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By Guy Campos in Products October 27, 2022 0
The room kit was announced at WebexOne alongside inaudible watermarking which makes audio streams traceable to protect confidential information.
Cisco has announced the Cisco Room Kit EQ video device bundle at its WebexOne 2022 event.
Cisco Room Kit EQ, a modular room kit that integrates up to three external displays, comes with the AI-powered Cisco Codec EQ, the intelligent Quad Camera video bar, a touch controller, and room peripheral options.
The announcement follows the launch at Microsoft Ignite of a Cisco partnership with Microsoft, enabling Teams Rooms on Cisco collaboration devices. Six of Cisco’s most popular meeting devices and three peripherals will be certified for Teams to begin with, with more to come.
Also launched at Cisco’s WebexOne event were a range of other features including a whiteboard app and audio watermarking to protect meeting confidentiality.
Audio watermarking will tag every participant’s audio stream in a confidential meeting with a marker that cannot be heard by the human ear. This means that if an employee records a meeting where confidential information is discussed, the company can trace the recording back to the individual regardless of how the audio is shared.
A new Webex Whiteboard app in the Webex Suit will offer users access to a simple, easy-to-use digital whiteboard wherever they are working. Anyone can start or join a whiteboard and work from a browser, the Webex app, or a Cisco device. Whiteboards can be combined with Slido polls and can be saved and shared in a Webex space for asynchronous work.
Cisco is also offering users a repeatable Hybrid Workspace Design Guide, based on its New York office deployment. It encompasses Cisco’s Smart Building Solutions, collaboration, networking, security technology and more.
For more information:
Cisco Room Kit EQ: Bring Inclusive Collaboration to large spaces
Webex by Cisco Advances Hybrid Work with Breakthrough Innovations & Partnerships
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Matt Courtman and his wife, Lauren, pose with ivory-billed woodpecker paraphernalia at their home in Monroe, Louisiana.
By Rachel Ramirez, CNN
Photographs by Edmund D. Fountain for CNN
Published October 29, 2022
MONROE, LOUISIANA — The humidity was thick around 5 in the morning as birders in northeastern Louisiana geared up for a search expedition. After a second-straight stormy night, mosquitoes swarmed. We donned our headlamps, grabbed our hiking poles and headed north into the forest.
We had to be in the “hot zone” by first light.
Leading our pack was Matt Courtman, 61, tall and bearded and a true believer. At the tail end was his friend, Lynn Hightower. Both wore camo to blend into the woods—men turning invisible in pursuit of a grail.
This, indeed, was no ordinary hike: For those in the know, it was a quest generations in the making—and one reasonable observers might describe as unthinkable.
All was silence except when Courtman warned of sharp logs and poison ivy, noted bear prints or named the rhythmic sounds of birds, one by one, as they woke.
Among them, Courtman hoped, was the creature he’d sought for years. The one whose image decorated virtually every room of his home. The one he’d built an online community to honor. The one he’d moved across the country to pursue:
The Lord God Bird.
The US Fish and Wildlife Service last September announced plans to take the grave and unusual step of removing the ivory-billed woodpecker from the endangered species list due to extinction. Thorough scrutiny of “the best scientific and commercial data available,” the agency told CNN, had determined the bird simply is extinct.
But researchers and amateur birders, like Courtman, believed otherwise.
"I know from recent personal experience that the ivory bill is not extinct,” said Courtman, who claimed he’d encountered it at least twice:
He had audio recordings—though not as clear as others’.
And while the image of this bird was seared into his memory, he said, he’d never managed to snap a photo.
People had searched for decades for traces of North America’s second largest woodpecker, whose population had declined since the 1880s because, researchers say, of excessive hunting, habitat destruction and perhaps the climate crisis. The government’s last accepted sighting of the species was by artist and birder Don Eckelberry in April 1944 in the same area CNN hiked with Courtman on his recent pursuit.
Original and post-European-settlement range of the ivory-billed woodpecker
Range in 1885
Original range
KY
MO
NC
TN
AR
OK
SC
Tensas River National Wildlife Refuge
AL
MS
GA
TX
LA
Atlantic
Ocean
FL
Gulf of Mexico
Source: US Fish & Wildlife Service
Graphic: Renée Rigdon, CNN
Original and post-European-settlement range of the ivory-billed woodpecker
Range in 1885
Original range
KY
MO
NC
TN
AR
OK
SC
Tensas River National Wildlife Refuge
AL
MS
GA
TX
LA
Atlantic
Ocean
FL
Gulf of Mexico
Source: US Fish & Wildlife Service
Graphic: Renée Rigdon, CNN
Prior to European settlement, the ivory-billed woodpecker’s habitat covered a wide range of the Southeastern US, spanning from eastern Texas to the Carolinas. But with European settlement came deforestation, which shrunk the bird’s habitat. The last commonly agreed upon sighting was in 1944, in the Tensas River region of Louisana.
Original and post-European-settlement range of the ivory-billed woodpecker
VA
Range in 1885
Original range
KY
MO
NC
Oklahoma City
Charlotte
TN
AR
Memphis
OK
SC
Little
Rock
Atlanta
AL
MS
GA
Charleston
Dallas
Montgomery
Tensas River
National Wildlife
Refuge
Jackson
TX
Atlantic
Ocean
LA
Jacksonville
Houston
New Orleans
FL
Gulf of Mexico
Source: US Fish & Wildlife Service
Graphic: Renée Rigdon, CNN
Since then, some compelling—albeit controversial—research had emerged. But officials accepted none of it as indisputable proof. Some even quipped the ivory-billed woodpecker was another Bigfoot or Loch Ness Monster.
Still, ivory bill devotees persisted, combing vast, wild expanses for any tiny shred of evidence of their treasured species.
Now, the feds’ proposal had them rattled.
Declaring the ivory bill extinct, advocates said, would trigger the pullback of measures that preserve its habitat, ironically becoming the nail in the coffin that truly would lead to its disappearance.
The wildlife service insisted there would be “little to no change in the treatment of (ivory bills’) habitats” if they were declared extinct since land acquired for their conservation would still be protected for other species, it told CNN.
But Courtman’s fear festered.
"Such a declaration could lead to the very thing that might cause the actual extinction of the beloved ivory bill—fragmentation of the magnificent large, unbroken, tracts of bottomland hardwood forests, which the bird relies on to survive. If that habitat was destroyed,” he said, “the ivory bills would not adapt, and so they'd be doomed to extinction.”
Declaring extinct a species so revered for its elegance and strength could also shatter something perhaps more delicate: the long-held hope of people who have sought the ivory bill despite skeptics’ long glare and nature’s long odds.
People like Courtman.
And so, he intended to find it.
At almost 6 a.m., birds across the old Singer Tract—part of the Tensas River National Wildlife Refuge where the sewing machine company once sourced wood for its products—chirped in harmonies and knocked the trees. In this bottomland forest of oak, sweet gum and wild pecan, winter and early spring breeding seasons offer the best chance to spot the ivory-billed woodpecker, Courtman said.
But on this morning, no birds sounded like the ivory bill.
Former President Theodore Roosevelt chronicled spotting a few of them here in the early 1900s. And while the ivory bill’s range once stretched from Florida and South Carolina to Texas and Oklahoma, it was here the late Cornell University-educated ornithologist James Tanner in the 1930s gathered the clearest video and images of the majestic creature.
The ivory-billed woodpecker’s divine nickname, per its devotees, echoes the gasps of those lucky enough ever to have seen it swoop into view. It is nearly 2 feet long, with a wingspan of almost 3 feet. And it boasts a gigantic chisel-shaped, ivory-white beak, with a protruding red crest in males and a black crest in females.
Despite those distinctions, it could easily be mistaken for its slightly smaller cousin: the pileated woodpecker, which has a black bill.
About a mile in, as we reached the hot zone, sunlight started to pour in. Along with the melodic chirps of awakening birds, we heard a powerful, quick drumming sound above us.
“Is that the pileated?” I whispered to Courtman.
“Yes, you’re starting to get it,” he said.
Then, six chirps somewhere farther to the left. I looked at Courtman.
“That’s the red-bellied woodpecker,” he said, adding, “I don’t anthropomorphize, but it’s probably saying, ‘I want food.’”
To a non-birder’s eye, the pileated and ivory-billed woodpeckers might seem identical. In fact, many reports of ivory-billed woodpecker sightings have been shut down because they turned out to be pileated woodpeckers. Fervent birders usually tell them apart by the color of their wings and their distinct calling and drumming sounds.
The ivory bill produces a quick, double-knock sound with its bill that slowly decrescendos, whereas the pileated makes a loud, slow, deep rolling sound that lasts for roughly three seconds.
So far in our trek, we’d only heard the latter.
Courtman first got interested in ivory bills as a kid in Monroe, Louisiana. He grew up blocks from a prominent ornithologist, who at 8 let him hold an ivory bill specimen at the Louisiana State University’s Museum of Natural Science and at 12 listed him as a contributor to his 1974 book, “Louisiana Birds.”
“Matt calls the woods his cathedral,” whispered Hightower, who admitted he isn’t as well-versed about birds as Courtman. Sitting on a camouflage-printed cushion, Hightower sometimes pulled out a book of birds to try to identify species he saw and heard.
Searching for the ivory-billed woodpecker requires concentration and review. Since the 1944 sighting, the only other “compelling evidence” out there, according to the federal wildlife service, was 2005 research from Cornell’s renowned ornithologist John Fitzpatrick and his associates that claimed ivory bill sightings in eastern Arkansas’ Cache River National Wildlife Refuge.
Fitzpatrick had launched a series of expeditions there soon after Tim Gallagher, the former editor-in-chief of Cornell Lab of Ornithology's Living Bird magazine, walked into his office the prior year and announced he and colleagues had seen the ivory-billed woodpecker while out on the Cache River.
“A large black-and-white woodpecker with the characteristic color pattern of this species flew across the bayou at close range,” Gallagher wrote of the encounter.
But they had no visual proof.
“As soon as we landed, we took off through the boot-sucking muck and mire of the swamp, climbing up and over fallen trees and through branches, with camcorders in hand and running,” he wrote in a Cornell news blog in 2005. “Although the bird landed on tree trunks briefly a couple of times, we weren't able to catch up with it or take a video.”
Fitzpatrick—taking in Gallagher’s tale in his office—was stunned and grabbed a recorder to document the mere conversation.
“After he tells me the story, I said, ‘What are the chances this wasn’t an ivory bill?’ And Tim said, ‘Zero. It was an ivory bill, Fitz,’” Fitzpatrick recalled to CNN. "So, I said, ‘Well, Tim, our lives are about to change.’ And they did.”
Soon, a team of researchers—fully equipped with cameras and audio recorders—went back to the Cache River to try to nab evidence that would prove the ivory bill was still alive. But the task wasn’t easy: This bird is a whiz. Without finding an active roosting site—like Tanner did—birders say it can be near-impossible to document.
Fitzpatrick’s 2005 evidence, published in the journal Science, included audio and video recordings, pixelated visuals and helicopter surveys. The findings were persuasive enough to trigger a large-scale, government-led, five-year survey of the ivory bill’s historical range, with some $2 million spent on survey work.
Teams searched and searched. But over that time—and in the years that followed— “no conclusive evidence” of the bird emerged. The dearth highlighted a grim irony: The ivory-billed woodpecker had been among the animals that motivated Congress in 1973 to pass the Endangered Species Act.
Strong evidence of the ivory bill’s survival remained scant as the Trump administration and its allies sought to pare back the landmark law that saved the bald eagle and grizzly bear. And so, even as President Joe Biden pledged to conserve 30% of the country’s lands and water to protect wildlife, the federal government moved last year to delist the ivory bill.
It's never easy, said Amy Trahan, an endangered species biologist from the federal wildlife service’s Louisiana Ecological Services Office who contributed to a 2019 review report concluding the ivory bill “no longer exists.”
“We're biologists. … Our whole purpose is to recover species,” she told CNN. “We don't go into this career having to say something's extinct.”
The government removes a species from the endangered and threatened species list for just three reasons: it's recovered so well it no longer needs the law’s protection; new information suggests it isn't threatened; or it's gone extinct. Removal helps the agency “to be good stewards of conservation resources,” it said.
And removal is rare. Of over 700 animal species on the endangered species list, only 11 ever have been removed due to extinction—only four in the last 20 years, the agency confirmed.
Just after the feds a year ago officially proposed delisting the ivory-billed woodpecker, a wave of stunned sadness spread among its adherents. But a nugget of hope remained: The public would have two months to weigh in before a final decision would be rendered a year out.
Comments poured in—from ornithologists, from amateurs, from communities like the Cherokee Nation, whose leaders asserted the creature is a symbol whose “influence on our cultural activities remains to this day.”
Equally enthusiastic birders also took the opposite view. The president of the Louisiana Ornithological Society—a role Courtman once held—was among the first submitters, with a comment stating the bird “should be declared extinct” and urging the feds not to focus on "poor science” and “self-serving” claims it’s still out there.
Courtman felt compelled to speak up, and as a one-time attorney, he had the requisite skills—if no longer the imprimatur. Sixteen years ago, he had been disbarred in what he called a “disastrous end” to his legal career over matters involving issuing worthless checks and misdemeanor convictions for theft. The mistakes, Courtman said, made for a “painful, embarrassing, and humbling experience”—but one that, with all its distress, helped focus the task now at hand: to get “everything right regarding the ivory bill.”
“While certainly not perfect,” he said, “my efforts on behalf of the ivory bill have been to the best of my ability.”
In his public comment to the wildlife service, Courtman laid out his reasons for opposing the extinction proposal. He also requested—and won—a public hearing at which he and other ivory bill seekers spoke—disciples testifying with an unwavering faith to what they claimed to have seen and heard.
Still, though, no new, clear-cut proof of the bird had surfaced.
And the calendar was running out.
Then, amid the pressure from bird watchers and ornithologists, the wildlife service invited more public comment and announced a six-month extension, effectively postponing its ivory bill verdict into 2023.
There had been “substantial disagreement regarding the interpretation of evidence that exists” for the ivory bill, wildlife officials told CNN in July.
For the believers, it was a gift.
A reprieve.
More time.
Courtman needed it. So did a research team convinced a pair of ivory bills was still alive.
Around the time we trekked the old Singer Tract, the team known as Project Principalis—a nod to the ivory bill’s scientific name, Campephilus principalis—released a paper, still in the process of peer review, detailing evidence observed over the prior decade by Steve Latta, of the National Aviary, and colleagues including Tommy Michot, coauthor and research scientist retired from the University of Louisiana at Lafayette and the US Geological Survey's Wetland and Aquatic Research Center.
Using unmanned trail cameras and drones, they’d recently captured grainy pictures of what they claimed was the ivory bill. “We have some of the best images, if not the best images, that have been produced in 80 years,” Latta told CNN.
And in a secret section of Louisiana’s marshes, they were still gathering data while seeking an active roosting site—and the high-quality images everyone expected.
The sun now lit our path in the Tensas woods, reflecting off tacks Courtman had placed toward tree cavities to signal nearby trunks with likely ivory bill scaling and nesting.
The ivory bill requires up to 2,000 acres of undisturbed forest to feed on mostly long-horned beetles by scaling them off the outer bark of dead trees, he explained.
After the Civil War, ramped-up hunting, mass draining of swamps and insatiable timber harvesting set in motion the ivory bill’s population decline, according to the late Cornell professor and ornithologist Arthur Allen, who took the world’s first photograph of the ivory bill in 1924 in Florida and later mentored Tanner.
Meantime, the same factors that drove off the ivory bill also sparked an exodus of people who live and work on this land, including woodsmen who helped ornithologists spot the elusive bird, recalled the 81-year-old son of the late Singer Tract game warden Jesse Laird, who’d worked with Tanner and Eckelberry.
“(My dad) was heartbroken,” said John Laird, who showed us worn photos of the old house on the Singer Tract where Tanner stayed.
The climate crisis also may have harmed the ivory bill’s habitat, Latta said, pointing to models showing its impact on bottomland hardwood forests. Climate change already is killing off some species and will likely continue unless humans slash planet-heating emissions, a landmark February report backed by the United Nations noted. Warming temperatures, global scientists say, are influencing bird populations due to declining forest cover.
However, Tanner in his book—dubbed the bible for the ivory-billed woodpecker—argued the Lord God Bird thrived in places where hurricanes and fires had devastated trees. More heat wave-fueled fires, hurricanes and coastal flooding can lead to more dead and dying trees, which may result in more wood-boring beetles and their larvae—prime ivory bill dinner.
"Some of this might be seen, in the short term,” Latta said, “as being beneficial potentially to the ivory bill.”
By 7:15 a.m., the sun was up. More birds chirped as we settled by the Tensas riverbank—a good sightline, Courtman said, for a flying ivory bill. His camera around his neck, a GoPro strapped to his head and binoculars at his eyes, Courtman was focused.
He spoke often of how he encountered the ivory bill in 2017—when he recorded audio of it for three hours and heard dozens of its “kent” calls—then again in 2019, when he said he saw a pair of ivory bills. It was after his claimed 2019 sighting that Courtman, with his wife Lauren, decided to move back from Ohio to Monroe.
“We knew that helping save the ivory bill would be our life's work,” he said, even though his sightings so far—like the evidence revealed by Fitzpatrick’s and, unofficially, Latta’s teams – hadn’t produced the sort of vital proof that could keep it on the protected species list.
In the pandemic, Courtman and his wife created an impressive online ivory bill community from their home, a place awash in ivory bill images—on picture frames, a bookend, the kitchen light switch. And last October, following the extinction proposal announcement, they launched a weekly virtual gathering to talk about the enigmatic bird.
Every Monday at 7 p.m., Courtman sits at his computer screen in his kitchen with Lauren—usually off-screen, handling technical glitches and clarifying talking points at a whisper—to organize slide shows and host other experts to discuss the ivory bill.
At first, only a couple dozen people who’d learned of the meetings on Facebook joined. A guest speaker could draw at least 70 from across the country. Recently, some 130 people attended.
“So far, we have hosted five PhDs, all of whom have explained why the ivory bill should not be declared extinct,” said Courtman, who founded the group, Mission Ivorybill. “For us as Americans, the ivory bill provides an opportunity to do something hopeful and spectacular—to save these breathtakingly beautiful birds from the brink of extinction.”
Fitzpatrick, now retired as director emeritus of the Cornell Lab of Ornithology, has joined the Zoom calls. He’s hopeful the ivory-billed woodpecker is still out there.
But unlike others in this tribe, he also accepts it may be gone.
“I never felt an obligation or even that big of a personal desire to convince skeptics that I'm right, and they're wrong,” he said. “How you take the evidence is not up to me, it's up to you.”
To prove the ivory bill exists requires more than a sighting and an audio recording. Courtman played his 2017 recording for me, and it wasn’t as clear as the one Allen took in 1935 in Louisiana. Even the pixelated images and research Fitzpatrick declared as indisputable were criticized by ornithologists who said the audio did not match Tanner’s descriptions of the ivory bill’s raps or actually captured the pileated woodpecker.
Ultimately, the wildlife service seeks “clear video or photographic evidence … that can be repeatedly interpreted the same way by independent observers,” it said, noting the standard mirrors protocols in the 2010 Recovery Plan.
Something deeper might also be out there for those in the throes of this search—something Latta felt in Louisiana in 2019, when on the same search as Courtman he says he got “one of the best looks at the ivory-billed woodpecker than anyone has had in generations.”
“It left me literally shaking.”
That’s because for all his fieldwork, Latta hadn’t believed the ivory bill still lived: “I do not chase rarities,” he later wrote.
But after that claimed sighting, “for two or three nights,” he said, “I couldn't sleep. I felt this responsibility that, because I had seen this and that I knew it existed, I now have this responsibility to do what I could to conserve it.”
Federal officials—on their own expanded timeline—were still reviewing hundreds of public comments this fall en route to a final judgment on delisting the bird from the endangered species docket.
All the while, the birders kept searching.
“There are a lot of things out there in science that we don't know the answer to yet, but slowly, we find the answers, and sometimes it takes years or decades,” Michot said. “The fact that humans can't say for sure whether the bird exists or not is a compelling way to make a person want to go out and find it.”
Walking months earlier through the Louisiana forest, Courtman used bird calls to signal us on our expedition’s return leg: right, left, stop, straight. We waded through muddy water that washed away a spider I hadn’t seen crawling on my right boot. Soon, we stepped back onto the paved road and unloaded our gear.
It was around 9 a.m. The air, still a bearable 70 degrees, now was less humid. Standing outside our vehicles, we refueled on granola bars and soaked in the sounds of the forest one last time.
Then, we got into our cars and drove away, Courtman looking ahead to the next search—then the next and the next.
“I am confident,” he told me, still steeped in firm belief, “that ivory bills are not extinct.”

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A slew of tools and techniques for creating atmospheric sounds
Pioneered by the likes of Philip Glass and Brian Eno, ambient music is as much about creating mood as it is about creating melody. 
Fortunately, computer users can now call upon an arsenal of ambient-friendly production tools – MusicRadar is here to explain what they are and how to use them.
1. If all the soft sounds and smooth vibes get a little too much, try some juxtaposition. Ambient heroes The Orb are fond of this technique, and whether it’s a squealing guitar, devastating synth hit or ridiculous vocal sample, they’re not afraid to toss something a little unusual into the mix.
2. Getting off-the-wall sounds doesn’t have to involve spending hundreds on sample downloads and libraries – there are plenty of interesting sounds happening all around us all the time. If you’ve got a mic and a laptop – or any portable recorder – take a field trip and record some of nature’s bounty. Running water’s always good for a laugh, but remember: your equipment should stay dry, even if you don’t…
3. Second-hand record shops are great places to find sounds. You may even find that your local charity shop has an untapped collection of oddities just waiting to be snapped up by the enterprising samplist. From records featuring nothing but steam engine noises to children’s story albums, there’s an abundance of weirdness out there for the taking.Claire Rousay and Michael Scott Dawson share their advice for ambient producers
4. Samples are a constant source of inspiration, but it’s easy to discount one because it doesn’t fit the feel of your track when you first try it. If you’re short on fresh ideas, try running short bursts of a sample through a delay effect. Using this method, it’s possible to come up with some great abstract noises that sound nothing like the original source material.
5. If your tracks are jam-packed full of synthetic-sounding virtual instrument patches and everything’s starting to sound too ‘computery’, consider bringing in some natural sounds or using a few real instrument parts. Even if they’re from ROMplers, it should help take some of the unnatural edge off.
6. Recordings of natural sounds such as rainfall, waves, wind and fire are great for filling out a mix because they’re basically noise, and as such, they have a wide range of frequencies. They shouldn’t be too loud or they’ll overpower the mix, but use them with care and they can be extremely useful.
7. Noise is a useful synthesis tool – if your synth features a noise oscillator, you can use it with a fast-attack amplitude envelope to create your own percussion sounds. This sounds artificial, but in a lo-fi way, and works especially well when teamed with a high-quality reverb.
8. If you’re using long, sustained sounds, such as pads, your mix can lack movement if these elements are too static. By subtly altering tuning, pulse width or filter cutoff over time, you can create more organic sounds that will enhance the mix rather than make it sound lifeless.
“Recordings of natural sounds such as rainfall, waves, wind and fire are great for filling out a mix because they’re basically noise”
9. If you’ve got a sample that you want to play for longer than its duration, you have two basic options: you could timestretch it, which will most likely introduce unwanted audio artifacts, or loop it. Crossfade looping is the best way to get seamless loops, but if this isn’t possible, you can recreate the effect yourself by fading between two audio tracks in your mixer.
10. To make a pad sound particularly evocative, try modulating the filter cutoff with a shallow LFO as well as a big, sweeping envelope. This will give the sound a great deal of movement and works superbly when combined with a delay effect.
11. When working with vocals, you can have a lot of fun with pitchshifting. When pitching vocals around, it helps to use a plug-in with a formant control – this helps vocals retain their characteristics or, conversely, can be used to alter them radically. 
12. With modern audio sequencers, it’s easier than ever to cut up vocals and other rhythmic sounds in order to fit them in with the groove of your track. When cutting sounds up in your sequencer, remember to zoom in to make sure you’re cutting the file at a point where the amplitude is zero – otherwise known as a ‘zero crossing’.
13. When deploying your newly-sliced rhythmic samples, it’s not always best to have your sequencer’s snap control active. You might find that pulling samples forwards along the track a little makes them fit in better with the rest of the groove, and having the snap control turned off also makes programming human-sounding rhythms easier.
14. Silky bass guitar tones are a common sound in ambient dub, but if you don’t have a real bass guitar to hand, you’ll have some trouble getting the same smooth sound. Try one of the virtual bassists or ROMplers now on offer – Toontrack’s EZbass (opens in new tab) is a great tool, for example, as is IK’s Modo Bass (opens in new tab).
15. Whether you’re composing in stereo or surround, it’s important to use the available panoramic space properly if you want to create a sense of size. If your track has drums, you’ll probably want to pan these around the centre, but with synths and effects you can afford to use the space more creatively, so try panning them around.
16. Most DAWs have simple pan controls that only enable you to pick one position in the stereo panorama. If you’re looking for slightly more control, a stereo imaging plug-in can be used to control the position and filter setting of each channel or tweak them as a mid/side pair, respectively.
17. Reverb is one of the most important tools you have for creating a sense of space, so if you’re making ambient music, it pays to take the time to get it as sweet as you can. A good start is to use a high-quality reverb, and there are a few free ones well worth investigating – try Valhalla’s SuperMassive or Space Lite, for starters.
18. It can be tempting to just stick reverb on a few tracks and leave it at that, but that wouldn’t be using this powerful effect to its full potential. Using high damping values, large room sizes and long reverb times will create a big sound that, when combined with judicious EQ, can create a ‘far away’ kind of effect.
19. When using reverbs, if you want to create a softer, more ethereal effect, use less of the dry signal in the output. You can do this by turning the wet/dry ratio up, or, if you’re using a send effect, by setting it to pre-fader and turning the source channel’s main volume level down.
20. If you’d rather have a brighter, closer effect, then make the reverb’s damping less severe, reduce the room size and turn down the delay time. This works especially well in conjunction with stereo enhancer effects such as the Voxengo Stereo Touch plug-in.
21. Many interesting effects can be created by rendering out reverb and delay tails minus the original dry sound, then applying creative processing to the tail. Filters work particularly well for this kind of thing and, once processed, the new sound can be played back alongside the original version, or replace it altogether.
22. Finally, when programming synth patches, don’t discount the creative potential of your instrument’s reverb section. With a long, lush reverb, even the smallest synth squelches or blips can be turned into pleasingly tonal atmospheric effects. Of course, if your synth effects truly suck, you can always use a separate reverb or delay plug-in instead to create the same effects.
23. Delay is a pretty common effect in atmospheric music like ambient, but for ambient dub, a full-on feedback delay, such as Ohm Force’s excellent OhmBoyz effect, is just the thing.
24. Dynamic use of feedback delay is useful for creating long, evolving rhythmic effects. By automating the feedback control on a delay plug-in, you can build to a crescendo or create weird rhythmic effects.
25. Getting that distinctive morphing dub delay effect can be done by adding either a filter or distortion component to the feedback loop – easily done in OhmBoyz, as it has both. If you’re using a delay effect in Reaktor or another modular environment, you can add these elements yourself, though it’s advisable to put a level limiter after them to ensure the feedback doesn’t get out of control.
26. Delay effects work well before a reverb, though too much of either will swamp the mix. However, it’s possible to tame these effects with automation – set the reverb’s wet level to 0%, automating it so that it comes up as the end of the delay tail is playing. This way, you’ll be able to use both the delay and the reverb, without having too much of either going on at once. 
As an advanced alternative, you could use sidechain compression to duck the start of the reverb (using the source signal as the key input), and setting the release time appropriately, thus achieving the same effect automatically.
Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.
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Football Pick’em
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College Football Pick’em
Start or Sit (AFC Home Games)
Talking the business of sports
Massachusetts @ Connecticut
Current Records: Massachusetts 1-7; Connecticut 4-5
The Connecticut Huskies and the Massachusetts Minutemen are set to square off in an FBS Independents matchup at 7 p.m. ET Nov. 4 at Pratt & Whitney Stadium at Rentschler Field. Coming off of a win even when the odds were against them, the Huskies have to be feeling especially confident now that the spread is in their favor.
UConn bagged a 13-3 victory over the Boston College Eagles last week. No one had a standout game offensively for UConn, but QB Zion Turner led the way with one touchdown. One of the most thrilling moments was Joly’s 62-yard TD reception in the first quarter.
UConn’s defense was a force to be reckoned with, as it collected three interceptions and two fumbles. Those interceptions were spread across their defensive unit.
There was early excitement for UMass after they claimed the game’s first points last week, but it was the New Mexico State Aggies who ended up claiming the real prize. UMass took a 23-13 hit to the loss column. Massachusetts’ defeat came about despite a quality game from RB Kay’Ron Adams, who punched in one rushing touchdown. That touchdown — a 66-yard rush in the second quarter — was one of the highlights of the contest.
This next game looks promising for the Huskies, who are favored by a full 15.5 points. They might be worth taking a chance on against the spread as they are currently on a five-game streak of ATS wins.
UConn’s win brought them up to 4-5 while the Minutemen’s loss pulled them down to 1-7. A pair of defensive stats to keep an eye on: UConn enters the matchup having picked the ball off ten times, good for 15th in the nation. UMass is not quite as good, but they are no chumps, either: they enter the matchup having picked the ball off eight times, good for 38th in the nation.

The Huskies are a big 15.5-point favorite against the Minutemen, according to the latest college football odds.
The oddsmakers had a good feel for the line for this one, as the game opened with the Huskies as a 14.5-point favorite.
Over/Under: -110
See college football picks for every single game, including this one, from SportsLine’s advanced computer model. Get picks now.
Massachusetts won the only game these two teams have played in the last two years.
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Images by Getty Images and US Presswire

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The Tennessee Volunteers football team is scheduled to face the Georgia Bulldogs on Saturday, Nov. 5.
The game is scheduled to begin at 3:30 p.m. ET at Sanford Stadium.
Tennessee, ranked No. 3 in the USA Today Sports AFCA Coaches Poll, is 8-0 overall and 4-0 in the SEC. The Vols beat Kentucky 44-6 last Saturday in Knoxville.
Georgia, ranked No. 1 in the USA Today Sports AFCA Coaches Poll, is 8-0 overall and 5-0 in the SEC. They are coming off a 42-20 win over Florida in Jacksonville.
Here’s how you can watch Saturday’s game.
Start time: 3:30 p.m. ET on Saturday, Nov. 5
Location: Sanford Stadium in Athens, Georgia
TV: CBS
CBS commentators are scheduled to be Brad Nessler (play-by-play), Gary Danielson (analyst) and Jenny Dell (sideline reporter).
Online live stream: CBS Sports
Online radio broadcast: UTSports.com
Subscriber perk: Join an exclusive text group to receive breaking news, insider insights and ask questions of our UT coverage team
Josh Heupel is the Tennessee football head coach. Kirby Smart is the Georgia football head coach.

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Staff Writer
It’s a familiar scene: You’re riding the train, sitting in a waiting room or about to join a mandatory Zoom training when you realize that your spiffy wireless earbuds are totally out of juice.
Sure, you enjoy the ease of going hands-free and not being literally tied down. But as the baby next to starts wailing or your boss asks why there’s so much background noise, you think it’s probably time to get yourself a spare pair of headphones with a wire. You need a listening device that doesn’t need to be charged, ever. And you came to the right place.
To help you keep the music and podcasts going and to never again be called out in the group meeting, we’ve rounded up the highest-rated wired headphones for all your listening and calling needs. We included a selection of over-ear headphones and in-ear buds because we know that everyone has their own tastes. We even found some beloved pairs for kiddos, so you never need to listen to old episodes of “Paw Patrol” again.
Whether you generally prefer wired headphones or are just looking for a backup pair to keep in your bag when your wireless ones are dead as a doornail, we hope you find the wired device of your dreams, with no strings attached (except the actual cord itself).
HuffPost receives a share from retailers on this page. Every item is independently selected by the HuffPost Shopping team. Prices and availability are subject to change.
Staff Writer

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Biden Promotes Student Debt Relief; Trump Goes to Iowa  The New York Times
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