Since its debut in 2014, Steve Duda’s creation Xfer Serum has completely transformed the sound design process. Even after all these years, Serum is still considered as one of the best Synth VST Plugins. It is undoubtedly one of the most popular plugins due to its ease of use and extensive features. There are numerous presets for Xfer Serum on the market, owing to its widespread popularity. And with the Black Friday sales going on in full force we have compiled a list of best black Friday deals on Xfer Serum presets.
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MSR News Online The Voice of Black Minnesota since 1934. Openings for pro teams’ public address (PA) announcer jobs are rare, especially in the National Basketball Association. As glamorous as these jobs appear, it is after all only a part-time gig. Jedidiah Jones, a 2016 Minneapolis North graduate, is one of 30 NBA PAs, in his first season working the arena mic at Minnesota Timberwolves home games. He replaced Shawn Parker, who stepped down this summer after five seasons. “It’s definitely a blessing to be here,” Jones told the MSR after a home contest. “Growing up I really wanted to be a basketball player, I wanted to be right here on this court. “Things didn’t work out for me in high school,” said Jones. “At that time basketball wasn’t for me. I wasn’t in the right headspace for it. I wasn’t as dedicated as I should have been.” But instead, unbeknownst to him at the time, he would in a few years be in the NBA. Jones was hired by the Wolves after he survived several auditioning rounds this summer. He heard about the opening while listening to the radio at work. “I just caught it by chance,” recalled Jones. “As soon as I got back home from work, I told my wife, ‘I think I’m gonna try [for the] PA position.” When he finally got the call informing him that he had indeed won the Wolves PA job, “My wife is jumping for joy with me,” recalled Jones. “Ever since then, it still feels surreal.” Jones has a distinctive bass voice: “Everybody was calling me Barry White. It really started when I was about in eighth, ninth grade. I’ve always been told that it was money in my voice.” But once he got to North High, one of his teachers “stopped me in my tracks. He told me I had the voice of God.” The North teacher was indeed prophetic as Jones this season is one of the 30 NBA’s “Voices of God (VOG),” the industry term for a PA announcer. He’s one of the few Black PA announcers—Detroit’s John Mason and Kyle Speller of Denver are among them. After graduating from high school Jones attended college for music production. “That didn’t go so well for me,” he admitted. “So, after going from job to job to job, I got sick and tired of doing that. I went back to college at MCTC (Minneapolis Community and Technical College). I studied for theater arts.” “I was on a dean’s list, doing really well, and then COVID happened,” continued Jones, who eventually left school, signed up with an agent, and starting seeking acting jobs. He hasn’t given up on that acting thing, “a waiting game, waiting for auditions to come my way. I always liked basketball. Even though I’m not a player, I’m still involved in the NBA. In a way I made my dream come true. “For me to be in this position so young and just take everything in, piece by piece, is definitely a blessing.” Legacy Series The new Pac-12/SWAC Legacy Series Games are now underway. The men’s and women’s games will be aired live on ESPN+ and the Pac-12 Network, including a total of five non-conference matchups played on SWAC campuses. The Legacy Series is an educational and basketball scheduling partnership between the two athletics conferences to tip off the 2022-23 season. Charles Hallman is a contributing reporter and award-winning sports columnist at the Minnesota Spokesman-Recorder.
Toronto – EQ Inc. (TSXV: EQ) (‘EQ Works’, ‘EQ’ or the ‘Company’), a leader in geospatial data and artificial intelligence driving software, is proud to announce a multi-year extension to continue servicing one of Canada’s largest diversified media companies (the ‘Corporation’). This relationship will extend even deeper than the initial engagement, with both companies providing unique proprietary data assets. In combination with EQ’s sophisticated tools, platforms and algorithms, the resulting data provides analysts, marketers and advertisers with best-in-class and unique analytics, targeting and measurement tools. Historically, this Corporation has accounted for significant revenue to EQ on an annual basis, with the initial engagement totaling over $6 million. EQ’s strong performance over the last 3 years, and its continued investment in data and technology solutions, were the main factors for extending this relationship for an additional 3 years. ‘Our focus on combining data and technology to provide clients with effective and actionable solutions is working.’ said Geoffrey Rotstein, President and CEO of EQ Works. ‘Clients continue to look to EQ for first party data solutions and technology that will enhance their strategies. Through our platforms, we have been able to provide invaluable insights, audience creation tools, attribution measurement and media that deliver unprecedented levels of performance at the local and national levels.’ ‘Once again, we sought to find a partner who could best leverage and enrich our first-party data assets with tools and technology, and EQ fit the bill.’ said the Corporation’s Director of Data Monetization. ‘EQ’s focus on first party data and proprietary tools that make data actionable, while continuing to work in a privacy centric environment, were key components to our decision. We are excited to continue working with EQ and providing industry leading data and media solutions to our clients.’ ‘We are thrilled to continue to grow and evolve this partnership.’ said Mark Ditkofsky, EVP Data Platform and Strategy of EQ Works. ‘Our team has worked extremely hard to build a world-class platform and it is rewarding to see our partners recognize our value.’ About EQ Works EQ Works (www.eqworks.com) enables businesses to understand, predict, and influence customer behaviour. Using unique data sets, advanced analytics, machine learning and artificial intelligence, EQ Works creates actionable intelligence for businesses to attract, retain, and grow the customers that matter most. The Company’s proprietary SaaS platform mines insights from movement and geospatial data, enabling businesses to close the loop between digital and real-world consumer actions. Forward-Looking Statements This news release may contain forward-looking statements that are based on management’s current expectations and are subject to known and unknown uncertainties and risks, which could cause actual results to differ materially from those contemplated or implied by such forward-looking statements. EQ Inc. is under no obligation to update any forward-looking statements contained herein should material facts change due to new information, future events or otherwise. Contact: Email: [email protected] Web: www.eqworks.com (C) 2022 Electronic News Publishing, source ENP Newswire
The Golden Cage is a deeply intimate work by Berlin-based Prequel Tapes, who strings together electronic sounds and voice to grapple with his feelings about his father. That sense of physical-emotional effort also sees realization in movement with a video featuring dance and performance artist Hana Stojaković. Warning: this piece contains mention of suicide. Please don’t hesitate to reach out if you need help. Find suicide and crisis intervention hotlines for the US or a guide to hotlines around the world. So often, we talk about electronic sound in some pure abstract. Here, every layer of sound feels personal and particular, spun out by producer-composer Prequel Tapes aka Marco Freivogel. That journey into his own traumas brings sounds unlike any of Marco’s other work I’ve heard, including labored machine vocals that alternately meld with or press against the electronic timbres. The words and topics are sometimes arrestingly direct. For anyone who’s looked to dance out trauma or dig into feelings by dialing knobs, it should immediately resonate. The music is released on the label Veyl, including on Bandcamp as digital and vinyl: Hearing those irregular rhythms atop asymmetric pulses, you might well imagine how to dance to this. So it’s terrific to see Hana Stojaković take on the movement accompaniment to the titular track, shot by cameras and drones by Marco Raab. Their movement for me gives a whole layer of significance to the sounds, unfolding a new way of hearing them. I spoke to Marco Freivogel and Hana about the work. CDM: How did Hana come to be involved in the project, Hana? Obviously, there was a friendship there but curious how you both decided to add this dance element – and for this particular track? Hana: We met each other through a common friend but haven’t worked together before. Marco saw my dance improvisation videos on Instagram and asked me if I wish to collaborate on the video for this special song, because he saw a connection between my movement quality and the atmosphere of the song. Marco: I have always been very attracted to contemporary dance, unique choreographies within experimental/contemporary/industrial-influenced music. Performance was a big part in the bands I was growing up with and since my first work with dancer Valentin Tszin for 2018 Atonal edition, I really understood that I want to work more in this direction from time to time. When I wrote The Golden Cage it was immediately clear to me that I want to make a video with a dancer who expresses the sensitive subject and is able to work on a choreography especially for that song. What was the process of choreography like – are we seeing through-composed movement, or was this an improvisation? It does seem there’s a tight connection of phrases in the dance to phrases in the music… Hana: My own emotional connection to the music was the base for the movement quality which I used in the improvisations. So the starting point of creation was improvisation, but then I fixed a loose structure or a chronology. There are some points in music where I made a set decision of what movement is happening at this moment. Written & produced by Marco Freivogel. Performance & choreography by Hana Stojaković. Camera, drone & editing by Marco Raab – https://maraab.com. Clothes by OTTOLINGER – https://www.ottolinger.com. Special thanks to Alex Skornia at club OST. I know this is such a personal topic to connect to music, and then also to make the decision to share that motivation and story. Marco, I wonder if you have anything to say about how you came to process this trauma in this way? Marco: It was basically the biggest impact in my life and it does something to you. I grew up without a father and once I connected with him — I was around 22 — things went pretty much downhill. In 1997, at just 50 years old, he decided to stop his life and hung himself. This experience you carry around with you forever. I tried to hide it for a long time, trying to play cool, and that it doesn’t have anything to do with me or affect me. Then as you grow, and also when I became a father, the subject became huge for me. It overgrew me and I could not stop thinking about that time. There have been so many questions where I was looking for an answer. Still for quite a long time, I refused help – I guess it was the way I was brought up, therapy was something I connected with weakness. Today I understand that this is complete bullshit. And when I wrote the music for this album I had the need to put an element on top to express my feelings and share my experience. I also finally decided to ask for help and I am happily in trauma therapy for a while. Both using my voice on my music and making the decision for therapy have been the best things in the last years that I did for myself. Anyone who thinks they can deal with traumas alone is probably wrong – this I know now. I learned my lesson. The musical language is also so personal, unique, and distinctive from what I’ve heard. What were some of those sonic elements; how did they come together to fuse this new voice? Was that also related to this emotional process, to try to find some language or voice that could express this experience? Marco: When I made the decision to use my voice it was clear to me that it had to be as a musical component. I am not a trained singer, nor a good vocalist. But I’ve learned in the last 30 years since I make music quite a lot and I was always attracted by seeing vocals more as an instrument. Today with all the possibilities in production, it makes this process even more attractive. I was always a big fan of the band Skinny Puppy and impressed by how Nivek Ogre used his vocals, especially on tracks like “Worlock“. I always had this in the back of my mind, but I wanted to realize it with a modern approach, trying to use my own patch of plugins and compressions. Oh, and the lighting – this was also set up for you? It’s striking, too. Marco: The lightning? If you talk about the 2nd part of the video, that is set up in the Club OST. My legendary friend Alex Skornia took care of the club and gave us access for the shoot. But there is also some lighting happening in the first part of the video. That was done in post-production by camera operator Marco Raab. I was lucky to have the chance to work with such a professional. We used two drones and a standing camera for the shoot. Working with the drone camera, it occurs, adds another bit of phrasing and movement, and then the editing – how did that finished composition come together? Marco: Marco Raab did all the final work and editing on the video. He’s an experienced and professional editor, post fx and camera legend. He really loves the song and couldn’t wait to put his hands on the video. I am just happy and glad to have the chance to work with two such talented people for this. https://prequeltapes.bandcamp.com/album/the-golden-cage
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Occasional snow showers. Temps nearly steady in the mid 30s. Winds W at 10 to 20 mph. Chance of snow 50%.. Cloudy. A few flurries or snow showers possible. Low 29F. Winds SW at 5 to 10 mph. Updated: November 17, 2022 @ 1:55 pm Actress Denise Richards attends “Glow & Darkness” photocall at the Palace Hotel on Oct. 26, 2020, in Madrid. (Carlos Alvarez/Getty Images/TNS)
Actress Denise Richards attends “Glow & Darkness” photocall at the Palace Hotel on Oct. 26, 2020, in Madrid. (Carlos Alvarez/Getty Images/TNS) LOS ANGELES — Denise Richards and husband Aaron Phypers are shaken but uninjured after a bullet struck their car this week during a road rage incident in Los Angeles. On Monday, the “Real Housewives of Beverly Hills” couple was en route to Popsicle Studio LA when another driver became impatient, shouted at them and shot the back of their truck, according to a report from TMZ. The TMZ report included a photo of a bullet hole near the left taillight of the vehicle. A representative for Richards confirmed Wednesday to the Los Angeles Times that the shooting occurred but declined to comment further. In response to a tweet about the shooting that has since been removed for violating Twitter rules, Richards commented on the incident Tuesday: “What I experienced yesterday with my husband, not that you care. Was the most terrifying situation I have ever been in,” she tweeted. “I’m sorry a shot didn’t graze my neck…a—hole.” According to Deadline, the spouses were headed to the studio because Richards was filming there. When Phypers, who was in the driver’s seat, slowed down to look for parking, the driver behind them became annoyed and opened fire, Deadline reported. TMZ reported that Phypers slowed down because he was having trouble finding their destination. The other driver reportedly attempted to maneuver around the couple, and Phypers let him pass before the other driver started shooting, according to TMZ. Another report from People magazine said that the couple noticed a van had been following them before the road rage incident. People reported that Phypers rolled down his window to confront the driver of the van when the driver pulled up next to them and berated them, claiming that Phypers had cut him off. According to People, Phypers apologized and then drove away as the man continued to yell at them. People also reported that the spouses did not realize the driver shot their truck until they arrived at the studio. No police report was filed, according to People, and the couple reportedly suspects the driver was motivated by the value of their truck. All three outlets reported that Richards worked a full day after the scare, despite arriving to set “shaken up” and in tears. The LAPD did not immediately respond Wednesday to the L.A. Times’ request for comment. ———
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Hollywood Life Latest Hollywood Celebrity & Entertainment News The 2022 American Music Awards are going to feel the 'glo.' GloRilla, the rising rap star from Memphis, is scheduled to hit the stage, so here’s what you need to know. 5 Things
The next generation of rap superstars is here, and riding high on top is GloRilla. “It’s real cool. I’m excited actually to be a part of it because it’s a new wave,” she told Refinery29. “I’m glad to be actually one of the ones leading the new wave.” That wave will take GloRilla to the Microsoft Theatre in Los Angeles on Nov. 20, where she will perform as part of the 2022 American Music Awards. On top of that, Glo will compete for Favorite Female Hip-Hop Artist, going up against her “Tomorrow 2” collaborator Cardi B, Latto, Megan Thee Stallion, and Nicki Minaj.
Though the competition is tough, Glo has a shot of winning. That’s been the story of her life. “I’d describe [my background] as staying humble, and I just kept working,” she told Refinery29. “I never gave up, and I always had a vision. That’s all you got to have; that vision and drive.” So, if she leaves Nov. 20 empty-handed, it won’t be long before she’s back to get her flowers and accept the rewards of her hard work. Speaking of which, ahead of the AMAs, GloRilla proved she was on her way to the top when Audiomack, the artist-first music streaming platform, named her it’s newest #UpNow artist. Audiomack’s #UpNow program highlights the next gen of stars, and alumni include Black Sherif, Pooh Shiesty, EST Gee, Sheff G, Omah Lay , and Ayra Starr, among others. “They’ve played an important role in helping me connect with fans in a new way,” Glo said of Audiomack, who will make her the cover of the #UpNot playlist while amping up her presence across the platform. “I appreciate the Audiomack team for always showing love and look forward to building with them more in the future,” she added. As Glo preps for her future — and the world preps for the AMAs — here’s what you need to know about GloRilla. “I was raised in church, but we still used to watch 106 & Park and BET,” Glo told XXLin September 2022. I used to love Bow Wow, and Soulja Boy, and Lil Wayne.” Describing herself as a quiet kid with nine siblings – six boys, four girls – she grew up homeschooled until the fifth grade when child services forced her mother to enroll the school-age kids in public school. The church was her first taste of music. “I got a lot of solos in the church choir, and growing up, the only music my mama let us listen to was gospel. We used to have to sneak and listen to the other music. Related: Gabriella Baldacchino: 5 Things To Know About The Actress Playing Patrick Dempsey’s Daughter In ‘Disenchanted’ As a teen, she shed the shy persona. She gained confidence and started secretly rapping (only playing her music for one of her brothers and her cousin.) It wasn’t until 2018 that she took her dreams seriously. Glo uploaded her first freestyle to Facebook in 2016. Two years later, her cousin suggested she put her mind to her music career and record on something other than her phone. She hit up a local studio and dropped “14 Freestyle” in December 2018. In 2019, she released her independent EP, Most Likely Up Next, with P Status in 2020. Her journey wasn’t easy. “I never stopped putting out music. I got discouraged a lot of times, but I ain’t ever stop — I had started going broke,” GloRilla told Gillie Da King and Wallo26 on a November 2022 episode of Million Dollarz Worth Of Game(h/t AfroTech). “I was losing everything like my apartments, my cars. I was almost down to nothing. It was like the end of last year and the beginning of this year. I was just all the way starting over and was like, ‘D-mn, I’m finna have to go back to work.’ I was just doing sh-t, surviving last year, and then it got to the gritty part, and I started just getting broke as hell and was living with my friends and sh-t.” During a local rap showcase in 2021, she met beatmaker Hitkidd. The meeting resulted in the Set The Tone EP that featured Glo, Gloss Up, K Carbon, Slimeroni, and Aleza – five female MCs – together. Glo and Hitkidd would work together again on a track that would change her life. In 2021, Hitkidd had a beat lined up for Megan The Stallion. It was a chance to partner with the reigning queen of rap…but Megan wasn’t responding fast enough. So, Hitkidd hit up Glo, who was on her way to get her lashes done, according to Vulture. She returned from the beauty appointment, lit up a blunt, stepped into the recording booth, and dropped the hook. “I’m F-R-E-E, f-ck n—-a free / That mean I ain’t gotta worry ’bout no f-ck n—a cheating / And I’m S-I-N-G-L-E again / Outside hanging out the window with my ratchet-ass friends.” Glo uploaded the hook to Triller, and it quickly went viral. A week and a half later, she and Hitkidd reunited at the studio, where she recorded a new first verse. They recorded a music video with all of Glo’s friends, and that’s how “F.N.F. (Let’s Go)” was born. “Literally, it was so crazy. My car got repo’d, like, less than a week before I dropped this song,” she told Vulture. As of November 2022, the video has over 49 million views. “A week before!” “I feel like it’s taken off ’cause we [were] authentic,” she told BET. “We ain’t really, like, dressing on up; we was just having fun, being ourself, you know what saying? It ain’t really a lot of people that represent females from the hood and ratchet females. We was just in the video having fun, doing what we normally do, and people like the authenticity – the realness to it. The success of the song caught the ear of several labels. Glo eventually signed with Yo Gotti’s CMG Records imprint under Interscope. “She’s someone coming different with a new sound, a new delivery, a new feel, and a new movement,” Yo Gotti told XXL. “Her potential is unlimited. She doesn’t rap like any other artists. Whenever you come with an unheard sound, you have an opportunity to stamp it. And you know what happens after that.” “When you think about Memphis music, you think about Gotti,” Glo told BET, you know what I’m saying, and Three 6 [Mafia] and them. That was the face of Memphis when you think about rap. They had the city in a chokehold, and you can’t go to the club without hearing a couple of Gotti songs. So he was a big factor growing up. While visiting The Angie Martinez Show ahead of the release of her Nov. 2022 EP, Anyways, Life’s Great…, Glo spoke about how she and her friends took a social media cleanse/mental detox for 60 days. “We was going through something like we can’t go into 2022 the same way we was last year, you know it was, just had a lot going on…we had to get our life together, we was like ‘we can’t keep living like this’ we was like, ‘okay, we’re going to go on a cleanse. We aint going to talk to no dudes cause I felt like that was a distraction. No partying, going out, you know like saving money and exercising,” she said (h/t Urban Islandz). “I had just really got out of a breakup, and I already said this in the preview of my song, I had just had an abortion, and so I’m like, ‘you know I gotta cleanse’ cause I didn’t feel the same after that. I had mental changes, so I’m like, ‘no more dudes, we’re going to just cleanse. I was really really going through something,” Breathing her success to life, her cleanse ran from March to May. By June, “F.N.F.” was on its way to becoming the song of the summer. In July 2022, Glo dropped “Tomorrow.” Two months later, she dropped “Tomorrow 2,” the remix featuring Cardi B. “[Cardi] had hit me up already when I was blowing up. Soon as I had landed in New York and I was going through the airport, she had sent me a little voice message, you know, giving me advice and motivating [me], like that. And so … she had liked my stuff, know what I’m saying?” Glo told Revolt. “I was in the studio one day, and I was listening to all my songs, and I’m like, ‘Who can I put on this song?’ So I’m like, ‘Okay, I’m finna text Cardi.’ I text her, and I was like, ‘I got a song I want you on.’ She was like, ‘Girl, I already did my verse on Tomorrow.’ I was like, ‘What?!’ [Yo Gotti] and them were trying to surprise me, but I ended up finding out because I was trying to get her on another song,” added Glo. “When I first heard it, I was so shocked. I wasn’t shocked because she hard anyway, but like how she just did that song? Like … I wanted to cry.” This is just the start for Glo. In 2022, she won the Best New Hip Hop Artist at the BET Awards. She also earned her first Grammy Awards nomination when “F.N.F.” was nominated for Best Rap Performance. The Glo has started, and it looks like it’s not going to fade for a long, long while.
Derek Myers of the Scioto Valley Guardian is escorted out of the courtroom after “objecting” from the gallery on Friday, Oct. 14, 2022 during the George Wagner IV murder trial in Pike County. Myers was making a point that witnesses can’t simply “opt out” of being photographed and videotaped when testifying. The judge disagreed. Derek Myers leads a small newspaper, the Scioto Valley Guardian, serving southern Ohio. After he recently published on the newspaper’s website audio of in-court testimony that someone else recorded in violation of a court order, local police arrested him, seized his electronic devices, and charged him with felony wiretapping — all in violation of the First Amendment, federal law, and state law. In 2016, Jake Wagner participated in a massacre that left eight dead. As part of a plea agreement, Jake is now testifying against his brother, George Wagner IV, who is charged with murder. Pursuant to an Ohio court rule requiring that the court “shall permit” the broadcasting of trials, Myers’ Scioto Valley Guardian has livestreamed much of the Wagner trial. But the court gave witnesses the ability to “opt out” of being recorded, meaning that witnesses could prevent their testimony from being streamed or recorded. After Jake Wagner elected to do so, Myers and other media outlets challenged the order, which an appellate court effectively left in place. On Oct. 28, the Guardian published ten minutes of audio — recorded by someone else in violation of the court order — of Jake Wagner’s in-court testimony, with this note: The Guardian received a portion of Jake Wagner’s testimony on his first day on the witness stand. The Guardian wants to disclose that the audio was not recorded by a member of the media and was submitted to the Guardian’s newsroom by a courthouse source who is authorized to have their cell phone in the room. Myers was arrested on Nov. 1 pursuant to a warrant obtained by Sgt. Joshua Carver of the Pike County sheriff’s office. That same day, Sgt. Carver seized Myers’ laptop from a room at the courthouse used by journalists reporting on the trial. The following day, when Myers entered the courthouse, a sheriff’s deputy claimed his cell phone was banned from the courtroom, and when Myers pointed out that he was going to the journalists’ room — not the courtroom — the deputy responded that he had a warrant for the phone and seized it. That seizure wasn’t supported by the warrant. When Myers entered the courthouse, a sheriff’s deputy claimed his cell phone was banned from the courtroom. FIRE obtained both the arrest warrant and search warrant. The search warrant, issued on Oct. 28, was good for only three days. That meant that it expired on Oct. 31 — before the Pike County sheriff’s office seized the laptop and phone. And the warrant authorized them to seize only a specific “MacBook Laptop” — identified by photograph in the warrant — not the phone. But even if the search warrant had not expired, it was invalid from the get-go. As the Committee to Protect Journalists rightly pointed out in condemning the arrest and searches, the federal Privacy Protection Act and an Ohio state statute shield Myers from searches of journalistic “work product.” The federal law, in particular, prohibits law enforcement from effectuating any search or seizure of a journalist’s work product unless the journalist has committed a criminal offense other than “receipt, possession, communication, or withholding” the information or materials at issue. And courts have made clear the First Amendment broadly protects the right to publish materials and information someone else obtained unlawfully, even if the journalist knew the source broke the law. In Bartnicki v. Vopper, the Supreme Court held that the First Amendment protected a radio commentator who broadcast a surreptitiously recorded phone call between union officials, who discussed the need to “blow off [the] front porches” of school board members opposed to a pay raise. Although the radio host allegedly knew the recording was unlawfully made or obtained — his source claimed the tape showed up in his mailbox — the First Amendment protected the broadcast. This principle is important. If mere knowledge that materials were unlawfully obtained is enough to limit journalists’ publications, it would allow governments to make a broad range of documents and information confidential and then punish anyone outside the government who talks about it. That would make it harder for the public to learn about things their governments do not want them to know. This principle is why, for example, the Los Angeles Times was recently able to publish leaked audio recordings of city councilmembers making racist remarks, even though the source likely recorded the councilmembers unlawfully. The Pike County sheriff’s office weaponized an expired warrant to hit a dubious trifecta: violating the Constitution, federal law, and state law, all in ways that transgress clearly established law. So while Myers’ source may have broken the law, there’s no indication Myers did so. To the contrary, every indication shows the police had no reason to believe he made the recording. The arrest warrant alleges that Myers violated Ohio Revised Code § 2933.52(A)(3) because he “use[d]” — that is, published — an unlawful recording “knowing or having reason to know” the recording was unlawfully made. If police believed he had recorded or solicited the recording, they would have charged him under subsections (1) or (2) of the statute, which deal with “interception” or “procur[ing]” another person to make an unlawful recording. But how could the police have known this search warrant was unsupported by probable cause, or that the search and arrest were unlawful? Simple. In addition to federal and state laws protecting Myers, the Supreme Court invalidated an identical statute in Bartnicki (and the dissent specifically listed this statute, right down to subsection (A)(3), as one of those affected by the Court’s decision). That means that the Pike County sheriff’s office weaponized an expired warrant to hit a dubious trifecta: violating the Constitution, federal law, and state law, all in ways that transgress clearly established law. Yet, they still haven’t returned the laptop or phone, and Myers is still charged with a felony. Does the First Amendment — or the law generally — mean anything in Pike County? FIRE defends the rights of students and faculty members —no matter their views — at public and private universities and colleges in the United States. If you are a student or a faculty member facing investigation or punishment for your speech,submit your case to FIRE today. If you’re faculty member at a public college or university, call theFaculty Legal Defense Fund 24-hour hotline at 254-500-FLDF (3533). If you’re a college journalist facing censorship or a media law question, call the Student Press Freedom Initiative 24-hour hotline at 717-734-SPFI (7734). FIRE’s award-winning Newsdesk covers the free speech news you need to stay informed. You are now subscribed to FIRE Updates. Fill out the form below to receive personalized communications or close this window to continue.
Menu COLUMBUS, Ohio — Ohio Republicans updated a bill that severely limits healthcare for LGBTQ+ youth with a new provision that activists worry would create a type of registry for transgender kids. In a packed hearing with two overflow rooms, dozens of opponents gathered to testify Wednesday against House Bill 454, a bill that was set to ban gender-affirming care for minors. This includes puberty-blockers, hormone replacement therapy (HRT) and some mental health services. Physicians, parents, transgender adults, trans kids and LGBTQ+ advocates all had the same mission: stop this bill. But a special guest flew in from California overnight to make her voice heard. Jeopardy! champion Amy Schneider is famous for her 40 game show wins in a row, but she took on a very different challenge Wednesday. “The experience of being trans is hard to understand from the outside, I get that,” Schneider told News 5. “The more people who can hear from actual trans people what it is really like — and not just all the stereotypes and demonization — then it can really change people’s minds.” Schneider is a trans woman and was one of the dozens of people to testify against the legislation. “Children’s lives depend on the fate of this bill,” she said in her testimony. “[If I was told I could no longer receive hormone therapy? I don’t know if I could go on living.” H.B. 454 was introduced by state Rep. Gary Click, a Republican from Vickery. It received national backlash following a News 5 investigation that revealed the bill impacting the LGBTQ+ community was written without a basic understanding of the people it would impact and that the lawmaker had never spoken to any members of the trans community before authoring, introducing or giving testimony on the bill. Watch our July report: In a 90-minute audio recording leaked to News 5, constituent and trans woman Cam Ogden, 22, spoke with Click about the bill. Equality Ohio’s Maria Bruno found the conversation “incredibly disturbing.” But the bill got a facelift following the controversy. Leaked to News 5, sub-H.B. 454 drastically changed the legislation. Instead of an outright ban on gender-affirming care for LGBTQ+ minors, the language has shifted to allow for more parental say and some exceptions. “Without News 5, it’s possible that the original legislation would have been pushed earlier as a strategy to get a conservative base motivated in the lead-up to the midterms,” Ogden said. “Instead, thanks to critical coverage like News 5’s piece, the bill has become an embarrassment for the Republicans in the statehouse, and they are now trying to distance themselves.” News 5 reached out to bill sponsor Gary Click, but he did not respond prior to the hearing. Ogden is not impressed by the bill’s changes. “This legislation is a shameful attempt at appearing to compromise while actually still functionally banning gender-affirming care for new patients,” Ogden said. Previously, it would prohibit gender-affirming care from trans and nonbinary youth, including hormone blockers, hormone replacement therapy (HRT), medical or surgical procedures and some mental health services. Healthcare professionals who provide this care could lose their licenses and be sued. Public funding would be taken away from institutions that provide care for transgender young people. Insurance providers and Medicaid would not cover gender-affirming procedures for minors. The original bill would make counselors tell parents if the minor is having any thoughts related to their gender, which has opponents citing concerns for the child’s safety. The bill now differentiates between different types of gender-affirming care, still prohibiting gender-confirmation surgery (referred to as “gender-reassignment surgery” in the text) for minors but appears to soften other guidelines, which Ogden reaffirms is not how she or other LGBTQ+ advocates see it. “The previous version of HB 454 was straight to the point: No gender-affirming care for minors in Ohio,” she said. “Now this same attempt at banning life-saving care has been turned into a convoluted bureaucratic mess.” Medications The new bill states that physicians can refer a minor to a mental health professional for the diagnosis or treatment of a gender-related condition as long as the parent or guardian is aware. But trans youth would have a steep slope to actually getting access to hormone blockers or HRT. The physician can prescribe them if the patient meets a list of five requirements. The minor must have received counseling for at least a two-year period. The services have to include gender dysphoria, mental health and “the risks of gender transition,” the bill states. Physicians must screen the minor for other comorbidities that may be “influencing” the gender dysphoria, to ensure that the issues are treated and stabilized for at least two years. These “comorbidities” include depression, anxiety, ADHD, autism spectrum disorder and any other mental health conditions. The patient must be evaluated for physical, sexual, mental and emotional abuse or other traumas. The physician must ensure that “any traumas are treated.” Just like with some of the new abortion bills being heard in the House, this bill would require a physician to get agreement from another physician who agrees with the treatment plan for the minor. These physicians cannot be affiliated or related. The medications aren’t allowed to have any potential side effects, including an increased risk of vaginal, penile or testicular atrophy, permanent loss of libido, sterility, endometrial carcinoma or polycystic ovary syndrome. The registry Brand new to the bill, physicians would now have to report different aspects of their patient’s medical information to the state, in theory creating a type of registry of trans kids. Each physician who prescribes puberty blockers or HRT must share: Physicians have a set of guidelines and code of ethics that say this information is protected and confidential, according to HIPAA and Section 3701.74 of the Ohio Revised Code. Also, the only information physicians typically report directly to ODH is infectious diseases or STIs. “Woven throughout the sub-bill are medical terms and definitions that could very likely have unintended consequences in other areas of clinical care,” President & CEO of Ohio Children’s Hospital Association Nick Lashutka said in his testimony. However, the bill seemed to attempt to combat this. It does prohibit a physician from reporting to ODH information that identifies or could identify any specific patient. However, Ogden says there is enough information to identify a patient because there are so few minors who go through this process. Ogden said the amount of information needed is excessive and “seems to deter doctors from providing this care.” Exceptions There are total exceptions for minors who are intersex, those who need treatment for “disorders of sex development,” treatment of “infections, injuries, diseases or disorders that were caused by or exacerbated by the performance of gender transition services,” mental health services and any services included that are not gender-affirming care services. Medicaid will be able to cover anything that falls under an exception. Click answers questions Click did not answer any of News 5’s questions but did respond to other reporters about the changes. “They need to work through this to make sure this isn’t a phase, it’s not a social contagion,” he said. The lawmaker said this was a “compromise” in hearing “both sides.” “I heard all of these arguments before, so nothing, I didn’t hear anything new today,” he said. “And I’m so glad that they came because everyone has a right to be heard.” What’s next? Right now, it’s unclear what will happen. It wasn’t voted on in committee so it will need at least another hearing to decide if it is sent to the full House floor for a vote. “Leave trans people alone and let us live our lives,” Schneider said. “Just set this aside, go work on something else.” Follow WEWS statehouse reporter Morgan Trau on Twitter and Facebook. See the Twitter thread of the hearing: SCOOP:
Ohio Republicans are attempting to update a bill that severely limits healthcare for LGBTQ+ youth with a new provision that one activist worries would create a type of registry for transgender kids.
Third of Oxford Street candy shops already shut after ‘dirty money’ crackdown Housing crisis: Could a rent freeze solve London’s private rental catastrophe? “Working from 100 years of BBC audio… myriad new worlds, collapsing time and space in surprising, utterly insightful ways.” Melting Arctic ice, coded foreign intelligence messages and pioneering female broadcasters will be among sounds aired as part of a new audio installation to mark the BBC’s centenary. A new public space at the Strand Aldwych will play host to an immersive project sharing archive clips of early radio broadcasts and pre-industrial recordings of central London. The VoiceLine, by Somerset House Studios, and artist Nick Ryan, will open on December 7 and be in place for three months, as the first commission in the newly redeveloped site. It marks the opening of the new public space in the heart of Westminster and celebrates 100 years of the BBC operating. 39 speakers will traverse the 170m space, close to Marconi House where the BBC first broadcast in 1922, and visitors will experience voice, sound, music, and audio storytelling. Advertisement Artist and sound designer Nick Ryan said: “The VoiceLine celebrates the histories of radio and listening that began on Strand 100 years ago and changed the world. “I hope the unique sound instrument I’ve created will identify Strand once again as an iconic destination for listening.” Robert Seatter, BBC head of history said: “Working from 100 years of BBC audio, Nick has conjured myriad new worlds, collapsing time and space in surprising, utterly insightful ways. “The BBC is delighted to mark its centenary with this rich, thrilling work, taking inspiration from the birth of radio and celebrating the transformative power of audio in all our lives.” Visitors to the project will hear recordings ranging from: Advertisement Between 8am and 8pm, bespoke audio works will create an evolving pathway of sound. The installation has been brought to life through a unique partnership with the BBC, during its centenary year, and will engage the public with early radio innovations of radio, the famous voices of the news and nation, and the multitude tongues of the BBC World Service. Nick Ryan said: “Over the next 100 years the sound of cities will change beyond recognition and perhaps for the first time we are able to choose how our public spaces should sound. “Novel sound technologies enable us to transform a thoroughfare that for the last 300 hundred years has been known only for the disruptive sound of vehicles into a continuously evolving auditory world with immersive sounds of voices, nature and music.” Advertisement More than 350m long – four times longer than Leicester Square – the Strand Aldwych space includes social seating, workstations, collective dining, an activity lawn and garden room. Ruth Duston, chief executive of the Northbank Business Improvement District (BID), said the seein the project come to life had been “incredibly rewarding”. And she said the aim of the partnership project was to “ultimately create a space that is welcoming, accessible and I hope, beloved by all”. Jonathan Reekie, Somerset House Trust director, and joint project board chairman, said: “We have been delighted to play a leading part with many other local public and private stakeholders in this special partnership to create a new public space for London. “It is a space that will draw from the past and help us shape the future of our great city. Advertisement “This intervention vastly improves air quality and will reveal to locals, Londoners and visitors, a vibrant and under-appreciated corner of London.” Geoff Barraclough, from Westminster City Council, said: “In this exciting new Westminster destination, surrounded by much beautiful architecture and deep-rooted history, we are seeing the opening of a space for contemporary public culture in central London. “An important vision for Strand Aldwych was to carve out space for accessible, free art and allow creative ideas from world-leading neighbouring institutions to spill into public space. “The VoiceLine will be the first of many creative ventures to act as a draw for visitors from the city and beyond to enjoy the Northbank and explore the many other delights nearby.” Did you know you can manage your profile, and explore all of the available newsletters from LondonWorld within your account. Did you know you can manage your profile, and explore all of the available newsletters from LondonWorld within your account.
· Source: Our affiliate partner Thomann has a number of summer offers for select software products. For a limited time only, you can score bargains on plug-ins, effects, and software instruments from renowned developers such as Flux, Polyverse, EastWest, Project Sam, Audiofier and AIR Music Technology. The latter has their usual deep discounts, this time reaching up to 75% off. Feel welcome to have a look! I don’t know how summer feels where you’re at, but around here, it’s a stinker. It’s damp, hot, the pollution permeates the air and sticks to exposed skin as insects swarm to feast on my blood or just plain annoy me. I hate summer! I also have zero motivation to travel because airports, which always sucked, now suck the hardest they have in the 21st century. So I soothe myself with cold drinks, darkwave, and ranting until it all goes away. That, and I’ll get to see Slipknot for the first time ever! Knowing how big-big metal bands are, it’ll be 10+ years before the masked psychos return, so it will be a special occasion. Those discounts help distract me for a bit as well, and I’m sure you’ll find something interesting among the tempting offers below: Flux Ircam Verb v3 Download Flux Elixir Essential Download Flux Immersive Essentials Download Audiofier AetherArp Download Audiofier Ekorain Download Audiofier VenKatt Download Polyverse Music I wish Download Polyverse Music Gatekeeper Download Polyverse Music Comet Download EastWest Fab Four Download EastWest Ghostwriter Download EastWest Ministry of Rock 1 Download Project Sam Orchestral Essentials 1 Download Project Sam Orchestral Essentials 2 Download Project Sam Lumina Download AIR Music Technology Hybrid 3 Download AIR Music Technology Drum Synth 500 Download AIR Music Technology Air Drum Machine Pack Download You will find more information on the Thomann pages and developer websites for each product: By loading the video, you agree to YouTube’s privacy policy. Learn more Load video
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· That’s right, that’s why i said retail price. · Yes, retail price. Thomann’s price was 915€ for a long time, so less than 200€ · Realistischerer Preis. Kaum einer verstand, wie elektron so hoch pokern konnte. Die Bäume wachsen auch in Schweden nicht in den Himmel …
The 10 best USB audio interfaces in the Philippines, according to engineers and music studio owners. With so many choices, it’s hard to know which one is right for you. Whether you are a musician, a producer, or an artist, a good audio interface is essential to getting the best sound quality out of your recordings. If you’re looking for the best USB audio interface for your needs, look no further than this list of the 10 best USB audio interfaces in the Philippines. From entry-level to high-end, there’s something here for everyone. We have invited several people to scrutinize and examine various USB audio interfaces that are available in the Philippine market. There were 3 , 2 music studio owners, 4 audio technicians, 3 club DJs, and 6 who participated in this article. After 5 hours of intensive examinations of 17 products, they have concluded the top 10 best USB audio interfaces in the Philippines. If you’re looking for the best USB audio interfaces in the Philippines, look no further than this list of 10 great options. From affordable and simple interfaces to more feature-rich models, there’s something here for everyone. Whether you’re a beginner or a more experienced musician, one of these interfaces will help you get the most out of your recordings. Here are the summary brands and prices of the best USB audio interfaces in the Philippines according to sound engineers, Filipino studio owners, audio technicians, club DJs, and electronics engineers. Below are the detailed descriptions, pros and cons, specifications, and prices of the best USB audio interfaces in the Philippines, according to sound engineers, club DJs, audio technicians, studio owners, and electronics engineers. Audient iD4 MkII is one of the best USB audio interfaces in the Philippines because it is a high-performance USB audio interface designed with musicians in mind. This feature simplifies the recording process while providing the artist with one of the company’s renowned Class-A console-grade microphone preamplifiers. It is housed in a desktop-style chassis and delivers the audio performance of a large-format console in a compact and elegant desktop package. The Audient iD4 MkII provides a world-class Audient console mic pre, high-performance converter technology, console-style monitor control, JFET D.I., and the revolutionary Scroll Control. The iD4 is USB bus-powered and compatible with Mac OS X, Windows, and iOS. Pros Cons Specifications How Much is This? PHP 11,011 Where to Buy This? Buy it on Shopee Buy it on Lazada
Solid State Logic has been an audio recording dominant force for over four decades. SSL, known for its high-quality large-format consoles and studio outboard gear, has recently released the SSL2 USB audio interface. The SSL2 has a series of pro-grade preamps and beautiful 24-bit/192 kHz converters. With the click of a button, you can add SSL 4000 series analog console magic to your recordings. A full production kit provides all the Software needed to begin recording immediately. An SSL2+ audio interface is an economical option with outstanding quality, making it ideal for recording artists. SSL 2+ Audio Interface is among the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 16,800 Where to Buy This? Buy it on Shopee Buy it on Lazada
The Focusrite Scarlett 4i4 3rd Gen is an excellent choice for high-quality mic preamps. The 4i4 3rd Gen has two of the best-performing mic preamps in the Scarlett line and a reconfigurable air Mode to give your recordings a richer and more open sound. Two instrument inputs with plenty of headroom are ideal for plugging in your guitar or bass. On the other hand, two balanced line inputs are perfect for linking line-level sources. With high-performance converters that allow you to record and mix at up to 24-bit/192kHz, the Focusrite Scarlett 4i4 3rd Gen is an excellent choice for any professional musician or audio engineer. Focusrite Scarlett 4i4 3rd Gen is one of the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 10,099 Where to Buy This? Buy it on Shopee Buy it on Lazada
Native Instruments Komplete Music 2 has everything you need to record stereo audio quickly. It has two XLR/jack combo inputs, high-quality audio capture, and a slew of advanced production software. This simple interface is ideal for musicians, beatmakers, and performers who wish to capture ideas and compose or play with high-quality sound. The Komplete Audio 2 comes with MASCHINE Essentials, Ableton Live Lite, MONARK, and top N.I. Effects for refining recordings so you can get started right away. Native Instruments Komplete Audio 2 is among the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 15,224 Where to Buy This? Buy it on Shopee Buy it on Lazada
The Arturia Minifuse 2 is a 2×2 USB-C interface with Analog Lab Intro that lets you compose, record, and produce anything you can imagine. This powerful interface is perfect for anyone who wants to learn recording and music production, starting with the basics. The Minifuse 2 has tutorials that walk you through the interface’s basics and how to use this innovation. The interface is also equipped with an exclusive online portal that gives you access to tips, tricks, and advice from industry experts. In addition, the interface comes with a subscription to a world-class audio and mixing service. Arturia Minifuse 2 is one of the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 20,082 Where to Buy This? Buy it on Shopee Buy it on Lazada
PreSonus Studio 24c audio interface is the perfect way to get amazing sound quality for your recordings. With two of PreSonus’ pristine XMAX-L mic preamps, high-headroom instrument preamps, and professional input metering, the Studio 24c delivers great sound in a rugged, compact form factor. A complete home recording studio out of the box, the Studio 24c comes with a complimentary license for PreSonus’ award-winning Studio One Artist music production software. Audient iD4 MkII is among the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 17,547 Where to Buy This? Buy it on Shopee Buy it on Lazada
The M-Audio M-Track Solo and Duo recording interfaces are the best USB audio interfaces and the most portable in their respective classifications. They provide 48 kHz audio resolution in a small and user-friendly format, making them suitable for composing music on any Mac, PC, or iOS device. These adaptable interfaces are ideal for recording any sound source. They include two combination crystal preamps with phantom power, allowing them to be used with any microphone. The M-track Solo is powered by USB, while the M-track Duo is powered by an A.C. adapter, making it the more portable of the two. Throw it into your luggage, grab a laptop, and create your next podcast, song, or mix, wherever you want! Pros Cons Specifications How Much is This? PHP 4,247 Where to Buy This? Buy it on Shopee Buy it on Lazada
Mackie Onyx Producer 2.2 is a high-quality, fast-speed, low-latency USB 2.0 audio interface that is perfect for your home studio. The 24-bit/192kHz converters combine with premium analog circuitry to deliver top-notch sound. The 2 boutique-sounding Onyx mic preamps provide excellent fidelity and dynamic range, and the +48v phantom power for your studio condenser mics is a great feature. Its XLR/TRS combo inputs accommodate just about everything. The hi-Z switch on each channel for DI-ing your guitar or bass is a great feature. The Zero-latency direct monitoring and the headphone output make tracking a breeze. The MIDI I/O for hooking up synths, controllers, and other hardware is a great feature. The Bus-powered for the ultimate in portability is a great feature. The Built-Like-A-Tank design withstands day-to-day abuse. The comprehensive software bundle with DAW and plugins is a great feature. Mackie Onyx Producer 2.2 is one of the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 11,999 Where to Buy This? Buy it on Shopee Buy it on Lazada
The I.K. Multimedia iRig Pro Duo I/O is the perfect way to get out of the studio and take your music. It has two XLR/¼” combo guitars, mic & line inputs, class-A preamps, and two balanced 1/4″ outputs. This portable box is all you need to capture high-quality audio. The headphone out with direct monitoring lets you hear your recordings in real-time. At the same time, the MIDI 2.5mm IN/OUT with breakout cables allows easy connection to your computer or other devices. The improved ergonomic controls and rubberized finish make this unit perfect for use in the field. In contrast, the included Lightning, USB-C, and USB-A cables make it easy to connect to any device. IK Multimedia iRig Pro Duo I/O is among the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 34,327 Where to Buy This? Buy it on Shopee Buy it on Lazada
The Focusrite Vocaster One is the perfect tool for getting the studio sound you deserve for your podcast. With its easy-to-use interface and award-winning support, you can get started recording great-sounding podcasts in no time. The Vocaster One features 70 dB of Gain, plenty for any mic, and the easy-to-use Enhance tool with three presets that can help you get the perfect sound for your podcast. The Mute button is also a great feature for removing any interruptions while recording. You can also link your cellphone to the Vocaster One and capture the whole conversation or record music and other high-quality audio straight onto your show. The Focusrite Vocaster One is the perfect tool for any podcast enthusiast. Focusrite Vocaster One is one of the best USB audio interfaces in the Philippines. Pros Cons Specifications How Much is This? PHP 13,410 Where to Buy This? Buy it on Shopee Buy it on Lazada
A USB audio interface is a device that connects to your computer via a USB port and allows you to record and play back digital audio. There are many different types of USB audio interfaces on the market, but they all essentially perform the same function. The best USB audio interfaces in the Philippines come in a variety of shapes and sizes but usually have a few key components. Most have some sort of input, such as a microphone or instrument jack, as well as outputs for headphones or speakers. Some also have MIDI ports, which allow you to connect external MIDI devices. The quality of your recordings will depend on the quality of the USB audio interface you choose. If you’re serious about recording music, it’s important to choose an interface that offers high-quality 24-bit/96kHz converters. This will ensure that your recordings sound great when played back on any type of system. A USB audio interface is a device that connects to your computer via the USB port and allows you to record and playback audio. In order to understand how the best USB audio interfaces in the Philippines work, it is important to understand the basics of how computers communicate with audio devices. Computers communicate with audio devices using a protocol called Pulse Code Modulation, or PCM. PCM is a digital representation of an analog signal. In order for your computer to understand the analog signal from an audio device, it must first convert it to digital. The digital signal from the audio device is then sent to the computer via the USB cable. The computer will then convert the digital signal back into an analog signal and send it to your speakers or headphones. USB audio interfaces allow you to record and playback audio on your computer without needing any other type of equipment. When it comes to audio quality, a USB audio interface is hard to beat. With the best USB audio interfaces in the Philippines, you can be sure that your audio will be transmitted clearly and without any interference. If you’re looking for the best possible sound quality, a USB audio interface is a way to go. But that’s not the only benefit of using a USB audio interface. A USB audio interface can also make it easy to connect multiple devices to your computer. If you’ve ever tried to connect multiple devices to your computer’s built-in sound card, you know how much of a pain it can be. With a USB audio interface, you can simply plug in all of your devices and start recording. Another great benefit of using a USB audio interface is that they’re very portable. Though a USB audio interface is one of the best ways to connect musical instruments and other equipment to a computer, there are some drawbacks. One is that not all computers have USB ports. Another potential issue is that the drivers for USB audio interfaces can be quirky and may not work with all software. Finally, because they rely on the computer’s processing power, they can introduce latency into the signal. This can be especially problematic for recording musicians who need to hear their playing in real time. When it comes to choosing the best USB audio interfaces in the Philippines, there are a few things you need to take into account. Here are a few tips to help you choose the best USB audio interface for your needs: 1. Determine what type of connections you need. Do you need XLR inputs? 1/4″ line inputs? Microphone inputs? Make sure the interface you choose has the right type of connections for your needs. 2. Consider the number of channels you need. Do you need a 2-channel interface or a more robust 8-channel interface? Choose an interface with the right number of channels for your needs. 3. Make sure the interface is compatible with your computer system. Some interfaces are only compatible with certain types of computers, so be sure to check compatibility before making your purchase. 4. Consider your budget. The price range for audio interfaces is a broad one, so you should be able to find an interface that meets your budget without breaking the bank. 5. Consider your recording needs. Do you plan to do a lot of multitrack recording? If so, you should look for an interface with at least 8 channels. 6. Look for a balanced input and output configuration. This configuration is less susceptible to noise than single-ended configurations, which makes it better for professional use. As a musician, one of the most important tools you have is your USB audio interface. It is vital to take proper care of the best USB audio interfaces in the Philippines in order to keep it functioning at their best. Here are a few tips on how to properly take care of your USB audio interface: 1. Keep it clean Over time, dust and dirt can build up on your USB audio interface, causing it to malfunction. Be sure to clean your USB audio interface regularly with a soft, dry cloth. 2. Handle with care Avoid dropping or jarring your USB audio interface, as this can damage the internal components. When not in use, store your interface in a safe place where it will not be subject to any physical stress. 3. Use the proper cables Make sure you are using the correct type of cables with your USB audio interface. Using a cable that is too long or too short can cause interference, making it difficult to achieve optimal audio quality. 4. Keep it cool Exposing your USB audio interface to extreme heat or cold can damage the internal components. Searching for the best USB audio interface can be overwhelming. There are so many brands and products on the market it’s hard to know where to start. Do you need something with a lot of inputs and outputs? Or something that’s portable and easy to use? In this article, we’ll take a look at some of the best brands of USB audio interfaces and help you decide which one is right for you. We’ll also give you a few tips on what to look for when choosing an audio interface. So whether you’re a beginner or a pro, read on to find the best USB audio interface for your needs. The list of best brands of USB Audio Interfaces A USB audio interface can be a great addition to your home studio. But is it worth the investment? Let’s take a look at the pros and cons. On the plus side, a USB audio interface will give you much better sound quality than your built-in sound card. It will also allow you to connect external speakers or headphones, giving you more flexibility in how you listen to your music. On the downside, a USB audio interface can be expensive. And if you’re not careful, you can end up with a lot of wires and cables running around your desk. So what’s the verdict? If you’re serious about making music, then a USB audio interface is definitely worth the investment. But if you’re just starting out, you may want to stick with your built-in sound card for now. In conclusion, the best USB audio interfaces in the Philippines are the ones that provide the most features and functions for the user. They should also be easy to use and have a good reputation. All of the listed USB audio interfaces above offer great sound quality and a variety of features and are very affordable. If you’re looking for a great USB audio interface, then one of these is sure to be a great option.
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Photo Credit: Tunedly (Chris Erhardt and Mylène Besançon) The technology has drawn the attention of artists, publishers, agencies, managers, and more, all in efforts to develop new revenue models. Blockchain technology can help redefine the rights and royalties process, ensuring that everyone in the music industry’s complex value chain gets paid fairly. To that wit, Tunedly is introducing its new TunedCoin project. The project aims to offer TunedCoins and distinctive music NFTs as a reward for music consumers. These rewards can also be used to get access to exclusive events and royalties with their favorite musicians. Musicians and music managers started Tunedly in 2016 to remove the barriers to entry into the music industry. It provides a live collaboration music production and publishing solution for anyone. Tunedly helps decentralize the music industry by lighting the way for independent artists through its commitment to helping songwriters and other music creators get connected with world-class session musicians for professional music production and music publishing. After becoming a market leader in the specialty of music creation, Tunedly branched out into music publishing and then into music discovery in an effort to improve the fairness and transparency of the A&R process. Through the TunedCoin project, Tunedly aims to enable music consumers to vote once a day for a song they believe should be signed. Listeners get rewarded by earning TunedCoins and NFTs as well as a share of future royalties. The Tunedly ecosystem is an example of how blockchain technology, non-fungible tokens, and decentralized finance could revolutionize the music industry. First budding artists get discovered on Tunedly by uploading their music on the Tunedly Music Discovery app. After uploading the song, Tunedly will feature music from new artists next to songs from established artists with no branding to eliminate bias. After this, music listeners can upvote their favorite songs based only on music–no references to the artist’s name or other identifying info. Top songs upvoted by the Tunedly community get a publishing offer, and TunedCoin is allocated along with a signing bonus. When the company signs a song listeners gave a star to, the listeners get rewarded by earning TunedCoins and NFTs. TunedCoin (TUC) is the utility token for the Tunedly Ecosystem. The token is built on top of the Polygon blockchain, which is a second-layer Ethereum smart chain. TunedCoins will be limited to a total number of 21,000,000 (21 million). Tunedly says TunedCoin will be a versatile token that prioritizes users of the ecosystem, and use cases for TUC will grow as the platform receives continuous development and updates. The TunedCoin is scheduled to ICO in Q2 2023. Prior to the official ICO, music listeners can acquire TunedCoin by listening to music at the Tunedly Music Discovery app. Tunedly says it also plans to distribute royalties to NFT holders of the songs with music listeners. The company will share the royalties of songs signed to publishing deals with users of the music discovery platform, setting aside 50% of its net royalty income of a particular song and pay out that amount proportionally to holders of that song’s NFT, proportionally to the NFT holder’s TunedCoin holdings. In order to make use of the royalty share utility of TunedCoin, a user must own an NFT of a royalty-generating song and TunedCoins both. Tunedly says it plans to pay close attention to customer feedback to understand their evolving demands as it develops this new system. It hopes the TunedCoin project will be at the cornerstone of disrupting the music industry and the way exclusive content is consumed and distributed.
The Wood Brothers have extended their 2023 tour plans with the announcement of 20 additional shows in late Winter and Spring. The dates will cover a wide range of ground, including stops in the Midwest, upstate New York, the Southeast and Colorado. Among the highlights along the way are performances at the Lexington Opera House in Lexington, KY, Town Ballroom in Buffalo, NY, The Walker Theatre in Chattanooga, TN and Mission Ballroom in Denver, CO. Having performed upwards of 100 shows in 2022 and with even more planned in the coming year, The Wood Brothers remain as committed as ever to bringing their music to fans in all corners of the U.S. “As a young man touring felt like an indulgent adventure: seeing new places, eating local foods, enjoying the applause and joining the party,” says The Wood Brothers’ Oliver Wood. “As I get older, however, it’s become more of a mission to connect with people and make them happy. We’re so grateful that our songs have found a special place in people’s lives. For all of us, band and audience, to share in a heartfelt human experience together is much needed in these times.” The Wood Brothers 2023 tour dates—including a previously announced West Coast leg in February—will support a new studio album to be released in the Spring. The title for the collection, Heart Is The Hero, is being revealed today, while a first single, release date and pre-order announcement is planned for February 2023. Artist pre-sale tickets will be available Thursday, November 17 at 10am local, while general on-sale begins Friday, November 18 at 10am local. Tickets are available at: thewoodbros.com/tour-dates THE WOOD BROTHERS New Tour Dates – Just Announced 2/24 – North Little Rock, AR – Simmons Bank Arena * 3/1 – Lexington, KY – Lexington Opera House 3/2 – Detroit, MI – Majestic Theatre 3/3 – Buffalo, NY – Town Ballroom 3/4 – Ithaca, NY – State Theatre 3/6 – Westerly, RI – The United Theatre 3/8 – Harrisburg, PA – XL Live 3/9 – Rocky Mount, VA – Harvester Performance Center 3/10 – Winston-Salem, NC – The Ramkat 3/11 – Chattanooga, TN – Walker Theatre 4/11- Scottsdale, AZ – Virginia G. Piper Theater 4/12 – Flagstaff, AZ – Orpheum Theater 4/14 – Beaver Creek, CO – Vilar Performing Arts Center 4/15 – Denver, CO – Mission Ballroom 4/17- Salina, KS – The Stiefel Theatre for the Performing Arts 4/18 – Fayetteville, AK – JJ’s Live 4/20 – Tulsa, OK – Cain’s Ballroom 4/21- Tilmon, TX – Old Settler’s Music Festival 4/22 – Houston, TX – The Heights Theater 5/11 – Chicago, IL – The Salt Shed ** * w/ The Avett Brothers & Turnpike Troubadours ** w/ Shovels & Rope THE WOOD BROTHERS Complete Tour Schedule 11/30 – New Orleans, LA – Tipitina’s ^ 12/1 – Huntsville, AL – Mars Music Hall ^ 12/2 – Pensacola, FL – Vinyl Music Hall ^ 12/3 – Lake Wales, FL – Orange Blossom Revue 12/4 – Key West, FL – Key West Theater ^ 12/6 – Ponte Vedra Beach, FL – Ponte Vedra Concert Hall ^ 12/7 – Fort Lauderdale, FL – Culture Room ^ 12/8-11 – Puerto Morelos, MX – Strings & Sol 1/31 – Solana Beach, CA – Belly Up Tavern ^^ 2/1 – Solana Beach, CA – Belly Up Tavern ^^ 2/2 – Ventura, CA – Ventura Music Hall ^^ 2/3 – Oakland, CA – Fox Theater ^^ 2/4 – Stateline, NV – Bally’s Lake Tahoe Casino Resort ^^ 2/6 – Santa Cruz, CA – Rio Theatre ^^ 2/8 – Bend, OR – Midtown Ballroom ^^ 2/9 – Seattle, WA – Neptune Theatre ^^ 2/10 – Portland, OR – Revolution Hall ^^ 2/24 – North Little Rock, AR – Simmons Bank Arena * 3/1 – Lexington, KY – Lexington Opera House 3/2 – Detroit, MI – Majestic Theatre 3/3 – Buffalo, NY – Town Ballroom 3/4 – Ithaca, NY – State Theatre 3/6 – Westerly, RI – The United Theatre 3/8 – Harrisburg, PA – XL Live 3/9 – Rocky Mount, VA – Harvester Performance Center 3/10 – Winston-Salem, NC – The Ramkat 3/11 – Chattanooga, TN – Walker Theatre 4/11- Scottsdale, AZ – Virginia G. Piper Theater – Scottsdale Center for the Performing Arts 4/12 – Flagstaff, AZ – Orpheum Theater 4/14 – Beaver Creek, CO – Vilar Performing Arts Center 4/15 – Denver, CO – Mission Ballroom 4/17- Salina, KS – The Stiefel Theatre for the Performing Arts 4/18 – Fayetteville, AK – JJ’s Live 4/20 – Tulsa, OK – Cain’s Ballroom 4/21- Tilmon, TX – Old Settler’s Music Festival 4/22 – Houston, TX – The Heights Theater 5/11 – Chicago, IL – The Salt Shed ** ^ w/ Rainbow Girls ^^ w/ Taylor Ashton * w/ The Avett Brothers & Turnpike Troubadours ** w/ Shovels & Rope
Bloomberg: Balance of Power focuses on the politics and policies being shaped by the agenda of President Biden’s administration. Prognosis explores health, wellness, and the ways in which modern science is allowing us to live better – in both the long term, and day-to-day Cost to Households of Bulb Energy Failure Surges to £6.5 Billion City of London Gets Long-Awaited Insurer Reform, Surcharge Cut UK Faces £133 Billion Bill From BOE QE, Wiping Out Last Decade of Income Hunt Pushes Back UK Spending Cuts Until After Next General Election Fed to Face Rising Tensions in Next Congress on Inflation and Jobs EU’s Hottest Property Market Cools as 18% Key Rate Hits Lending Ebola Vaccines to be Tested in Uganda Expected to Arrive Soon Musk Risks Opening Door to New Twitter Rivals, Ex-Chairman Says Alibaba Says Conversion to Primary Listing in Hong Kong Delayed SpaceX Illegally Fired Workers for Criticizing Musk and Company Culture, Complaint Claims Nancy Pelosi Says She’ll Step Down as Leader of House Democrats Italy’s Meloni Is Ready to Present €30 Billion Budget to Cabinet US Mortgage Rates Post Biggest Drop Since 1981, Falling to 6.61% Mortgage Market Upheaval Spurs $17 Billion in Paper Losses for Banks Why Bake? The Best Cakes for a Festive Dinner Are Available by Mail Infantino Unopposed to Get 4 More Years as FIFA President Hunt’s Fiscal Medicine Won’t Dispel UK’s Economic Pain FTX Offers a Master Class in Crypto’s Flaws Medicare’s Drug-Price Negotiations Can Get More Ambitious. Here’s How Meta Confronts an Apple-Sized Hole in Its Once-Mighty Advertising Business US Oil Refineries Find Paying Fines Can Be Cheaper Than Cleaning Up Where European Energy Infrastructure Is Vulnerable to Attack Poorest Britons Face Brutal Winter Despite Hunt’s New Policies White & Case Settles ‘Toxic’ Culture Case With Senior Lawyer Poland Partners With Volvo Owner Geely for First Locally-Made EV Congo Calls for Compensation to Stop Oil Drilling in Peatlands Survivors of Black Wall Street Massacre Challenge Tulsa’s Atonement Strategy Key Hearing on Fate of NYC’s Rikers Island Set for Thursday Brussels’ Plan for Car-Free Streets Hits a Few Bumps Crypto Contagion Entangles More Customer Cash Binance Evidence on FTX Collapse Unacceptable, UK Lawmakers Say Matt Levine Weighs In on the Post-FTX Crypto Ecosystem Rita Nazareth Stocks sank before Friday’s jobs data amid concern that a deeper recession could be in store with the Federal Reserve expected to hold rates at a higher level for longer to tame inflation. The S&P 500 saw its fourth straight decline, dragged down by big tech as Treasury yields climbed. Apple Inc. tumbled over 4% and Amazon.com Inc. suffered its longest slide since 2019. A key segment of the Treasury curve reached new extremes of inversion, touching a level not seen since the 1980s when the Fed was aggressively tightening. Curve inversions have a track record of preceding economic downturns.
Photo Credit: Tunedly (Chris Erhardt and Mylène Besançon)
