Two taps.
However, if you wanted to perform the same actions with CarPlay, this would take significantly longer. You’d first tap the camera icon in Tesla’s launcher, then tap to go back to CarPlay, but you’d still have to go ‘Home’ on the CarPlay interface, then find Spotify. That’s four taps, assuming Spotify was on the first page of CarPlay’s home screen.
Since CarPlay acts as a secondary experience this will often increase the number of taps to get to certain information.
CarPlay also duplicates many features in a vehicle which results in some confusion since there are multiple apps for the same thing, such as navigation and music.
This issue is only exacerbated in a Tesla since Tesla offers so many of the same features as CarPlay such as maps, messages, phone, calendar, podcasts, etc.
Apple revealed a significantly improved CarPlay experience at the 2022 Worldwide Developers Conference. Emily Schubert, Apple’s Senior Manager of Car Experience Engineering, said the company has “been working with automakers to reinvent the in-car experience across all the drivers’ screens.” The redesigned CarPlay appears much more customizable, and it’s said to seamlessly integrate into vehicles instead of having a CarPlay window or taking over the entire screen.
This may be an experience that would suit Teslas much more than Apple’s current offering, however, there’s something else that is likely preventing Tesla from incorporating Apple’s or Google’s auto interface.
Vehicles have traditionally been about getting you to your destination, however, that’s now shifting. No one wants a car that just gets them to their desired location, they want to get there as safely as possible and be entertained on the way.
As this shift continues and we approach an autonomous future, vehicles will be much more about software and their entertainment offerings.
The next generation of car makers will not be decided by how they drive, but by how autonomous they are and what software features they offer.
While many pit Tesla against Volkswagen, Toyota and others, these are merely short-term obstacles for Tesla.
Tesla’s true competitors have yet to emerge, but they’ll be in the form of powerful tech companies such as Apple and Google. Companies that not only have strong design and AI foundations but also have access to a large user base and a dominant platform.
When a manufacturer incorporates CarPlay or Android Auto, they’re giving up a great deal of control to Apple or Google.
They’re not only giving up control though, they’re giving up the opportunity to build a vehicle platform and a loyal user base.
If Tesla added CarPlay and Android Auto to their vehicles, they’d be helping their upcoming competitors by giving them control of a market they already know will decide the next big players – the inside of the automobile.
But there is another solution that may keep Apple users and Tesla happy — the use of AirPlay. This capability enables pairing a phone to an audio device to stream music or podcasts. AirPlay is not available in cars yet, but it would not be much of a leap to include the option with Tesla already equipped with Wi-Fi capabilities. Elon Musk recently left the door open for that development.
In May 2022, Musk responded to a tweet. @JacobB1290H wrote: “The speaker system in Teslas are so good, but we are limited by the quality of Bluetooth. Could we have AirPlay added? It adds the ability for lossless streaming. The hardware necessary is already there.”
Musk responded: “Will discuss this and other improvements with Tesla audio engineering. The new Model S and X sound system is incredible.” His tweet generated 11.6k likes and 440 retweets.
At least one developer has created a workaround to add CarPlay to Teslas. Michal Gapinski developed a solution that allows you to take a Raspberry Pi and connect it to your vehicle to incorporate CarPlay into the vehicle’s browser.
While the solution is great, it does require some tech knowledge to get working. While this gives some users what they want, it puts even more pressure on Tesla to develop a native solution.
During the 2022 Apple event, the company stated that CarPlay is a must-have feature for people who are car shopping. According to Apple, 79 percent of buyers in the United States would only consider a vehicle that is CarPlay-capable. The company also says that CarPlay is already available in 98 percent of cars in the U.S.
These numbers put Tesla and other EV manufacturers such as Rivian in a difficult position. They understand the future of the EV, but at the same time, their users are demanding access to CarPlay and Android Auto.
View the release notes for the upcoming version 2022.40.4.1.
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For everything that Teslas offer, these incredible vehicles are missing something available in nearly every other new…
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The Financial Times recently reported that Tesla had talks with Glencore about taking a stake in the Swiss mining gia…
Several Tesla enthusiasts posted videos to YouTube showing viewers their first drives with Full Self Driving (FSD) Be…
Shiny new Model 3s started appearing last month, missing the small, round polka dots on their bumpers. The circles we…
Since the Cybertruck unveiling in 2019, Tesla has pushed production dates back numerous times: from late 2021 to late…
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You can’t blame Elon Musk for getting some help from his most trusted Tesla engineers. Musk, who took over Twitter a …
It may be one the most anticipated software updates in recent years. Finally, after weeks of Elon Musk tweeting that …
There will be additions to car visualizations soon as Elon talks about Tesla recognizing and showing new visualization…
Take a look at features that Elon Musk has said will be coming soon.
Tesla’s former AI Director, Andrej Karpathy, recently made an appearance on Lex Fridman’s podcast. Karpathy is an…
My Tesla Model 3, unimaginatively named “Blue Tesla,” is relatively new. I bought it in June 2020 during the pandemic. D…
10% off Tesla accessories at Tesmanian with promo code: TeslaSoftwareUpdates
Did you know that you can adjust the height the trunk opens? If you have a Tesla with a powered trunk you can adjust…
Teslas offer numerous easter eggs. While most of them are fun to try, Santa Mode is easily one of the most popular and …
The Financial Times recently reported that Tesla had talks with Glencore about taking a stake in the Swiss mining gia…
Several Tesla enthusiasts posted videos to YouTube showing viewers their first drives with Full Self Driving (FSD) Be…
Shiny new Model 3s started appearing last month, missing the small, round polka dots on their bumpers. The circles we…
Since the Cybertruck unveiling in 2019, Tesla has pushed production dates back numerous times: from late 2021 to late…
The Simpsons, one of the longest-running TV shows of all time, have had some epic cars in Springfield; now Tesla is o…
View all known voice commands for your Tesla.
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Although we share official Tesla release notes, we are not affiliated with Tesla Motors. We are Tesla fans and supporters.
The development of steer-by-wire systems, or drive-by-wire, is quickly making the traditional steering wheel obsolete…
For everything that Teslas offer, these incredible vehicles are missing something available in nearly every other new…
Tesla’s bringing its collection of revolutionary electric vehicles to the Petersen Automotive Museum in Los Angeles…
The Financial Times recently reported that Tesla had talks with Glencore about taking a stake in the Swiss mining gia…
Several Tesla enthusiasts posted videos to YouTube showing viewers their first drives with Full Self Driving (FSD) Be…
Shiny new Model 3s started appearing last month, missing the small, round polka dots on their bumpers. The circles we…
Since the Cybertruck unveiling in 2019, Tesla has pushed production dates back numerous times: from late 2021 to late…
The Simpsons, one of the longest-running TV shows of all time, have had some epic cars in Springfield; now Tesla is o…
You can’t blame Elon Musk for getting some help from his most trusted Tesla engineers. Musk, who took over Twitter a …
It may be one the most anticipated software updates in recent years. Finally, after weeks of Elon Musk tweeting that …
View the release notes for the upcoming version 2022.40.4.1.
Tesla’s Track Mode gives the driver even more control over their vehicle by giving them the ability to adjust various s…
Take a look at features that Elon Musk has said will be coming soon.
Are your power windows misbehaving? Does your app say they are left open but you don’t see it? Do they rub wh…
The other day (Feb 10, 2021) Joe Rogan interviewed Elon Musk for 3 hours on his Spotify podcast (You can listen to …
We’ve covered how much to charge your Tesla for everyday use, but when going on vacation or planning to store an elec…
The Foot of Cupid will immediately drop down the length of the screen, pushing the “About your Tesla” menu out of the wa…
10% off Tesla accessories at Tesmanian with promo code: TeslaSoftwareUpdates
View all known voice commands for your Tesla.
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EQ Bank closes $495 million takeover of Concentra Bank – CityNews Toronto

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SimbaSōl: "Who we are during our journey here is not a constant thing" – Electronic Groove

SimbaSōl: “Who we are during our journey here is not a constant thing”  Electronic Groove
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🌱 Movie Filming Downtown + Subtropical Storm Nicole + DFAC Exhibits – Patch

Hello, everybody. Kristen here with your fresh copy of the Dunedin Daily, filled with everything you need to know about what’s happening in town. Including updates on:
But first, today’s weather:
Mostly cloudy and breezy. High: 83 Low: 67.
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Here are the top 3 stories today in Dunedin:
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Today in Dunedin:

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Album Reviews: Nathan Walton, Aspen Jacobsen & more – localspins.com

Local Spins
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Album reviews · Audio
Crisscrsossing the State: The early November round-up of Michigan releases.
November already has brought every imaginable weather change to Michigan from blustery, cold rain to unseasonably warm balminess.
Support our coverage of
West Michigan’s music scene

Local Spins’ early November round-up of releases by Michigan artists boasts the same sort of variation, not only in genres but in the geographic locations of the various acts touting fresh music.
Check out the reviews and listen to the music from a half-dozen releases below. And browse reviews of many more Michigan releases here.

Nathan Walton & The Remedy
“Daybreak”

What Stands Out: Nathan Walton continues to make a name for himself in the Michigan music scene, building off a 2020 appearance on “American Idol” with his debut record, “Nathan Walton & The Remedy” while regularly performing around Michigan and hosting fellow songwriters at Greyline Brewing Company. Fresh off of a summer of stellar performances, Walton returns with The Remedy on “Daybreak,” the first of two releases dropping before the end of this year. Songs on this record range from powerhouse rock ’n’ roll to soulful ballads and includes features from all around The Remedy. It is a record that emphasizes the power of the collective while Walton leads confidently at the helm, and the result is some of the strongest soulful rock music in the region.
Digging Deeper: Nathan Walton has proven himself to be committed to the craft and navigating the music scene with passion, talent and a strong urge to help others with his platform. This first of two 2022 releases highlights his powerful voice supported by a great community of West Michigan talent. “Daybreak” also serves as a way to introduce audiences to the range of influences that keep The Remedy forged in healing, uplifting music while taking stylistic excursions in fun, well-executed and unexpected ways. Keep an eye out for “Night Drive” later this year to complete the double album-release.
Perfect For: Cranking the stereo in the car and piercing the cold winter with a soulful burst of rock energy. – Dutcher Snedeker
Website: https://www.nathanwaltonlive.com/
Upcoming Shows: Wednesday (Nov. 9) at Montcalm Community College; Friday (Nov. 11) at Garage Bar & Grill in Grand Rapids; Nov. 18 at The Livery in Benton Harbor; Dec. 1 at Midtown (formerly Listening Room) in Grand Rapids for the “Night Drive” record-release
Listen/Watch: “Get Myself Back on My Feet”


Aspen Jacobsen
“Arsonist Daughter”

What Stands Out: Aspen Jacobsen, the fiery 18-year-old songwriter who was featured in a Local Spins “Artist to Watch” article this year, has released “Arsonist Daughter,’ an album packed with blazing instrumentals and scorching vocals that lyrically center around “relationships, religion, mental health and social constructs with insightfulness well beyond her years,” according to her website. The high-quality production and musicianship on this record cannot be understated, with such a presence felt from every note and a careful treatment of each song’s mood in the arranging and engineering, no doubt thanks to the combined production efforts from Jacobsen and Dominic Davis (bassist for Jack White). It is a record that ebbs and flows from darker, moodier melodies to lively bluegrass, with Jacobsen’s talents standing front and center.
Digging Deeper: The fact that Aspen Jacobsen has already put 8 years into her performing craft at such a young age would be cause for celebration alone, but to have such well-written, dynamic, and interesting music at this same age belays an exciting prospect for a long-lasting career in music. As she states, “I don’t like to preach my own beliefs, but rather ignite thought and reflection about things that are important to me. I hope my music can help spark dialogs that lead to change and making the world a better place.” Arsonist Daughter sets fire to any expectations when one hears of a teenage songwriter steeped in the world of Old Time and Americana, demonstrating that aforementioned talent “well beyond her years” in spades.
Perfect For: Blazing a new path forward and striding confidently into the flames with a song in your heart. – Dutcher Snedeker
Website: https://aspenjacobsen.com/
Upcoming Show: Nov. 12 at Sunset @ The Village in Los Angeles
Listen: “Enough”


Ethereal
“Mind Your Ceilings”

What Stands Out: Ethereal is a new project from artists Jules Camp and Arden Toler, one that has been incubating since 2018 and one that recently released the debut album, “Mind Your Ceilings.” As they describe it, Ethereal centers around “a contrast between Camp’s lyrics of anxiety and anger, with upbeat tones by Toler to follow, and help drown out some of our daily inner thoughts.” Listeners are treated to ambient synths, electronic beats and vocals that casually flow or catch a vibe on more upbeat tunes.
Digging Deeper: Ethereal provides a succinct introduction to its sound on this record coming in at just under 34 minutes. “Mind Your Ceilings” is moody music with a solid bedrock of electronic soundscapes for the vocals and lyricism to contrast.
Perfect For: Staring out of the window of a moving bus as the world swirls around you, letting your thoughts drift and your emotions time to process. – Dutcher Snedeker
Website: https://www.facebook.com/etherealtunes
Listen: “0880”


Dreas
“Stimulus Response”

What Stands Out: Chances are, this could be the most unique album you’ll hear today: There are only two songs, and each one is precisely 20 minutes long. Grand Rapids’ Dreas originally released “Stimulus Response,” a genre-bending fusion of electronic music, hip hop and more, as a cassette tape with Potions Music NYC. So, the two songs available for streaming represent the twin sides of the cassette. According to the artist, each “song” is more like its own EP.
Digging Deeper: “Michigan Transmissions,” the first half of the album, is described as “flowing freely through the Michigan landscape.” Indeed, it begins with the tranquil sounds of nature, complete with wind chimes. Percussion is quickly introduced, but it’s complementary, not overpowering. Of course, “Michigan Transmissions” is, in actuality, a collection of songs, and its most fun offering occurs around the 7:50 mark. There, Dreas introduces a dreamy hip-hop style that wouldn’t be out of place in Anderson .Paak’s discography. “Michigan Transmissions” also includes a thought-provoking assertion of (limited) human agency, from which the album’s title is derived: “Between stimulus and response, there is a space,” says a robotic female voice. “In that space is power to choose our response. In our response lies our growth and our freedom.”
Perfect For: Those who yearn for a vibrant musical journey. – Katie Rosendale
Website: https://dreaspotions.bandcamp.com/
Listen: “Michigan Transmissions”


Eliza Thorp
“Stories We Told Along the Way”

What Stands Out: Northern Michigan artist Eliza Thorp returns with “Stories We Told Along The Way,” her sophomore release following her 2019 debut, “Queen Of The Sea.” This record was successfully funded through a Kickstarter crowdfunding campaign and features a collection of stories written over the past few years detailing her constantly changing life and emphasizing her desire to provide healing to those listening. Guest artist Charlie Millard can be heard on organ and accordion, and joining her on the record once again is cellist Jordan Hamilton and upright bassist Max Lockwood. These stellar musicians all elevate the moods and messages felt throughout the record as Thorpe creates an intimate, cozy listening experience to bare her soul.
Digging Deeper: “Stories We Told Along The Way” shines a bright spotlight on Eliza Thorp, her collaborators, the tales she weaves into heartful songs and the community she reflects and amplifies in her artistic pursuit. Every arrangement has memorable moments that are so simply and powerfully expressed through this tight-knit ensemble of artists. This record is the perfect complement to fall and a wonderful addition to any songwriter’s collection.
Perfect For: Anyone looking out of a rainy window this fall contemplating your own life’s journey and seeking the comfort artistic storytelling. – Dutcher Snedeker
Website: https://www.elizathorpmusic.com/
Upcoming Show: Nov. 17 at Walloon Lake Winery (album-release show)
Listen: “Mountain Song”


Mercury Salad
“Mercury Salad, Vol. 3”

What Stands Out: Ypsilanti-based Mercury Salad blends folk, funk and rock to create a unique — and wonderful — sound. Each of the album’s five songs has its own mood and style. Some, such as “Best Guess,” are relaxed, folksy songs about hoping for love, while funk influences are evident in the groovy “Hot Sauce 2.0.” Through it all, the band employs simple harmonies and strong rhythmic elements: typically guitar, bass and drums, although cello and horns have their moment to shine, too. Lead singer Brooke Ratliff’s vocals are always stellar, but they’re most impressive when Ratliff showcases the power of her lower register, like in the fiery “Walk Around” — a standout track.
Digging Deeper: “Hot Sauce 2.0” grabs you from the beginning, with a simple but delightful guitar hook. Then, the song’s full funky flavor kicks in, pulling you into a four-and-a-half-minute (or less, if you listen to the abridged radio edit) dance party, complete with a chorus of “yeahs.”. For such a fun track, the lyrics are scathing: “We can’t pretend your intentions are good / and everything’s shiny, just don’t look under the hood,” Ratliff sings.
Perfect For: Anyone looking to groove with an eclectic but consistently delightful collection of songs. – Katie Rosendale
Website: https://mercurysalad.com/
Upcoming Show: Dec. 2 at Blom Meadworks in Ann Arbor (for Ann Arbor Midnight Madness)
Listen: “Hot Sauce 2.0”

Copyright 2022, Spins on Music LLC
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Moonlight Market – St. Augustine

St. Augustine, the nation’s oldest city, also holds the distinction of being one of the nation’s most charming. Whether you’re a longtime resident or visiting the area for the first time, we’ve gathered all the resources you need to find where to stay, what to do and other community information about our unique little village.
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Be sure to come out to the 2nd Annual Moonlight Market on Saturday, November 12, 2022, 5:00pm-9:00pm.  Outdoors underneath a twinkle-lit space and featuring local vendors, handcrafted goods, live music and more.
Brought to you by Jenna Alexander Studio and Sunday Gathering Table.
Local vendors include: Maven Maker Vintage, Heather Greenway Jewelry, Imagine Fine Art Printing, John Quick Ceramics, MC Pressure, Meraki Nomad, Spruce, Citrus Farm Vintage, and many more.
Sunday’s homemade sourdough loaves, preserves, and pickles will be available for purchase as well as Jenna Alexander’s all-new St. Augustine Christmas Puzzle just in time to celebrate the holidays.

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Seahawks-Cardinals GameCenter: Live updates, highlights, how to watch, stream game – The Seattle Times


1:05 p.m. | State Farm Stadium | Glendale, Ariz.
TV: FOX | Radio: 710 AM/97.3 FM | Stream: NFL Game Pass
Jump to: Live updates » | Comments »
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The surging Seattle Seahawks completed a season sweep of the Arizona Cardinals and extended their lead atop the NFC West with a 31-21 victory Sunday afternoon at State Farm Stadium.
The Seahawks have won four in a row and moved to 6-3 on the season, extending their lead in the division over the idle San Francisco 49ers (4-4).
The Seahawks will head home to Seattle for a couple days off before heading back out on the road Wednesday for their longest trip ever — a trip to Germany for next Sunday’s game against Tampa Bay.
Here are three immediate impressions from the game.
READ MORE >>>
GLENDALE, Ariz. — It was workmanlike. Maybe at times not all that exciting. And, for an instant, even a little anxiety-inducing.
But when it was over, the Seahawks had one of the most satisfying wins they’ve had in years here Sunday, a 31-21 victory over the Arizona Cardinals that gave them a sweep over one of their most heated NFC West rivals.
It was also the Seahawks’ fourth straight win, improving their record to 6-3 and keeping them in front of the NFC West by a game-and-a-half.
And it was achieved with another stellar performance by a Seattle defense that a month ago was drawing comparisons to some of the worst in team history.
READ MORE >>>
Final: #Seahawks 31, Cardinals 21. Fourth straight win, and keep their hold on first place in division at 6-3.
Game over. Seahawks win 31-21 and improve to 6-3 and cover the spread.
The Russell Wilson-less Seahawks have now scored 27 or more points in five of their last six games. https://t.co/2nFCrseXrM
Walker with a 5-yard TD run, and the #Seahawks have their fourth straight win safely in hand. They lead 31-21 with 2:14 left.
Seattle TD on a 5-yard run by Walker and this one is basically over with 2:14 left and Seattle up 30-21.
Closing it out with @Kenneth_Walker9. pic.twitter.com/YaP6yTosY3
What a well designed play! Smith to Fant for 51 yards following the Arizona TD.
Run, Noah, run! 51-yard catch-and-run for @nrfant!

📺: #SEAvsAZ on FOX
📱: Stream on NFL+ https://t.co/kMZLWAYkDL pic.twitter.com/0ittsxfl7N
Arizona is still in this game. @K1 connects with @ZERTZ_86! #BirdCityFootball

📺: #SEAvsAZ on FOX
📱: Stream on NFL+ https://t.co/kMZLWAYkDL pic.twitter.com/P57XzMmt1e
Cardinals not going quietly. They execute a 75-yard scoring drive, with Murray hitting Ertz with a 6-yard TD pass. #Seahawks lead, 24-21 with 3:32 left in regulation.
Seahawks get exactly what they need: A 13-play, 81-yard touchdown drive that eats up 6:46 and puts them up by two scores, 24-14, with 7:32 left. Kenneth Walker III with the 1-yard TD run, but a Smith 19-yard scramble on 3rd-and-7 at midfield was the key play.
Walker 1-yard TD and Seattle has a two-score lead with 7:32 left in the game. And people are filing the heck out of here…… https://t.co/dgRjlpuba1
Arizona brings the house on third and 7 and Geno Smith smartly reads it and keeps the ball and goes up the middle to the 33…….
Arizona took a 14-10 lead midway through the third quarter when Zaven Collins picked off a flat swing pass from Geno Smith and returned it 30 yards untouched for a touchdown.
A big part of Smith’s success this season has been his ability to avoid those oh-no plays — and that was about as bad as it gets. Smith was trying to get the ball to Kenneth Walker III on a dump off, but his throw was far too low — a pretty easy play, really, for Collins to snatch it and score.
Credit to Smith and the Seahawks offense for their response to the turnover.
Smith marched the Seahawks 75 yards for a go-ahead touchdown, capped by a 9-yard TD pass to Tyler Lockett. On the play before the TD pass, Smith was fortunate not to have a pass intended for Will Dissly intercepted.
Bruce Irvin, five days after his 35th birthday, picked up his first sack of the season late in the third quarter.
In his third stint with the Seahawks, Irvin started at edge rusher for the second straight week.
Uchenna Nwosu had the Seahawks’ first sack of Kyler Murray early in the third quarter, and the Seahawks will have to contain the Arizona QB if they hope to hold on to this 17-14 lead entering the fourth quarter.
Murray sacked by Shelby Harris, and Seahawks do indeed force a punt.
Seahawks defense trying to get off the field on 3rd-and-11. It's an official @bcondotta @StoneLarry Big Play (patent pending)
Smith to Lockett for 9 yards and the TD, and that was a heck of a drive after the pick six….
Way to answer back.@GenoSmith3 ➡️ @TDLockett12 pic.twitter.com/Hcx9rMdj8U
Nice answer by Geno Smith after throwing a pick six, marching Seahawks 75 yards for a go-ahead touchdown (though he lucked out when a would-be interception wasn't grabbed by Arizona).
Seahawks converted four third downs on 13-play, 70-yard drive for a TD to take a 17-14 lead with 2:43 left in third quarter.
Third and 12 and crowd rocking and Seahawks pick it up with a pass to Lockett and a roughness penalty on Collins.
Smith trying to hit Walker on a screen and Zaven Collins with the nifty play and the pick six and Arizona suddenly leads it 14-10. https://t.co/ei2qlcZP6B
Picked and going the other way! Spectacular play by @ZavenCollins! 🔥

📺: #SEAvsAZ on FOX
📱: Stream on NFL+ https://t.co/kMZLWAYkDL pic.twitter.com/Hzead9kM4P
Well, that wasn't good. Geno Smith's intended pass to Walker is picked off by Zaven Collins, who takes it 30 yards to the end zone. All of a sudden, #Seahawks trail, 14-10.
With six — which would have been good to include the first time. https://t.co/UKYpBO7l0w
Back to back sacks turn second and two into fourth and 14 and Seattle will punt.
The Seahawks are doing some good things on defense to hold the Cardinals to seven points.
But Seattle has also gotten some breaks — a bad snap helped kill one Arizona drive; two false start penalties killed another; and then what seemed like fairly careless ball handling by Kyler Murray led to a fumble that ended Arizona’s last drive and meant Arizona didn’t get a chance to try a tying field goal. That fumble came after a dropped pass by Robbie Anderson that also would have put Arizona in field goal range. All of those plays help explain why Arizona has been one of the most disappointing teams in the NFL so far this year.
One of the big storylines heading into the game was the matchup of Seattle rookie corner Tariq Woolen against Arizona standout receiver DeAndre Hopkins.
Hopkins usually lines up on the left side or over Woolen on the right. But Arizona has moved him around some today, and Hopkins has three catches for 32 yards, including a 22-yard TD. None of those receptions came when matched up against Woolen. When Arizona did test Woolen with Hopkins, he broke up a third-down pass to end a Cardinals drive late in the second quarter.
The Seahawks haven’t gotten a lot done in the running game so far, with 52 yards on 13 attempts. Kenneth Walker III has 31 yards on nine attempts, but 15 of those came on one run with the Cardinals otherwise keeping him under wraps.
Seattle didn’t seem to show a lot of confidence in its running game when it had a third-and-4 at the Arizona 38, and, first, called a sweep that was officially a pass to Travis Homer for two yards, and then on fourth-and-2 called a shovel pass to tight end Colby Parkinson.
Seattle will hope to get the running game going better in the second half as it did in the first game between these two, when Walker’s 11-yard TD in the fourth quarter helped seal the win.
End of first half with Seattle ahead 10-7. Here are some stats: pic.twitter.com/49ZBCw5V80
Kyler Murray breaks into the open and then — just like last time — is hit from behind and fumbles the ball away . Ryan Neal the forced fumble that basically prevents three points by Arizona. https://t.co/pOcorA8Ewz
A lot to unpack there — Murray escapes a certain sack to get first-down yardage — but Ryan Neal punches the ball out and Seahawks recover with 15 seconds left in half. That saved 3 points, maybe more.
Ryan Neal has been making some PLAYS lately. Lots of pieces to be excited about on this #Seahawks defense.
What a play by Ryan Neal to knock the football loose 👏

📺: #SEAvsAZ on FOX
📱: Stream on NFL+ https://t.co/kMZLWAYkDL pic.twitter.com/casD0zaBsA
Seahawks with the preventiest of prevent defenses on third and 14 but the Cardinals get it anyway with some hard running after the catch from Eno Benjamin.
Another really nice special teams play by Dareke Young……
Budda Baker and Pete Carroll having some sort of fun discussion after that last play. Carroll and Baker dapped it up afterward.
Seahawks go back to Gabe Jackson at right guard. Jackson played first two series, Haynes the next two.
Tariq Woolen with the PBU on the crossing pattern to Hopkins. First target of the day from Murray to Hopkins when he was defended by Woolen and the rookie gets it done.
Some weird play calls there. Seattle gets to the 38 with a third and four and then two behind-the-line passes to Travis Homer and Colby Parkinson lose a combined two yards and Arizona takes over at its own 40.
After the holding penalty, Seahawks start at the Arizona 44. Phil Haynes still in at RG.
Two straight false starts for Arizona, and they can't even blame the noise at Lumen
Geno had 13 TD passes (and 13 INTs) with the Jets as a 24-year-old in 2014, his last season (until now) as a full-time starter.

Up to 14 TD (with 3 INTs) in ninth game this season. https://t.co/hU0RgUebQf
Man what a dart from Geno Smith. Hits Metcalf in the back of the end zone for the TD and Seattle with a 10-7 lead at 11:59 of the second quarter with the PAT good.
It was a rough start for the Seahawks defense, which allowed the Cardinals to march down the field on a nine-play, 83-yard drive, capped by Kyler Murray’s 22-yard touchdown pass to DeAndre Hopkins.
Hopkins’ return is already a difference-maker in this game. Hopkins, who was serving a suspension, did not play in the Seahawks’ victory over the Cardinals in Seattle last month.
He went untouched on his TD reception, breaking free from outside linebacker Boye Mafe — asked to drop in coverage in a definite miss-match — on a crossing route that appeared to have Seattle’s defense confused.
Murray had a perfect start with his arm, completing all six of his pass attempts (for 54 yards) in the first quarter.
But it’s what Murray can do with his feet that makes him so dangerous.
Murray’s elusiveness was the difference in the Cardinals’ opening drive. On third-and-5, the Seahawks’ pass rush was able to collapse the pocket; Uchenna Nwosu even got a hand on the Arizona QB, but Murray was able to escape and break loose for a 21-yard gain.
The Seahawks defense got a stop on Arizona’s second possession thanks to a bad snap from Cardinals center Billy Price.
The snap flew over Murray’s head inside the Arizona 15-yard line; James Conner chased down the fumble, but it resulted in a 15-yard loss and the Cardinals had to punt.
The snaps have been a recurring issue for Price, whose first snap of the game to Murray in the shotgun was also high. That’ll obviously be something to monitor the rest of the game.
Nick Bellore with his sixth offensive snap of the year as fullback on first and goal at two but it goes nowhere…..
Arizona with a 7-3 lead at the of first quarter but Seahawks have a first down at the Arizona 48…. pic.twitter.com/cqZQejiAZO
Phil Haynes in at RG on this series for Seahawks. So, looks again like a rotation at that spot.
Arizona having to go with backup center Billy Price today with Rodney Hudson still out with a knee injury. https://t.co/TvVdZIJGUN
Seahawks not exactly establishing the run early on….. pic.twitter.com/4tAXiRMgsY
Really nice special teams play there by Dareke Young with the tackle on the punt.
Seahawks a quick three and out…..
Crossing route to Hopkins who takes it 22 yards for the TD. Mafe the closest defender, but have to imagine that wasn't what was supposed to happen.
Cardinals didn't have DeAndre Hopkins when the #Seahawks beat them a few weeks ago. They do today, and Kyler Murray just found him on a 22-yard TD pass. Cardinals 7, Seahawks 3.
Arizona didn't score an offensive TD last time these two teams plays. Now, they go 83 yards in 9 plays to score a TD on first possession.
.@DeAndreHopkins has a touchdown in back-to-back weeks! 🙏

📺: #SEAvsAZ on FOX
📱: Stream on NFL+ https://t.co/kMZLWAYkDL pic.twitter.com/rebYVUOT5c
Pretty much Arizona's best play — have everything break down and then Murray takes off. Murray gains 21 on a third down to take it to the 43.
Third down pass to Eskridge broken up and Seattle will settle for a field goal attempt. Which is good. Myers hits it from 49 and Seattle has 3-0 lead at 10:50 of first quarter. https://t.co/l9Iy19rPQe
Geno Smith 3-3 for 28 as Seattle already in field goal range at the 35.
Third and 10? So what? Smith hits Noah Fant to the 49…
Gabe Jackson indeed starting at right guard. Seattle in two TEs on first play.
Arizona wins toss and defers. Seahawks will get ball first.
Seahawks not exactly welcomed onto the field. pic.twitter.com/Y20zHOWFKk
Gabe Jackson working with the starting offensive line at right guard in warmups. But expecting that could be a rotation with Phil Haynes today.
RB James Conner active for Arizona today. With Conner healthy and DeAndre Hopkins back, Arizona offense will be more of a test for Seahawks today.
Inactives vs. Seahawks pic.twitter.com/va0TzVv4NP
The early view from the press box. pic.twitter.com/rebRUqu0jF
Roof opening here in Glendale. pic.twitter.com/i4BNP0S62z
Seattle’s six inactive players for Sunday’s game at Arizona included two players who had already been ruled out due to injury — receiver Marquise Goodwin and linebacker Darrell Taylor, each sidelined with groin injuries.
Seattle’s other four inactive players to get down to the gameday max of 48 are running back Tony Jones Jr., safety Joey Blount, offensive tackle Jake Curhan and defensive tackle Myles Adams.
Blount had been listed as questionable with a quad injury, while Jones, Curhan and Adams were all healthy scratches.
When they meet Sunday in Glendale, Arizona, the Seahawks and Cardinals won’t be exactly the same teams they were Oct. 16 when they played in Seattle.
In the first meeting the Cardinals didn’t have receiver DeAndre Hopkins, who was finishing up a six-game suspension for violating the NFL’s policy on performance-enhancing drugs.
And Seahawks running back Kenneth Walker III had yet to start a game.
Hopkins is back, again serving as the leading target for quarterback Kyler Murray.
Walker has given the Seahawks the same dynamic running attack it had with Rashaad Penny, helping key a three-game winning streak that has them atop the NFC West at 5-3.
That winning streak began with a 19-9 win over Arizona. That Cardinals loss is one of three in their past four games, putting them close to must-win mode at 3-5.
Will the teams continue to head in opposite directions Sunday?
Let’s take a closer look with our weekly keys to the game and prediction.
READ MORE >>>
RENTON — So what to make of the Seattle Seahawks at almost the halfway point of the 2022 season?
That was a question put to former Seahawk Richard Sherman earlier this week during a conference call to promote Sherman appearing on Amazon Prime’s broadcast of Thursday Night Football.
“Obviously they were running a different (defensive) scheme, while they are running a different scheme now,” Sherman said. “They’re getting back to the basics now.”
And that, Sherman said, has been one of the keys to the Seahawks winning three straight games to get to 5-3 and a game ahead of the rest of the NFC West heading into a game Sunday at Arizona against the Cardinals.
The Seahawks entered the first game against Arizona at 2-3, coming off a 39-32 loss at New Orleans, seemingly on the way to a lost season.
But the Seahawks reversed course on defense — got back to basics, as Sherman said — reverting to a scheme in which the players were given freedom to shoot gaps when they saw fit instead of reading and reacting.
READ MORE >>>
The opinions expressed in reader comments are those of the author only and do not reflect the opinions of The Seattle Times.

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Even BMW Is Now Making Fun of Lexus's 'Big Red Bow' Holiday Ads – Muse by Clio

If you’re sick of those sappy yet iconic Lexus holiday ads with the big red bows, here’s a good-natured parody from rival BMW of America that takes the trope in an unexpected direction.
Goodby Silverstein & Partners and RSA director Jonny Mass created a spoof set at a family gathering. Pop-Pop’s plenty stoked to see the whole gang together again. But his seasonal joy shifts into overdrive thanks to the random trajectory of a dislodged house decoration:
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Ha ha! Gramps will be miffed when he learns that snazzy BMW isn’t a gift, just the resting place for a red bow blown down by the wind. Ah well, a tie is nice, too. Maybe someone brought a fruit cake.
“The holidays are a fun time of year, so we wanted to have a little fun with our annual ‘Road Home’ sales spot this by celebrating the spirit of the season with a lighthearted interpretation of the typical holiday car commercial,” says BMW VP of marketing Marcus Casey.
Of course, the Lexus “December to Remember” bow has been lampooned before. This SNL skit is pretty amusing. BMW’s spot is subtler, befitting an actual ad, and it scores by invoking a beloved/despised meme without seeming snarky. (Well, maybe a little.)
“The cast took the awkward moment scene to so many places with ad libs that had the crew in stitches,” recalls GS&P ACD Clemens Zlami. “The only bad actor was the bow, to be honest. It was surprisingly difficult to have the bow land on the correct spot. However, when the shoot was over, everyone wanted to take the bow—and the cars—home!”
The BMW commercial broke last week and will run on TV and online, notably during Fox’s World Cup coverage. Muse reached out to Lexus, where a rep took the high road and politely declined to comment. 
Ad Agency: Goodby Silverstein & Partners
Client: BMW North America
Title of Creative Work: Big Red Bow
BMW
President and CEO, BMW of North America: Sebastian Mackensen
VP, Marketing: Marcus Casey
Head of Brand Strategy & Communications: Albi Pagenstert
Media & Communications Manager: Lisa Judge
Corporate Communications Spokesperson: Phil Dilanni
Retail & CPO Marketing Manager: Lauren Martens
National Media Specialist: Zach Ambrosino
National Marketing Specialist: Jamie Pritchard 
Senior Retail Marketing Specialist: Mike Fillare
Media Specialist: Timothy Sumter
Creative
Co-Chairman and Co-Founder: Rich Silverstein
Partner, Chief Creative Officer: Margaret Johnson
Executive Creative Directors: Matt Edwards and Wes Phelan
Associate Creative Directors: Kevin Leung and Clemens Zlami
Art Director: Guillermo Aliaga Pueyrredon
Copywriter: Belen Russomanno
Account Services
Managing Partner: Leslie Barrett
Group Account Director: Tom Powers
Account Manager: Ali Bentin
Assistant Account Manager: Susie Juarez
Brand and Communication Strategy
Partner, Head of Brand Strategy: Bonnie Wan
Group Brand Strategy Director: Stephanie Phillips
Brand Strategy Director: Kevin DeStefan, Lucas Goodbody
Partner, Head of Communication Strategy: Christine Chen 
Group Communication Strategy Director: Dong Kim
Deputy Director of Research Strategy: Jane Warren
Junior Research Strategist: Whitney Thomas
Director of PR: Meredith Vellines
Production
Head of Production: Jim Haight
Executive Producer: Matt Flaker
Producer: Jennifer de Leon
Producer: Daniel Chang
Director of Graphic Services: Jim King
Business Affairs
Head of Business Affairs: Judy Ybarra
Senior Business Affairs Manager: Heidi Killeen
Broadcast Traffic Director: Ruchele Eisenman
Senior Broadcast Traffic Manager: Edgar Ornelas
Production Company
Company Name: RSA Films
Production Company City: Los Angeles
Director: Jonny Mass
President: Luke Ricci
Executive Producer: Buddy Brakha
Head of Production: Carolyn Pedrossian
Producer: Jon Dawes
Director of Photography: Pete Konzcal
Print Photographer: Saam Gabbay
Print Assistant Photographer: Sebastian Keefe
Editorial Company
Company Name: Uppercut Editorial
Editing Company City: New York
Editor: Joaquin Machado
Assistant Editor: Allen Rounsley
Head of Production: Jared Thomas
Audio and Sound Design Company
Music Production: Racket Club
Music Company City: New York
Creative Director: Justin Hori
Creative Producer: Adrian Womack
Associate Producer: Becky Mathai
Company name: Sonic Union
Sound Design Company City: New York
Sound Designer/Mix Engineer: Steve Rosen
Audio Post Studio Director: Justine Cortale 
VFX Company
Company: The Mill
Shoot Supervisor: John Leonti
Executive Producer: Hillary Thomas 
Creative Director: Alexander Candlish 
Producer: Kim Downing
VFX Artists: Abigail Riegel and Kevin Diaz
Colorist: Paul Yacono
Senior Producer: Denise Brown
Senior Color Assistant: Gemma Parr
Color Assistant: Jacob Suffern
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MUSE by Clio © 2022

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'The Music Man' extends Broadway run – Broadway News

Producers of Broadway’s “Music Man” revival have announced that the production, starring Tony winners Hugh Jackman and Sutton Foster, will now end its run on Jan. 15, 2023 at the Winter Garden Theatre. The production had previously announced that it would close on Jan. 1.
Upon its new end date, “The Music Man” will have played 46 previews and 374 regular performances.
With a book and score by Meredith Willson, this revival is directed by Jerry Zaks and choreographed by Warren Carlyle. The creative team also includes scenic and costume designer Santo Loquasto; lighting designer Brian MacDevitt; sound designer Scott Lehrer; hair, wig and makeup designer Luck Verschueren for Campbell Young and Associates; orchestrator Jonathan Tunick; vocal and dance arranger David Chase; and musical director Patrick Vaccariello.
Joining Jackman and Foster in the cast are Shuler Hensley as Marcellus Washburn, Mark Linn-Baker as Mayor Shinn, Jayne Houdyshell as Mrs. Shinn, Marie Mullen as Mrs. Paroo, Remy Auberjonois as Charlie Cowell, Gino Cosculluela as Tommy Djilas, Emma Crow as Zaneeta Shinn, Benjamin Pajak as Winthrop, Emily Jewel Hoder as Amaryllis, Garrett Long as Ethel Toffelmier, Linda Mugleston as Alma Hix, Jessica Sheridan as Maud Dunlop, Rema Webb as Mrs. Squires, Phillip Boykin as Olin Britt, Eddie Korbich as Jacey Squires, Daniel Torres as Ewart Dunlop, Nicholas Ward as Oliver Hix and Lance Roberts as Constable Locke. Max Clayton is the standby for Harold Hill.
The company also features Nick Alvino, Jordan Beall, Ronnie S. Bowman Jr., Maria Briggs, Audrina Brudner, Audrey Cardwell, Michael Cash, William Thomas Colin, Kammie Crum, Aydin Eyikan, Richard Gatta, Ethen Green-Younger, Curtis Holland, Andrea Jones-Sojola, Amanda LaMotte, Kayla LaVine, Ross Lekites, Devin Miles Lugo, Drew Minard, Sean Montgomery, Kennedy Pitney, Daniel Patrick Russell, Sherisse Springer, Mitchell Tobin, Kathy Voytko, Branch Woodman and Ryan Worsing.
Producer Kate Horton said, “The hunger of audiences for our show continues unabated. We are grateful to Hugh and Sutton and our entire glorious company for agreeing to add these additional 16 performances.”
Next at the Winter Garden Theatre will be a musical adaptation of “Back to the Future,” set to begin previews on June 30, 2023.

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