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October 24
Kyle Bradshaw
– Oct. 24th 2022 9:25 am PT

@SkylledDev
Samsung has begun rolling out the official Android 13 update to owners of the Galaxy S22, bringing the full suite of One UI 5.0 changes.

Android 13 was officially released, starting on Google’s Pixel phones, on August 15, and just days before that launch, Samsung began beta testing the new changes on their Galaxy series phones. After over two months in beta, as spotted by SamMobile, Samsung is now rolling out the full, stable Android 13 release with One UI 5.0, starting with the Galaxy S22 series.
Related: Samsung will update these Galaxy devices to Android 13; here’s the schedule
The rollout seems to have initially been limited to Exynos variants of the Galaxy S22 in South Korea and across Europe. According to multiple reports, the update has since begun rolling out in the US, including through carriers like Verizon.
To get fans acclimated with the new update and all of the hottest features of One UI 5.0, Samsung has released an official “Introduction Film” highlighting what’s changed. Samsung’s Android 13 and One UI 5.0 video, of course, kicks off with the new lock screen customization, meant to help the Galaxy S22 compete with what Apple brought to iOS 16. Another familiar feature from the iPhone series is the introduction of “Modes,” which quickly set your sound and notification settings to suit your daily activities.

Going beyond matching the iPhone’s feature set, Samsung’s lock screen options allow you to use a video wallpaper or change the artwork periodically. Just like it did for the Pixel series, the Android 13 update for Samsung Galaxy phones gives you multiple vibrant theme options generated from your current wallpaper.
Continuing the theme of customization, Samsung also showcases a new way to “stack” widgets on your homescreen, making them easily scrollable. You can even deeply customize your Galaxy Watch with the Watch Face Studio.
In changes that are less exciting but still quite useful, Samsung’s Android 13 and One UI 5.0 update combines privacy and security settings into one hub. This security and privacy dashboard is designed to be easily read and understood, making it easier to be sure you’re safe in the digital world.
For more on what’s new in the One UI 5.0 update with Android 13, across the Galaxy S22 and the rest of Samsung’s lineup, check out our video from the original beta.

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Kyle is an author and researcher for 9to5Google, with special interests in Made by Google products, Fuchsia, and Stadia.
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Trump tells Mar-a-Lago special master that he got to decide which White House documents were his to keep  CNN
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StreamStudios, 4211 43rd St., a locally owned and operated music production and podcast studio, will host its grand opening Saturday starting at noon.
The community-focused event, which ends at 2 p.m., will feature local, live entertainment, prizes and food from Ruffolo’s catering. It will also showcase StreamStudios’ state-of-the-art digital recording studio.
Community members are welcome to test drive the new technology and instruments, including touch screen recording console, microphones, guitars and more.
Co-owner Joshua Stephany said it was a first-of-its-kind recording and production space for Southeast Wisconsin, offering music production and recording, mixing, mastering, voiceover work and more.
“We are so excited to launch,” Stephany said. “We want this to not just be a place for people to come and record, but a free, safe space to share musical ideas, and to learn and grow as a community. We really believe this is the start of something different.”
Stephany and co-founder Lucas Webb have 30 years of music experience from hip-hop and rock to classical and musical theater. Both are area natives. They hope to begin an internship program and offer free workshops for local high schools and tech colleges to offer opportunities that weren’t available when they grew up.
“I wish there were opportunities to learn from professionals when I was a kid, as these aren’t subjects that are taught in local schools,” Webb said. “By joining together as a community, we can provide programs and opportunities to young people who are really interested in music production and other facets of the production world.”
More information can be found online by following @StreamStudiosMusic. To book an appointment or tour, contact 262-748-1033 or [email protected].
Ever wondered if the 5-second rule is real? The old tale that if you pick up dropped food off the floor or possibly ground within 5 seconds or less, it’s still good to eat? Buzz60’s Mercer Morrison has the story.
The Kenosha County Sheriff’s Department Color Guard carries the flags during the Civic Veterans Parade on Sunday.
The Kenosha History Center presents Kenosha Made Automobiles pass through Harborside during the Civic Veterans Parade on Sunday,.
Kenosha County Executive Samantha Kerkman waves while riding in the Civic Veterans Parade on July 3.
U.S. Rep. Bryan Steil waves to the crowd during the Civic Veterans Parade on Sunday.
Diane Ewens swings PJ Pulera, 8-months, as they watch the Civic Veterans Parade on Sunday.
Elvis, the Kenosha Kingfish mascot, waves during the Civic Veterans Parade on Sunday.
State Sen. Bob Wirch, D-Kenosha, gives a thumbs-up to the crowd during the Civic Veterans Parade on Sunday.
Jalen Imroth, a junior, second from left, plays the saxophone with the Band of the Black Watch during the Civic Veterans Parade on Sunday. Large crowds lined the route in what turned out to be a perfect sunny day with a slight lake breeze to accompany the event. A larger number of bands participated in the parade this year.
Kenosha County Clerk of Circuit Court Rebecca Matoska-Mentink, left, and Kenosha County Clerk Regi Waligora wave to the crowd during the Civic Veterans Parade on Sunday.
The Kenosha Police Department leads with motorcycles during the Civic Veterans Parade on Sunday.
A tank from the Multi-jurisdictional Motor Corps rolls through Downtown during the Civic Veterans Parade.
Zumba with Lili featured traditional Latin dancers during the Civic Veterans Parade on Sunday.
Rep. Tod Ohnstad, left, and Rep. Tip McGuire wave as they walk through Downtown during the Civic Veterans Parade on Sunday, July 3, 2022.

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Two adults face numerous felony charges after allegedly leaving young children at home alone and near narcotics in Kenosha.
A driver is in custody after allegedly driving recklessly and then reportedly fleeing to a home in the 8700 block Third Avenue in the early ho…
The Kenosha man convicted of killing three and injuring three others at the Somers House tavern in early 2021 was sentenced to life in prison …
A 67-year-old Kenosha man is facing numerous criminal charges for allegedly possessing large quantities of child pornography.
Kenosha County Medical Examiner Patrice Hall said Saturday her office has responded to three suspected overdose deaths in recent days.
Kenosha Police Department’s Special Investigations Unit has seized 15.3 grams of “straight fentanyl”, along with other illicit drugs during a …
Kenosha County voters Tuesday night told their state legislators by a close margin that they favored Wisconsin becoming a sanctuary for gun owners.
WILMOT — While most Wisconsin residents may dread the cold weather as winter approaches, employees and fans of the Wilmot Mountain Ski Resort,…
The alleged shooter in the Sept. 18 double homicide outside Las Margaritas tavern , 2232 Roosevelt Road, in Kenosha was captured by United Sta…
City of Kenosha residents voted overwhelmingly Tuesday in a non-binding referendum in support of legalized, taxed and regulated marijuana.

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Filmmaker Magazine’s fall 2022 issue, with the annual 25 New Faces of Film list, Amy Taubin interviewing Laura Poitras about “All the Beauty and the Bloodshed” and more.
by Filmmaker Staff
in Filmmaking
on Nov 16, 2022

[Tel Aviv, Israel, November 15, 2022] – Artlist, the industry-leading creative technology company, announced the consolidation of its services under one ultimate creative bundle that provides creators with music, sound effects, stock footage, templates, plugins and editing software.
Since its founding in 2016 as a music licensing company, Artlist has continuously worked to expand its catalogs and services. The first expansion move was to launch the stock footage site Artgrid in the spring of 2019. In 2020, they released a vast catalog of high-quality sound effects. The third move was the acquisition of digital assets marketplace Motion Array, and the end of the year saw another major addition: purchasing FXhome, a cutting-edge video, VFX and image editing software company.
The announced move aims to establish an empowering and user-friendly platform where creators of all levels can use high-quality assets and cutting-edge editing software to create pro-level videos, saving a lot of time and money along the way.
As part of the new Artlist, creators will have various bundles and plans to choose from according to their needs:
The new bundle will include unlimited access to:
Creators choosing the Artlist Max bundle will be able to choose between the following plans:
This plan covers creators’ personal social channels, including:
Creators will be able to link one channel from each social media platform, and the content they publish on these platforms will be cleared from copyright and monetizable as long as it’s used organically.
This license also comes with the Hitfilm Creator editing software license, designed for advanced video editors.
This plan will come with the Artlist Pro License, which covers all types of videos and online platforms, Including:
This license also comes with the Hitfilm Pro editing software license, a plan that includes advanced 3D & VFX editing tools.
Creators with the Max Pro plan will have the option to upgrade their footage subscription to get RAW/LOG footage. (With an extra of $19.92/month)
Artlist Max Team subscribers will receive everything in Max Pro, and:
For custom-made solutions, and/or for organizations of 100+ employees. The enterprise license includes everything in Max Pro, and:
The Max bundle is the first of many more innovations to come. The ultimate goal is to create a multi-asset search experience that is connected to the users’ preferred editing software and enables an ideal, streamlined process of video creation.
Creators who are looking for specific assets will still be able to purchase the existing subscriptions, such as music & SFX, stock footage and video templates (as part of the footage subscription).
“Our goal has always been to build a supportive space for creators, where they have all the tools and assets they need for creating the best content they can,” said Artlist co-founder and co-CEO Ira Belsky. “With innovative editing tools and so many high-quality digital assets at their fingertips, creators will now only be limited by their own creativity.”
“Seeing all our different services come together under one roof is sort of a dream come true,” said Artlist co-founder and co-CEO Itzik Elbaz. “We started by revolutionizing the licensing industry with our subscription-based model, and at this point, we feel like we are on the cusp of becoming the ultimate 360° solution for creators.”
About Artlist
Artlist was founded in 2016 by Ira Belsky, Itzik Elbaz, Eyal Raz and Assaf Ayalon as a music platform giving video content creators access to royalty-free music. Today, Artlist is a leading creative technology company with products that provide content creators with editing software tools and over 820K digital assets. The catalogs are updated daily with fresh content and include music and sound effects on Artlist.io, stock footage on Artgrid.io, templates, presets, add-ons, transitions and motion graphics on MotionArray.com and video, VFX and image editing software tools on FXhome.com. Artlist operates on a yearly subscription plan, offering users an unmatched license with unlimited use, while preserving the quality of the media it provides. Among the company’s 7M clients are Nike, Wix, Coca-Cola, Ikea, Google, Mercedes, Samsung, Netflix, Salin, Dior and many more.

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5 reasons why Mark Kelly defeated Blake Masters in Arizona’s US Senate race  The Arizona Republic
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LOS ANGELES, Nov. 16, 2022 /PRNewswire/ — Trevanna Tracks, the industry standard in sync licensing software, announces an integration with Soundmouse, the long-standing leader in music and cue sheet reporting, which enables users to seamlessly move song metadata, including splits and usage, from Trevanna to Soundmouse, generating accurate cue sheets with ease.
“Trevanna’s data and documents give production teams everything needed to air a synced song, but it doesn’t take the next step to ensure ongoing downstream payments. This process was brilliantly sorted by Soundmouse,” explains Jennifer Freed, founder and CEO of Trevanna Tracks. “We respect the Soundmouse team, they have extraordinary technology, strong relationships with the PROs, and a complementary client base. When we were introduced to Soundmouse, we knew a partnership would solve that last stage in the process.”
“We’re thrilled to work with Trevanna Tracks to bring more value to our users,” says Mark Vermaat, Soundmouse’s Head of Business Development. “We share a dedication to creating a more efficient way for broadcasters and studios to manage sync and administrative tasks. This partnership enables collaboration between music supervisors and editors, saves time, and significantly lessens the margin for error in reporting royalties.”
Trevanna Tracks’ workflow starts at the beginning of the research and clearance process. The platform keeps track of negotiations, rights holders, splits, usage, executed contracts and proofs of payment. Soundmouse picks up from there, managing cue sheets and metadata as it connects all stakeholders in the reporting process: broadcasters, producers, collecting societies, distributors, and, of course, music creators.
The integration will allow Trevanna users to directly download a cue sheet file with complete licensing data, prepared for a direct upload to Soundmouse. Soundmouse users, be they music supervisors or music editors, will have the ability to upload the file directly into Soundmouse and make any further amendments, eliminating the need to re-enter data.
“With the ever-increasing amount of visual content and the growing complexity of sync music licenses, we strive to make the organization and administration less onerous for music teams,” Freed reflects. “When technology enables collaboration and effortless delivery of essential information, it’s a huge step forward.”
About Trevanna Tracks
Trevanna Tracks is a subscription-based software designed by entertainment industry professionals to streamline the process of clearing and licensing music for film, television, video games, and marketing assets. Woman-owned, and women-run, Trevanna Tracks is an intuitive, centralized, and secure platform so multiple departments can stay efficient and accurate at every step.
About Soundmouse
Soundmouse is an independent media technology company that specializes in music cue sheet reporting and audio recognition services. The global standard for cue sheet and music reporting around the world, Soundmouse connects all stakeholders in the reporting process: broadcasters, studios, independent producers, PROs, distributors, program makers, and, of course, music creators.
View original content:https://www.prnewswire.com/news-releases/trevanna-tracks-and-soundmouse-join-forces-to-streamline-sync-licensing-and-reporting-301679656.html
SOURCE Trevanna Tracks
Kelly Kahl, head of entertainment, is departing along with top lieutenant Thom Sherman. More cuts are expected at parent Paramount Global.
Yahoo Finance Live anchors discuss Elon Musk's latest push to remake the Twitter platform and his attitude toward the social media's employees.
Twitter buyout loans get bid at 60 cents in the dollar as banks sound out investors
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The Notorious B.I.G., 25 years after his death, will be resurrected as a “true-to-life, hyperrealistic” avatar in a virtual-reality concert coming exclusively to Meta’s VR and Facebook platforms. Produced in collaboration with the Notorious B.I.G. Estate, the concert will feature Biggie’s avatar performing classics from his catalog and leading fans on a VR experience in […]
"Baywatch" actress Donna D'Errico shared a sexy lingerie photo on Instagram Monday, days after she revealed she feels "lonely" and "unloved" in a vulnerable post to her fans.
Elon Musk’s chaotic tenure running Twitter continues apace, less than three weeks after he closed the $44 billion deal for the social network. After firing Twitter’s senior management team, laying off 50% of the company’s workforce and terminating some two dozen employees who criticized the tech mogul in private and on Twitter, Musk sent an […]
"Honestly, it makes me really sad to think that there are pictures out there of my house that could be making people feel less than about theirs."View Entire Post ›
Times are changing at Twitter. In about two weeks under Elon Musk's leadership, Twitter has fired over 3,700 people, and a slew of high-ranking execs have resigned. According to a report from The Washington Post, Musk sent a late-night email offering the remaining Twitter employees a choice: they can either resign and receive three months severance pay, or they can commit to a "hardcore" work environment.
The disgraced founder of FTX was “surprisingly calm” in a recent interview.
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“That’s what touches your foot when (you’re) in dark water.”
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After revealing the $87,000 Air Pure this morning, Lucid also announced more details about its upcoming SUV, the Gravity. We still don’t know how far it will go on a charge or what kind of power it will make, but based on what we’ve seen with the Lucid Air sedan, it seems safe to assume the range will be substantial, and you’ll be able to order it with more power than you could possibly use.
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MusicRadar is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission. Here’s why you can trust us.
Bag 65% off Auto-Tune Unlimited – a subscription that gets you every Auto-Tune plugin – and grab a free plugin of your choice
Everyone loves the ‘Auto-Tune effect’, of that there is no doubt. This enduring vocal process has been with us since Cher stamped its sound on music production with the track Believe in 1998. Since then, Auto-Tune’s developer Antares has refined the software, releasing various versions that allow producers to create the hard vocal-tuning style – and many other vocal effects – with ease. 
You can enjoy every vocal processor that Antares produces as part of an Auto-Tune Unlimited subscription, which nets you over 20 professional effects. But the best news is that Antares is currently offering a 65% discount on this annual subscription (opens in new tab) as part of its special pre-Black Friday plugin deal. Even better, Antares is also offering a free perpetual plugin of your choice worth $179 as part of the deal! But be quick, as the deal ends on November 20. Here are the details…
Antares Auto-Tune Unlimited annual subscription: $353.99, now $125 (opens in new tab)
The Antares Auto-Tune Unlimited subscription gives you exclusive access to every plugin on Antares’ impressive roster of effects. First up, you get every edition of Auto-Tune. That’s nine plugins ranging from AutoKey, which automatically detects your key and scale, right up to Auto-Tune Pro X, with its professional grade tuning and an incredible display which lets you get to the heart of your vocal processing. On top of the Auto-Tune suite, Auto-Tune Unlimited gives you an additional 12 effects including Punch, Mutator and Warm to get creative with your vocals in completely new and exciting ways. That’s 65% off over 20 pro plugins for a year!
Free plugin of your choice: Was $179, now $FREE (opens in new tab)
As if that discount is not enough, Antares is throwing in another sweetener with its subscription deal: a free perpetual plugin of your choice worth $179. Choose from one of three Auto-Tune plugins and keep it forever, even after your subscription period ends. You can pick either Auto-Tune Slice (a hybrid synth and sampler), Auto-Tune Vocal EQ (an EQ designed specifically for singers), or Auto-Tune Vocodist (for that Daft Punk/Kraftwerk vocoder effect). Choose one, pay nothing and keep it forever, even after your annual subscription (at 65% off) ends.
You’ll have to act fast to get this Antares subscription discount – the deal ends November 20. It’s a great way to experience some of the best vocal processing software in the business and get one for free, forever! So grab it while you can.
Antares will inevitably launch some official Black Friday deals once this one runs out, and we’ll be sharing them all as they happen, alongside loads more great Black Friday music deals from around the internet.
Andy has been writing about music production and technology for 30 years having started out on Music Technology magazine back in 1992. He has edited Future Music, Keyboard Review, MusicTech magazines and currently runs Computer Music which he helped launch back in 1998. He owns way too many synthesizers.
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Don’t miss the latest deals, news, reviews, features and tutorials
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Randburg’s DJ Chase is a music producer, Songwriter, music instructor and House DJ who continues to live and dedicates his life to music.
Matibisi “DJ Chase” Ntshwana grew up in Lebowakgomo, Limpopo and this is where his love for, and journey with music began.
DJ Chase said, “That’s where everything started for me, I’ve always loved singing other people’s songs, I would sing people’s melodies and if I don’t know the lyrics, I would put my own that is where I developed my style of songwriting. Eventually, I picked up an instrument to compose and the first instrument was the guitar, and I informally went to study classical piano for two years.”
DJ Chase went on to pursue his dream and enrolled at the National School of the Arts (NSA) and studied contemporary music and majored in Piano/ Keyboard.
He explained that he formed a band when he was still at school, but he realised the amount of time and energy it took to motivate and keep the band in the same mindset was too much and he decided to take on production.
“As a songwriter and instrument player, I was able to execute the whole song on my own from beginning to end. The last year at NSA I got an opportunity of working with Kabelo “Bouga Luv” Mabalane from TKZEE who gave me a chance to produce his project called Amatsheketshe,” added DJ Chase
DJ Chase continued his journey and worked with DJ Ganyani where he produced and wrote some of the big songs like Xigubhu one of the big songs to come out in 2014, Be There featured Big NUZ and Emazulwini.
The famous DJ now shares his experience and knowledge by teaching at Volume Music Academy. The school situated in Braamfontein opens on weekends and they have a studio in Ferndale, Randburg.
“We train learners to compose and produce by teaching them keyboard technique, music theory, the digital audio software that allows them to record and program music, Deejaying, and Sound engineering. I saw a gap where I could transfer the knowledge to upcoming artists,” said DJ Chase
DJ Chase added that they create a platform where students are able to network with industry experts and other musicians and they organise workshops and invite experienced musicians and other industry experts to share their knowledge with the students.
The sensational DJ is currently working on an EP in collaboration with (South African Music Performance Rights Association) SAMPRA and it will feature some of Volume Academy Students. It is expected to come out in 2023.
DJ Chase advises up-and-coming artists to put time into their craft and that the more they create the better they will get.
Related Article:
Successful artist visits Ferndale

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How to do it right
Are you bombarded with information about the importance of emotional intelligence quotient (EQ)? There’s substantial research showing that people who are successful in a holistic way—not just at making money—have high emotional intelligence. In fact, research shows that your EI/EQ level is a much better indicator of professional success than your Intelligence Quotient (IQ)
In our post pandemic world, we’re flooded with info about improving the well-being of staff. So, do you have to be overflowing with empathy to be a great manager? No, you need to understand why a little toughness in balance with empathy is the way to attract great people, keep and motivate them. 
Empathy is defined as “The psychological identification with or vicarious experiencing of the emotions, thoughts, or attitudes of another: [as in] She put an arm around her friend’s shoulders and stood by her in silent empathy.”2     
Empathy is not sympathy. Sympathy is feeling sorry for someone, “Too bad you’re going through that”—but to remain emotionally aloof from their situation. 
Empathy is thinking, “How must it feel to go through that?”—to try and put yourself in that other person’s shoes, to understand their situation from their perspective.  Truly feeling empathy for another makes them feel valued. To be valued and heard is what most of want in human interaction of any kind.
How do leaders get tough empathy wrong?
In the context of a professional environment, tough empathy balances the business needs of the organization with the personal needs of the employees. 
Every business has goals, procedures, policies and to find success and must generally meet those goals or exceed them.  Quality organizations recognize their people are vital to meeting those goals and try to create an environment where people feel valued enough to flourish but at the same time make it clear that goals must be met. The perfect combination results in people performing at peak efficiency.  A little pressure can go a long way in balancing empathy to get the equilibrium right. 
We’ve all heard stories of supervisors or managers who are absolute taskmasters: “I don’t care about your personal problems; I’m only interested in results”.  Those managers are so focused on the end result and the bottom line that they lose their humanity, at least as far as the well-being of co-workers is concerned. 
On the flip side, some supervisors or managers are pushovers. They’re so empathetic, they listen to everybody’s problems, but the finish line stays in the distant future because they stop workflow with too much attention to the personal care of the staff.  Good managers have boundaries and expression of care, even if they at times, must say, “It is unfortunate you’re having this problem but right now we have to meet this deadline, so I am asking you to give me some time to get back to you on it.” 
“Tough empathy” is the sweet spot between the two. A supervisor or manager who understands this concept is probably also a high EQ individual and might say, “My team is like family, I care about what happens to you. I know you have lives outside the office, and I respect those other obligations. However, we still have to hit our goals.” That supervisor will build a safety net into their organizational procedures and policies so that, if one employee “fails” the rest of the team can step in, fill the gap and get the job done while helping that teammate deal with their situation. 
In its simplest form, it’s about balance and creating a cohesive, mutually supportive business team. 
Finding the Balance
How does a person find that balance, personally or in business? It requires a lot of introspection. You can start by setting aside some time and asking yourself some questions: 
Emotional Intelligence assessments are easy to find online, quick to do, affordable and might change your chances of success substantially for the better.  
EI/EQ doesn’t mean giving too much of yourself. It is the awareness of how you react to others and how you see co-workers as feeling and thinking people. Effective leaders allow themselves to be emotional privately. They process it, then come back and give the public their best selves, communicating constructively and listening more than talking. You can be the tough empathy leader who bring that sweet spot to the team.
Copyright © 2022 CE Marketing Group

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El Hito Target at Condor
Orquideas
VANCOUVER, BC, Nov. 15, 2022 /PRNewswire/ – Luminex Resources Corp. (TSXV: LR) (OTCQX: LUMIF) (the “Company” or “Luminex”) is pleased to announce results from four drill holes, totalling 2,418 metres at its El Hito porphyry prospect, located in the central area of Luminex’s Condor project. Luminex is also pleased to report the drill results from five holes totalling 2,386 metres at its Orquideas project, where JOGMEC is earning into 70% ownership.

All four drill holes cut significant intervals of copper mineralization, including 627 metres grading 0.20% copper and 42 ppm molybdenum for a copper equivalent grade of 0.21% in EH22-03. Most of the copper and molybdenum mineralization is hosted in phyllic-altered quartz-diorite porphyry. These rocks were intersected as drill holes probed for the potassic core of the porphyry copper-molybdenum system, where higher grades may be expected. A compilation of the data suggests that the potassic core may well be located below the base of the current drilling, or possibly to the north or northeast, where copper and molybdenum rock and soil anomalies have not yet been drilled. The molybdenum-only rock and soil anomaly to the northeast of the drilled area may also be indicative of another porphyry centre in this area (Figure 1).
Table 1. Drill intercepts for El Hito holes. 
Hole
Azimuth /
Dip /
Length
From
(m)
To
(m)
Interval
(m)
Cu
(%)
Mo
(ppm)
Cu Eq
(%)
EH22-01
90° /
-60° /
500m
9.0
109.0
98.0
0.29
14
0.29
Incl
9.0
84.2
73.2
0.33
17
0.34
And
120.4
500.0
379.6
0.20
34
0.21
Incl
366.0
464.0
98.0
0.27
44
0.28
EH22-02
 270° /
-60° /
512m
42.0
362.0
320.0
0.16
14
0.16
Incl
239.0
250.0
11.0
0.26
44
0.27
Incl
280.0
298.0
18.0
0.25
5
0.25
And
438.0
470.0
32.0
0.11
18
0.12
And
480.0
496.0
16.0
0.11
11
0.11
EH22-03
90° /
-60° /
704.8m
77.5
704.8
627.3
0.20
42
0.21
Incl
111.0
199.0
88.0
0.27
20
0.27
Incl
428.0
490.0
62.0
0.30
78
0.31
Incl
684.0
704.8
20.8
0.27
16
0.27
EH22-04
180° /
-75° /
701m
12.0
186.0
74.0
0.18
28
0.19
Incl
12.0
50.0
38.0
0.28
17
0.28
And
194.0
224.0
30.0
0.16
5
0.16
And
234.0
474.0
240.0
0.21
13
0.21
Incl
312.0
368.0
56.0
0.30
18
0.30
Incl
378.0
438.0
60.0
0.28
17
0.28
And
482.0
494.0
12.0
0.18
10
0.18
And
508.0
542.0
34.0
0.15
3
0.15
And
558.0
620.0
62.0
0.16
7
0.16
Incl
558.0
572.0
14.0
0.25
3
0.25
And
656.0
666.0
10.0
0.15
34
0.16
And
676.0
700.0
24.0
0.13
3
0.13
Intervals are calculated using a lower limit of 0.10% Cu and minimum length of 10 metres with a maximum inclusion of up to six continuous metres below cut-off. The highest copper value used in the reported weighted averages is 1.63 % Cu. Cu Eq values assume $3.00 copper and $7.00 molybdenum (Cu Eq= Cu % + (Mo ppm *2.33). Equivalent values assume 100% recoveries for all metals.
Detailed geological and geophysical work in the area shows additional porphyry copper and associated systems could lie further north in the Wanwintza Alto area, where porphyry-style, high-level, siliceous alteration is present. Another porphyry copper centre has also been identified via geological mapping, grid soil sampling and geophysical magnetic surveying at Prometedor Copper (Figure 2). As at El Hito, the Prometedor Copper porphyry centre is marked by a low magnetic signature.
The extensive gold-in-soil anomaly identified at the drill-ready Prometedor Gold target appears to be a distal, structurally controlled, precious-metal system related to the Prometedor Copper porphyry centre (Figure 3). The gold target is being readied for initial drill testing.
During 2022, Luminex and JOGMEC drilled 2,386 metres in five holes, testing a diverse set of geochemical and geophysical targets across the large Orquideas property. While the results were mixed, these holes and previous exploration drilling on the property have highlighted multiple areas warranting future exploration. JOGMEC is planning a follow-up drilling campaign in 2023.
The best results from the 2022 program came from the third hole, ORQ22-03, which cut 300 metres of continuous copper and molybdenum mineralization averaging 0.17% Cu Eq. This mineralization is hosted in an alteration assemblage (phyllic) known to flank copper porphyry deposits. In addition, a series of outcrops with consistent anomalous copper values, above 0.1% copper, have recently been found through sampling in close proximity to these holes. These discoveries provide compelling targets for follow-up drilling for higher grades potentially associated with a porphyry centre.
Other areas with strong geochemical signatures for copper and molybdenum, particularly in the southern portion of the project area (see Figure 4), may offer additional drill targets. ORQD002, drilled during an earlier campaign in 2019, cut an aggregate 132 metres averaging 0.18% Cu Eq hosted in phyllic alteration potentially indicating proximity to a second porphyry centre. Other short higher-grade intercepts from the 2019 and 2022 programs (ORQD003 and ORQ22-01) require further study to determine if additional drilling is warranted.
Table 2. Drill intercepts for Orquideas holes.
Hole
Azimuth /
Dip / Length
From
(m)
To
(m)
Interval
(m)
Cu
(%)
Mo
(ppm)
Cu Eq
(%)
ORQ22-01
50° /
-70° / 503m
106
132
26
0.11
47.2
0.12
ORQ22-02
50° /
-70° / 383m
No Reportable Intervals
ORQ22-03
50° /
-60° / 500m
196
496
300
0.14
118.8
0.17
ORQ22-04
230° /
-60° / 500m
No Reportable Intervals
ORQ22-05
50° /
-60° / 500m
No Reportable Intervals
Intervals are calculated using a lower limit of 0.10% Cu and with a maximum inclusion of up to six continuous metres below cut-off. The highest copper value used in the reported weighted averages is 0.31 % Cu. Cu Eq values assume $3.00 copper and $7.00 molybdenum (Cu Eq= Cu % + (Mo ppm *2.33). Equivalent values assume 100% recoveries for all metals.
All Luminex sample assay results have been independently monitored through a quality control/quality assurance (“QA/QC”) protocol which includes the insertion of blind standards, blanks as well as pulp and reject duplicate samples. Logging and sampling are completed at Luminex’s core handling facility located at the Condor property. Drill core is diamond sawn at the Company’s nearby Conder Project’s core logging facility and half drill-core samples are securely transported to ALS Laboratories’ (“ALS”) sample preparation facility in Quito, Ecuador. Sample pulps are sent to ALS’s lab in Lima, Peru for analysis where copper and molybdenum contents are determined by ICP-MS methods. Over-limit samples assaying greater than 1% copper are re-analyzed by ALS using four-acid digestion and ICP-AES finish. Luminex is not aware of any drilling, sampling, recovery or other factors that could materially affect the accuracy or reliability of the data referred to herein. ALS Laboratories is independent of Luminex.
Leo Hathaway, P. Geo, Senior Vice President Exploration of Luminex and the Qualified Person as defined by National Instrument 43-101 Standards of Disclosure for Mineral Projects, has reviewed, verified and approved the scientific and technical information concerning the Condor Project in this news release and has verified the data underlying that scientific and technical information.
Luminex Resources Corp. (TSXV: LR) (OTCQX: LUMIF) is a Vancouver, Canada based precious and base metals exploration and development company focused on gold and copper projects in Ecuador. Luminex’s inferred and indicated mineral resources are located at the Condor Gold-Copper project in Zamora-Chinchipe Province, southeast Ecuador. Luminex also holds a large and highly prospective land package in Ecuador, including the Pegasus and Orquideas projects, which are being co-developed with Anglo American and JOGMEC respectively.
Further details are available on the Company’s website at https://luminexresources.com/.
To receive news releases please sign up at https://www.luminexresources.com/contact/contact-us/.
Follow us on: Twitter, Linkedin or Facebook.
LUMINEX RESOURCES CORP.
Signed: “Marshall Koval” 
Marshall Koval, CEO and Director
Neither the TSX Venture Exchange nor its Regulation Services Provider (as that term is defined in the policies of the TSX Venture Exchange) accepts responsibility for the adequacy or accuracy of this news release.
Certain statements and information herein, including all statements that are not historical facts, contain forward-looking statements and forward-looking information within the meaning of applicable securities laws. Such forward-looking statements or information include, but are not limited to, statements regarding future drilling and work programs at El Hito or Orquideas. Often, but not always, forward-looking statements or information can be identified by the use of phrases or statements that certain actions, events or results “will” occur or be achieved.
With respect to forward-looking statements and information contained herein, the Company has made numerous assumptions including among other things, assumptions about general business and economic conditions, the prices of gold and copper, and anticipated costs and expenditures. The foregoing list of assumptions is not exhaustive.
Although management of the Company believes that the assumptions made and the expectations represented by such statements or information are reasonable, there can be no assurance that a forward-looking statement or information herein will prove to be accurate. Forward-looking statements and information by their nature are based on assumptions and involve known and unknown risks, uncertainties and other factors which may cause the Company’s actual results, performance or achievements, or industry results, to be materially different from any future results, performance or achievements expressed or implied by such forward-looking statements or information. These factors include, but are not limited to: risks associated with the business of the Company; business and economic conditions in the mining industry generally; the supply and demand for labour and other project inputs; changes in commodity prices; changes in interest and currency exchange rates; risks relating to inaccurate geological and engineering assumptions (including with respect to the tonnage, grade and recoverability of reserves and resources); risks relating to unanticipated operational difficulties (including failure of equipment or processes to operate in accordance with specifications or expectations, cost escalation, unavailability of materials and equipment, government action or delays in the receipt of government approvals, industrial disturbances or other job action, and unanticipated events related to health, safety and environmental matters); risks relating to adverse weather conditions; political risk and social unrest; changes in general economic conditions or conditions in the financial markets; changes in laws (including regulations respecting mining concessions); and other risk factors as detailed from time to time in the Company’s continuous disclosure documents filed with Canadian securities administrators. The Company does not undertake to update any forward-looking information, except in accordance with applicable securities laws.
SOURCE Luminex Resources Corp.
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Smartphone Music Production Software Market Size, Share & COVID-19 Impact Analysis, By Type (Editing, Mixing, Recording) By Application (Music Production Companies, Independent Musician, Home Studios (Personal)), and Regional Forecast, 2022-2029
The Smartphone Music Production Software MarketShareis set to witness immense growth during the forecast period 2022-2029. This intelligence report offers an in-depth analysis of the market size, share, growth, opportunity, competitive landscape, manufacturers/players/vendor’s analysis, segments and sub-segments, and forecast. The report also focuses on market drivers, challenges (current and future), revenue growth, future roadmap, standardization, deployment models, and forecast analysis
The global smartphone music production software market size was USD 73,341 thousands in 2021. The market is projected to grow from USD 78,609 thousands in 2022 to USD 142,692 thousands in 2029, exhibiting a CAGR of 8.9% during the forecast period.
According to a replacement report, the world “Smartphone Music Production Software Market” 2029 provides a comprehensive assessment of the market landscape, encompassing each and future standing of the market. In terms of drivers, opportunities, and constraints, the analysis provides info on developing trends and market dynamics. The analysis shelters lightweight on the analysis of previous growing trends. It includes a market summary, key player identification, key developments, material suppliers, and dealers, among different things. Market size, sales, forecast, share, business demand, growth rate, and revenue also are enclosed.
Ask For PDF Sample Report Smartphone Music Production Software Market:
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Fortune Business Insights gathers and analyses raw data across 10 major B2B verticals to provide market intelligence that enables companies to outperform competitors improve current offerings and detect market disruptions early. We also identify new-age business opportunities and develop market entry strategies and actionable insights so our clients can enjoy a first-mover advantage.
This report aims at providing critical information and valuable insights which are of high value to the users, enabling them to identify strategic growth opportunities.
Driver: Increasing Rate of Recovery of Financial Losses to Stimulate Market Growth
The increase in rate of recovery of financial losses is anticipated to augment the growth of the Smartphone Music Production Software Market within the estimated period. Smartphone Music Production Software Market helps all the organizations and enterprises mitigate losses from a variety of incidents that take place every day, from a data breach involving sensitive customer information to network damage and disruption. Though does not protect any organization against the hack itself, but it does offer help before, during and after an attack. Further, it also helps with the costs associated with remediation, including payment for the legal assistance, crisis communicators, investigators, and customer credits or refunds. However, the lack of awareness related to Smartphone Music Production Software Market Moreover, the increasing adoption of artificial intelligence and block chain technology for risk analytics is further anticipated to support the growth in the years to come.
Top companies in the globalSmartphone Music Production Software Market research report:
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Smartphone Music Production Software Market Introduction, Overview, and In-depth industry analysis:
Increase in Self-Insured Retention Levels
As Smartphone Music Production Software Market risk is growing, Insurers are taking bigger losses, seeing tighter margins, and relying more heavily on reinsurance to cover their own risk. The result is that companies are getting less protection for more money. Insurance-linked securities (ILS) could help give insurers the breathing room they need to keep growing — and meet customers’ growing needs — by helping insurers hedge against rare, catastrophic events.
COVID-19Outbreak Impact Analysison Smartphone Music Production Software Market
We are taking continuous efforts to help your business sustain and grow during the COVID-19 pandemic. Based on our experience and expertise, we will offer you an impact analysis of coronavirus outbreaks across industries to help you prepare for the future.
The COVID-19 outbreak has spawned widespread economic distress and uncertainty, with many industries, markets, and businesses undergoing tremendous stress. However, together, the global community can tide over these challenging times, and at Fortune Business Insights™, we aim to provide precise market intelligence through extensive and intensive research into the impact of this pandemic on various businesses.
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The Smartphone Music Production Software Market report provides answers to the following key questions:
Which are Trending factors influencing the market shares of the top regions across the globe? What is the impact of Covid19 on the current industry?
What is the economic impact on the market?
When is the recovery expected from the pandemic?
Which segments offer high-growth opportunities in the long run?
What are the key outcomes of the five forces analysis of the global market?
What are sales, revenue, and price analysis by regions of this market?
Table of Contents
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 −  seven  =  1

9  ×   =  81

3  +  9  = 

Photo Credit: Arturia
The following comes from Arturia, a company DMN is proud to be partnering with.
Dive into the biggest Arturia new product drop in two decades, spanning all corners of its music creation ecosystem. Introducing Augmented GRAND PIANO, MiniFuse 4, MiniLab 3, and MiniFreak.
A morphing virtual piano; a versatile audio & MIDI interface; a universal music-making controller; a hybrid algorithmic polysynth. Four new products, 4 new sources of inspiration for sound explorers. Head to arturia.com for more details, and watch the Arturia keynote here :

 
MiniFreak is a polyphonic hybrid keyboard that combines two digital sound engines with warm analog filters, playful modulation, spontaneous sequencing, and rich stereo effects for sounds that are immediately curious, beautiful, and chaotic in equal measure.
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MiniLab 3 is a next-generation plug-and-play MIDI controller that combines a great-feeling keyboard, flexible pads, faders, and knobs, and a premium software bundle with seamless DAW integration that lets users get creative right out the box.
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From the authentic to the impossible, unlock premium piano sounds for cinematic score & library composition, immersive game soundscapes, and slick modern DAW production with an intuitive & inspiring piano experience that transcends virtual instruments.
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Capture crystal-clear recordings, refine with pro-grade creative software, and make music happen with a 4-in/4-out interface that ticks all the boxes: best-in-class audio, expanded connectivity, a 5-year warranty, and a world-class suite of software titles for modern music production.
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“Arturia specializes in the creation of music software and hardware dedicated to the exploration of sound. Operating in 55 countries, their aim is to create tools that encourage musical discovery, nurture inspiration, and savor the creative process.”

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AUBURN, Alabama–The 2-0 Auburn Tigers will play host to the 2-1 Winthrop Eagles on Tuesday at Neville Arena where Coach Bruce Pearl’s team will look to extend a 40-game home winning streak vs. non-conference opponents. Tipoff is set for 6 p.m. CST and the game will be televised on SEC Network.
Auburn leads the series, 5-1, and won the previous matchup 119-85 on Nov. 23, 2017. Tuesday’s game could be the regular season debut for freshman guard/forward Chris Westry, who has been recovering from knee surgery. Johni Broome has been dealing with an ankle problem. If he is held out of action vs. the Eagles the Tigers would likely start 6-11, 256 junior Dylan Cardwell, who is averaging 4.5 points, 5.5 rebounds and 5.0 blocks per game.
Projected starters for the Tigers include:
No. 1 Wendell Green, 5-11, 175 Jr. guard (18.0 points, 4.0 rebounds, 4.0 assists)
No. 12 Zep Jasper, 6-1, 185 Gr. guard (1.0 oint, 0.5 rebound, 2.0 steals)
No. 5 Chris Moore, 6-6, 230 Jr. forward (7.5 points, 4.0 rebounds, 1.5 steals)
No. 2 Jaylin Williams, 6-8, 230 Sr. forward (5.0 points, 7.0 rebounds, 2.0 assists, 2.0 steals)
No. 4 Johni Broome, 6-10, 235 So. center (7.5 points, 7.0 rebounds, 1.0 assists, 2.0 steals)
Projected starters for Winthrop:
No. 0 Sin’Cere McMahon, 6-1, 167 Jr. guard (12.3 points, 2.0 rebounds, 2.3 assists)
No. 21 Isaiah Wilson, 6-1, 170 Jr. guard (6.0 points, 2.7 rebounds, 1.7 assists)
No. 4 Kelton Talford, 6-7, 195 So. forward (18.3 points, 8.0 rebounds)
No. 12 Cory Hightower 6-7, 222, RSr. forward (16.7 points, 6.0 rebounds, 4.3 assists)
No. 33 Chase Claxton, 6-7, 185 Sr. forward (1.7 points, 3.3 rebounds, 2.0 assists, 2.0 steals)

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The post Highly Suspect Announce 2023 US Tour appeared first on Consequence.
Highly Suspect have announced a 2023 US headlining tour with support from Dead Poet Society. The outing kicks off February 3rd in Fort Lauderdale, Florida, and runs through March 3rd in Indianapolis.
Ticket pre-sales begin Wednesday (November 16th) at 10 a.m. local time, with Live Nation pre-sale starting on Thursday at 10 a.m. local time using the code HEADLINE. A general on-sale begins Friday (November 16th) at 10 a.m. local time. You can purchase tickets via Ticketmaster.
Following their headlining run, Highly Suspect will link up with Muse for the British band’s “Will of the People” North American tour alongside Evanescence. Those dates run from April 2nd through the 20th.
Highly Suspect have been going strong since their formation in 2009, rising to the major-label ranks via Warner Music Group’s 300 imprint. The band has since notched a Grammy nomination and released its fourth studio album, The Midnight Demon Club, in September. A fall 2022 tour in support of the LP recently wrapped up earlier this month.
Editor’s Pick

You can see the full list of dates for Highly Suspect’s 2023 headlining tour below. Get tickets here.
Highly Suspect’s 2023 US Tour Dates with Dead Poet Society:
02/03 – Fort Lauderdale, FL @ Revolution Live
02/04 – Orlando, FL @ House of Blues
02/05 – Destin, FL @ Club LA
02/07 – Mobile, AL @ Soul Kitchen Music Hall
02/09 – New Orleans, LA @ Tipitinas
02/10 – Memphis, TN @ Black Lodge
02/11 – Huntsville, AL @ Mars Music Hall
02/14 – Louisville, KY @ The Mercury Ballroom
02/16 – Harrisburg, PA @ XL Live
02/17 – Pittsburgh, PA @ Roxian Theatre
02/18 – Annapolis, MD @ Ram’s Head On Stage
02/21 – Lexington KY @ Manchester Music Hall
02/23 – Fort Wayne, IN @ Clyde Theatre
02/24 – Milwaukee, WI @ Turner Hall Ballroom
02/25 – Madison, WI @ The Sylvee
02/28 – Bloomington, IN @ The Castle Theatre
03/02 – St. Louis, MO @ The Pageant
03/03 – Indianapolis, IN @ The Egyptian
Highly Suspect Announce 2023 US Tour
Jon Hadusek
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Friday’s loss to No. 2 Gonzaga aboard the USS Abraham Lincoln was quite important for the Michigan State basketball team. The game came to an end on a missed would-be buzzer-beater that would have won it for the Spartans, but their unrelenting schedule leaves no time to lick wounds. The Spartans next draw a matchup Tuesday with No. 4 Kentucky in the first of a Champions Classic doubleheader.
Kentucky may be without Oscar Tshiebwe, the reigning national player of the year, who is still recovering from a minor preseason procedure, but the Wildcats’ roster is far from toothless. (Err, clawless.) It is 2-0 with a top-20 scoring margin thus far this season anchored by the sharpshooting duo of Antonio Reeves and CJ Frederick.
Sparty will be its biggest test of the young season, though, and with a veteran-laden roster and a Hall of Famer vs. Hall of Famer coaching matchup, there’s sure to be plenty of storylines worth following in this one. 
Date: Tuesday, Nov. 15 | Time: 7 p.m. ET
Location: Gainbridge Fieldhouse — Indianapolis
TV: ESPN | Live stream: fuboTV (Try for free)
Injury woes for UK: Kentucky might have the highest ceiling of any team in college hoops this season, but its early season injury woes are putting a damper on its current forecast. Not only is reigning NPOY big man Oscar Tshiebwe still rehabbing, with his status questionable, but leading assist man Sahvir Wheeler may be limited — or out — due to an ongoing knee injury, too. Their absences would leave UK without its top scorer, shot-blocker, rebounder and assist man from last season.
Is sharpshooting sticky for Cats? Kentucky ranked outside the top 100 among all Division I teams last season in 3-point shooting and one of its main objectives in the offseason was to bolster its abilities on that front. Beware the small sample, but: mission accomplished maybe? UK this season in two games ranks seventh nationally, hitting 51.2% of its attempts on the season. That number is likely to fall — by 10 percentage points, maybe more — but anything around 40% would be a major upgrade over last season. 
Calipari’s dominance over MSU: John Calipari is 3-1 all-time coaching against Michigan State in a record accumulated at both Memphis and Kentucky. He was 1-0 with the Tigers (a 92-74 win in the Sweet 16 of the 2008 NCAA Tournament) and is 2-1 with the Cats — with all three of those meetings taking place in the Champions Classic. Izzo clipped Calipari in the first meeting of Cal’s UK tenure, with a 78-74 win in 2013 in what was then a No. 1 (Kentucky) vs. a No. 2 (Michigan State) matchup. But UK has won the last two meetings in both 2016 and 2019. The last matchup a then-No. 2 Kentucky downed a then-No. 1 Michigan State, 69-62.
Michigan State figures to be a trendy upset pick in this one after nearly taking down Gonzaga and drawing a matchup against a likely shorthanded Kentucky team that may be without its biggest star. But I’m taking UK to win (and MSU to cover) in this one. The talent disparity skews too heavily in Kentucky’s favor. Wildcats have good size and length and, unlike last year, appear to have quality shooters surrounding them to boot. Prediction: Michigan State +6
Who will win and cover in every college basketball game? Visit SportsLine to get picks from the model that simulates each game 10,000 times and is up more than $1,200 for $100 players on its top-rated spread picks the past six years. 





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Nov. 14—A California-based firm specializing in affordable housing projects returns to the Manchester Planning Board later this week in hopes of securing approval for the third and final piece of plans that will bring nearly 200 units of affordable housing to the Queen City.
Lincoln Avenue Capital plans to tear down the old police station at 351 Chestnut St. and put up a five-story building with up to 110 apartments and a parking garage. A four-story building with up to 50 units will be built across Merrimack Street in what is currently a parking lot, and another building is planned for 80 Merrimack St.
"That whole block will be transformed, providing affordable housing, which is exactly what the city needs," said Manchester Mayor Joyce Craig.
The buildings will include units for tenant receiving project-based Section 8 vouchers, providing housing to those considered "extremely low income" — earning up to 30% of the area median income, said Scott Shaw, Lincoln Avenue Capital's vice president and regional project partner for New England.
"Right now, we've achieved zoning and planning board approval on two lots and the third, 80 Merrimack, we'll hear from the planning board on Thursday," said Shaw. "We're hopeful that we'll be conditionally approved. In terms of readiness, we're very fortunate we have the support of the city and the mayor."
Shaw said the number of units expected to be generated by all three projects currently sits at 192, after developers agreed to add an extra floor onto the 80 Merrimack St. building. That's 192 units of studio, one and two bedroom apartments.
"What's unique about this project, and why I support it, is 100% of the units will be affordable," Craig said. "While we know we need to support all housing, all ranges of housing throughout the city and throughout the state, by providing almost 200 affordable units, that will make a huge difference in the city of Manchester. I'm really pleased with the work Scott and his team have done, that they believe in Manchester. We're thrilled to have him here and developing this. It's a corner area of the city, and it's really exciting."
The affordable units will accommodate individuals earning up to $37,560 annually and three- or four-person households earning up to $53,580, according to Shaw.
Lincoln Avenue will make use of a variety of state and federal funding sources. In October, the Board of Mayor and Aldermen voted to approve $3 million in federal funds to increase the number of affordable housing units in Manchester through these three projects.
The vote followed a similar Request for Proposal for $4.7 million from 2021, which funded upgrades to 101 units of housing at the NeighborWorks Elm Street Brownstones, 48 new affordable housing units at Kelley Falls through Manchester Housing and Redevelopment Authority, and the creation of 15 new supportive housing units through Waypoint and the Helping Hands Outreach Center.
Shaw said the relationship between his company and the city began with initial discussions with former director of homelessness initiatives Schonna Green.
"There's obviously an overwhelming need for affordable housing," Shaw said. "This is going to hit $18K to $59K income ranges. The teamwork with the city … I've been doing affordable development for 22 years, and I can't speak highly enough of the cross-collaborative effort that's there."
In the face of product supply and cost issues, Craig said, "we're not seeing a lot of developers who are proactively developing affordable units."
"We're tremendously grateful for what Scott and his team are doing," Craig said. "This is what their expertise is. They understand the market, they understand what they are doing — they are building quality units effectively and efficiently. There's tremendous need, and so them coming in and doing this is a win for our community."
Shaw said if all goes to plan, his firm plans to close on all three properties simultaneously in May 2023. A request for proposals for contractors is expected to be issued in the next 30 to 40 days.
Current timelines call for at least one of the buildings to possibly open by summer 2024, with all three coming online by early 2025.
"I think this is going to be a great opportunity," Shaw said. "Affordable housing revitalizes communities."
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BuzzFeed ( NASDAQ:BZFD ) Third Quarter 2022 Results Key Financial Results Revenue: US$103.7m (up 15% from 3Q 2021). Net…
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How do you think these got there?
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