Only One Pokémon Can Avoid the Master Ball, & It's Not Even … – Screen Rant
The all-powerful Master Ball has only appeared once in the Pokémon anime, and its performance against an ordinary creature was less than stellar.
Every Pokémon Trainer's dream item is the Master Ball–a Poké Ball with perfect accuracy that always captures its target on the first try. Or at least, that's how it is in the games; the anime has presented a very different side of the Master Ball, where it failed to capture what should've been an easy target.
In the Pokémon Advanced Generations episode "Whiscash and Ash," Ash arrives at a lake in the Hoenn region only to accidentally drop his badge case in the water, where it's immediately devoured by an enormous Whiscash. Ash tries to battle the Whiscash to no avail, as it's simply so big that his Pokémon can't do much to it. Ash then proceeds to nearly drown chasing Whiscash into the deep and is only saved by the fortunate appearance of a fisherman's Pikachu lure.
The fisherman, introduced as Sullivan, is after the massive Whiscash, known locally by the nickname "Nero." The Whiscash seems to enjoy taunting people, and Sullivan has made it his life's mission to hook this giant fish. Sullivan teaches Ash and his friends how to fish, and they work together to catch Nero. Nero eventually reemerges for the episode's climax, and Sullivan attempts to battle with his Flaafy–a poor choice, since Whiscash is part Ground-type and immune to Electric attacks. Sullivan, however, has been waiting for this day, and produces a Master Ball, tossing it at the Whiscash. Nero simply opens his mouth and swallows the Poké Ball whole, preventing it from opening and capturing him, and leaving the assembled cast stunned. Team Rocket interfere, and Ash's badges ultimately get returned, but the Whiscash gets away and is seen at the episode's end playing with the Master Ball like a toy.
Giant-sized Pokémon have appeared in the franchise's core games since this episode aired. Sun and Moon had Totem Pokémon, which were giant-sized and couldn't be caught. Scarlet and Violet's Titan Pokémon also seem comparable, but a better comparison may be Pokémon Legends Arceus's Alphas. Although Titans and Totems are specially chosen in some way, Alpha Pokémon are simply exceptionally large and aggressive members of their species, a description which fits Nero to a tee. Alphas are also usually of very high level, making them difficult to catch. While Nero eating the Master Ball is obviously a joke, this is actually the only appearance of the Master Ball in the anime, giving it an astonishingly bad 0% success rate on screen.
It's understandable why the Pokémon anime might want to avoid Master Balls, as they change the dynamic of capturing by removing the Pokémon's free will. The anime instead emphasizes the bonds that trainers form with Pokémon, so seeing a Pokémon willingly submit to a red Poké Ball is more satisfying. Still, the Master Ball is an important part of the Pokémon franchise, so it at least merited a shout out–even if it took the form of a joke at the item's expense.
Carlyle Edmundson is a manga news writer with an affinity for science fiction and fantasy. He graduated from the University of North Carolina Wilmington with a BS in Film Studies and is pleased it finally bears some relevance to his work. A lifelong fan of anime and manga, he has attended dozens of conventions over the years and may or may not have cosplayed at some of them. Presently, he is developing a retro JRPG-inspired visual novel, "Elven Revenue Service."
CFTC Charges New York Introducing Broker with Failing to Maintain … – Commodity Futures Trading Commission
September 23, 2022
Washington, D.C. — The Commodity Futures Trading Commission issued an order today simultaneously filing and settling charges against XP Investments US, LLC (XP), a New York-based Delaware corporation, with failing to maintain certain records required to be kept under the Commodity Exchange Act (CEA) and CFTC regulations.
The order requires XP to pay a $500,000 civil monetary penalty and to cease and desist from any further violation of the CEA and CFTC regulations as charged.
“Proper recordkeeping is vital to protecting our markets and market participants from fraud and manipulation,” said CFTC Acting Division of Enforcement Director Gretchen Lowe. “This case serves as another example of the Commission’s intent to vigorously enforce the recordkeeping obligations of its registrants.”
Background
Specifically, the order finds that XP failed to maintain certain audio recordings for dates in May and June 2019, which as a registered introducing broker, it was required to make and keep for at least one year. This failure occurred after XP relocated its New York office, which was responsible for maintaining the relevant audio recording system. The audio recording system was improperly installed at XP’s new office location by an external vendor, causing the inconsistent and incomplete recording of audio calls on 25 days. Neither spot checks nor XP’s “heartbeat” outage warning system detected the error. Only after XP could not find a specific recording, did it realize that there was an error. Once the error was discovered in June 2019, XP promptly took steps to remediate the problem.
The unrecorded calls included oral communications provided or received concerning quotes, solicitations, bids, offers, instructions, trading, and/or prices that led to the execution of a transaction in a commodity interest and/or related cash or forward transactions.
The CFTC thanks the National Futures Association for its assistance in this matter
The Division of Enforcement staff members responsible for this action are Sean Hennessy, Phillip Tumminio, Maura Viehmeyer, Elizabeth May, Daniel Jordan, Erica Bodin, and Rick Glaser.
-CFTC-
iOS 16 Changes How You Record and Send Audio Messages on … – Gadget Hacks
To record an audio message in the Messages app on iOS 15, you would tap and hold the audio messages button in the text entry field of the conversation. Then, you could let go to preview it before sending it or swipe up to send it right away. That’s no longer the case on iOS 16 for iPhone.
The audio messages button in the text entry field was replaced by a new Dictation button on iOS 16, so if you tried using that to send an audio message, you wouldn’t get anywhere. If you do try to long-press Dictation’s microphone icon, iOS will point out that the audio message button moved to the app drawer. Even if your app drawer is hidden, iOS will unhide it to show you the new button.
The change also appears on iPadOS 16.1 for iPad, which was released on Oct. 24.
When you open the new Audio Messages app in the app drawer, its interface will replace your keyboard. You can swipe up or double-tap the expand icon to show the timeline, then swipe down or double-tap the collapse icon to minimize the view. In either view, you can send an audio message in two ways.
When it comes to receiving audio messages, nothing has changed. You can still tap play or raise your iPhone (see below) to listen to the audio message. The messages disappear after two minutes unless you tap “Keep” to save them, which appears to both sender and recipient. It’s also possible to turn off “Expire” in Messages’ settings to remove the two-minute limit.
To enable Raise to Listen, go to Settings –> Messages, scroll down to the Audio Messages section, and toggle on “Raise to Listen.” After it’s on, you can bring your iPhone to your ear to listen to incoming messages. After you listen to them, Raise to Listen will change to Raise to Talk, so you can bring your iPhone to your mouth and start recording a reply.
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Please do not enable any Raise to settings.
Heres why:
Have you noticed you are not getting as much battery time as claimed by Apple…well if you have any “Raise to” settings enabled and phone in pocket when you stand up or sit down your phone thinks you have raised it and comes on…if you’re someone who is up and down a lot it will lessen battery time….I had that problem till I turned off the raise to settings and now I can go a full day listening to a book without needing to charge….
Taking music production up a notch – BusinessWorld Online
IN a world where there is a playlist or soundtrack for everyone’s daily activities, from doing an early morning workout to soothing sounds for a restful evening, Waxiefied Sound Production (WSP) has brought a more immersive way to enjoy music and improve music recordings for artists.
The music production company has earned the Home Entertainment Studio Certification, the highest certification that sound pioneer Dolby Atmos issues to its partners. WSP also opened the first certified Dolby Atmos Home Entertainment Studio in the country in Pasig City.
“I downloaded specifications and qualifications of the Dolby Suite, and I handed it over to [WSP acoustics engineer] Jiggs Hermano. Then he decided to make these designs and what to build,” Waxie G. Joaquin, founder of Waxiefied Sound Productions and its Executive Mastering Engineer, said during a launch on Nov. 5.
“In my other day job, I do supply acoustics as well. We put our skills and know-how together and so we achieved the room,” Mr. Joaquin said.
The studio was finished in 47 days.
The equipment, which went through strict screening by Dolby’s international team, took about six months to arrive in the Philippines from suppliers worldwide.
“We had to find the right monitors, not because they sound good but because they will last long. We got the specifications of those speakers, sent them to Dolby for them to approve it. They gave us a list of equipment and what we needed to do for processing — types of computers, types of audio interfaces, types of cables, to the cables, even the plugs of the cables,” Mr. Joaquin explained.
“Because of the project and the dream that we had, all the suppliers that we were talking to us were assisting us. So, they found temporary equipment or equipment for loan. They know that Dolby was coming over to Manila to tune the room and to certify us,” he added.
The Dolby Atmos Mastering Suite facilitates and certifies high resolution mastering of audio which is the same as the Apple Digital Masters sound for Apple Music. It is a soundproofed studio surrounded by 14 main speakers that facilitate an immersive audio experience.
The WSP room was recalibrated to accommodate the proper positioning of the speakers and its distances from each other.
“It’s not just like painting a picture viewed in one scene,” WSP acoustics engineer Jiggs Hermano said. “Now you can look around and there are many scenes going on.”
WSP also introduced the Dolby Atmos Sound Mastering Service, used for mastering audio from a variety of content such as music, audio visual clips, reels, TV shows, TV series, and movies.
WSP has recently remastered songs by James Reid, New Game Plus, Nicole Asensio, Dan Gil, and Marga Jayy in different modes, from stereo mix to Waxiefied Stereo Master to Dolby Atmos. Other clients in the Waxiefied Sound Production portfolio include Massiah, Nadine Lustre, Jay Ortega, J. Mara, and Morobeats.
During a visit to the studio, BusinessWorld listened to the original recording and the Dolby remastered version of James Reid’s song, “u & i” (2022). This writer was seated at the work desk at the center of the room facing three main speakers. The computer screen at the desk showed how the sound dynamics shifts from every speaker through the movement of green dots.
“We believe that this is the future and we’re here to help everybody get to that point in the Philippines,” Mr. Hermano told BusinessWorld during the studio tour.
He clarified that the technology is suited only for the digital platform. “The media cannot fit in an analog format,” he said, noting that one three-minute track can take up two gigabytes.
WSP is offering the Dolby Atmos Sound Mastering Service to artists, record labels, and other music production companies. It is also available for rent.
Mr. Hermano hopes that WSP will be able to work on remastering the existing library of Original Pilipino Music (OPM).
“We have to raise the bar and make us (Filipino artists) listenable to the rest of the world,” Mr. Hermano said. “We are here to support any label or artist. The technology is for everyone.”
For more information about Waxiefied Sound Productions, visit their website at www.waxiefiedsoundproduction.com and follow their official social media pages on Facebook, Instagram, and Youtube. — Michelle Anne P. Soliman
Cyber Monday deals for Music Producers 2022 | Plugins – Sample … – We Rave You
The holiday season has officially started and the market is full of exciting industry deals and offers. Cyber Monday which hits this year on 28th November is a marketing term for the Monday after the Thanksgiving holiday in the United States. It was created by retailers to encourage people to shop online. The music retail industry also witnesses the Cyber Monday sales in full swing as plugin manufacturers, sample pack companies & music production courses slash a good percentage of their regular price tag for this time. We have done the research for you and shortlisted the best Cyber Monday deals on Sample Packs & Plugins for all the music producers out there. Also don’t forget to check out our special page where we highlight the best deals on presets, bundles, sample packs, courses, etc for Black Friday & Cyber Monday 2022.
1. Audiomodern – 35% off
Recommended Deals:
2. W.A. Production – up to 90% off
Recommend Deals:
3. BABY Audio – up to 50% off
Recommended Deals:
4. Spitfire Audio – up to 75% off
Recommended Deals:
5. Applied Acoustics Systems – up to 60% off
Recommended Deals:
6. Fabfilter Bundle and Plugins – 25% off
Recommended Deals
7. Soundtoys Bundle and Plugins – Up to 70% off
Recommended Deals
8. iZotope Bundle and Plugins – up to 90% off
Recommended Deals –
9. XLN Audio Black Friday & Cyber Monday Sale – 50% off
Recommended Deals –
10. Solid State Logic – up to 90% off
Recommended Deals –
11. Antares Black Friday Sale – up to 60% off
Recommended Deals –
12. OekSound
Recommended Deals –
1. New Sounds of Techno – melodic techno sample pack – 70% off
2. MonoSounds Studio – All sample packs & instruments for 10$
3. Tech House Market – 60% off on Bundles & Sample packs
4. Ghosthack Sample Packs – Up to 90% off and Buy 3 get 1 free
5. Phantom Sounds – House & Techno Sample packs – 32% off
6. Production Music Live – 50% + off on bundles and sample packs
7. Samplesound Techno & Tech House Sample Packs – 50% off all sample packs
8. Zenhiser – 40% off sample packs
9. Black Octopus Sample Packs – up to 60% off
10. Big Fish Audio Sample Packs – 60% off
1. Course: Beginner to Advanced in Ableton Live by Production Music Live
2. Course: Melodic Techno Track from Start To Finish
3. Masterclass: Jimi Jules
4. Masterclass: Ben Böhmer – In The Studio
5. Masterclass: Melodic Techno with Jonas Saalbach
6. Masterclass: Creative Sound Design with the Moog Sub37
7. Techno Masterclass
8. Serum Sound Design masterclass – 60% off
Image Credits: Native-Instruments
Hemant has been actively involved in the dance music industry with over 2 years of experience. Currently working as a Project Manager and heading the We Rave You Tech division. Get in touch via email or Instagram
[email protected]
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We Rave You Ltd. All Rights Reserved © 2022
Black Friday Deals on Music Courses by PML | Learn Music … – We Rave You
Black Friday 2022 is officially here. Like every year there are some exciting and jaw-dropping deals going on during this time of the year and the music industry is no different. Plugin developers, sample pack curators, music production tutorial outlets & everyone related to the technical side of music offer massive discounts on their products. We have curated a wide list of deals ranging from plugins to sample packs in our dedicated campaign. For the purpose of this article, we will be listing down the Best Black Friday & Cyber Monday deals on music courses.
| HOT DEAL: New Sound of Techno (Melodic Techno sample pack) – Click here to checkout
Jimi Jules has been releasing massive hits in the past few years. He has an unconventional workflow and is extremely creative with his music-making ways. In this masterclass by PML, they captured his whole production process in his Studio in Milan to provide in-depth insights into his cutting-edge and innovative approach to making music. 2+ hours of studio session is recorded within the masterclass in which he will go through the following topics:
Definitely, one of the best deals you can avail this Black Friday. Ben Bohmer demonstrated his immaculate music production skills in this 2+ hrs course. His masterclass is currently available for 50% off this Black Friday
If you are just testing the waters of music production at the moment and are pretty new to using Ableton, this might be the one for you. Its always recommended having a solid grasp on basics when you are just trying out and this course will help you in achieving exactly the same.
Techno has been for decades, but only recently started coming into the mainstream. A wide number of releases be it from any electronic music sub-genre is inspired by Techno sounds. If you are someone who is getting into the Techno music industry or would like to learn new skills, this makes up for a good purchase
u-he Diva is one of the most popular synth plugins and is placed right in the elite category of VST synths alongside Serum, Omnisphere, Massive, etc. The analog feel of the plugin makes it very different from its competitors. If you currently own Diva and want to increase the potential of your sound design with it, this course is a great option.
Stil vor Talent artist Cioz walks you through his process of remixing a track step by step and in close detail. You will see all original stems from Diplo, Damian Lazarus & Jungle’s cooperation in “Don’t be afraid”. Currently available for 52% off.
Read Next: Black Friday VST Plugins 2022
Image Credits: Production Music Live
Hemant has been actively involved in the dance music industry with over 2 years of experience. Currently working as a Project Manager and heading the We Rave You Tech division. Get in touch via email or Instagram
[email protected]
GET THE MAGAZINE!
We Rave You Ltd. All Rights Reserved © 2022
“My Family Threw Me Away”: Britney Spears Tells All in Now … – Los Angeles Magazine
“My Family Threw Me Away”: Britney Spears Tells All in Now … Los Angeles Magazine
source
UAA to permanently expand master's in social work program with … – Alaska Public Media News
After years of budget cuts to Alaska’s public university system, there aren’t many higher education programs that are growing. But on Tuesday, the coalition Recover Alaska announced it had put together $1.5 million to dramatically expand enrollment for master’s degree students at the University of Alaska Anchorage’s School of Social Work.
Recover Alaska works to reduce excessive alcohol use and harm. Executive Director Tiffany Hall said the nonprofit identified a chronic shortage of qualified social workers as a key issue perpetuating the state’s worst-in-the-nation status for alcohol-attributed deaths.
“For a person in active addiction, it is incredibly challenging to admit the problem and ask for help,” said Hall. “When they do, we need to be ready. But a lack of qualified providers throughout our state prevents people from accessing help when they need it.”
Right now, UAA’s School of Social Work has capacity for 35 students seeking master’s degrees with a clinical license, and graduates about 25 a year. The plan is to step up enrollment gradually, up to 85 students five years from now. The university plans to continue delivering the program online only.
Southcentral Foundation is one of the organizations funding the grant, and one of the biggest employers of behavioral health and substance use treatment providers in the state. The lack of qualified social workers stresses the existing system and hampers expansion, said Michelle Baker, executive vice president of behavioral health services for the Alaska Native-owned nonprofit health care organization.
“Southcentral Foundation alone has 20 master’s level therapist vacancies, primarily due to four program expansions that we’ve launched in the last year,” Baker said.
Rasmuson Foundation CEO Diane Kaplan said her institution and others that contributed funding are all potential employers. Someone with a master’s degree in social work can work in a variety of settings, from philanthropy to preventative therapy to crisis care.
“Employer-led initiatives like this are appealing to potential students because they know there’s a job at the end of the education,” Kaplan said. “And a choice of jobs, and good jobs and well-paying jobs in a competitive environment in the state for employees.”
The grant money is a one-time gift, but university officials said the expanded master’s program will be financially self-sustaining through student tuition.
Other donors include Premera Blue Cross Blue Shield of Alaska, Providence Alaska, the Anchorage Assembly, the Alaska Department of Health and the Alaska Mental Health Trust Authority.
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Calling all producers! Thomann is now offering 40% off Cubase 12 … – MusicRadar
When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.
For a limited time, you can enjoy 40% off Steinberg’s Cubase Pro 12, Cubase Artist 12 and Cubase Elements 12, and you’ll also receive a slew of free plugins
When it comes to producing music at home, it’s fine to have fancy condenser microphones and space-age audio interfaces, but if you don’t have a good quality DAW, then those things are quickly rendered useless. So, with that in mind, if you find yourself without an easy-to-navigate and dependable digital audio workstation, you are in luck, as Thomann has you covered with 40% off Cubase 12 – plus free plugins! (opens in new tab)
Cubase has long been an industry staple, with many music makers, producers and recording engineers opting for Steinberg’s famous software to create hit records. Being released only a matter of months ago – April to be exact – this new version of Cubase has been updated with modern features, and in our opinion, it’s better than ever – we are just happy to see the back of the dreaded eLicenser hardware dongle!
Cubase 12: 40% off plus free plugins at Thomann (opens in new tab)
From September 1 to October 3, budding producers and home recording enthusiasts can enjoy 40% off when they purchase either Cubase Pro 12, Cubase Artist 12 or Cubase Elements 12 at Thomann. If that wasn’t enough, you will also be given a coupon code for plugins from Acustica Audio, Arturia, Celemony, Softube, and Steinberg – all you have to do is register your purchase on the Steinberg site (opens in new tab).
It’s worth noting that whether you are looking to purchase Cubase for the first time or upgrade your current version to the new, shiny version 12, now is the best time as you’ll save 40% on all updates, upgrades and full versions.
Now, in case that’s not enough, you’ll also receive some freebies as well. You’ll be sent a voucher code for some outstanding plugins from the likes of Acustica Audio, Arturia, Celemony, Softube and more. Which plugins you receive will depend on which version of Cubase you purchase.
To claim your free plugins, simply register your purchase at the Steinberg site. You have until October 3 to take advantage of this spectacular offer. Want to know exactly what we thought of the newest iteration of Cubase? Well, you can read our full Cubase 12 review here.
Looking for more great deals on plugins and music production software? Keep it locked to our Black Friday plugin deals page for all the latest savings and offers. For even more music-making discounts, explore our Black Friday music deals hub.
Don’t miss the latest deals, news, reviews, features and tutorials
I’m a Senior Deals Writer at MusicRadar, and I’m responsible for writing and maintaining buyer’s guides on the site – but that’s not all I do. As part of my role, I also scour the internet for the best deals I can find on gear and get hands-on with the products for reviews. I have a massive passion for anything that makes a sound, in particular guitars, pianos and recording equipment. In a previous life, I worked in music retail, giving advice on all aspects of music creation, selling everything from digital pianos to electric guitars, entire PA systems to ukuleles. I’m also a fully qualified sound engineer with experience working in various venues in Scotland.
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OHIO media students gain experience in live music production … – Ohio University
Music, mud, and memories encapsulate this year’s Nelsonville Music Festival, but for 27 media students, the festival provided much more than just that.
They gained insight into what it is like to produce a major live music event right in their own backyard, an experience that few college students may get the chance to participate in and one that will allow them to add new skills and portfolio pieces to help them achieve their goals.
The Nelsonville Music Festival, or NMF, is an annual music festival that brings in artists from the region, as well as top headliners and Grammy-nominated artists to perform for three days. This year the festival returned live in a beautiful new venue in Buchtel, Ohio, after a two-year hiatus due to COVID.
Over the last eight years, OHIO media director Josh Antonuccio and a team from WOUB Public Media have collaborated with NMF and Stuart’s Opera House to bring in over 80 students to help work the festival and gain real-life experience producing live music performance and interview sessions. During the three days, students learned how to film each artists’ set, work on stage management, oversee artist relations, record performances, and overall learn about the ins and outs of producing a live event.
“This partnership with NMF and Stuart’s Opera House creates an access point to allow students to have real tactile experience on-site and see the high-pressure environment they could be working in,” Antonuccio explained. “They learn how to work with different people and interface with leadership and artists directly, manage and prepare the stage, research, and do technical direction – everything that is needed to produce a live music event. This experience provides students with resume-ready experience and learning opportunities where they are working with established and rising artists and get to produce on a number of levels.”
For NMF, four stages were set up to showcase the different artists all day and evening, with one stage, the Creekside Stage, specifically dedicated to allowing OHIO students to learn and produce their work on that stage.
“This is a great opportunity for students to get practical experience outside the classroom,” Andie Walla, an associate professor of instruction in the School of Media and one of the faculty members who helped work on NMF, said. “What better way to gain this experience than through working a live music festival. This experience is really unique to students, especially those going into multicamera work, because it allows you to see the stress of working a live event and for a lot of students it’s a sink or swim moment. It’s a safe way to experience this type of work an educational setting and see if it’s something that they want to continue.”
Although Walla has previously worked with students in producing and directing the video production at NMF, as well as helped with the virtual NMF festival last year, this was her first time working with a team of students on the “Snowfork Sessions.” She led 16 undergraduate students and one graduate student on multicamera producing, directing them on the cameras and allowing them to take turns technical directing, switching cameras and editing live.
“Just learning how to set up and tear down and how to be prepared for the external obstacles that can come from a live event is such valuable knowledge for these students,” Walla added. “Learning how to focus and take direction and why you shoot things in multicamera, and how to effectively communicate over headset are all great skills to have when going into this industry so being able to offer a variety of things for them to learn and work on is really helpful for them.”
Their work isn’t done once the festival is over, though. Following the festival, Antonuccio, Walla, and their students partner with WOUB to distribute videos of numerous performances out to the general public on WOUB’s platform through the Snowfork Sessions, formerly known as the Gladden House Sessions. Similar to NPR’s “Tiny Desk Concerts” and named after the location in which the festival takes place, the Snowfork Sessions are shot live during the festival, then edited together in post-production to create a video for viewers to watch of the performance. This year’s Snowfork Sessions consist of 14 episodes that will be aired on WOUB in the following weeks.
“Participating in the Snowfork Sessions provided me with experience in live video production that I didn’t think I could get while in college,” Dana Copeland, a junior Media Arts Production major from Columbus, said. “While some video production is scripted before it is shot, other projects are simply captured in the moment, like live music. Snowfork gave me the opportunity to capture unscripted performances, which is a skill I hope to utilize in my future career.”
Since the inception of the series in 2014, Antonuccio and a team comprised of WOUB staff members Adam Rich and Emily Votaw, Scripps College of Communication students, as well as other OHIO faculty members, have now produced six seasons of the sessions; over 90 episodes have accumulated nearly three million views. In 2019, the series was nominated for a regional Emmy.
“Students get to apply everything they’ve been learning to actual projects and those projects then become available for them to use as part of their own portfolio. Every student gets credit in the production, so if they apply for jobs or internships, they have production experience already working on a major music festival,” Antonuccio said. “It’s impressive to have this type of experience where the work you’ve done has a million views and has been nationally distributed. Plus, it’s always enjoyable to see the response and attraction from audiences.”
Seth Rhodes, a junior music production and recording industry major from Ashland, Ohio, found that over the course of the three days, he picked up new skills he never would have imagined this early on in his career.
“Working sound at Nelsonville Music Fest was my first real live music experience, and it taught me a lot of important things about the workflow of it all. I think it was a great first step into the live industry, and the music was great too,” Rhodes said. “I learned a lot of new things from NMF, but I think the most important was just how to work efficiently under pressure. It can get stressful having a new band setup and tear down almost every hour to play their set, but by the end of the weekend my classmates and I had gotten the hang of it.”
To have the opportunity to work on NMF, students had to sign up for one of two classes associated with working at the festival. The first was overseen by Walla, focusing on multicamera production and video editing, while the other centered on audio production, stage management and event planning, as well as areas of publicity and booking. The second class was made possible through the help of Lindsey Rudibaugh, Executive Director of Experiential Learning, and was created to have an engaged experiential learning component included, aligning with the festival schedule to provide an exclusive opportunity to learn both live event production and postproduction.
“Experiential learning is most powerful when it happens in authentic settings, with real stakeholders in interdisciplinary settings,” Rudibaugh said. “Josh Antonuccio is masterful at connecting students from multiple disciplines to industry, both in our home community of Southeast Ohio and with media giants around the country. Students undoubtedly left the Snowfork Sessions with new skills, an expanded professional network, and great Bobcat stories to tell. My team is ecstatic to play a role in supporting this and many other transformative OHIO experiences, especially those that partner with local treasures like the Nelsonville Music Festival.”
Walla added that several alumni who started their work as students at NMF have now gone on to work in the live event industry, some directly touring with bands, and that it is the hope of faculty in the School of Media that the students who participated in NMF get to utilize their experience in the same way someday.
© 2022 Ohio University. All rights reserved.
Thomann's massive software sale sees up to 75% off plugins from … – MusicRadar
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Make huge savings on virtual orchestral instruments, digital synthesizers, hard-hitting MIDI drums and spacious reverbs right now at Thomann
If you produce music at home, then you’ll undoubtedly have found yourself down a YouTube rabbit hole at 2am, watching the greatest engineers and mixers produce radio-ready tracks in a matter of minutes. Now, this can get a little disheartening; not only do your tracks not come together as quickly as theirs, but you most likely don’t have access to the stockpile of plugins they do – and even if you could bag all that software, it would cost you a small fortune! Well, Thomann may not be able to help you mix any quicker, but they can help with the plugin situation, as right now, you can bag up to 75% off popular plugins from Air Music, EastWest, Polyverse and more (opens in new tab) in this epic software sale.
This sale sees the prices slashed on some of the most sought-after plugins from the biggest names in the VST game. Are you looking to seriously up the production value of your compositions? Well, there is money off both Project Sam’s Orchestral Essentials 1 (opens in new tab) and EastWest’s Symphonic Orchestra Platinum (opens in new tab). With these insanely powerful plugins, you can easily – and quickly – create vast sonic soundscapes worthy of the big screen – all while saving a little cash in the process.
Okay, maybe full orchestras aren’t your thing but don’t worry, there’s more on offer. For those seeking realistic, hard-hitting drums, there is not much better than EastWest’s PRODrummer 2 (opens in new tab), which is now down to only £68, pair this with the insanely affordable AIR Music Technology Hybrid 3 (opens in new tab) at only £24.90 and you have a great starting point for a new tune!
As you can see, there’s a lot on offer here, with different discounts being applied depending on the brand. So to make it easier for you to find what you are looking for, we’ve listed each of the different deals and their end date below.
Project Sam: Up to 30% off (opens in new tab)
Project Sam is a leading name in the world of orchestral samples, with their plugins being used in many film and TV projects. Right now, you can bag up to 30% off some of their most popular titles, such as Orchestral Essentials, Symphobia, True Strike and more. This sale runs until 10 July.
EastWest: Up to 50% off (opens in new tab)
EastWest are well known for their incredibly realistic virtual instruments, with perfect creations of everything from drums to pianos (opens in new tab), choirs and backing vocals – they even have a plugin that recreates the sound of The Beatles! So regardless of the virtual instrument you feel your track is missing, you are sure to find it here. That said, you’ll need to be quick as this sale ends on 12 July.
Polyverse: Up to 40% off (opens in new tab)
Polyverse makes a range of creative tools that are designed to take your production to the next level and right now, you can bag up to 40% off I Wish, Gatekeeper and Comet. You have until 11 July to take advantage of this sale.
Audiofier: 44% discount (opens in new tab)
Sometimes all a track is missing is an ambient bed that not only helps establish the mood of the song but also adds an extra layer of texture and movement to the production. Well, if that is exactly what your latest track is lacking, then you may want to grab one of these Audiofier plugins while there’s 44% off. This one ends on 10 July.
Flux: Up to 54% off (opens in new tab)
Until 12 July, Thomann is offering up to 54% off three popular Flux plugins – Ircam Verb v3, Elixir Essential and Immersive Essentials. In our opinion, Ircam Verb is a fantastic option for those seeking realistic room simulations with numerous tweakable parameters – so grab it while it’s cheap!
AIR Music Technology: Up to 75% off (opens in new tab)
Arguably best known as the company behind the core plugins within Pro Tools, AIR Music Technology makes some of the most widely used plugins out there – and right now, you can bag up to 75% off three of their most popular VSTs until 12 July.
Don’t miss the latest deals, news, reviews, features and tutorials
I’m a Senior Deals Writer at MusicRadar, and I’m responsible for writing and maintaining buyer’s guides on the site – but that’s not all I do. As part of my role, I also scour the internet for the best deals I can find on gear and get hands-on with the products for reviews. I have a massive passion for anything that makes a sound, in particular guitars, pianos and recording equipment. In a previous life, I worked in music retail, giving advice on all aspects of music creation, selling everything from digital pianos to electric guitars, entire PA systems to ukuleles. I’m also a fully qualified sound engineer with experience working in various venues in Scotland.
MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site (opens in new tab).
© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.
Waves Audio Spherix compressor & limiter plugins: simplify your … – RouteNote
Waves Audio have released Spherix Immersive – a compressor and limiter plugin duo made for processing surround sound audio.
The two plugins in the Spherix suite have been made with making the workflows of producers and sound engineers working in immersive 7.1.4/7.1.2 mixing environments easier.
Both plugins in the Spherix suite include Control Linking which gives you quick-access knobs that allow you to adjust parameters across multiple channels quickly.
Therefore, you can quickly change the particular settings in one window instead of manually adjusting each in their indivual channels!
And you can link channels together with Channel Linking based on speaker zones too. You can change the compression and limiting of an entire group with this tool rather than processing individual channels.
Waves Spherix Immersive includes a Weight control too.
This tool allows you to control the sidechain balance and content of grouped zones as one.
Waves state, “You can choose whether the grouped channels will react more to each individual channel, more to the entire group, or more to all other channels—including all points in-between.”
Furthermore, the Spherix plugins also have three front-wall linking options alongside an ‘all’ option to affect all channels.
Moreover, you have different options for grouping the output channels too.
For example, you can group the left and center channels, or the left, right, and center (L+R+C), or the L+R+C & the sub-bass together.
So, the Spherix plugins give you three separate compressors.
Additionally, you can determine speaker sources with a surround sound visualizer. The visualizer shows you where your channels are in the room!
As a result, your experience working with surround sound audio is far easier compared to working with flat channels.
Waves Spherix Immersive is compatible with macOS (10.15.7 +) & Windows (10 +) in VST3, AU & AAX plugin formats.
You can get your hands on Waves Sperix Immersive plugins now for $199.
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2022 DI cross country regional championships: Schedule, times, live … – NCAA.com
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All nine of the 2022 DI cross country regional championships were held Friday, Nov. 11. Teams competed for regional titles and an automatic bid to the DI national championships. We saw over five hours of continuous cross country races, with big names stepping up to deliver championship-level performances. Check out the results below.
RELATED: Everything you need to know for the DI, DII and DIII cross country national championships
The top two finishing teams in each regional secure automatic bids to the championship. Here are the automatic qualifying teams.
The first four regional finishers not from an automatic qualifying or at-large team also secure an auto-bid to the championships. While the at-large teams won’t be decided until the selection show at 5 p.m. ET on Saturday, Nov. 12, here’s a look at the top four finishers from non-AQ teams in each region.
🏃♂️LATEST CROSS COUNTRY NEWS 🏃♀️
🗓 2022: Invitationals to watch | Regional championship sites
🧠 WHAT TO KNOW: XC Glossary | How the championships work
🏆 AWARDS: The history of the USTFCCCA’s cross country national athlete of the year
👀 HISTORY: Teams with the most titles | Men’s champ history | Women’s champ history | Inside Villanova’s dominance
🔥 MORE: The fastest finishes | Top cross country courses
The 2022 DI men’s and women’s cross country regional championships have concluded. Two regional championships were live streamed. Here’s how to watch them.
The 2022 DI men’s and women’s cross country regional championships are Friday, Nov. 11. In each region, all women run in a six-kilometer race while all men run in a 10-kilometer race.
There are nine regionals hosted by nine different schools, with the top two finishing teams in each regional securing automatic bids to the championship. The first four regional finishers not from an automatic qualifying or at-large team also secure an auto-bid to the championships.
Check out the regional championship schedule and start times below:
All times Eastern
Washington’s Brian Fay won the men’s individual title, finishing the West regional in 28:17.2. Stanford won the team title with runners finishing 3-5-6-8-23. Gonzaga finished second with runners in 4-7-22-26-33 to secure the second automatic qualifying bid.
BRIAN FAY‼️ 🥇
He’s the third-straight Husky to win the West Region title!!#GoHuskies pic.twitter.com/sXTQImwBX3
Click or tap here for complete results
Northern Arizona’s Nico Young won the men’s individual title, finishing the Mountain regional in 28:01.8. The Lumberjacks won the team title with runners finishing 1-2-9-14-17. BYU finished second with runners in 5-6-8-13-22 to secure the second automatic qualifying bid.
Click or tap here for complete results
Oregon State’s Kaylee Mitchell won the women’s individual title, finishing the West regional in 19:19.2. Stanford won the team title with runners finishing 3-15-18-19-21. Oregon finished second with runners in 4-12-23-24-33 to secure the second automatic qualifying bid.
Click or tap here for complete results
Utah Valley’s Everyln Kemboi won the women’s individual title, finishing the Mountain regional in 19:47.6. New Mexico won the team title with runners finishing 5-8-9-13-21. Utah and Northern Arizona tied for a second-place finish with runners in 7-10-17-33-36 and 2-18-19-25-39, respectively. The Utes won the tiebreaker 3-2 to secure the second automatic qualifying bid.
Click or tap here for complete results
Oklahoma State’s Isai Rodriguez won the men’s individual title, finishing the Midwest regional in 29:40.1. Tulsa and Oklahoma State each finished with 49 points each, with the Golden Hurricanes finishing 3-4-5-6-31 and the Cowboys finishing 1-7-12-13-16. Tulsa gets the tiebreaker thanks to a 3-2 advantage. Both Tulsa and Oklahoma State secured automatic qualifying bids.
Click or tap here for complete results
Charlotte’s Nikolas Scudder won the men’s individual title, finishing the Southeast regional in 29:42.8. North Carolina won the team title with runners finishing 2-6-14-15-24. Virginia finished second with runners in 3-10-22-23-25 to secure the second automatic qualifying bid.
Click or tap here for complete results
Harvard’s Graham Blanks won the men’s individual title, finishing the Northeast regional in 29:14.1. Syracuse won the team title with runners finishing 6-8-11-17-23. Harvard finished second with runners in 1-2-15-29-42 to secure the second automatic qualifying bid.
Tyler Berg crosses the line in 3rd and is headed to @NCAATrackField Nationals! #NCAAXC @IvyLeague pic.twitter.com/oqBM8ng5Ft
Click or tap here for complete results
Illinois’ Olivia Howell won the women’s individual title, finishing the Midwest regional in 20:02.9. Oklahoma State won the team title with runners finishing 2-3-16-17-20. Northwestern finished second with runners in 8-13-15-25-27 to secure the second automatic qualifying bid.
Click or tap here for complete results
Villanova’s Liam Murphy won the men’s individual title, finishing the Mid-Atlantic regional in 29:52.6. The Wildcats won the team title with runners finishing 1-4-8-11-12. Georgetown finished second with runners in 2-3-10-21-22 to secure the second automatic qualifying bid.
Click or tap here for complete results
Butler’s Barry Keane won the men’s individual title, finishing the Great Lakes regional in 23.42.4. Wisconsin won the team title with runners finishing 4-6-7-8-11. Notre Dame finished second with runners in 9-10-14-15-16 to secure the second automatic qualifying bid.
Keane and Hamlin go 1-2! pic.twitter.com/1hDmkNGFGt
Click or tap here for complete results
Harvard’s Maia Ramsden won the women’s individual title, finishing the Northeast regional in 20:20.6. Providence won the team title with runners finishing 3-12-14-17-25. Syracuse finished second with runners in 2-18-20-24-27 to secure the second automatic qualifying bid.
Crossing the finish line together 🤝#NCAAXC x 🎥 @CULionsXCTF
pic.twitter.com/M7qxrVIFID
Click or tap here for complete results
NC States’s Katelyn Tuohy won the women’s individual title, finishing the Southeast regional in 19:49.1. The Wolfpack won the team title with runners finishing 1-2-3-7-12. North Carolina finished second with runners in 8-11-17-18-22 to secure the second automatic qualifying bid.
Ahead of the Pack 🐺🏃♀️💨 pic.twitter.com/o8hwnH9Czl
Click or tap here for complete results
An enhanced audio recording led to the arrest of Charlie Adelson in … – WFSU
Charlie Adelson, the brother of Dan Markel’s ex-wife, has been arrested in connection with the 2014 murder of the FSU law professor. Adelson is charged with first-degree murder, conspiracy to commit murder, and solicitation of murder.
For years prosecutors have had access to a video recorded by an undercover FBI agent that showed a meeting between Adelson and Katherine Magbanua, the ex-girlfriend of convicted shooter Sigfredo Garcia, at a Miami Beach restaurant called Dolce Vita in 2016. Georgia Cappleman, a prosecutor with the state attorney’s office, says new audio enhancement clarifies what was said that day.
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“The new evidence in the case is not really new evidence, it’s old evidence, but a new clarification which was done by a new audio expert,” said Cappleman. “The enhancement was able to allow us for the first time to hear many statements that are uttered in that restaurant conversation by Charlie Adelson for the first time.”
The video shows Adelson and Magbanua discussing a potential blackmail situation for more than 40 minutes. The tape was recorded by undercover FBI agents.
Investigators have worked for years to decipher the audio.
Magbanua was tried alongside Garcia in October of 2019 and she was accused of being the go-between for the Adelsons, and Garcia and Luis Rivera, who had already confessed his role in helping carry out Markel’s murder.
Though Garcia was convicted, jurors couldn’t reach a decision on Magbanua’s case and it ended in a mistrial. During the trial, the Adelson family, specifically Charlie Adelson, were repeatedly implicated but no one in the family had been charged with a crime at that time.
Magbanua had previously dated Adelson and at one point was employed at his South Florida dental firm. She was also in a prior relationship with Garcia, one of the convicted gunmen in the case.
Magbanua’s retrial is slated to begin next month.
Supercharge Your EQ With Emotional Articulation | ATD – ATD
Learning to better define your emotions can help to pinpoint solutions.
I’m staring down the end of a huge TV camera lens, waiting for my interview with CNN to begin. It’s a nerve-wracking situation. I have no idea what questions the news anchor will ask or how friendly she will be. I’m nervous, but what kind of nervous am I feeling? Just knowing I’m nervous isn’t helpful enough to know how to make myself feel less nervous. My ability to stay calm and focused in that moment&m
Renowned sound engineer to host 3-day music production course in … – Arab News
https://arab.news/ncynx
RIYADH: A leading international sound engineer is set to hold a three-day course “Music Production: From Zero to Hero,” in Riyadh from Nov. 28, aimed at developing budding talent in the country.
The course is being offered as part of the XP Music Futures conference. “I feel a huge sense of pride, it’s very rewarding and I know it is going to be extremely rewarding for me to be able to share this information with young talent in the region,” said Marcela Rada, who is also the organizer of the conference.
Rada said that with the right tools and education students would be able to fulfil their dreams. “I believe this is going to be huge in empowering artists in the areas (where they) may have not had the opportunity to access this kind of information and tools,” she added.
Rada will lead the six-session educational initiative course along with El Fuego, the DJ and artist. Rada said it would be the first time that she offers such a course in Saudi Arabia, which would cover basics including music production and audio engineering.
Students would be able to get enough knowledge to set up their own operations at home, where they can further develop their skills. “It’s designed for beginners so it’s designed to introduce the tools whether they are hardware or software for them to continue learning on their own afterward,” Rada explained.
The three-day course is divided into two sessions a day, with the first day focusing on “the art” of recording with an introduction to techniques, Rada said.
“We are going to go over a home studio environment and what you are going to need for hardware and software. We are going to touch upon the different types of microphones and microphone techniques,” she said.
The second session of day one will then take students through music production using digital instruments and creating beats.
The first session of the second day will take participants through technical ear training, audio processors, and how to approach mixing music and processing sound.
“That is a session that is going to provide them with the tools to know what to focus on, what to research and how to train their ears so that they can approach mixing in a creative and professional way,” she said.
“The session is designed to give them the basics of hardware and how to treat the analog signal.”
The second session on day two will delve deeper into the specific processors that are available to modify sound.
“The goal of those sessions is to help the students find ways of finding their signature sound. The tools are out there, we will talk about specific ones that they may be unfamiliar with, how to research them, which ones they can use, and which ones are free and available,” Rada said.
Session one of day three would go into depth on immersive audio. “I have been doing research on immersive, or special audio, for the past three years or so and I think we have all seen the boom regarding spatial audio in music production.”
The session would also show how a songwriter, producer, or content creator could take their music to the next level.
“The last session of the last day will be about collaboration. I want to leave them with an opportunity to collaborate with each other, to explore how different talents can collaborate with each other to create something good,” she said.
“They will be able to collaborate and produce a beat and then they will receive feedback from me and their classmates and we will be able to showcase something by the end of the course.”
During her visit last year to the XP music festival as a speaker, Rada said she was approached by several individuals who were eager to learn more about music production.
“This is what inspired the course, I saw the need and eagerness to learn in the area,” she said.
“I would describe it (the Saudi music industry) as (having) very, very talented individuals that are (using) their culture and what they know from their musical influences in the region, as well as what they have been exposed to with international talent. I think that there is a combination of this very local talent influenced by local customs and tradition,” she said.
RIYADH: Saudi Minister of Environment, Water and Agriculture Abdulrahman Al-Fadhli attended the 10th awards ceremony of the Prince Sultan Bin Abdulaziz International Prize for Water held at the UN offices in Vienna, the Saudi Press Agency reported on Wednesday.
The award, which was founded in 2002, offers five prizes every two years for innovation in water research.
In a speech, Al-Fadhli outlined some of the Kingdom’s initiatives aimed at protecting the Kingdom’s environment, providing safe drinking water, and encouraging water research.
Csaba Korosi, president of the UN General Assembly, praised the award and its “noble goal” of encouraging innovation in addressing water scarcity.
Nicholas Hardman, acting director of the UN Office for Outer Space Affairs, also highlighted the collaboration between the UN and the prize since 2008 to achieve water security.
MAKKAH: The Ministry of Hajj and Umrah recently launched a short film, “The Journey of a Lifetime” to educate pilgrims about the rituals of the annual event.
The project, under the auspices of Minister of Hajj and Umrah Dr. Tawfiq bin Fawzan Al-Rabiah, will be screened in nine languages — Arabic, English, Urdu, French, Bengali, Farsi, Hausa, Indonesian and Turkish. It was filmed in more than 14 locations in seven weeks with the participation of more than 800 actors.
It will also be shown on Saudia airline as part of its Inflight Entertainment System on the Hajj and Umrah channel, and is part of an agreement between the airline and the General Authority of Awqaf, said Saudi Hajj services deputy minister, Hisham Saeed.
He told Arab News that it focuses on all the rituals undertaken by pilgrims, from the time they leave home. “Furthermore, the Hajj and Umrah channel provides additional features, including the Educational Guide Program for Hajj and Umrah, which includes 13 guides that were launched last year.
“The guides provide educational guidelines on the Hajj and Umrah rituals, wearing (of the) Ihram, and archaeological and historical places in the Kingdom. Other guides describe spending a day in Mina and the prohibitions (during) Hajj, among others,” he added.
Hajj and Umrah services adviser, Ahmed Saleh Halabi, said the film would provide many pilgrims with the information they need, and would be accessible because it would be screened during flights.
It would offer pilgrims guidance on the mandatory rituals, events and locations, including Arafat Day, Eid Al-Adha, the days of Tashreeq, overcrowded areas, the opening hours of the Jamarat Bridge, and several Islamic sites.
The film also showcases the ongoing development projects, flight times, and the schedule of the Al-Haramain Express Train, which links Makkah, Madinah and Jeddah, said Halabi.
JEDDAH: A memorandum of understanding was signed on Wednesday between the Kingdom’s National Center for Wildlife and the International Fund for Animal Welfare to counteract the growing threat toward wildlife, create a formal framework for cooperation between the two sides, and achieve a number of common goals.
The memorandum was signed by Mohammed Qurban, CEO of the national center, and Azzedine Downes, CEO of the international fund, in Riyadh.
The center tweeted on its official Twitter account: “Under the patronage of the Minister of Environment, Water and Agriculture Abdulrahman Al-Fadley, the NCW signed an MoU with the IFAW @ifawMENA to cooperate in facing the challenges of wildlife and its repercussions on humans.”
The memorandum aims to address threats, and focuses on building safeguards to combat the illegal trade in wildlife, and reduce demand for it through changing behaviors related to the ownership of wild animals and keeping them as pets.
It also stresses support for rescue and rehabilitation operations, and the release of wild animals back to their natural habitats after treatment.
Downes said collaboration between key government stakeholders and international organizations is crucial if its aims are to become reality. He added that the fund is committed to improving the lives of animals.
Qurban said that the Kingdom is keen to update its legislation on wildlife protection in order to combat illegal activities and reduce the threat to wild animals.
He added that the center seeks to support staff by organizing courses and workshops to train small groups in how to combat violations against rulings affecting wildlife.
Qurban said that the center aims to recover illegally acquired wild species, first by taking the animals to shelters and then releasing them back into their natural environments.
He added that the Kingdom began this practice a long time ago by creating reserves to help protect animals and their habitats.
The center is leading the initiative of expanding protected areas to reach 30 percent of the Kingdom’s land and sea area, which is one of the Saudi Green Initiative pillars that will rehabilitate ecosystems and enrich biodiversity.
RIYADH: The Prime Minister of Georgia Irakli Garibashvili and his accompanying delegation arrived in Riyadh on Wednesday, Saudi Press Agency reported.
Garibashvili was received at King Khalid International Airport by the deputy governor of Riyadh region Prince Mohammed bin Abdulrahman bin Abdulaziz, the Minister of Economy and Planning Faisal bin Fadel Al-Ibrahim, and other officials.
RIYADH: Saudi Arabia called on the Taliban to reverse a ban on women pursuing higher education in Afghanistan on Wednesday.
The call came a day after the country’s Taliban rulers ordered women nationwide to stop attending private and public universities immediately and until further notice.
The Kingdom’s foreign ministry expressed surprise and regret at the decision and said it was met with astonishment in all Muslim countries.
The ministry said the decision denied Afghan women their full legal rights and the right to an education which contributes to supporting security, stability, development, and prosperity in Afghanistan.
Taliban security forces in the Afghan capital on Wednesday enforced the higher education ban for women by blocking their access to universities. Women were filmed weeping and consoling each other outside one campus in Kabul.
The Organization of Islamic Cooperation also denounced the decision, calling on the Taliban to reverse it “for the sake of maintaining consistency between their promises and actual decisions.”
“Suspending access by female students to Afghanistan’s universities, OIC Secretary General Hissein Brahim Taha believes, will go a long way in seriously denting the credibility of the government in place, just as it will deny Afghan girls and women their fundamental rights to education, employment, and social justice,” the OIC tweeted.
Image Line releases FL Studio 20.8, making its DAW “faster and … – MusicRadar
When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.
New tools and workflow improvements
Image-Line likes to keep the FL Studio updates coming, and it’s rounding out the year by releasing version 20.8 of its popular DAW. This promises to make the software “faster and more precise,” and is free for existing users.
This introduces the Frequency Splitter, a new tool that enables you to split audio into two or three bands using linear phase of low latency filters. You can also visualise things with a frequency histogram, heatmap or dual display.
A frequency histogram can also be found in the Parametric EQ 2 and Maximus plugins, both of which have been updated. On a workflow tip, there’s improved automation clip merging, along with a new cut and paste audio option for sampler channel and audio clip preview window.
For a full list of what’s new in FL Studio 20.8, check out the Image-Line (opens in new tab) website. If you’re new to the software, you might also like to know that the FL Studio All Plugins Edition is currently on sale for £305 (down from £670).
Don’t miss the latest deals, news, reviews, features and tutorials
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site (opens in new tab).
© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.
Jesse Ray Ernster Talks Mixing Doja Cat, His New Plug-In and 'The … – Mix
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Home RecordingMusic Production
Grammy-winning engineer Jesse Ray Ernster talks about working with Ye, Burna Boy and Doja Cat, as well as building his new Yamaha NS-10-based Atmos Studio.
By Sarah Jones
Music and recording are imprinted in Jesse Ray Ernster’s DNA. Born in Winnipeg and raised in the Twin Cities, he inherited his deep love of music and production from his father, a recording engineer, and his mother, a singer-songwriter.
Ernster was all-in at an early age, bouncing tracks on his cassette deck and building toy stages outfitted with flashlights and tiny P.A.s built from Logitech computer speakers. He spent his high school years in his dad’s studio, recording his rock bands and honing his production chops.
He went on to teach engineering and mixing courses at the Minneapolis Media Institute, located in the old Flyte Tyme Studios, recording bands in his spare time in a rented lakefront cabin that he transformed into a multiroom studio.
Ernster made the leap to Los Angeles in 2017. Those first few years were a hustle, teaching music lessons, performing in wedding bands, offering editing and Auto-Tuning services, and composing for film and TV (including work on Ripley’s Believe It or Not!).
His trajectory took a turn when a chance encounter with Kanye West led to a gig engineering West’s Jesus Is King and Donda, which earned Ernster his first Grammy Awards. Since then, he’s become a first-call mixer of A-list artists, winning a Grammy for his work on Burna Boy’s Twice as Tall and gaining accolades for his contributions to Doja Cat’s smash hit “Woman” and other tracks from her Grammy-winning album Planet Her. Between sessions, he launched a plug-in company and built a one-of-a-kind Dolby Atmos rig.
I’m just going to jump right into the legendary donut story. You had just landed in L.A., and you were searching for a gig…
I applied at every studio in town, sent resumes out, called multiple times. Nothing was working, nobody was hiring. I thought, “I have to hone in on what I do, and I feel like I’m a bold, hyperactive guy. I’ve got to do something quirky.”
I printed out these full-color resumes in comic sans font and taped them to the tops of boxes of donuts. I filled up my Jeep, floor to ceiling, with boxes, and brought them to every single studio in the valley. Finally, at the end of the day, it worked, at NRG. Jillian, the manager there, said, “That’s incredibly cool. When can you start?”
Fast-forward to a session at Nightbird. You were working with Tgya.
I got a random call to go in and sub engineer a session for Tyga. Then Kanye came in. He was carrying his MacBook, and he was like, “I want to play you guys some of the new album.”
He played us a bit of the unreleased material, and I thought, “Man, these are great records. I love it.” It was one of those “L.A. moments,” the once-in-a-lifetime encounters that happen in this city that I had always heard about. I kept thinking, “I have to say something. I have to work with this guy.” He hung out there for a few hours while I worked up the courage to do the unthinkable: leave my chair, overstep my role, and approach the icon known as Kanye West. My mind was racing with the insane dilemma: “Do I say something? I shouldn’t say anything. I could get blacklisted.”
Finally, I thought, “What the hell? I have to go for it.” But he had already grabbed his laptop and was leaving the studio. I impulsively jumped up and followed him out of the room. I kind of cornered him at the end of the hall and said, “Hey, man, I loved what I heard in there. I really respect what you do. I’d love to come work with you.”
He froze, he turned his head and looked at me … I thought, “Man, I’m about to be decked, or he’s going to call me out, and they’re going to get me out of here.” Then he said, “Okay, cool. Give me your number.”
They flew me to Chicago the next day. We went to Uganda, we recorded on the Nile River. We recorded in a tent; you could see hippos and alligators down below our recording area. We went on a safari with Kanye and his family. It was an unbelievable experience.
Would you say that set your career on a new arc?
It was absolutely the first domino to fall, but it wasn’t instantaneous. I had to work really hard to leverage the Kanye opportunity into gaining recognition and other work. I was under NDA, and the album hadn’t yet come out, so I was quite limited in the promotional reach I had to acquire other clients and projects.
Ultimately, I met with the Bad Habit management label and they placed me with UMI and Burna Boy as clients right away. I mixed Burna Boy’s Grammy-nominated African Giant LP, as well as a bunch of UMI songs that have gone on to rack up hundreds of millions of streams.
Let’s talk about your studio. It’s in your home. Do you work mostly in the box?
I am all in the box now. And to my ear, that is not a compromise in quality whatsoever. There are no limitations to the sonic capabilities of plug-in technology these days. In fact, there’s much more flexibility than ever before, and it’s all recallable.
I understand that you designed the acoustic treatment?
Yes. These are large 27-inch tube traps inspired by the ASC isothermal tube traps. The design features an absorptive front side, diffusive back side, and an isothermal layer of loose batting insulation on the inside. When the tubes are assembled into an attack wall configuration, it separates the listener from the subspace of the room and creates an entirely new level of monitoring accuracy. They neutralize and control problematic sound waves all the way down into the sub frequencies, while keeping the room feeling natural and lively.
Tell me about your Atmos system. You’re a big fan of Yamaha NS10s; you have something like 10 pairs in there.
I absolutely love NS10s. It’s the speaker I learned on, so I’m quite familiar with the sonic stories they tell. The microdynamics are just superb, and their ability to reveal imbalances and resonances across the spectrum is just astonishing to me. For Atmos, the NS10s’ biggest strength is in their speaker-tospeaker imaging; they really present a convincing image when panning objects around. Plus, I’ve been experimenting with modifying the crossovers to help tame a bit of the resonances and distortion around 1.6 kHz. The mod sounds amazing.
The entire system is being run with the Apogee Symphony MkII + Atmos remote, allowing me to customize speaker layouts, switch between different monitoring and input sources, and dial in the overall calculated delay from speaker to speaker so everything stays locked in and sounding great. It’s an absolute dream rig.
I’ve heard you talk about your “no-desk movement.” How does this work?
Essentially, I have ditched the desk! Those massive, clunky desk surfaces create incredibly problematic reflections, cancellations and comb-filtering effects that ultimately provide the user with an inaccurate representation of the sound source. I’ve spent some time in a few hi-fi listening rooms where there’s nothing between the listener and the speakers, and it’s an unbelievably pure experience. I wanted to recreate that. I wanted to minimize the guesswork and translation issues I was encountering, so I ditched the desk and adopted the “lapdesk,” which is basically a keyboard and mouse that sit in my lap. The translation is a night-and-day difference, meaning that the choices I make in the studio sound the same when I check in the car or on AirPods.
Let’s switch to the right brain. How do you balance serving the artist’s creative vision and your ideas?
I definitely have an aesthetic that I go for, because I am a fan of big, clean, classic recordings: Dire Straits, James Taylor, The Wallflowers, Pink Floyd. At the same time, I’m also quite obsessed with harmonic texture, growling saturation, and crunchy vibe when applied tastefully. It’s the marriage of these two worlds—clean and distorted—that creates a captivating aesthetic experience for me as a listener and creator. With that in mind, it’s not always my role to make big decisions in the mixing stage; a lot of the time, those sonic choices have already been decided. It’s about what the artist wants, and I’m ultimately happy to serve them in any creative capacity.
Tell me about Doja Cat. Did the team approach you?
I got a DM from Yeti Beats, her executive producer. He said, “I’ve got this record for Doja Cat that we need mixed. It’s kind of an Afrobeat thing. We heard what you did on African Giant, and we’re all about it. Would you like to try it out on spec?” I said, “Yes! Let’s go!” I got the files from him, we spoke about the direction and the vision, and I went for it.
And yes, I absolutely took some liberties on that one! [laughs] I completely swapped out the kick drum and really brightened up the vocals quite a bit. I also added some production to the intro to provide more of a dynamic crescendo transition into the first hook—which ended up informing some of the CGI treatment in the music video.
Let’s talk about the Rubber Band Compressor. How did you get into the plug-in business?
I’ve teamed up with Eddie Lucciola, the creator of Kiive Audio. He codes the Mixland plug-ins, and I handle the conceptualizing, content marketing, and the business side of it. We’ve built six plug-ins together now, and have a bunch more coming out, including the Rubber Band Compressor V2, which just launched at NAMM. We completely rebuilt it from the ground up for unbelievable fidelity and resolution. It’s an exceptionally bouncy and snappy-sounding compressor/EQ/saturator/channel strip.
You’re really open when it comes to sharing information.
Totally. I am a proponent of building up the next generation of music-makers into a large-scale support community with a strong mentality of sharing knowledge. My colleagues, my peers, they’re my friends. I don’t believe in competitors; only friends and collaborators. There is enough work to go around.
Sarah Jones
burna boy ⋅ doja cat ⋅ Dolby Atmos ⋅ donda ⋅ Jesse Ray Ernster ⋅ Kanye West ⋅ tyga ⋅ ye
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God Of War Music Producer Claims She Wasn't Credited For Her … – Gameranx
Gameranx
Video Game News, Lists & Guides
You know that when we need to use the sad Kratos picture the news isn’t good. God Of War Ragnarok has been praised by all for its incredible visuals, exceptional gameplay, riveting narrative, and its powerful soundtrack and audio design that enhances each of the other design pillars. Now we’re learning that perhaps the development of the soundtrack wasn’t as perfect as we’d have hoped, with Jessica Mao, a composer, and Music Production Intern at Santa Monica Studio on God Of War Ragnarok reaching out to Twitter to express some sad news, she’s not been credited for her work on the title.
Taking to Twitter, Mao shared the news that she hadn’t been recognised by the studio for her work on the game, saying
Better get this out before Twitter dies.
I’m so happy to see so many folks enjoying God of War Ragnarök! i worked on the editing/arrangement/implementation of the Freya chase scene and Thor boss fight music. you can hear to a bit of each scene’s music in this video!
I want to give a quick shoutout to Thor’s fight because that was a fun exercise in music arranging. the original mix was too fully orchestrated and had to be toned down to make room to grow in later phases. i made new stems using different combinations of the original stems…
…in ways that i felt worked best musically. the stem i’m proudest of is one where i removed all instruments and left just the percussion and vocals. you can hear it in this clip (under all the combat sounds lol). Sometimes less is more
Unfortunately, my name is not in the credits, and apparently it can’t be added in a patch update. i was told that to be credited, my contribution to the game must hit some “minimum criteria,” hence my tweet from Monday. Still not sure what this criteria could be…
This was incredibly disappointing and discouraging for me to learn, and i’d hate for anyone else to go through it. Game devs, please credit EVERYONE who participates in the development of a game. It only makes sense.
It’s sad to hear of Mao’s situation, although, as of the time of writing, there is yet to be any official comment by Santa Monica Studio themselves. Perhaps there was a mere oversight by the studio as they compiled the credits, perhaps there is in fact a certain criterion that Mao has not met. Either way, this story is likely to persist until a comment from the God Of War Ragnarok developer emerges.
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