EQ Bank owner Equitable Group Inc. says it has closed its takeover of Concentra Bank in a deal valued at $495-million.
Toronto-based Equitable says the takeover of Concentra boosts its assets under management base by $13.6-billion to make it the seventh largest independent bank in Canada by assets.
Concentra operates under the Wyth Financial brand, and also has a Trust division that provides services largely to credit unions with $38.6-billion in assets under administration.
With the deal closed, Wyth operations will be replaced by EQ Bank as the single digital platform.
Overall, Equitable says the deal brings its direct and indirect client total to more than five million.
The Credit Union Central of Saskatchewan had been the largest shareholder of Concentra before the sale at about 84 per cent ownership.
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EQ Bank owner closes $495-million takeover of Concentra Bank – The Globe and Mail
Holiday studio sale featuring work by local artists returns to Ann Arbor’s Water Hill in December – WDIV ClickOnDetroit
Meredith Bruckner, Community News Producer, All About Ann Arbor
Published:
Updated:
Meredith Bruckner, Community News Producer, All About Ann Arbor
ANN ARBOR – Local artist Kate Tremel is opening her home studio on Dec. 10-11 for the 13th Annual Artists Holiday Studio Sale.
The sale will take place from noon-5 p.m. both days at 627 Gott St in the Water Hill neighborhood.
Work by six professional local artisans will be for sale, including jewelry, book art, ceramics, glass and more.
The artists include:
Tremel is a lecturer at the University of Michigan and is a Cranbrook alumna.
According to an event release, the one-of-a-kind works would be “perfect as gifts for discerning friends and collectors in an inspiring and convivial setting” in which the artists will be present.
The show is part of the Ann Arbor Winter Art Tour, which showcases 10 sales by local artists in one weekend.
Copyright 2022 by WDIV ClickOnDetroit – All rights reserved.
Meredith has worked for WDIV since August 2017 and was voted one of Washtenaw County's best journalists in 2019 by eCurrent's readers. She covers the community of Ann Arbor and has a Master's degree in International Broadcast Journalism from City University London, UK.
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Copyright © 2022 ClickOnDetroit.com is managed by Graham Digital and published by Graham Media Group, a division of Graham Holdings.
What the Suzuki Method Really Taught – The New Yorker
What the Suzuki Method Really Taught The New Yorker
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(All amounts are in U.S. dollars unless otherwise indicated)
TORONTO, Nov. 3, 2022 /PRNewswire/ – New Gold Inc. (“New Gold” or the “Company”) (TSX: NGD) (NYSE American: NGD) reports third quarter results for the Company as of September 30, 2022. The Company will host a conference call and webcast today at 8:30 am Eastern Time to discuss the third quarter consolidated results (details are provided at the end of this news release). For detailed information, please refer to the Company’s third quarter Management’s Discussion and Analysis (MD&A) and Financial Statements that are available on the Company’s website at www.newgold.com and on SEDAR at www.sedar.com. The Company uses certain non-GAAP financial performance measures throughout this news release. Please refer to the “Non-GAAP Financial Performance Measures” section of this news release and the MD&A for more information. Numbered note references throughout this news release are to endnotes which can be found at the end of this news release.
Consolidated Third Quarter Highlights
“The third quarter saw our operations recover from their respective challenges during the first half of the year,” stated Renaud Adams, President & CEO. “Rainy River is focused on continuing its ramp-up of mining the open pit main ODM zone in the fourth quarter. Underground production commenced during the quarter and the priority continues to be feeding the mill with higher grade Intrepid underground material, which I anticipate in the very near term. At New Afton, receiving the C-Zone permit and completing B3 development and drawbell construction in late-October, were significant milestones. Our priority remains on ramping up B3 production during the fourth quarter and continuing to advance C-Zone development, with initial production from the C-Zone expected in the second half of 2023.”
Consolidated Financial Highlights
Q3 2022
Q3 2021
9M 2022
9M 2021
Revenue ($M)
151.2
179.8
441.6
542.9
Operating expenses ($M)
99.2
88.6
274.2
277.7
Net (loss) earnings ($M)
(4.2)
(11.3)
(49.9)
(10.3)
Net (loss) per share ($)
(0.01)
(0.02)
(0.07)
(0.02)
Adj. net (loss) earnings ($M)2
(13.4)
23.4
(19.8)
58.2
Adj. net (loss) earnings, per share ($)2
(0.02)
0.03
(0.03)
0.09
Cash generated from operations ($M)
53.7
54.3
158.9
218.0
Cash generated from operations, per share ($)
0.08
0.08
0.23
0.32
Cash generated from operations, before changes in non-cash operating working capital ($M)2
43.6
81.3
137.4
229.8
Cash generated from operations, before changes in non-cash operating working capital, per share ($)2
0.06
0.12
0.20
0.34
Consolidated Operational Highlights
Q3 2022
Q3 2021
9M 2022
9M 2021
Gold eq. production (ounces)1,3
91,021
105,628
249,230
307,359
Gold eq. sold (ounces)1,3
92,634
97,196
247,678
293,235
Gold production (ounces)3
70,147
72,210
190,679
205,849
Gold sold (ounces)3
68,816
66,982
190,641
198,705
Copper production (Mlbs)3
8.5
15.6
24.1
47.5
Copper sold (MIbs)3
9.9
14.0
23.5
44.2
Gold revenue, per ounce ($)
1,703
1,770
1,814
1,778
Copper revenue, per pound ($)
3.17
4.02
3.75
3.94
Average realized gold price, per ounce ($)2
1,727
1,788
1,831
1,798
Average realized copper price, per pound ($)2
3.42
4.28
3.99
4.20
Operating expenses, per gold eq. ounce ($)4
1,069
915
1,106
947
Total cash costs, per gold eq. ounce ($)2
1,114
966
1,143
1,001
Depreciation and depletion, per gold eq. ounce ($)4
599
497
580
496
All-in sustaining costs, per gold eq. ounce ($)2
1,637
1,408
1,875
1,503
Sustaining capital and sustaining leases ($M)2
42.4
35.3
157.9
123.2
Growth capital ($M)2
30.3
23.1
72.1
74.8
Total capital and leases ($M)
72.7
58.4
230.0
198.0
Rainy River Mine
Operational Highlights
Rainy River Mine
Q3 2022
Q3 2021
9M 2022
9M 2021
Gold eq. production (ounces)1,3
60,319
60,785
163,973
172,462
Gold eq. sold (ounces)1,3
56,932
57,800
165,396
168,682
Gold production (ounces)3
58,719
58,557
160,069
166,113
Gold sold (ounces)3
55,421
55,597
161,573
162,454
Gold revenue, per ounce ($)
1,729
1,788
1,832
1,797
Average realized gold price, per ounce ($)2
1,729
1,788
1,832
1,797
Operating expenses, per gold eq. ounce ($)4
955
960
973
979
Total cash costs, per gold eq. ounce ($)2
955
960
973
979
Depreciation and depletion, per gold eq. ounce ($)4
687
635
665
647
All-in sustaining costs, per gold eq. ounce ($)2
1,483
1,307
1,662
1,470
Sustaining capital and sustaining leases ($M)2
28.4
17.6
108.0
76.9
Growth capital ($M)2
6.0
4.3
13.5
9.3
Total capital and leases ($M)
34.4
21.9
121.5
86.2
Operating Key Performance Indicators
Rainy River Mine (Open Pit Mine only)
Q3 2022
Q3 2021
9M 2022
9M 2021
Tonnes mined per day (ore and waste)
112,055
149,630
113,597
152,980
Ore tonnes mined per day
24,701
52,917
19,022
41,681
Operating waste tonnes per day
44,469
88,216
33,110
75,077
Capitalized waste tonnes per day
42,885
8,497
61,465
36,222
Total waste tonnes per day
87,354
96,713
94,575
111,299
Strip ratio (waste:ore)
3.54
1.83
4.97
2.67
Tonnes milled per calendar day
24,439
25,245
24,020
25,628
Gold grade milled (g/t)
0.89
0.89
0.83
0.83
Gold recovery (%)
91
89
91
89
New Afton Mine
Operational Highlights
New Afton Mine
Q3 2022
Q3 2021
9M 2022
9M 2021
Gold eq. production (ounces)1,3
30,701
44,843
85,257
134,898
Gold eq. sold (ounces)1,3
35,702
39,395
82,282
124,553
Gold production (ounces)3
11,427
13,653
30,610
39,735
Gold sold (ounces)3
13,395
11,385
29,068
36,251
Copper production (Mlbs)3
8.5
15.6
24.1
47.5
Copper sold (Mlbs)3
9.9
14.0
23.5
44.2
Gold revenue, per ounce ($)
1,595
1,681
1,712
1,692
Copper revenue, per ounce ($)
3.17
4.02
3.75
3.94
Average realized gold price, per ounce ($)2
1,721
1,789
1,825
1,803
Average realized copper price, per pound ($)2
3.42
4.28
3.99
4.20
Operating expenses, per gold eq. ounce ($)4
1,250
849
1,374
904
Total cash costs, per gold eq. ounce ($)2
1,367
974
1,485
1,030
Depreciation and depletion, per gold eq. ounce ($)4
455
288
403
285
All-in sustaining costs, per gold eq. ounce ($)2
1,769
1,423
2,101
1,403
Sustaining capital and sustaining leases ($M)2
13.8
17.4
48.9
45.1
Growth capital ($M)2
24.3
18.8
58.6
65.5
Total capital and leases ($M)
38.1
36.2
107.5
110.6
Operating Key Performance Indicators
New Afton Mine
Q3 2022
Q3 2021
9M 2022
9M 2021
Tonnes mined per day (ore and waste)
6,523
12,861
6,674
13,125
Tonnes milled per calendar day
7,764
13,068
9,836
13,474
Gold grade milled (g/t)
0.59
0.43
0.43
0.42
Gold recovery (%)
85
83
83
81
Copper grade milled (%)
0.64
0.72
0.50
0.72
Copper recovery (%)
85
82
81
82
Third Quarter 2022 Conference Call and Webcast
The Company will host a webcast and conference call today at 8:30 am Eastern Time to discuss the Company’s third quarter consolidated results.
About New Gold
New Gold is a Canadian-focused intermediate mining company with a portfolio of two core producing assets in Canada, the Rainy River gold mine and the New Afton copper-gold mine. The Company also holds an approximately 4% equity stake in Artemis Gold Inc. and other Canadian-focused investments. New Gold’s vision is to build a leading diversified intermediate gold company based in Canada that is committed to the environment and social responsibility. For further information on the Company, visit www.newgold.com.
Endnotes
1.
Total gold eq. ounces include silver and copper produced/sold converted to a gold equivalent. All copper is produced/sold by the New Afton Mine. Gold eq. ounces for Rainy River in Q3 2022 includes production of 120,000 ounces of silver (113,306 ounces sold) converted to a gold eq. based on a ratio of $1,800 per gold ounce and $24.00 per silver ounce used for 2022 guidance estimates. Gold eq. ounces for New Afton in Q3 2022 includes 8.5 million pounds of copper produced (9.9 million pounds sold) and 22,672 ounces of silver produced (30,623 ounces of silver sold) converted to a gold eq. based on a ratio of $1,800 per gold ounce, $4.00 per copper pound and $24.00 per silver ounce used for 2022 guidance estimates.
2.
“Total cash costs”, “all-in sustaining costs” (or “AISC”), “adjusted net earnings/(loss)”, “adjusted tax expense”, “sustaining capital and sustaining leases”, “growth capital”, “cash generated from operations, before changes in non-cash operating working capital”, “free cash flow”, and “average realized gold/copper price per ounce/pound” are all non-GAAP financial performance measures that are used in this news release. These measures do not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. For more information about these measures, why they are used by the Company, and a reconciliation to the most directly comparable measure under IFRS, see the “Non-GAAP Financial Performance Measures” section of this news release.
3.
Production is shown on a total contained basis while sales are shown on a net payable basis, including final product inventory and smelter payable adjustments, where applicable.
4.
These are supplementary financial measures which are calculated as follows: “Operating expenses per gold eq. ounce sold” is total operating expenses divided by total gold equivalent ounces sold and “depreciation and depletion per gold eq. ounce sold” is total depreciation and depletion divided by total gold equivalent ounces sold.
Non-GAAP Financial Performance Measures
Total Cash Costs per Gold eq. Ounce
“Total cash costs per gold equivalent ounce” is a non-GAAP financial performance measure that is a common financial performance measure in the gold mining industry but does not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. New Gold reports total cash costs on a sales basis and not on a production basis. The Company believes that, in addition to conventional measures prepared in accordance with IFRS, this measure, along with sales, is a key indicator of the Company’s ability to generate operating earnings and cash flow from its mining operations. This measure allows investors to better evaluate corporate performance and the Company’s ability to generate liquidity through operating cash flow to fund future capital exploration and working capital needs.
This measure is intended to provide additional information only and should not be considered in isolation or as a substitute for measures of performance prepared in accordance with IFRS. This measure is not necessarily indicative of cash generated from operations under IFRS or operating costs presented under IFRS.
Total cash cost figures are calculated in accordance with a standard developed by The Gold Institute, a worldwide association of suppliers of gold and gold products that ceased operations in 2002. Adoption of the standard is voluntary and the cost measures presented may not be comparable to other similarly titled measures of other companies. Total cash costs include mine site operating costs such as mining, processing and administration costs, royalties, and production taxes, but are exclusive of amortization, reclamation, capital and exploration costs. Total cash costs are then divided by gold equivalent ounces sold to arrive at the total cash costs per equivalent ounce sold.
In addition to gold, the Company produces copper and silver. Gold equivalent ounces of copper and silver produced or sold in a quarter are computed using a consistent ratio of copper and silver prices to the gold price and multiplying this ratio by the pounds of copper and silver ounces produced or sold during that quarter.
Notwithstanding the impact of copper and silver sales, as the Company is focused on gold production, New Gold aims to assess the economic results of its operations in relation to gold, which is the primary driver of New Gold’s business. New Gold believes this metric is of interest to its investors, who invest in the Company primarily as a gold mining business. To determine the relevant costs associated with gold equivalent ounces, New Gold believes it is appropriate to reflect all operating costs incurred in its operations.
All-In Sustaining Costs per Gold eq. Ounce
“All-in sustaining costs per gold equivalent ounce” is a non-GAAP financial performance measure that does not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. New Gold calculates “all-in sustaining costs per gold equivalent ounce” based on guidance announced by the World Gold Council (“WGC”) in September 2013. The WGC is a non-profit association of the world’s leading gold mining companies established in 1987 to promote the use of gold to industry, consumers and investors. The WGC is not a regulatory body and does not have the authority to develop accounting standards or disclosure requirements. The WGC has worked with its member companies to develop a measure that expands on IFRS measures to provide visibility into the economics of a gold mining company. Current IFRS measures used in the gold industry, such as operating expenses, do not capture all of the expenditures incurred to discover, develop and sustain gold production. New Gold believes that “all-in sustaining costs per gold equivalent ounce” provides further transparency into costs associated with producing gold and will assist analysts, investors, and other stakeholders of the Company in assessing its operating performance, its ability to generate free cash flow from current operations and its overall value. In addition, the Human Resources and Compensation Committee of the Board of Directors uses “all-in sustaining costs”, together with other measures, in its Company scorecard to set incentive compensation goals and assess performance.
“All-in sustaining costs per gold equivalent ounce” is intended to provide additional information only and does not have any standardized meaning under IFRS and may not be comparable to similar measures presented by other mining companies. It should not be considered in isolation or as a substitute for measures of performance prepared in accordance with IFRS. The measure is not necessarily indicative of cash flow from operations under IFRS or operating costs presented under IFRS.
New Gold defines “all-in sustaining costs per gold equivalent ounce” as the sum of total cash costs, capital expenditures that are sustaining in nature, corporate general and administrative costs, capitalized and expensed exploration that is sustaining in nature, lease payments that are sustaining in nature, and environmental reclamation costs, all divided by the total gold equivalent ounces sold to arrive at a per ounce figure. The “Sustaining Capital Expenditure Reconciliation” table below reconciles New Gold’s sustaining capital to its cash flow statement. The definition of sustaining versus non-sustaining is similarly applied to capitalized and expensed exploration costs and lease payments. Exploration costs and lease payments to develop new operations or that relate to major projects at existing operations where these projects are expected to materially increase production are classified as non-sustaining and are excluded. Gold equivalent ounces of copper and silver produced or sold in a quarter are computed using a consistent ratio of copper and silver prices to the gold price and multiplying this ratio by the pounds of copper and silver ounces produced or sold during that quarter.
Costs excluded from all-in sustaining costs are non-sustaining capital expenditures, non-sustaining lease payments and exploration costs, financing costs, tax expense, and transaction costs associated with mergers, acquisitions and divestitures, and any items that are deducted for the purposes of adjusted earnings.
Sustaining Capital and Sustaining Leases
“Sustaining capital” and “sustaining lease” are non-GAAP financial performance measures that do not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. New Gold defines “sustaining capital” as net capital expenditures that are intended to maintain operation of its gold producing assets. Similarly, a “sustaining lease” is a lease payment that is sustaining in nature. To determine “sustaining capital” expenditures, New Gold uses cash flow related to mining interests from its consolidated statement of cash flows and deducts any expenditures that are capital expenditures to develop new operations or capital expenditures related to major projects at existing operations where these projects will materially increase production. Management uses “sustaining capital” and “sustaining lease” to understand the aggregate net result of the drivers of all-in sustaining costs other than total cash costs. These measures are intended to provide additional information only and should not be considered in isolation or as substitutes for measures of performance prepared in accordance with IFRS.
Growth Capital
“Growth capital” is a non-GAAP financial performance measure that does not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. New Gold considers non-sustaining capital costs to be “growth capital”, which are capital expenditures to develop new operations or capital expenditures related to major projects at existing operations where these projects will materially increase production. To determine “growth capital” expenditures, New Gold uses cash flow related to mining interests from its consolidated statement of cash flows and deducts any expenditures that are capital expenditures that are intended to maintain operation of its gold producing assets. Management uses “growth capital” to understand the cost to develop new operations or related to major projects at existing operations where these projects will materially increase production. This measure is intended to provide additional information only and should not be considered in isolation or as a substitute for measures of performance prepared in accordance with IFRS.
The following tables reconcile the above non-GAAP measures to the most directly comparable IFRS measure on an aggregate basis.
Consolidated OPEX, Cash Cost and All-in Sustaining Costs Reconciliation
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
CONSOLIDATED OPEX, CASH COST AND ALL-IN SUSTAINING COSTS RECONCILIATION
Operating expenses
99.2
88.6
274.2
277.7
Gold equivalent ounces sold1
92,634
97,196
247,678
293,235
Operating expenses per gold equivalent ounce sold ($/ounce)
1,069
915
1,106
947
Operating expenses
99.2
88.6
274.2
277.7
Treatment and refining charges on concentrate sales
4.2
4.9
9.2
15.7
Total cash costs
103.4
93.5
283.2
293.5
Gold equivalent ounces sold1
92,634
97,196
247,678
293,235
Total cash costs per gold equivalent ounce sold ($/ounce)2
1,114
966
1,143
1,001
Sustaining capital expenditures2
39.2
31.8
148.7
113.5
Sustaining exploration – expensed
0.1
0.4
0.5
0.7
Sustaining leases2
2.7
2.6
7.8
8.0
Corporate G&A including share-based compensation
3.6
4.9
15.7
16.9
Reclamation expenses
2.8
3.3
8.5
8.0
Total all-in sustaining costs
151.8
136.5
464.5
440.6
Gold equivalent ounces sold1
92,634
97,196
247,678
293,235
All-in sustaining costs per gold equivalent ounce sold ($/ounce)2
1,637
1,408
1,875
1,503
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
RAINY RIVER OPEX, CASH COSTS AND AISC RECONCILIATION
Operating expenses
54.4
55.5
161.0
165.2
Gold equivalent ounces sold1
56,932
57,800
165,396
168,682
Operating expenses per unit of gold sold ($/ounce)
955
960
973
979
Operating expenses
54.4
55.5
161.0
165.2
Total cash costs
54.4
55.5
161.0
165.2
Gold equivalent ounces sold1
56,932
57,800
165,396
168,682
Total cash costs per gold equivalent ounce sold ($/ounce)2
955
960
973
979
Sustaining capital expenditures2
25.3
15.2
100.0
69.4
Sustaining leases2
2.5
2.3
7.1
7.2
Reclamation expenses
2.2
2.6
6.7
6.1
Total all-in sustaining costs
84.5
75.7
274.9
247.9
Gold equivalent ounces sold1
56,932
57,800
165,396
168,682
All-in sustaining costs per gold equivalent ounce sold ($/ounce)2
1,483
1,307
1,662
1,470
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
NEW AFTON OPEX, CASH COSTS AND AISC RECONCILIATION
Operating expenses
44.8
33.1
113.0
112.5
Gold equivalent ounces sold1
35,702
39,395
82,282
124,553
Operating expenses per unit of gold sold ($/ounce)
1,250
849
1,374
904
Operating expenses
44.8
33.1
113.0
112.5
Treatment and refining charges on concentrate sales
4.2
4.9
9.2
15.7
Total cash costs
49.0
38.0
122.2
128.2
Gold equivalent ounces sold1
35,702
39,395
82,282
124,553
Total cash costs per gold equivalent ounce sold ($/ounce)2
1,367
974
1,485
1,030
Sustaining capital expenditures2
13.7
16.8
48.5
44.1
Sustaining leases2
—
0.1
0.3
0.4
Reclamation expenses
0.6
0.7
1.8
1.9
Total all-in sustaining costs
63.3
55.6
172.8
175.0
Gold equivalent ounces sold1
35,702
39,395
82,282
124,553
All-in sustaining costs per gold equivalent ounce sold ($/ounce)
1,769
1,423
2,101
1,403
Sustaining Capital Expenditures Reconciliation Table
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
TOTAL SUSTAINING CAPITAL EXPENDITURES
Mining interests per consolidated statement of cash flows
(69.9)
(55.4)
(221.6)
(189.2)
New Afton growth capital expenditures2
(24.3)
(18.8)
(58.6)
(65.5)
Rainy River growth capital expenditures2
(6.0)
(4.3)
(13.5)
(9.3)
Sustaining capital expenditures2
(39.6)
(32.3)
(149.5)
(114.4)
Adjusted Net Earnings/(Loss) and Adjusted Net Earnings per Share
“Adjusted net earnings” and “adjusted net earnings per share” are non-GAAP financial performance measures that do not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. “Adjusted net earnings” and “adjusted net earnings per share” excludes “loss on repayment of long term debt” and “other gains and losses” as per Note 3 of the Company’s condensed consolidated financial statements. Net earnings have been adjusted, including the associated tax impact, for loss on repayment of long-term debt and the group of costs in “Other gains and losses” on the condensed consolidated income statements. Key entries in this grouping are: the fair value changes for the gold stream obligation, fair value changes for the free cash flow interest obligation, fair value changes for copper price option contracts, foreign exchange gains/loss and fair value changes in investments. The income tax adjustments reflect the tax impact of the above adjustments and is referred to as “adjusted tax expense”.
The Company uses “adjusted net earnings” for its own internal purposes. Management’s internal budgets and forecasts and public guidance do not reflect the items which have been excluded from the determination of “adjusted net earnings”. Consequently, the presentation of “adjusted net earnings” enables investors to better understand the underlying operating performance of the Company’s core mining business through the eyes of management. Management periodically evaluates the components of “adjusted net earnings” based on an internal assessment of performance measures that are useful for evaluating the operating performance of New Gold’s business and a review of the non-GAAP financial performance measures used by mining industry analysts and other mining companies. “Adjusted net earnings” and “adjusted net earnings per share” are intended to provide additional information only and should not be considered in isolation or as substitutes for measures of performance prepared in accordance with IFRS. These measures are not necessarily indicative of operating profit or cash flows from operations as determined under IFRS. The following table reconciles these non-GAAP financial performance measures to the most directly comparable IFRS measure.
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
ADJUSTED NET (LOSS) EARNINGS RECONCILIATION
(Loss) earnings before taxes
(15.9)
(4.9)
(59.7)
3.5
Other losses
1.0
32.0
33.0
66.1
Loss on repayment of long-term debt
—
—
4.3
—
Adjusted net (loss) earnings before taxes
(14.9)
27.1
(22.4)
69.6
Income tax expense
11.7
(6.4)
9.8
(13.8)
Income tax adjustments
(10.2)
2.7
(7.2)
2.4
Adjusted income tax recovery (expense)2
1.5
(3.7)
2.6
(11.4)
Adjusted net (loss) earnings2
(13.4)
23.4
(19.8)
58.2
Adjusted (loss) earnings per share (basic and diluted)2
(0.02)
0.03
(0.03)
0.09
Cash Generated from Operations, before Changes in Non-Cash Operating Working Capital
“Cash generated from operations, before changes in non-cash operating working capital” is a non-GAAP financial performance measure that does not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. Other companies may calculate this measure differently and this measure is unlikely to be comparable to similar measures presented by other companies. “Cash generated from operations, before changes in non-cash operating working capital” excludes changes in non-cash operating working capital. New Gold believes this non-GAAP financial measure provides further transparency and assists analysts, investors and other stakeholders of the Company in assessing the Company’s ability to generate cash from its operations before temporary working capital changes.
Cash generated from operations, before non-cash changes in working capital is intended to provide additional information only and should not be considered in isolation or as a substitute for measures of performance prepared in accordance with IFRS. This measure is not necessarily indicative of operating profit or cash flows from operations as determined under IFRS. The following table reconciles this non-GAAP financial performance measure to the most directly comparable IFRS measure.
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars)
2022
2021
2022
2021
CASH RECONCILIATION
Cash generated from operations
53.7
54.3
158.9
218.0
Change in non-cash operating working capital
(10.1)
27.0
(21.5)
11.8
Cash generated from operations, before changes in non-cash operating working capital2
43.6
81.3
137.4
229.8
Free Cash Flow
“Free cash flow” is a non-GAAP financial performance measure that does not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. New Gold defines “free cash flow” as cash generated from operations and proceeds of sale of other assets less capital expenditures on mining interests, lease payments, settlement of non-current derivative financial liabilities which include the gold stream obligation and the Ontario Teachers’ Pension Plan free cash flow interest. New Gold believes this non-GAAP financial performance measure provides further transparency and assists analysts, investors and other stakeholders of the Company in assessing the Company’s ability to generate cash flow from current operations. “Free cash flow” is intended to provide additional information only and should not be considered in isolation or as a substitute for measures of performance prepared in accordance with IFRS. This measure is not necessarily indicative of operating profit or cash flows from operations as determined under IFRS. The following tables reconcile this non-GAAP financial performance measure to the most directly comparable IFRS measure on an aggregate and mine-by-mine basis.
Three months ended September 30, 2022
(in millions of U.S. dollars)
Rainy River
New Afton
Other
Total
FREE CASH FLOW RECONCILIATION
Cash generated from operations
38.5
17.8
(2.6)
53.7
Less Mining interest capital expenditures
(31.8)
(38.1)
—
(69.9)
Add Proceeds of sale from other assets
0.6
—
—
0.6
Less Lease payments
(2.5)
—
(0.1)
(2.6)
Less Cash settlement of non-current derivative financial liabilities
(5.4)
—
—
(5.4)
Free Cash Flow2
(0.7)
(20.3)
(2.7)
(23.6)
Three months ended September 30, 2021
(in millions of U.S. dollars)
Rainy River
New Afton
Other
Total
FREE CASH FLOW RECONCILIATION
Cash generated from operations
24.0
36.0
(5.8)
54.2
Less Mining interest capital expenditures
(19.5)
(36.0)
0.1
(55.4)
Add Proceeds of sale from other assets
—
0.4
—
0.4
Less Lease payments
(2.3)
(0.1)
(0.1)
(2.5)
Less Cash settlement of non-current derivative financial liabilities
(7.3)
—
—
(7.3)
Free Cash Flow2
(5.1)
0.3
(5.8)
(10.6)
Nine months ended September 30, 2022
(in millions of U.S. dollars)
Rainy River
New Afton
Other
Total
FREE CASH FLOW RECONCILIATION
Cash generated from operations
153.2
23.3
(17.6)
158.9
Less Mining interest capital expenditures
(114.4)
(107.1)
(0.1)
(221.6)
Add Proceeds of sale from other assets
0.8
0.1
—
0.9
Less Lease payments
(7.1)
(0.3)
(0.3)
(7.7)
Less Cash settlement of non-current derivative financial liabilities
(18.4)
(12.4)
—
(30.7)
Free Cash Flow2
14.1
(96.4)
(18.0)
(100.2)
Nine months ended September 30, 2021
(in millions of U.S. dollars)
Rainy River
New Afton
Other
Total
FREE CASH FLOW RECONCILIATION
Cash generated from operations
117.2
120.5
(19.8)
217.9
Less Mining interest capital expenditures
(79.0)
(110.2)
—
(189.2)
Add Proceeds of sale from other assets
0.3
0.5
—
0.8
Less Lease payments
(7.2)
(0.4)
(0.4)
(8.0)
Less Cash settlement of non-current derivative financial liabilities
(20.8)
(4.9)
—
(25.7)
Free Cash Flow2
10.5
5.5
(20.2)
(4.2)
Average Realized Price
“Average realized price per ounce of gold sold” is a non-GAAP financial performance measure that does not have any standardized meaning under IFRS and therefore may not be comparable to similar measures presented by other issuers. Other companies may calculate this measure differently and this measure is unlikely to be comparable to similar measures presented by other companies. Management uses this measure to better understand the price realized in each reporting period for gold sales. “Average realized price per ounce of gold sold” is intended to provide additional information only and should not be considered in isolation or as a substitute for measures of performance prepared in accordance with IFRS. The following tables reconcile this non-GAAP financial performance measure to the most directly comparable IFRS measure on an aggregate and mine-by-mine basis.
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
TOTAL AVERAGE REALIZED PRICE
Revenue from gold sales
117.2
118.4
345.8
352.7
Treatment and refining charges on gold concentrate sales
1.7
1.2
3.3
4.0
Gross revenue from gold sales
118.9
119.6
349.1
356.7
Gold ounces sold
68,816
66,982
190,641
198,705
Total average realized price per gold ounce sold ($/ounce)2
1,727
1,788
1,831
1,798
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
RAINY RIVER AVERAGE REALIZED PRICE
Revenue from gold sales
95.8
99.4
296.0
291.9
Gold ounces sold
55,421
55,597
161,573
162,454
Rainy River average realized price per gold ounce sold ($/ounce)2
1,729
1,788
1,832
1,797
Three months ended September 30
Nine months ended September 30
(in millions of U.S. dollars, except where noted)
2022
2021
2022
2021
NEW AFTON AVERAGE REALIZED PRICE
Revenue from gold sales
21.4
19.0
49.8
60.8
Treatment and refining charges on gold concentrate sales
1.7
1.2
3.3
4.0
Gross revenue from gold sales
23.1
20.2
53.1
64.8
Gold ounces sold
13,395
11,385
29,068
36,251
New Afton average realized price per gold ounce sold ($/ounce)2
1,721
1,789
1,825
1,803
For additional information with respect to the non-GAAP measures used by the Company, refer to the detailed “Non-GAAP Financial Performance Measure” section disclosure in the MD&A for the three and nine months ended September 30, 2022 filed on SEDAR at www.sedar.com and on EDGAR at www.sec.gov.
Cautionary Note Regarding Forward-Looking Statements
Certain information contained in this news release, including any information relating to New Gold’s future financial or operating performance are “forward-looking”. All statements in this news release, other than statements of historical fact, which address events, results, outcomes or developments that New Gold expects to occur are “forward-looking statements”. Forward-looking statements are statements that are not historical facts and are generally, but not always, identified by the use of forward-looking terminology such as “plans”, “expects”, “is expected”, “budget”, “scheduled”, “targeted”, “estimates”, “forecasts”, “intends”, “anticipates”, “projects”, “potential”, “believes” or variations of such words and phrases or statements that certain actions, events or results “may”, “could”, “would”, “should”, “might” or “will be taken”, “occur” or “be achieved” or the negative connotation of such terms. Forward-looking statements in this news release include, among others, statements with respect to: the ongoing ramp up of mining the open pit main ODM zone in the fourth quarter; feeding the mill at Rainy River with higher grade Intrepid underground material in the near term; ramp-up B3 production during the fourth quarter as well as advancing C-Zone development at New Afton; expected timing for initial C-Zone production; mining all of the remaining glacial till waste stripping at Rainy River beginning in the fourth quarter; the ongoing ramp up of Intrepid zone underground production and mining the main ODM zone over the coming months at Rainy River; expectations regarding the strip ratio for the remainder of the year and open pit life at Rainy River; anticipated timing for completion of North Lobe open pit mining; and projected mining rates at New Afton and the timing thereof.
All forward-looking statements in this news release are based on the opinions and estimates of management that, while considered reasonable as at the date of this press release in light of management’s experience and perception of current conditions and expected developments, are inherently subject to important risk factors and uncertainties, many of which are beyond New Gold’s ability to control or predict. Certain material assumptions regarding such forward-looking statements are discussed in this news release, New Gold’s latest annual MD&A, its most recent annual information form and technical reports on the Rainy River Mine and New Afton Mine filed on SEDAR at www.sedar.com and on EDGAR at www.sec.gov. In addition to, and subject to, such assumptions discussed in more detail elsewhere, the forward-looking statements in this news release are also subject to the following assumptions: (1) there being no significant disruptions affecting New Gold’s operations other than as set out herein; (2) political and legal developments in jurisdictions where New Gold operates, or may in the future operate, being consistent with New Gold’s current expectations; (3) the accuracy of New Gold’s current mineral reserve and mineral resource estimates and the grade of gold, silver and copper expected to be mined and the grade of gold, copper and silver expected to be mined; (4) the exchange rate between the Canadian dollar and U.S. dollar, and to a lesser extent, the Mexican Peso, and commodity prices being approximately consistent with current levels and expectations for the purposes of 2022 guidance and otherwise; (5) prices for diesel, natural gas, fuel oil, electricity and other key supplies being approximately consistent with current levels; (6) equipment, labour and materials costs increasing on a basis consistent with New Gold’s current expectations; (7) arrangements with First Nations and other Aboriginal groups in respect of the New Afton Mine and Rainy River Mine being consistent with New Gold’s current expectations; (8) all required permits, licenses and authorizations being obtained from the relevant governments and other relevant stakeholders within the expected timelines and the absence of material negative comments or obstacles during any applicable regulatory processes; (9) there being no significant disruptions to the Company’s workforce at either the Rainy River Mine or New Afton Mine due to cases of COVID-19 (including any required self-isolation requirements due to cross-border travel to the United States or any other country or any other reason) or otherwise; (10) the responses of the relevant governments to the COVID-19 outbreak being sufficient to contain the impact of the COVID-19 outbreak; (11) there being no material disruption to the Company’s supply chains and workforce that would interfere with the Company’s anticipated course of action at the Rainy River Mine and the New Afton Mine; and (12) the long-term economic effects of the COVID-19 outbreak not having a material adverse impact on the Company’s operations or liquidity position.
Forward-looking statements are necessarily based on estimates and assumptions that are inherently subject to known and unknown risks, uncertainties and other factors that may cause actual results, level of activity, performance or achievements to be materially different from those expressed or implied by such forward-looking statements. Such factors include, without limitation: price volatility in the spot and forward markets for metals and other commodities; discrepancies between actual and estimated production, between actual and estimated costs, between actual and estimated Mineral Reserves and Mineral Resources and between actual and estimated metallurgical recoveries; equipment malfunction, failure or unavailability; accidents; risks related to early production at the Rainy River Mine, including failure of equipment, machinery, the process circuit or other processes to perform as designed or intended; the speculative nature of mineral exploration and development, including the risks of obtaining and maintaining the validity and enforceability of the necessary licenses and permits and complying with the permitting requirements of each jurisdiction in which New Gold operates, including, but not limited to: obtaining the necessary permits for the New Afton C-Zone; uncertainties and unanticipated delays associated with obtaining and maintaining necessary licenses, permits and authorizations and complying with permitting requirements, including those associated with the C-Zone permitting process; changes in project parameters as plans continue to be refined; changing costs, timelines and development schedules as it relates to construction; the Company not being able to complete its construction projects at the Rainy River Mine or the New Afton Mine on the anticipated timeline or at all; volatility in the market price of the Company’s securities; changes in national and local government legislation in the countries in which New Gold does or may in the future carry on business; controls, regulations and political or economic developments in the countries in which New Gold does or may in the future carry on business; the Company’s dependence on the Rainy River Mine and New Afton Mine; the Company not being able to complete its exploration drilling programs on the anticipated timeline or at all; disruptions to the Company’s workforce at either the Rainy River Mine or the New Afton Mine, or both, due to cases of COVID-19 or any required self-isolation (due to cross-border travel, exposure to a case of COVID-19 or otherwise); the responses of the relevant governments to the COVID-19 outbreak not being sufficient to contain the impact of the COVID-19 outbreak; disruptions to the Company’s supply chain and workforce due to the COVID-19 outbreak; an economic recession or downturn as a result of the COVID-19 outbreak that materially adversely affects the Company’s operations or liquidity position; there being further shutdowns at the Rainy River Mine or New Afton Mine; significant capital requirements and the availability and management of capital resources; additional funding requirements; diminishing quantities or grades of Mineral Reserves and Mineral Resources; actual results of current exploration or reclamation activities; uncertainties inherent to mining economic studies including the Technical Reports for the Rainy River Mine and New Afton Mine; impairment; unexpected delays and costs inherent to consulting and accommodating rights of First Nations and other indigenous groups; climate change, environmental risks and hazards and the Company’s response thereto; tailings dam and structure failures; actual results of current exploration or reclamation activities; fluctuations in the international currency markets and in the rates of exchange of the currencies of Canada, the United States and, to a lesser extent, Mexico; global economic and financial conditions and any global or local natural events that may impede the economy or New Gold’s ability to carry on business in the normal course; compliance with debt obligations and maintaining sufficient liquidity; taxation; fluctuation in treatment and refining charges; transportation and processing of unrefined products; rising costs or availability of labour, supplies, fuel and equipment; adequate infrastructure; relationships with communities, governments and other stakeholders; geotechnical instability and conditions; labour disputes; the uncertainties inherent in current and future legal challenges to which New Gold is or may become a party; defective title to mineral claims or property or contests over claims to mineral properties; competition; loss of, or inability to attract, key employees; use of derivative products and hedging transactions; counterparty risk and the performance of third party service providers; investment risks and uncertainty relating to the value of equity investments in public companies held by the Company from time to time; the adequacy of internal and disclosure controls; conflicts of interest; the lack of certainty with respect to foreign operations and legal systems, which may not be immune from the influence of political pressure, corruption or other factors that are inconsistent with the rule of law; the successful acquisitions and integration of business arrangements and realizing the intended benefits therefrom; and information systems security threats. In addition, there are risks and hazards associated with the business of mineral exploration, development, construction, operation and mining, including environmental events and hazards, industrial accidents, unusual or unexpected formations, pressures, cave-ins, flooding and gold bullion losses (and the risk of inadequate insurance or inability to obtain insurance to cover these risks) as well as “Risk Factors” included in New Gold’s most recent annual information form, MD&A and other disclosure documents filed on and available on SEDAR at www.sedar.com and on EDGAR at www.sec.gov. Forward looking statements are not guarantees of future performance, and actual results and future events could materially differ from those anticipated in such statements. All forward-looking statements contained in this news release are qualified by these cautionary statements. New Gold expressly disclaims any intention or obligation to update or revise any forward-looking statements whether as a result of new information, events or otherwise, except in accordance with applicable securities laws.
Technical Information
The scientific and technical information contained in this news release has been reviewed and approved by Patrick Godin, Executive Vice President and Chief Operating Officer of New Gold. Mr. Godin is a Professional Engineer and member of the Ordre des ingénieurs du Québec. Mr. Godin is a “Qualified Person” for the purposes of National Instrument 43-101 – Standards of Disclosure for Mineral Projects.
SOURCE New Gold Inc.
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Kelly continues to raise 'like a maniac,' dwarfing Masters in Senate race – Cronkite News – Cronkite News
Sen. Mark Kelly, left, has raised more than $75 million for his re-election bid, the second-highest Senate war chest in the country. While the Democrat’s fundraising swamped the $9.9 million raised by GOP challenger Blake Masters, outside groups have spent almost $50 million to oppose Kelly. (File photos by Alexia Faith/Cronkite News)
WASHINGTON – Arizona Sen. Mark Kelly continued to widen his fundraising lead over GOP challenger Blake Masters, who still trailed the incumbent despite heavy spending on Masters’ behalf by outside conservative groups.
Kelly, a Democrat, had raised nearly $75.5 million as of Sept. 30, and still had $13.2 million on hand, according to his most recent Federal Election Commission reports. Masters reported raising $9.9 million in the same period, with $2.8 million in the bank.
Libertarian Senate nominee Marc J. Victor was a distant third, reporting that he had raised $129,103 with $1,606 on hand at the end of the third quarter.
But those same FEC reports show that outside groups have spent almost $50 million against Kelly compared to $9 million to oppose Masters.
The reports come as the race between the two has narrowed, but Kelly maintains a comfortable lead – and experts say that while his fundraising lead won’t win the race for him, it certainly won’t hurt. Kelly’s fundraising was second highest for a Senate campaign in the country.
“Money is your ammunition to communicate,” said Mike Noble, chief of research at OH Predictive Insights, a nonpartisan research and data analytics firm.
Kelly and Masters clash on immigration, abortion in Senate debate
Noble said Kelly’s ability to raise money “like a maniac” gives him a strong advantage in the upcoming election, especially against a candidate who is “newer to the scene.” But, he said, just because Kelly can out-spend Masters does not mean he has the race locked up.
The most recent poll aggregation from FiveThirtyEight showed Masters gaining on Kelly, going from a 10.2-point deficit in August to trailing Kelly by just 6.4% last Thursday.
An OH Predictive Insights poll from earlier this month showed 46% of likely voters said they would vote for Kelly, compared to 33% for Masters and 15% for Victor, with the rest still undecided. The survey of 674 voters has a margin of error of 3.77%.
Noble said the economy could still shift the outcome of Senate races around the country.
“If things get a little bit better, it is going to help Democrats,” Noble said. “If it starts to go south, that could potentially make this a much tighter race or could, possibly, push Masters over the top.”
Masters entered the race after a contentious Republican primary that drained a lot of his funding. That has forced his campaign to rely more on support from outside political action committees, Noble said.
According to the FEC, those outside PACs spent $49.4 million in opposition to Kelly, compared to $15.4 million that was spent supporting his reelection. The net outside spending on Masters was much narrower, with $9 million against and $8 million for.
Kelly’s campaign manager Emma Brown brushed off the outside spending, saying in a statement that as that money pours into the state “attacking Senator Kelly’s record, this campaign continues to be fueled by grassroots donors who contribute what they can, when they can.”
Libertarian Senate nominee Marc J. Victor, despite raising just $129,103, got 15% of the vote in an independent poll in early October. (File photo by Alexia Faith/Cronkite News)
And relying on PACs comes with a drawback, said Jessica Taylor, Senate and governors editor of the Cook Political Report. Even if PACs from groups like Heritage Action, the Club for Growth or the Saving Arizona PAC, funded by tech billionaire Peter Thiel, were to pump more money into Masters’ campaign, they would be “subject to much higher ad rates at this juncture” than the candidates themselves, she said.
“Ultimately, we see the difference here happening in ad spending, particularly, where Masters has had to rely more on outside sources,” Taylor said. “Kelly’s ads, because they are paid for by the candidate instead of an outside entity, are just reaching more people.”
Masters’ campaign did not respond to a request for comment Monday.
Taylor said she was not surprised by Kelly’s fundraising, which was second only to the $111 million raised by Georgia Sen. Raphael Warnock – another Democrat who took office after a special election in 2020. With such a short turnaround between those races and their reelection campaigns, she said, Kelly and Warnock have not been able to stop “campaigning or being in campaign mode, especially in fundraising mode.”
Across the U.S., Democratic Senate candidates are outpacing Republicans, making up eight of the top 10 fundraisers in Senate races.
“I think every quarter the competition is between Mark Kelly and Raphael Warnock,” Taylor said. “They both had the run in 2020 for those special elections and then they had to turn around and run again in 2022.”
Tristan Richards expects to graduate in spring 2024 with a bachelor’s degree in journalism and mass communications. Richards, who plans to attend law school, has worked for The State Press.
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Peter Thiel to put more money behind Masters as McConnell group balks – The Washington Post
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Peter Thiel, the billionaire investor who pumped $15 million into a super PAC that helped make Blake Masters the Republican nominee for Senate in Arizona, is planning to spend as much as $5 million more in the race, according to people familiar with the matter.
The additional spending would mark a reversal for Thiel, who had previously indicated he was not going to make a financial commitment in the general election.
He previewed his updated plans, which have not been previously reported, in talks this week with a representative from a PAC linked to Senate Minority Leader Mitch McConnell (R-Ky.). Thiel suggested he and the PAC each put $5 million behind Masters, a friend and former employee of the venture capitalist’s.
But Steven Law, who heads the McConnell-linked group, the Senate Leadership Fund, indicated to Thiel on Thursday that he could not find the resources to make that commitment, according to these people, who spoke on the condition of anonymity to share private details. The PAC had previously canceled $9.6 million in ads initially reserved for the race, citing costs elsewhere and spending by other conservative groups to boost Masters.
A spokesman for the Senate Leadership Fund declined to comment. A spokesman for Thiel did not immediately respond to a request for comment.
The discussions of a possible joint contribution were first reported by Axios, and the response Thursday from Law was first reported by Politico.
Thiel’s thinking about additional spending has evolved as the race, in which Masters is aiming to unseat Sen. Mark Kelly (D-Ariz.), has remained close, according to people who have spoken to him. Kelly has enjoyed a significant financial advantage, holding in reserve nearly $25 million as of the last reporting period, which ran through mid-July, compared to $1.5 million on hand for Masters.
In a series of phone calls over the summer earlier reported by The Washington Post, Thiel indicated to McConnell and his associates that he was not planning to spend more, beyond the $15 million he contributed in the primary to a pro-Masters PAC, called Saving Arizona. His position at the time was that McConnell’s group should spend for a Senate majority, and that an additional cash infusion from him might be used as a Democratic talking point.
Early voting in Arizona has already started. County recorders began to send out mail ballots on Wednesday, also the first day polling places could open for in-person early voting.
Achint Thakkar: The music is influenced by Pancham da’s work – mid-day.com
Today’s E-Paper
E-Paper
Updated on: 07 November,2022 07:55 AM IST  |  Mumbai
Sonia Lulla
Monica O My Darling composer Achint Thakkar on putting his modern music sensibilities aside to create songs reminiscent of bygone eras
Achint Thakkar
Given that he is a ’90s kid, musician Achint Thakkar admits that he had to put in a fair bit of toil to replicate music from the ’60s and ’70s for Rajkummar Rao’s next, Monica O My Darling. Director Vasan Bala did not merely want elements of music of the bygone eras in his film, but asked the musician to create numbers that resembled the decades in their entirety.
“Initially, I thought the brief to include music from the ’70s was for aesthetic purposes alone, but he wanted the songs to be made like they were in those decades. Tracks like Piya tu were templates that he wanted me to follow. For an entire month, all that I did was watch old movies and study the music. I went down a rabbit hole and consumed the works of musicians like RD Burman and SD Burman. So, the soundtrack is substantially influenced by them. The first song that I created for this film was Yeh ik zindagi, and that eventually formed the base for the rest of the songs,” the composer tells mid-day.
Also Read: Tahira Kashyap Khurrana’s empowering journey of battling breast cancer
Rajkummar Rao in Monica O My Darling
Thakkar’s research revealed that he needed to train his attention on making the music more melodic. He also needed to include more instruments in his songs. “My sensibilities are modern, so, I found it hard to do the whole antra and mukhda thing. But the simplicity of their music is what makes it more beautiful. It is harder to do something that is simple.”
At a time when music production houses are tweaking old ditties to make them palatable for today’s listeners, was the team apprehensive about presenting an entire soundtrack that seemed to belong to the ’70s? “We did not consider that,” says Thakkar, simply. “The first track that I made was a modern version, and had all the [trinkets] associated with today’s music. That was rejected. Making music that is authentic and true to the past eras is challenging. We scouted for singers on YouTube to find the kind of voices that could do justice to the songs. Singers like Anupama Shrivastava truly delivered what we needed. In the ’80s, the singers had a natural flair, and could easily render songs in [high pitches]. The female singers had a sweet shrillness, which we no longer see in today’s singers. Fortunately, we found several artistes who could recreate that vibe.”
Also Read: Exclusive! Riddhima Kapoor Sahni: Can’t wait to see the baby when I’m back
The composer’s previous projects include collaborations with Four More Shots Please composer Michael McCleary, who was also the co-composer on Yeh ik zindagi. Having earned recognition for his work on Scam 1992: The Harshad Mehta Story, Thakkar is also associated with Hansal Mehta’s Scoop, which is based on crime journalist Jigna Vora’s life. He has also worked on the web series, Rocket Boys.
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Master Detective Archives: RAIN CODE details setting, characters, gameplay mechanics, more – Gematsu
Spike Chunsoft has released new information and screenshots for Master Detective Archives: RAIN CODE, the lucid-noir adventure game from the creators of the Danganronpa series, introducing its setting, characters, gameplay mechanics, and other basic elements.
Get the details below.
■ Take on Unsolved Cases in Kanai Ward, a Strange City Caged by Unending Rain
Master Detective Archives: RAIN CODE takes place in Kanai Ward, a strange city where it constantly rains. The city is divided into several areas, each with a different ambiance. Kanai Ward is also the home of a megacorporation. Both the city and company have grown alongside each other, but for some time, the city has been under the control of the megacorporation. The government does not function properly, and because of its isolation, there is little interference from the outside world. In Kanai Ward, no one can oppose the megacorporation, leaving many mysteries unsolved.
■ Character Introduction: Protagonist and Partner
Yuma Kokohead (voiced by Lucien Dodge in English, Katsumi Fukuhara in Japanese)
The protagonist suffers from amnesia. His background is unknown, but he was in possession of documents indicating that he was sent to Kanai Ward as a detective-in-training at an agency in the city. He participates in ongoing investigations. A lack of self-confidence results in a tendency to frequently complain. However, he possesses a strong sense of justice and selflessly tries to help anyone in need.
Shinigami (voiced by Anjali Kunapaneni in English, Sayumi Suzushiro in Japanese)
A death god contracted to haunt Yuma. She usually appears in her spirit form. Only visible to Yuma, Shinigami is constantly floating and bobbing along at his side. Though cheerful and chatty, this death god’s sense of morality is quite far removed from that of humans. Her words and actions sometimes confuse Yuma. In the Mystery Labyrinth she transforms into a humanoid form and has the power to intervene in matters.
■ Character Introduction: Master Detectives Use Specialized Powers in Investigations
Master Detectives
Master Detective: Among the detectives belonging to the World Detective Organization, this is a detective with a specialized power called Forensic Forte that aids in their investigative activities. Master Detectives are experts in criminal investigation. Using their abilities, they are capable of obtaining information and evidence that would otherwise not be available to ordinary people. Together with Yuma, they take on difficult cases in Kanai Ward.
■ Gameplay Mechanics: Conduct Investigations Throughout the City and Get to the Bottom of a Case in the Mystery Labyrinth!
Scour the Streets and Investigate
The entirety of Kanai Ward is rendered in 3D and can be freely explored. Visit various locations, including crime scenes, and gather leads by conducting interviews. Avoid overlooking hidden clues by thoroughly examining the crime scene from various angles.
The Mystery Labyrinth, a World that Embodies Mystery
Advance through the Mystery Labyrinth, a realm that embodies the mysteries of the real world, and solve puzzles related to the case in order to achieve the truth. The Mystery Labyrinth is a space where human beings cannot interfere, nor can the megacorporation suppress and cover up inconvenient truths.
—The Mystery Labyrinth changes in appearance as you move through it. Move toward the hidden truth while solving the various forms of puzzles that appear along the way.
Mystery Phantoms and Reasoning Death Match
As you progress through the Mystery Labyrinth, confront Mystery Phantoms in Reasoning Death Matches. Mystery Phantoms are the embodiment of the will of the person who is trying to cover up the case and prevent the truth from being revealed. They stand before you and argue against your deductions.
In a Reasoning Death Match, it is vital to identify contradictions while dodging the claims unleashed by a Mystery Phantom. Confront contradictions with evidence and slay the Mystery Phantom with the Solution Blade to defeat it.
Mystery Phantoms appear in the form of characters in the game, but the person modeled by the Mystery Phantom may not necessarily be the culprit. In some cases, the Mystery Phantom is the embodiment of the will of the person who is trying to cover up the case for reasons other than being the culprit.
■ Key Staff
Master Detective Archives: RAIN CODE is due out for Switch in spring 2023 worldwide.
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Tyrone Downie dies in Jamaica | Entertainment – Jamaica Gleaner
Jamaican keyboardist, Tyrone Downie, best known for his involvement as a member of Bob Marley and The Wailers, passed away on Saturday night at a hospital in Jamaica.
Downie, who studied at Kingston College, and started his career while still in school, joined The Wailers in the mid-1970s, making his recording début with the band on Rastaman Vibration, having previously been a member of the Impact All Stars and Jackie Jackson’s The Caribs.
He has also played with The Abyssinians, Beenie Man, Black Uhuru, Buju Banton, Peter Tosh, Junior Reid, Tom Tom Club, Ian Dury, Burning Spear, Steel Pulse, Alpha Blondy, Tiken Jah Fakoly and Sly & Robbie. He resided in France for many years and was a member of the touring band Youssou N’Dour, whose album Remember he produced.
In 1983, Grace Jones released the single My Jamaican Guy. Unbeknown to Downie, he (though in a relationship and not romantically linked to Jones) was the subject of the song.
Downie returned home to Jamaica about five years ago and has been involved in music production.
View the discussion thread.
Indiana drugstore worker held in 2017 killings of teen girls – NPR
The Associated Press
Indiana State Police Peru Post Public Information Officer Tony Slocum provides the latest details of the investigation into the murders of teenage girls Liberty German, left, and Abigail Williams in Delphi, Ind., Feb. 22, 2017. J. Kyle Keener/AP hide caption
Indiana State Police Peru Post Public Information Officer Tony Slocum provides the latest details of the investigation into the murders of teenage girls Liberty German, left, and Abigail Williams in Delphi, Ind., Feb. 22, 2017.
DELPHI, Ind. — Authorities on Monday announced an arrest in the unsolved murders of two teenage girls — a drugstore worker who has been living in the same small northern Indiana community where their bodies were found after they went on a hike nearly six years ago.
Richard Matthew Allen, 50, was arrested Friday on two murder counts in the killings of Liberty German, 14, and Abigail Williams, 13, in a case that has haunted the Indiana city of about 3,000 people.
The investigation is “far from complete,” State Police Superintendent Doug Carter said at a news conference on Monday. He encouraged the community to come forward with more information, and said if any other people “had any involvement in these murders in any way, that person or persons will be held accountable.”
Carroll County Prosecutor Nicholas McLeland described Allen’s arrest as “a step in the right direction.”
“It’s concerning that he’s a local guy,” McLeland said.
The evidence against Allen, a licensed pharmacy technician who worked at a local CVS store, has been temporarily sealed to avoid jeopardizing the “integrity” of their investigation, authorities said. “While I know you were all expecting final details today concerning this arrest, today is not that day,” Carter said.
The deaths of Libby and Abby were ruled a double homicide, but police have never disclosed how they died or described what evidence they gathered. A relative had dropped them off at a hiking trail near the Monon High Bridge just outside their hometown of Delphi, about 60 miles (97 kilometers) northwest of Indianapolis. Their bodies were found the next day, Feb. 14, 2017, in a rugged, heavily wooded area near the trail.
Libby’s grandmother, Becky Patty, told reporters that Allen once processed photos for the family at the CVS store in Delphi where Allen worked. He didn’t charge them for the photos, she added.
The families always knew that the suspect could have been “living right amongst us, hiding in plain sight,” said Libby’s grandfather, Mike Patty. “That’s why we never stopped searching anywhere, because we didn’t know where he was.”
Flowers are placed at the Monon High Bridge Trail in Delphi, Ind., Monday, Oct. 31, 2022, near where Liberty German and Abigail Williams were last seen and where the bodies were discovered. Michael Conroy/AP hide caption
Flowers are placed at the Monon High Bridge Trail in Delphi, Ind., Monday, Oct. 31, 2022, near where Liberty German and Abigail Williams were last seen and where the bodies were discovered.
The Pattys wore gray shirts that read “Today is the Day … Justice will be served for Abby and Libby,” to Monday’s news conference.
A judge found probable cause to arrest Allen, who entered a not-guilty plea at his initial hearing on Friday, authorities said. “All persons arrested are presumed innocent,” Carter said.
Sheriff Bill Brooks in adjacent White County, where Allen is being held without bond, said he did not know whether Allen has an attorney. No murder case was listed Monday afternoon under his name in Indiana’s online court system.
“We haven’t closed the door on the investigation,” McLeland said when asked if authorities were investigating others. “We’re not presuming anything at this point.”
No one answered the door Monday at Allen’s house, on a street of single-family homes where some put “Keep Out” signs in their yards.
Outside the CVS store, just down Main Street from the historic courthouse square where wanted posters still seek information in the murder case, Ralph Barnaby, a Delphi resident who knows the girls’ families, told The Associated Press that he’d “be more comfortable if he’s indicted.”
Within days of the killings, investigators released two grainy photos of a suspect walking on the abandoned railroad bridge the girls had visited, and an audio recording of a man believed to be the suspect saying “down the hill.”
Authorities released an initial sketch of the suspected killer in July 2017, and then another in April 2019 based on video released in April 2019 showing a suspect walking on the abandoned railroad bridge the girls had visited. The images and audio of the suspect came from Libby’s cellphone. Authorities hailed her as a hero for recording potentially crucial evidence before she was killed.
In December 2021, state police announced they were seeking information from people who had contact with someone who used a fictitious online profile to communicate with young girls. State Police said investigators determined the profile “anthony_shots” was used from 2016 to 2017 on Snapchat, Instagram and other social media platforms.
A statement from CVS said the company is “shocked and saddened to learn that one of our store employees was arrested as a suspect in these crimes. We stand ready to cooperate with the police investigation in any way we can.”
“We remain devastated by these murders and our hearts go out to the German and Williams families,” the statement said.
The case has been followed closely over the years by true-crime enthusiasts who have offered plenty of theories, but Carter urged people not to “subjectively interpret” the case while officers continue to gather information. “If you choose to be critical of our silence be critical of me, not the front line,” he said.
Sheryl McCollum, who has appeared on television as a cold case consultant, traveled to the news conference from Atlanta after meeting the Germans at a true-crime convention. She praised the authorities for holding the facts close to their vests.
“I think the integrity of this case, and not telling every single thing they know, I think that’s powerful,” Sheryl said. “If you start showing your hand, you know, you can mess things up and you can tell too much … The investigation does not stop at arrest. It really just begins. So now is when they’re really going to go to work.”
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How Art U is defying stereotypes: 'No one wants to lose to an art school' – San Francisco Chronicle
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Academy of Art University basketball head coach Scott Waterman leads practice in San Francisco, Calif., on Tuesday, November 1, 2022.
Academy of Art University basketball team practices on a court inside a warehouse on Jerrold Avenue in San Francisco, Calif., on Tuesday, November 1, 2022.
Academy of Art University basketball head coach Scott Waterman leads practice in San Francisco, Calif., on Tuesday, November 1, 2022.
Tre “TrxggaTre” Elrod is an independent rapper who draws comparisons to J. Cole, performs at popular festivals and releases music videos every couple of months. He is also a reserve guard on the basketball team at Academy of Art University, the nation’s only NCAA-sanctioned art school and the reigning Pacific West Conference tournament champion.
By juggling basketball with a promising music career, Elrod has come to epitomize Art U sports’ unofficial credo: You can be a successful student-athlete without fitting the jock stereotype. Since formally joining Division II a decade ago, the Urban Knights have produced NCAA champions in women’s golf, women’s track and field, and men’s track and field.
But to fully quash the notion that artists can’t be athletic, Art U might require more of a national profile. Enter men’s basketball head coach Scott Waterman. In the 3½ years since he took over a struggling program, the Urban Knights have vaulted toward the top of the PacWest hierarchy. Their 19-point rout of Division I UC Davis last November earned them airtime on “SportsCenter” and shoutouts from many of the country’s most prominent sportswriters.
Maurice “Tre” Elrod (3) warms up before the Academy of Arts University Urban Knights played the University of San Francisco Dons at War Memorial at Soprato Center in San Francisco, Calif., on Tuesday, December 28, 2021. AAU is a private for-profit university in San Francisco that has been a recognized member of the NCAA Division II since 2012. But as an arts school in downtown San Francisco, the Urban Knights face numerous challenges that their PacWest Conference peers don?t have to navigate. Nonetheless, Art U has been competitive in many sports, with its track program gaining national attention in recent years.
A lot of the reaction on social media could be distilled to some variation of the same question: What’s Art U? So to generate name recognition for his program, Waterman tried to set up more games this season against D-I schools. None of the two dozen universities he contacted was interested.
With four starters back from a 20-12 team, including reigning PacWest tournament MVP Mike Asante and reigning PacWest Defender of the Year Klay Brown, Art U should be even better this season. D-II stalwarts Azusa Pacific and Point Loma Nazarene are the only teams ahead of the Urban Knights in the conference’s preseason poll.
“We can’t get a Division I game,” Waterman said. “It’s on everybody’s radar that we beat UC Davis. No one wants to lose to an art school.”
This reinforces how far Art U has come. In 2005, when Art U President Elisa Stephens first pitched donors the idea of a private for-profit art school in San Francisco competing athletically against some of the area’s top college programs, many thought she was delusional. In addition to having no coaches on staff and no ties to NCAA conferences, Art U had no athletic facilities.
Yet just three years later, the Art U men’s basketball team played USF in its first game against a D-I opponent. The final score — a 74-23 shellacking — might have been even uglier than the box score suggests. Art U’s athletic-department website conceded that the Urban Knights “were unable to find the basket.”
By the time Waterman applied for Art U’s head-coaching vacancy in spring 2019, the program had compiled a 71-197 record through 11 seasons. He didn’t care. After 17 years as an assistant coach at every level of NCAA play, Waterman was eager to lead his own college team.
This would be no typical rebuild. The Urban Knights practiced at a warehouse a 15-minute drive from the basketball offices, housed players in an apartment complex with non-students and played home games in a rented gym off campus.
Academy of Art University basketball team takes a break as they practice on a court inside a warehouse on Jerrold Avenue in San Francisco, Calif., on Tuesday, November 1, 2022.
Then there was the matter of recruiting. For young men who pride themselves on their athletic ability, a school that wears “ART U” across its jerseys can be a hard sell. Traditional fields of study like business, kinesiology and biology aren’t among Art U’s 32 majors. Instead of homecoming tailgates, it has a show each spring that showcases students’ art.
“If you want a school with a big quad, football and frat parties, this isn’t for you,” associate head coach Booker Harris said. “But if you want to live smack-dab in the heart of San Francisco and take some really interesting hands-on classes, this could be perfect for you.”
Waterman’s past stops on staff at academically rigorous colleges like Dartmouth and Pomona-Pitzer made him comfortable recruiting to a school with a hyper-specific niche. When an Art U recruit appears poised to commit, coaches will invite him to tour a campus comprised of nondescript buildings scattered throughout San Francisco.
“Our odds tend to go down when a player visits three or four other schools,” Waterman said. “Especially ones in our league with more traditional campuses.”
Of the 14 players on Art U’s roster, 10 are transfers, including seven who spent time at the junior-college level. Waterman’s thought process is simple: 21- and 22-year-old men are better equipped to handle all that comes with playing at Art U — living in a major city, busing to practices and home games, hearing taunts about artists — than 18- and 19-year-olds are.
Academy of Art University basketball team practices on a court inside a warehouse on Jerrold Avenue in San Francisco, Calif., on Tuesday, November 1, 2022.
“It almost feels sometimes like we’re pros overseas who happen to live in America and go to class,” Asante said. “It’s definitely not for everyone, but we like it. We’re all used to fighting for everything we’ve gotten, so we appreciate what we have.”
Waterman likes to say that Art U is a D-II “sleeping giant”: the type of program that can contend for national titles and defy stereotypes in the process.
Just 20 months ago, the Urban Knights finished a pandemic-shortened season at 3-10. Now, fresh off their first D-II NCAA Tournament appearance, they boast perhaps the PacWest’s most athletic roster.
Art U is doing all this while practicing in a warehouse that also houses the school’s transportation department and the San Francisco Fire Department’s annual Christmas toy drive. To reach the practice court, one must walk past forklifts, furniture on shipping crates and hundreds of huge boxes. There are no locker rooms; players change on the floor or in a nearby restroom.
The unusual arrangement has become part of the program’s ethos: do more with less. With no home gym, Art U administrators have discussed the possibility of clearing out those boxes and shipping crates, setting up a concession stand and hosting regular-season games there.
Academy of Art University basketball team practices on a court inside a warehouse on Jerrold Avenue in San Francisco, Calif., on Tuesday, November 1, 2022.
The school used to play its home games at Kezar Pavilion, but had to find another option when that facility shut down during the pandemic. For the third straight season, the Urban Knights are renting out the gym at former conference rival Notre Dame de Namur University in Belmont, about a 30-minute drive from their basketball offices.
Crowds are sparse, at best; the average announced attendance last season was 52. The team remains so low profile that players often are greeted by bewildered faces when they walk into class with “ART U BASKETBALL” across their chests.
“They look at us and are like, ‘Wait, we have basketball here?’” Elrod said. “We’re like, ‘Um, yeah, we actually just won the conference tournament.’”
At least those inquiries from classmates are innocent. What can irk Art U players is when the comments are rude or insensitive.
Elrod recalled the time a referee approached him in the pregame layup line last season and asked, “So, you’re all a bunch of artists, huh?” Opponents and their fans have said worse.
Tre Elrod, center, gets back on his feet as teammates Syon Green, left, and Deang Deang, right, finish their pushups during a practice session for the Academy of Art University Men’s Basketball team in San Francisco, California on Friday, December 17, 2021.during a practice session for the Academy of Art University Men’s Basketball team in San Francisco, California on Friday, December 17, 2021. The Division 2 school is coming off a 19 point over UC Davis, despite challenges other schools don’t need to face, such as off-campus practice facilities.
After they celebrated their blowout win at UC Davis, the Urban Knights were thumbing through their phones on the bus ride home when they saw the social-media backlash.
Tweets with racist undertones made fun of players’ names and questioned whether they were even real. On a popular Reddit thread, amateur sleuths uncovered the school’s past scandals, including the time Art U illegally converted low-income apartments into student housing. Other comments lambasted its 100% acceptance rate and meager graduation rate.
Two days later, with athletic director Brad Jones by his side, Waterman called a team meeting and told players he was there to support them. Then he reminded them of the positive: “Hey, at least people are going to be checking in on us now.”
After a 1-5 midseason swoon, Art U won 10 of 11 games before falling to No. 15 Chico State in the first round of the D-II NCAA Tournament. That late surge offered players, most of whom major in communications and media technologies, compelling content for their class video projects.
Tre Elrod receives friendly rough housing from teammate Cheickna Sissoko as they watch drills during a practice session for the Academy of Art University Men’s Basketball team in San Francisco, California on Friday, December 17, 2021.during a practice session for the Academy of Art University Men’s Basketball team in San Francisco, California on Friday, December 17, 2021. The Division 2 school is coming off a 19 point over UC Davis, despite challenges other schools don’t need to face, such as off-campus practice facilities.
A music-production major, Elrod got more inspiration for songs. His days are a blur of morning practices, afternoon music classes and evening recording sessions at the makeshift studio in his downtown San Francisco apartment.
As a high school senior outside Houston, Elrod had contacted Art U because it was one of the only NCAA schools at which he could pursue his two biggest passions: basketball and rap. What he has experienced over the past three years — the basketball team’s rapid rise; a final project that involved an in-class DJ set; a performance last spring at the SXSW Music Festival — solidified for him that he made the right choice.
He hopes to land an internship at a recording studio after he graduates in two years. Should singers or songwriters ask about his playing days, he’ll take pride knowing that he doesn’t fit the jock stereotype.
“I get to play a sport I love, and I get to make music and learn more about the industry I love,” Elrod said. “It’s really the best of both worlds.”
Connor Letourneau is a San Francisco Chronicle staff writer. Email: [email protected] Twitter: @Con_Chron
Explosion on 12-Mile Crimea Bridge Kills 3 – The New York Times
Explosion on 12-Mile Crimea Bridge Kills 3 The New York Times
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Massive Growth of Free Music Making Software Market by 2029 with Top Key Players -Ableton, Adobe, Apple – – The Knox Reports
Home – Press Releases – Massive Growth of Free Music Making Software Market by 2029 with Top Key Players -Ableton, Adobe, Apple
“
Free Music Making Software Market research is an intelligence report with meticulous efforts to study the right and valuable information. The data which has been looked upon is done considering both, the existing top players and the upcoming competitors. Business strategies of the key players and the new entering market industries are studied in detail. Well-explained SWOT analysis, revenue share and contact information are shared in this report analysis. It also provides market information in terms of development and its capacities.
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Some of the Top companies Influencing this Market include:
Ableton, Adobe, Apple, Avid, MAGIX, .
Various factors are responsible for the market’s growth trajectory, which are studied at length in the report. In addition, the report lists down the restraints that are posing threat to the global Free Music Making Software market. It also gauges the bargaining power of suppliers and buyers, the threat from new entrants and product substitute, and the degree of competition prevailing in the market. The report also analyzes the influence of the latest government guidelines in detail. It studies the Free Music Making Software market’s trajectory between forecast periods.
Global Free Music Making Software Market research report offers:
Global Free Music Making Software Market Segmentation:
Market Segmentation: By Type
Editing
Mixing
Recording
Market Segmentation: By Application
Professional Users
Casual Users
Geographic analysis:
The global Free Music Making Software market has been spread across North America, Europe, Asia-Pacific, the Middle East and Africa, and the rest of the world.
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The cost analysis of the Global Free Music Making Software Market has been performed while keeping in view manufacturing expenses, labor cost, and raw materials and their market concentration rate, suppliers, and price trend. Other factors such as Supply chain, downstream buyers, and sourcing strategy have been assessed to provide a complete and in-depth view of the market. Buyers of the report will also be exposed to a study on market positioning with factors such as target client, brand strategy, and price strategy taken into consideration.
Key questions answered in the report include:
Table of Content (TOC)
Global Free Music Making Software Market Report 2022 – Growth, Trend and Forecast to 2029
Chapter 1 Free Music Making Software Market Overview
Chapter 2 Global Economic Impact on Free Music Making Software Industry
Chapter 3 Global Free Music Making Software Market Competition by Manufacturers
Chapter 4 Global Production, Revenue (Value) by Region (2014-2020)
Chapter 5 Global Supply (Production), Consumption, Export, Import by Regions (2014-2020)
Chapter 6 Global Production, Revenue (Value), Price Trend by Type
Chapter 7 Global Market Analysis by Application
Chapter 8 Manufacturing Cost Analysis
Chapter 9 Industrial Chain, Sourcing Strategy and Downstream Buyers
Chapter 10 Marketing Strategy Analysis, Distributors/Traders
Chapter 11 Market Effect Factors Analysis
Chapter 12 Global Free Music Making Software Market Forecast (2021-2028)
Chapter 13 Appendix
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Riverfront, rail trail, university seen as central to Westfield Master Plan vision – MassLive.com
Westfield Master Plan workshop Nov. 2
WESTFIELD — Sixty members of the community participated in the Master Plan committee’s visioning workshop on Nov. 2 at the Westfield Middle School, which committee chair Jay Ducharme called “just the right number.”
After an introduction by City Planner Jay Vinskey, Mayor Michael McCabe, and Weston and Sampson’s Jim Riordan and Ashley Sweet, who coordinated the event and are creating the Master Plan, participants divided into small groups to talk about Westfield’s strengths and weaknesses, and steps that may be taken to improve its natural, built and community systems.
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Let me tell you about my dad Fela Anikulapo-Kuti, founder of Afrobeat – Metro.co.uk
NEWS… BUT NOT AS YOU KNOW IT
I believe music is art and music is life.
It is an expression of feelings and a language on its own. It is not only for entertainment but for education too, a way of passing on messages to the masses.
I learnt this from my dad, Fela Anikulapo-Kuti. He was also known as Baba 70, Abami Eda, Eleniyan… I can’t begin to mention all his names as he has so many.
He was a Nigerian musician, a composer, a multi-instrumentalist, bandleader, Pan-Africanist, a political maverick, human rights activist and pioneer of Afrobeat music. He used his music to be highly involved in political activism in Africa from the 1970s until his death in 1997.
And although of course, to me, he was just ‘Dad’, he shaped not just my life, but a whole musical genre, and created a legacy that is still as relevant and important today, as it was back in the 1970s.
My Dad, Fela Anikulapo-Kuti was from the Yoruba tribe in Western Nigeria. His parents, the Reverend Oludotun Israel Ransome-Kuti and Olufunmilayo Ransome-Kuti, were both educationists and activists.
Olufunmilayo was the first woman to drive a car in Nigeria and both my grandparents actively opposed British Colonial rule.
Fela grew up in a middle-class family, he and his siblings went to a Abeokuta grammar school and, upon graduating, their parents sent them to the UK to study medicine.
However, Fela followed his passion, which was music and registered to study music at the Trinity College of Music London. He later formed his first band, Koola Lobitos, in 1960, and performed in London clubs.
He then returned to Nigeria the same year and formed another Koola Lobitos band in 1963.
Influenced by American artists such as James Brown, he combined traditional highlife and jazz to create his genre of music, which he later called Afrobeat.
In 1969, he went on tour with his band to the US, where he met artist Sandra Izsadore, a Black rights activist in Los Angeles, who greatly influenced his musical path.
I was born in 1976, and throughout my childhood, my dad was my idol. In spite of his music career, he had a great sense of humour and was also up to his responsibilities as a father.
One of my fondest memories of my dad was when I first baked him a cake in early teens and it was rock hard. Laughing, he said he’d ask me to bake him another cake when he needed a weapon against the soldiers.
Afterwards, he showed me how to bake a proper cake, soft and fluffy, which now I’m really good at, all thanks to him.
I grew up being aware of Pan Africanist activists such as Dr Martin Lurther king Jr, Kwame Nkrumah, Sankara, and how they fought against colonialism and changed the world. Although I was too young to understand how influential these people were to start with, I slowly learnt more about their struggle to end injustice.
And of course, my passion for music was thanks to him too. When I told him I wanted to play an instrument, it was my dad who gave me my first saxophone when I was in secondary school, which I played as a hobby.
I grew up going to The Shrine – his venue – every weekend. It was more than a music venue; he played of course, but he also used his platform to talk about music and share political messages. He would talk about his issues with the government, making fun of them, but he’d also speak about Africa in general.
It meant that everyone who came to The Shrine had different reasons for doing so, and my dad would often find himself in conversation with people in the audience while on stage.
As I got older, I found it very inspirational to watch. He was very good and I wanted to be just like him.
I also sometimes went on tour with him, especially the local tours and concerts. Listening to his music then was empowering. All of his music contained messages, whether they were political, social or economic. And they’re all still so relevant now.
Songs like Zombie, Colonial Mentality and Yellow Fever talk about how fast inflation was rising.
In others, he talked about the bad roads, government, electricity, insecurity, education, health care system – and how the same problems kept repeating themselves.
I studied Law at the University of Lagos Nigeria but my love of music never went away. I became a saxophonist and eventually moved to the UK, where I studied music production and DJing.
I opened my own studio, later created a music label called Shaarks Record, now ShaarksMusic and studied Music Industry Management at university in the UK, in the hope of bringing more African artists to the international market place.
Now I’m also a DJ, which is part of upholding my dad’s legacy.
Aside from the Felabration in Lagos, which has been celebrated for years, I also spearheaded Felabration UK in 2019, supported by DLA World. Also I’ve been working on a female empowerment project, involving most of the queens in our creative industry – Busiswa is one of them. Together, we have created a single that describes the current situation in Africa and the joy of being African.
Gino D’Acampo’s views on parenting have left a bad taste in my mouth
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Great-great-grandfather welcomes fifth generation of his family into the world
At the moment, I believe Africa is burning (the name of my single Burn so Fine #washa). African leaders need to stop the corruption and misleading of our people, and to create a good governance for the people.
My dad may have passed away in 1997, but his legacy continues to live on now. He has, and continues to, inspire generations. His life has been celebrated in numerous musical movements, on Broadway, documentaries and works of art.
I hope it continues to be the case. We need to keep celebrating Black pioneers. Black history should be taught in schools, so younger generations can learn about their Black heritage and learn about the struggles of Black people.
It, like my dad’s songs, would be a constant reminder to Black people of their roots, past and achievements so far. Something we should all be singing about.
Do you have a story you’d like to share? Get in touch by emailing [email protected].
Share your views in the comments below.
MORE : Let me tell you about my dad, Lionel Morrison, a pioneering Black journalist and freedom fighter
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Music studio opens its doors at former Powys town workhouse – Powys County Times
A Whitchurch based group that offers music lessons and recording experiences are expanding into a studio space in Llanfyllin.
Having appointed a new manager of The Bee House Recording Studio, located in Llanfyllin Workhouse, Rock Music School Whitchurch are offering professional recording studio experience days on vocals, drums or guitar or music production.
The studio’s manager, Jonny Welburn, said: “I’m taking on a bit more responsibility in helping to run the studio experiences.
“The previous managers of the project, Jane and Phil, will still be very much involved, but I’ll be stepping in to help with both mentoring and with the production side of things.
“The experience at Bee House Studios can accommodate everyone, sometimes we get beginners and sometimes we get experienced musicians.
OTHER NEWS:
“I’m very much looking forward to moving ahead with the initiative. I’ve been involved with Rock Music School for years and am excited to welcome people from all over the country for a great day and experience.”
For more information or to book a space, visit Rock Music School Whitchurch’s Facebook page.
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