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Tickets are now on sale for the Broadway premiere of Pictures From Home. Three of the theatre’s most inventive, inspired and award-winning artists will return to the stage, bringing to vivid theatrical life a comic and dramatic portrait of a mother, a father and the son who photographed their lives. Based on the photo memoir by Larry Sultan, adapted to the stage by Sharr White (The Other Place, Annapurna), starring Nathan Lane, Danny Burstein and Zoë Wanamaker and staged by award-winning director Bartlett Sher, Pictures From Home will evoke memories of childhood, parenthood, and the vicissitudes that comprise familial relationships.
Pictures From Home will begin previews on Tuesday, January 10, 2023 at Studio 54 on Broadway (254 W 54th Street) and officially open on Thursday, February 9, 2023 for a strictly limited engagement.
Tickets for Pictures From Home are now available online at picturesfromhomebroadway.com or by phone at 833-CRI-TIXS (833-274-8497).
The design team for Pictures From Home will include Michael Yeargan (Set Designer), Jennifer Moeller (Costume Designer), Jennifer Tipton (Lighting Designer), Scott Lehrer and Peter John Still (Sound Designers), and Ben Pearcy at 59 Productions (Projection Designer).
Nathan Lane, who won a 2022 Emmy Award for his guest actor turn on Hulu’s “Only Murders in the Building”, is a three-time Tony Award winner for Angels in America, The Producers and A Funny Thing Happened on the Way to the Forum. In addition to his numerous and notable stage and screen credits (he has appeared in 24 Broadway productions and in more than 35 films), he has won six Drama Desk Awards, an Olivier Award, a star on the Hollywood Walk of Fame and was inducted into the American Theatre Hall of Fame. Lane was recently seen as Ward McAllister in Julian Fellowes‘ period drama “The Gilded Age” for HBO, and he will return for the show’s second season. Danny Burstein won the 2021 Tony Award for his performance as ‘Harold Zidler’ in Moulin Rouge on Broadway, which also earned him a Drama League Award, a Grammy nomination and an Outer Critics Circle Award. He has starred in 18 Broadway shows and received Tony nominations for Fiddler on the Roof, Cabaret, Golden Boy, Follies, South Pacific and The Drowsy Chaperone. For his stage work, he has also won three Outer Critics Circle Awards, two Drama Desk Awards and a Distinguished Performance Drama League Award. Some of his recent, notable screen roles include “The Good Fight”, “Evil”, “Dr. Death”, The Same Storm and Tick, Tick Boom. Zoë Wanamaker is a two-time Olivier Award winner for Once In A Lifetime and Electra. She has received four Tony nominations for her work in Piaf, Loot, Electra and Awake and Sing!. Other notable stage credits include: “Elizbeth Proctor” in The Crucible (Royal National Theatre), “Silvia” in Silvia (Apollo Theatre), “Amanda Wingfield” in The Glass Menagerie (Donmar Warehouse) and “Madame Ranevskaya” in The Cherry Orchard (Royal National Theatre). Wanamaker is also known for her TV roles on the BBC sitcom “My Family”, “Prime Suspect” and on film as “Madame Hooch” in Harry Potter and the Sorcerer’s Stone.
Pictures From Home reunites Sher with both Wanamaker whom he directed in Awake and Sing! and Burstein whom he directed in Fiddler on the Roof.
Though it is being performed at Studio 54, Pictures From Home is not a Roundabout Theatre Company production. Roundabout Theatre Company subscribers will, however, have Pictures From Home as part of their season package.
BIOS

Nathan Lane

was most recently seen in the second season of Hulu’s “Only Murders in the Building” as Teddy Dimas, alongside Steve Martin, Martin Short and Selena Gomez. This role earned him a Primetime Emmy Award in the category of ‘Guest Actor in A Comedy Series.’ Additionally, Lane was recently seen as Ward McAllister in Julian Fellowes‘ period drama “The Gilded Age” for HBO, and he will return for the show’s second season. On stage, Lane was recently seen on the Broadway production of Gary: A Sequel To Titus Andronicus, a comedy by Taylor Mac directed by George C. Wolfe. He also appeared as Roy Cohn in the Broadway revival of Angels In America (Tony, Drama Desk and Outer Critics Circle Awards), as well as in The National Theater production in London. He previously appeared on Broadway in the hit revival of The Front Page, which earned him Tony, Drama Desk and Outer Critics Circle nominations. Broadway credits include: It’s Only A Play; The Nance (Tony and Drama Desk nominations, Outer Critics Circle Award and the Drama-League Distinguished Performance Award); The Addams Family (Drama Desk and Outer Critics Circle Nominations, Drama-League Distinguished Achievement in Musical Theater Award), Waiting For Godot (Outer Critics Circle nomination); November; Butley; The Odd Couple; The Frogs; The Producers (Tony, Drama Desk, Outer Critics Circle and Olivier Awards); The Man Who Came To Dinner; A Funny Thing Happened On The Way To The Forum (Tony, Drama Desk, and Outer Critics Circle Awards); Love! Valour! Compassion! (Drama Desk and Outer Critics Circle Awards); Laughter On The 23rd Floor; Guys and Dolls (Tony nomination, Drama Desk and Outer Critics Circle Awards); On Borrowed Time; Some Americans Abroad; Wind In The Willows; Merlin; Present Laughter (Drama Desk nomination); Hickey in The Iceman Cometh at the Goodman Theater in 2012 and BAM in 2015 (Monte Cristo Award from The Eugene O’Neill Theater Center). Off-Broadway (1992 Obie Award For Sustained Excellence Of Performance): includes The Common Pursuit; The Film Society; The Lisbon Traviata (Drama Desk and Lucille Lortel Awards, Outer Critics Circle nomination); Lips Together, Teeth Apart; Love! Valour! Compassion! (Obie Award); Bad Habits; Dedication, Or The Stuff Of Dreams (Drama Desk nomination); Mizlansky/Zilinsky Or Schmucks; Trumbo; Measure For Measure (St. Clair Bayfield Award); A Midsummer Night’s Dream; The Merry Wives Of Windsor; She Stoops To Conquer; In A Pig’s Valise; Love; White Rabbit, Red Rabbit: And Do Re Mi At Encores. Other TV includes “Penny Dreadful: City Of Angels”, “American Crime Story: The People Vs. Oj Simpson” as F. Lee Bailey, and recurring roles on “Modern Family” and “The Good Wife”. Lane has received seven Primetime Emmy nominations, two Daytime Emmy Awards and a People’s Choice Award. He has appeared in more than 35 films including The Birdcage (Golden Globe nomination, Screen Actors Guild and American Comedy Awards); Ironweed; Frankie And Johnny; Mousehunt; Jeffrey; The Lion King; Stuart Little; Nicholas Nickleby (National Board Of Review Ensemble Award); The Producers (Golden Globe nomination); Swing Vote; Mirror, Mirror; Carrie Pilby; and No Pay, Nudity. Upcoming, he will be seen in Ari Aster’s Disappointment Blvd, alongside Joaquin Phoenix, Patti LuPone and Amy Ryan, as well as the A24 musical F*Cking Identical Twins, alongside Megan Mullally, Bowen Yang & Megan Thee Stallion. In 2006, he received a star on the Hollywood Walk of Fame and in 2008, he was inducted into the American Theater Hall Of Fame.
is the recipient of the 2021 Tony Award for his performance as Harold Zidler in Moulin Rouge on Broadway, which also earned him a Drama League Award, a Grammy nomination and an Outer Critics Circle Award. He is also a 7-time Tony Award nominee whose 18 Broadway credits include: My Fair Lady, Fiddler on the Roof (2016 Tony & Grammy Award nominations, Outer Critics Circle and Drama Desk Awards); Cabaret (Tony, Drama Desk and Outer Critics Circle Award nominations); The Snow Geese; Golden Boy (2013 Tony and Outer Critics Circle nominations); Follies (2012 Tony, Astaire & Grammy Award nominations; Drama Desk and Outer Critics Circle Awards); Women on the Verge of a Nervous Breakdown; South Pacific (2008 Tony and Drama Desk nominations, Outer Critics Circle Award); The Drowsy Chaperone (2006 Tony and Ovation Award nominations); Saint Joan; The Seagull; Three Men on a Horse; A Little Hotel on the Side; The Flowering Peach; A Class Act; Titanic and Company. Off-Broadway credits include: Nick Bottom in A Midsummer Night’s Dream at the Delacorte; Describe the Night; Talley’s Folly (Lucille Lortel & Drama League nominations); Mrs. Farnsworth; Psych; All in the Timing; Merrily We Roll Along; Weird Romance and I Love You, You’re Perfect, Now Change. He appeared at the Metropolitan Opera as Frosch in the Jeremy Sams/Douglas Carter Beane production of Die Fledermaus. Film/TV includes “The Good Fight,” “Will Trent,” Gary Jr. Or Jesus of Framingham, Tick Tick Boom, “F Is For Family,” The Same Storm, “Central Park,” “Dr. Death,” “Evil,” “Instinct,” “NCIS: New Orleans,” “Madam Secretary,” “The Blacklist, “Tales of the City,” “Deception,” “Elementary,” Indignation (directed by James Schamus), The Family Fang (directed by Jason Bateman), Blackhat (directed by Michael Mann), Lolly Steinman on “Boardwalk Empire” (directed by Martin Scorsese), “Louie,” “The Good Wife,” “Absolutely Fabulous,” “Ed,” all the “Law & Order” series, “Hope & Faith,” Transamerica, Deception, Affluenza, American Milkshake, Nor’easter, Construction, The Sounding, and Trust, Greed, Bullets & Bourbon.
Two-time Olivier Award winner, Zoë Wanamaker, has attained a storied career over the last 6 decades. She has also received four Tony Award nominations for her work on Broadway; for Piaf (1981), Loot (1986), Electra (1999), and Awake and Sing! (2006). Wanamaker’s film appearances include Wilde (1997), Harry Potter and the Philosopher’s Stone (2001), and My Week with Marilyn (2011). She was twice nominated for the BAFTA TV Award for Best Actress, for “Prime Suspect” (1991) and “Love Hurts” (1992-94), and starred as Susan Harper in the long-running sitcom “My Family” (2000-11). She has also appeared in the ITV dramas “Agatha Christie’s Poirot” (2005-13), “Mr Selfridge” (2015), and “Girlfriends” (2018). Zoe has most recently starred in the TV series Shadow and Bone (2021) and can be seen in the EPIX TV series Britannia.
Sharr White (Playwright). White’s plays have been performed on and off Broadway, nationwide, and internationally. White’s The True premiered Off-Broadway with The New Group, featuring Edie Falco, Michael McKean, Peter Scolari, and John Pankow, directed by Scott Elliott. White’s The Other Place premiered Off-Broadway at MCC Theatre with Laurie Metcalf (Lucille Lortel and Obie awards), directed by Joe Mantello (Lucille Lortel nom), and was reprised on Broadway at Manhattan Theatre Club with Joe Mantello again directing Laurie Metcalf (Tony nom). The Snow Geese premiered on Broadway with Manhattan Theatre Club, starring Mary Louise Parker and directed by Daniel Sullivan, as a co-production between Manhattan Theatre Club and MCC Theatre. White’s two-hander Annapurna premiered Off-Broadway at The New Group, starring Nick Offerman and Megan Mullally. For television, White has written for Showtime’s The Affair; the Starz series Sweetbitter; created the Netflix limited series Halston (Ewan McGregor, Emmy); was co-showrunner of the HBO Max series Generation, and, upcoming for Apple TV, is a writer/Executive producer on the series Mrs. American Pie, and the David E. Kelley adaptation of Presumed Innocent.
(Director) is a Resident Director at Lincoln Center Theater, where he won a Tony Award for his production of Rodgers & Hammerstein’s South Pacific (which he also directed in London and Australia); and was nominated for Tony Awards for his LCT productions of My Fair Lady, Oslo (2017 Tony Award for Best Play, Obie Award, also National Theatre, London), Rodgers & Hammerstein’s The King and I (also London), Golden Boy, Joe Turner’s Come and Gone, Awake and Sing!, and The Light in the Piazza. His other LCT productions include Intimate Apparel, Blood and Gifts and Women on the Verge of a Nervous Breakdown (also London). Broadway: Aaron Sorkin‘s adaptation of To Kill a Mockingbird (Tony nom.), Fiddler on the Roof (Drama Desk Award), The Bridges of Madison County. Off-Broadway: Waste (Best Play Obie Award), Cymbeline (Callaway Award, also Royal Shakespeare Company), Don Juan, Pericles (TFANA, BAM). He was the Artistic Director of Seattle’s Intiman Theatre (2000-2009) and was previously Company Director for the Guthrie Theater and Associate Artistic Director at Hartford Stage. Opera: Rigoletto (Staatsoper, Metropolitan Opera); Roméo et Juliette (Metropolitan Opera, Salzburg, Milan, Chicago); Faust (Baden Baden); Two Boys (ENO, Metropolitan Opera); Barbiere di Siviglia (Baden Baden, Metropolitan Opera); Otello, Il Les Contes d’Hoffmann, Le Comte Ory, L’Elisir d’Amore (Metropolitan Opera); Mourning Becomes Electra (Seattle Opera, New York City Opera). He serves on the board of the Society of Stage Directors and Choreographers. His productions of To Kill a Mockingbird is currently running on the West End, where his My Fair Lady also opened in May. His film of “Oslo” premiered on HBO last year and was nominated for two Emmy Awards and won a Critics Choice Award. Upcoming work includes a revival of Lerner & Lowe’s Camelot at Lincoln Center, with a book by Aaron Sorkin.
(Original Photo Memoir) was raised in California’s San Fernando Valley. His work, heavily influenced by the post-war, popular culture of Los Angeles, is a hybrid of documentary and staged photography and reveals the psychological nuances of family life and the everyday suburban landscape. Acclaimed for his use of color and light as well as his skilled writing, Sultan’s images and accompanying texts are imbued with poignancy, tenderness and a quiet humor. The effect adds to his unique ability to collapse the distance between himself and his subjects. Sultan’s multiple projects include:; Swimmers, 1978-82; Pictures From Home, 1983-92; The Valley, 2004 and Homeland, 2009. His groundbreaking book, Evidence, 1977 was produced in collaboration with Mike Mandel. Sultan was also known for bringing his personal vision to many campaigns and editorial assignments. Sultan was a beloved and highly influential educator who taught at the San Francisco Art Institute, 1978 – 1988 and served as a Distinguished Professor of Photography and Chair of Photography Department at California College of the Arts, San Francisco, 1989 – 2009. Sultan’s work has been widely published, exhibited, and is in private and public collections worldwide including the Tate Modern, London; the National Gallery, London; Stedejik Museum, Amsterdam; Musée de l’Elysée, Lausanne; Centre Pompidou, Paris; The National Gallery of Art, Washington DC; Museum of Modern Art, NY; the Metropolitan Museum of Art, NY; Whitney Museum of American Art, NY; the Solomon Guggenheim Museum, NY; Los Angeles County San Francisco Museum of Art, CA; Art Institute of Chicago, IL, among many others. Sultan was the recipient of numerous awards, including a Guggenheim Fellowship, U.S. Department of International Arts and Lectures Grant, Fleishhacker Foundation, Eureka Fellowship, National Endowment for the Arts Photography Fellowship, and Civitella Ranieri Foundation Fellowship.
(Set Design) has designed for theatres in America, and internationally. Broadway credits include The Light in the Piazza, Cymbeline, Seascape, Awake and Sing, Lincoln Center Theater revivals of South Pacific, The King and I,My Fair Lady and Fiddler on the Roof.; and The Bridges of Madison County among others. He is the recipient of 2 Tony Awards, 3 Drama Desk Awards and 2 Henry Hewes Awards. Opera credits in America and abroad are extensive, including 13 new productions at The Met, most recently Porgy and Bess and Rigoletto the world premieres of A Streetcar Named Desire and Dead Man Walking (San Francisco Opera), The Great Gatsby and Nico Muhly‘s Two Boys for the Met. He recently designed Wagner’s Ring Cycle for Washington National Opera and San Francisco Opera. He is a Professor in the Practice of Design at the David Geffin School of Drama at Yale University and Yale Repertory Theatre Resident Set Designer.

Jennifer Moeller

(Costume Design) is the Tony Award nominated and Drama Desk award winning costume designer behind 2nd Stage’s production of Lynn Nottage‘s Clyde’s. Moeller was the costume designer behind the Off-Broadway and Broadway productions of Lynn Nottage‘s Pulitzer Prize winning Drama, Sweat. More recently, Moeller designed costumes for the Apple TV+ comedy-drama series “Dickinson,” starring Hailee Steinfeld, which ran for 3 seasons. Moeller’s recent theatre credits include Milma’s Tale (The Public), King Lear (Guthrie Theater), The Last Goodbye (Old Globe), Love’s Labour’s Lost (Shakespeare in the Park), Dance and the Railroad (Signature), Happy Now? (Primary Stages), Dance of the Holy Ghost (Yale Rep), A Midsummer Night’s Dream, Merchant of Venice, Romeo & Juliet, Richard II, Antony & Cleopatra, Julius Caesar, Tamburlaine, Richard III (Shakespeare Theatre Company), Six Degrees of Separation (Williamstown Theatre Festival), and Waiting for Godot (Berkshire).
(Lighting Design) is a 2-time Tony Award and 5-time Drama Desk Award-winning lighting designer known for her work in New York based American Ballet. On Broadway, Tipton’s design have been seen in The Testament of Mary (Tony Award nomination), La Bête (Tony Award nomination), Long Day’s Journey Into Night (Drama Desk Award nomination, Hewes Award), Singin’ in the Rain, Whoopi Goldberg (Drama Desk Award nomination), Sophisticated Ladies (Tony Award nomination), The Pirates of Penzance, Lunch Hour (Drama Desk Award nomination), For Colored Girls Who have Considered Suicide /When the Rainbow is Enuf (Drama Desk Award), The Baker’s Wife, Our Town, and many more. Off-Broadway, Tipton’s designs have been seen in Intimate Apparel (Drama Desk Award nomination), The Rimers of Eldritch (Hewes Award), Waiting for Godot (Drama Desk nomination, Hewes Award), Worstward Ho (Drama Desk nomination), and many more. Tipton is a Helen Hayes Award winner for Outstanding Lighting Design, Resident Production for Dance of Death. She teaches lighting at the Yale School of Drama and is the recipient of the Dorothy and Lillian Gish Prize, the Jerome Robbins Prize, and the Mayor’s Award for Arts and Culture in New York City. She was made a United States Gracie Fellow and a MacArthur Fellow in 2008.
(Sound Design) received the first Tony awarded to sound for Bartlett Sher‘s Lincoln Center Theater revival of South Pacific and has been nominated 5 times since. Other work with Sher includes Aaron Sorkin‘s adaptation of To Kill a Mockingbird, Fiddler on the Roof, The King and I and Joe Turner’s Come and Gone. Theatre and concert work over the last decade includes the recent Jennifer Tipton Days and Night at BAC, the B’way revivals of The Piano Lesson, Into the Woods and The Music Man with Hugh Jackman and Sutton Foster, and Chicago in Concert with the San Diego, Dallas and Kansas City Symphonies, as well as King Lear with Glenda Jackson, Mira Nair‘s musical Monsoon Wedding in Delhi India and Berkley Rep, the Broadway revivals of Carousel with Renee Fleming and Hello Dolly with Bette Midler, Richard Nelson‘s The Michaels, Illyria, the Apple and Gabriel Family Plays at The Public Theater, MasterVoices “Let ‘Em Eat Cake” at Carnegie Hall, The Front Page, Chicago, Shuffle Along, Living on Love, Honeymoon in Vegas, A Delicate Balance, A Raisin in the Sun, Lucky Guy, Chaplin (Drama Desk Award) and Mike Nichols‘ productions of Death of a Salesman and Betrayal. He has also designed over 60 of NY City Center’s Encores including Jason Robert Brown‘s Parade in the fall of 2022. As a music engineer/producer his projects include the Broadway cast recording of An American in Paris (Grammy nom), Loudon Wainwright‘s Grammy winning High Wide and Handsome and Meredith Monk‘s mercy. A graduate of Sarah Lawrence College, he has taught at Hunter College and NYU and was faculty at Bennington College from 2001 until 2013.
(Sound Design). Peter has been designing sound for Bartlett Sher since 1984 including some amazing Shakespeare at the Idaho Shakespeare Festival, followed by several summers at the Intiman Theatre in Seattle. Film/TV: Oslo (HBOmax) (Golden Reel nomination). Broadway: Oslo (Vivian Beaumont), Golden Boy (Belasco/Tony Award nomination), Awake and Sing! (Belasco) National Theatre: Oslo. Royal Shakespeare Company: Cymbeline (Drama Desk nomination). West End: Oslo, Breaking the Code, The Best of Friends, It’s Ralph, Bookends, Over My Dead Body, Canaries Sometimes Sing, Married Love. Regional: Guthrie, Long Wharf, Intiman, Hartford Stage, Portland Stage. Peter is a graduate of Oxford University.

Ben Pearcy at 59 PRODUCTIONS

(Projection Design). 59 Productions is an award-winning design studio and production company based in London and New York. Their focus is on ‘story driven design’ – finding new ways of telling original stories through innovative design. 59 Productions is the Olivier and Tony Award-winning design studio and production company behind the video design of the Opening Ceremony of the London 2012 Olympic Games, globe-trotting smash hit, War Horse, the design and creative direction of the record- breaking David Bowie is exhibition and the decor concept design for The Met Ball, hosted by Anna Wintour. 59 are world-leading specialists in design for stage and live events, the go-to team for generating creative and technical ideas to realize ambitious artistic projects. The company’s New York branch led by Ben Pearcy.
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If you couldn’t score tickets to Taylor Swift‘s 2023 Eras Tour, don’t fret. On Friday (Nov. 11), the singer added 17 more shows to the 27-date U.S. tour that will celebrate all 10 of her studio albums released since 2006.

After adding 8 more shows last week, Swift tacked on 17 more this morning, double (and tripling) down on some of the cities on the list, including Glendale (AZ), Las Vegas, Arlington (TX), Tampa, Houston, Atlanta, Nashville, Chicago, Detroit, Pittsburgh, Minneapolis, Cincinnati, Kansas City, Denver and Los Angeles.
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With the addition of the new gigs to the now-52-date outing, Swift will now set up shop for five nights in L.A. at SoFi Stadium, where she is currently slated to wrap up her most extensive U.S. stadium run to date with shows on Aug. 3, 4, 5, 8 and 9.
Swift hasn’t hit the road since 2018, when she launched her best-selling Reputation Tour. She had planned on performing again after the release of her 2019 record Lover in a concert series called Lover Fest, but canceled the shows due to the COVID-19 pandemic. For those keeping score at home, this means that Tay has six albums-worth of new material that she’s never played live — if you include the previously unreleased vault tracks on 2021’s Fearless (Taylor’s Version) and Red (Taylor’s Version). Studio albums Folklore, Evermore and, of course her latest, Midnights, which have all also been released in the time between Lover and the Eras Tour.
Check out the new dates and opening acts below (check Swift’s Story for the full roster).
March 17 — Glendale, AZ @ State Farm Stadium (Paramore, GAYLE)
March 24 — Las Vegas, NV @ Allegiant Stadium (beabadoobee, GAYLE)
March 31 — Arlington, TX @ AT&T Stadium (Muna, GAYLE)
April 13 — Tampa, FL @ Raymond James Stadium (beabadoobee, GAYLE)
April 21 — Houston, TX @ NRG Stadium (beabadoobee, Gracie Abrams)
April 23 — Houston, TX @ NRG Stadium (beabadoobee, Gracie Abrams)
April 30 — Atlanta, GA @ Mercedes-Benz Stadium (Muna, GAYLE)
May 7 — Nashville, TN @ Nissan Stadium (Phoebe Bridgers, Gracie Abrams)
June 4 — Chicago, IL @ Soldier Field (Muna, Gracie Abrams)
June 9 — Detroit, MI @ Ford Field (girl in red, Gracie Abrams)
June 16 — Pittsburgh, PA @ Acrisure Stadium (girl in red, Gracie Abrams)
June 23 — Minneapolis, MN @ U.S. Bank Stadium (girl in red, Gracie Abrams)
June 30 — Cincinnati, OH @ Paycor Stadium (Muna, Gracie Abrams)
July 7 — Kansas City, MO @ GEHA Field at Arrowhead Stadium (Muna, Gracie Abrams)
July 14 — Denver, CO @ Empower Field at Mile High (Muna, Gracie Abrams)
Aug. 8 — Los Angeles, CA @ SoFi Stadium (Haim, Gracie Abrams)
Aug. 9 — Los Angeles, CA @ SoFi Stadium (Haim, GAYLE)
Click here to read the full article.
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Dropping your lead shoulder and leaning toward the target can be a useful technique.
GOLF.com
In golf, little changes can make a big difference, especially in your setup. One of my favorite examples of this truism is a minor setup adjustment that will help you improve your contact and consistency on a variety of different shot types — 10 of them, in fact!
Here’s how to do it:   
At address, slightly drop your lead shoulder and lean toward the target. If you picture a “T” down your spine and across your shoulders, the “T” should be tipped toward the target; this tilt will steepen the angle of your attack at impact and promote a lower ball flight. It’s a simple adjustment but it can be useful for each of the following shots:
A forward lean on shots around the green will produce lower, running chip shots. By definition, this shot will roll more than it carries. The lean de-lofts the face of the club and also helps the arc of your swing bottom out after impact. In addition this tilting forward, grip the club lower, take a narrower stance more narrow and keep your ball position relatively centered.
Forward lean promotes lower, running chip shots.
Angus Murray
Bump-and-runs require a slightly longer stroke than chips and with a less lofted club like a 7- or 8-iron. The ball will typically land short of the green and, like a chip, roll more than it carries. Leaning your “T” toward the target and keeping your weight forward through the stroke will produce a consistent result with little risk of poor contact.
Leaning forward and stopping your backswing at just above hip level will produce a driving, lower ball flight. Pair that move with a less lofted club and you’ll have a great shot option when you have a limited backswing length or are trying to keep the ball low to escape trouble.
For knockdowns, you’ll want to extend your backswing closer to shoulder height with the goal of keep your ball flight lower to have more control in the wind. Leaning toward the target and keeping your weight forward will produce this wind-piercing ball flight. Keeping your weight forward also helps to limit the length of your backswing.
When your ball is buried in the rough, it can be difficult to make clean contact because grass gets between the clubface and your ball. When you lean toward the target and your shoulder line becomes steeper as a result, your angle of attack naturally also becomes steeper, which will help the club make better contact. Keep in mind, when you lean you also de-loft the club face, so you make need to take a more lofted club to have enough clearance to carry any obstacles in front of you.
For this trouble shot, the leading edge must dig into the sand to get the ball out. When you lean toward the target not only do you steepen the angle of attack but you also engage the digging edge of your iron. This steepening may also result in a limited follow-through or finish, which is just fine!
Good luck!
getty images
Making clean contact from a divot requires similar technique to making clean contact from deep rough. Forward tilt will help the club approach the ball at a sharper angle to promote solid contact.
When your lead foot is lower than your trail foot, setting your body so that it matches the slope will help the club “sweep” down the hill, rather than hitting behind the ball. Setting your spine perpendicular to the hill and leaning toward the target will produce solid ball-first contact. Like many of the other shots covered, forward tilt will also produce a lower flight that can be offset by choosing a more lofted club.
The pros do it at Masters practice rounds — and you can, too! If you want to wow your golf pals, lean forward at address for a lower, skipping ball flight that allows the forward momentum that makes this gravity-defying flight possible.
Ever have those days where your swing is just off and you can’t find the clubface? We all do! A knockdown type setup and swing can be the plan B swing you need to survive the round and do the least amount of damage to your scorecard. The combination of shortening your swing and keeping your weight forward will help ensure better contact.

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Jury awards nearly $1 billion to Sandy Hook families  CNN
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JLL has arranged $172 million in financing for the acquisition of the newly completed Four Seasons Hotel Nashville in Nashville, TN. Eric Tupler, Jeff Bucaro, Brian Dawson and Kevin Davis represented the borrower — a joint venture between GD Holdings, Stonebridge Development Co., and Copford Capital Management LLC — and secured the acquisition financing through …
Birmingham, AL-based Growth Capital Partners and AEW Capital Management have purchased four Class A distribution facilities totaling 2,871,900 square feet in Atlanta, GA’s Interstate 75 south corridor. • Two buildings totaling 1,504,800 square feet at 195 King Mill Road in the McDonough submarket • One 867,140-square-foot building at 150 Greenwood Industrial Parkway in the McDonough …
B3 Holdings, LLC, has acquired a three-property, 481-unit multifamily portfolio in CT and RI for $117 million (an average of $243,243 per unit). Victor Nolletti, Eric Pentore and Wes Klockner of Institutional Property Advisors (a division of Marcus & Millichap) represented the seller, Brookfield Asset Management, and procured the buyer, B3 Holdings LLC. The assets …
Newton, MA-based JNR Management, Inc., has acquired the 125-key Residence Inn Boston Framingham and the 96-key Residence Inn Boston Norwood/Canton. The properties are Marriott-branded extended-stay hotels in the Boston, MA area, and the buyer has retained the brand for both hotels under a long-term franchise agreement with Marriott International, Inc.  Alan Suzuki and Matthew Enright …
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Retail experts gathered at Connect Retail West 2022, a one-day conference at the Luxe Sunset Boulevard Hotel in Los Angeles, Wednesday, to discuss the state of retail. There was a dark cloud lingering over the enthusiasm such as the capital markets wall, retail space, the office market, a shrinking workforce, and of course a recession, …
Newport Beach, CA-based SRS Real Estate Partners National Net Lease Group (NNLG) has completed 14 sales of newly-developed KinderCare Learning Centers throughout several U.S. states. The transactions of the single-tenant properties totaled in excess of $60 million. SRS NNLG’s Chad Lieber represented the sellers in the deals who were all developers. The buyers were private …
Trilogy Real Estate Group, a Chicago-based real estate investment and property management firm, has hired Jennifer Rhodus in its capital markets group as national sales manager, RIA and family office. Rhodus will be responsible for developing relationships with registered investment advisors and ultra-high net worth individuals and families to help further the sales efforts of …
Last year, a client entrusted Peak Realty Chicago (PRC) to purchase and stabilize a five-flat located at 2815 N. Harding Ave. in Chicago’s Logan Square neighborhood.  A year later, after $150,000 in renovations, it closed for $1,115,000, a near $250,000 profit.  The brick building was identified as a value-add property in the Logan Square submarket …
Jupiter, FL-based Rendina Healthcare Real Estate — in a $1-billion joint venture with Chevy Chase, MD-based Artemis Real Estate Partners and CalSTRS — has acquired a 12-property, 352,981-square-foot, multi-state medical office building portfolio. Newmark facilitated the transaction, equity placement and financing. Jay Miele, Ben Appel, Michael Greeley and John Nero of Newmark, in cooperation with …
Myrtle Beach, SC-based Sands Companies has completed its $4.1-million acquisition of a 22-acre site in the Gainesville submarket of Newberry, FL with plans to develop a $37-million build-to-rent community with 212 cottage-style apartment homes. Tim Davis of SVN | Alliance Commercial Real Estate Advisors represented the seller. “We were aggressively targeting opportunities to expand into …
A global survey by Cushman & Wakefield and WeWork found growing demand for flexible office space. The data and perspectives provided by the survey suggest that flexible office options can be a valuable component of a diverse office workplace ecosystem, providing employees the workplace flexibility they now demand.  Among the 800 WeWork users surveyed, 40% …
Privately held investment firm Cain International and The Public Investment Fund have made a $900-million investment into Aman Group to support the brand’s global expansion of ultra- luxury hotels and branded residences. The transaction values Aman Group at US$3 billion.    Aman Group comprises a collection of 34 hotels across 20 countries, 12 of which include Aman Branded …
As businesses are returning to the office post-pandemic, office real estate owners are using creative methods to welcome tenants and employees back to the workplace. The implementation of water features at these locations is enabling stakeholders to realize the unique ways these amenities are enhancing their properties. Outside the Lines (OTL), a design-build construction company …
Industrial demand is expected to maintain a healthy pace, though likely not at the record set in 2021, according to CBRE’s Industrial Occupier Survey. Of the 100 U.S.-based respondents, 64% overall and 81% of third-party logistics companies plan to expand their real estate footprint over the course of the next three years, economic uncertainty notwithstanding.  Food …
Rosewood Realty Group arranged the sale of a mixed-use building in the East Village for $4.4 million. The 7,560-square-foot building at 337 E. 9th St. sold at a 5.6% cap rate or $582 per square foot, at a GRM of 12.94%.  Aaron Jungreis, Ben Khakshoor and Alex Fuchs of Rosewood represented both the buyer, a …
Empire State Realty Trust, Inc. (ESRT) has added national jewelry brand Pandora to its retail tenant roster with a lease at 112 W. 34th Street. All retail spaces at 112 W. 34th Street are fully leased as Pandora will occupy a store previously leased to Swatch.  Located opposite Macy’s and one block west of the …
Family Development and Mosaic are working together on Town Germann, a gated, build-to-rent community located in Gilbert, Arizona. The 14.5-acre property will consist of 209 townhomes ranging from approximately 1,192 to 1,379 square feet with two- and three-bedrooms, 2 baths and two-car attached garages. Rents are anticipated from $2,600.00 to $2,900.00.  Town Germann’s amenities will …
JLL has hired Alison Flynn Gaffney, as Division President, Healthcare. She will be leading JLL’s healthcare business. With more than 30 years of industry experience, Flynn Gaffney most recently served as the interim Chief Operating Officer with the University of Utah Health, Hospitals & Clinics, where she had executive and financial oversight for all inpatient …
JLL Capital Markets has arranged $34.8 million construction financing for Cornus House, a 199-unit, mid-rise multi-housing development in Tacoma, WA. The firm’s Kaden Eichmeier and Jake Davidson represented the developer, Arboreal Investments to secure the senior loan with a national bank, along with an investment from a Property Assessed Clean Energy (PACE) financing provider. “Cornus …
Seyfarth Law Firm has welcomed a trio of partners in Corporate and Litigation practices to its Seattle office. Michael Herbst and Russel Robertson join the firm’s Corporate department and Ryan Dumm joins the Litigation department. All three partners arrive at Seyfarth from Schwabe, Williamson & Wyatt. “Michael and Russ’s transactional practice connects well to the …
Veleta Capital Partners (VCP) provided $18 million in senior secured, floating-rate bridge financing for the acquisition and renovation of the 137-unit Maverick Oak Lawn Apartments in Dallas. The property, built in 1972, will see some of the money go toward interior and exterior renovations. The non-recourse, 24-month loan was at 68% LTC. Bellwether Enterprise Real Estate Capital …
Plans to develop a 208-acre site in Austin are moving forward, thanks to a recent Austin City Council vote that approved critical funding and support items. When complete, the Colony Park Sustainable Community project is expected to feature mixed-income housing units, mixed-use retail and office space, a transit center and civic/institutional land uses. The development …
Bethesda, MD-based Excelsa Properties has closed on the $78-million purchase of Columbia Pointe, a 325-unit multifamily in downtown Columbia, MD. The value-add property was jointly acquired by Excelsa US Real Estate II, LP and an Excelsa co-investment vehicle. Excelsa Properties represented itself in the acquisition.  The seller, Morgan Properties, was represented by Newmark. “With current …
Ashburn, VA’s Quantum Park was the star digital infrastructure asset of the last 10 years, according to a report by 42Floors that analyzed CommercialEdge data center sales and development data from 2012 through 2021 in 90 markets across the US. Total data center sales activity in the Washington, DC market accounted for about 22% ($1.4 …
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One Tree Hill’s Bevin Prince reopens Recess, Wilmington cycling studio  StarNewsOnline.com
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Sung by Anirudh Nimkar, the Hindi pop song is producer Aman Vanjani’s creation alongside co-producer SHMAR aka Pranay Gode
Mumbai producer Backclash aka Aman Vanjani. Photo: Courtesy of the artist
Mumbai-based producer Backclash aka Aman Vanjani teams up with singer-songwriter and friend Anirudh Nimkar for a roving, groovy new Hindi synth-pop song called “Tu Aana,” released via recently launched label and artists partnerships/A&R company Robach Music Group.
Backclash, who is also founder of his own Cali Recordings Studio, has been putting out music for more than five years but “Tu Aana” – co-produced by SHMAR aka Pranay Gode – marks new sonic exploration.
Vanjani says in a statement, “The song randomly came together early this year when I was sitting in the studio and wanted to produce something different. I was really inspired by the whole new pop synth wave style of music and thought of trying my hand at it with SHMAR. Anirudh Nimkar, a friend and a singer-songwriter heard the song and immediately started to flow on it in Hindi, and it sounded really catchy! I was a bit hesitant as I’d never made a Hindi song before but the vocals fit perfectly with the track, and here we are.”
The artist, who recently returned from after studying sound engineering and music production in London, has previously released songs like “Never A Goodbye” and “Can’t You,” plus “I Don’t Wanna Fall In Love.” While all of those amply showcased an undeniable influence of electronic and electronic/pop artists like Kygo and Calvin Harris, “Tu Aana” swerves more towards late-night drive soundtrack territory, just as its lyric video suggests. Unsurprisingly, Vanjani credits travel and nature as “two forces driving his shift in sound.” He adds in his statement, “‘Tu Aana’ is special to me since it’s my first Hindi song but it’s my brand of music, which is equal parts chilled and euphoric. I’m thrilled and anxious simultaneously to move in this new direction.”
Watch the lyric video for “Tu Aana” below. Pre-save the track here.

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NYS Music – New York’s Music News Source
The Chapman Stick is the instrument of the absurd, of the surreal, even the extraterrestrial. It encompassed the strangeness of King Crimson when Tony Levin played it on “Elephant Talk.” It encompassed the strangeness of space when Gurney played it in David Lynch’s original “Dune.” In “Aimless,” by Chapman Stick specialist Bright Brown, the instrument encompasses the strangeness of just being alive. 
Bright Brown is Alex Nahas’ solo project, where he focuses on recasting the Chapman Stick from its previous role as novelty instrument of the prog-rock era to spine of a song and counterpart to a songwriter. 

The Chapman Stick was devised in the late ’70s by Emmet Chapman, a jazz guitarist who wanted to expand his two-handed tapping technique on guitar. Think of the Stick as a guitar and a bass at once, but also a piano, and also a drum. The instrument has 10 to 12 strings, each tuned differently, and no sound hole, just a long neck that can adhere to a belt loop. The fretboard is flatter than a guitar with sensitive pickups, because it is mostly tapped rather than strung. 
The Stick first found its way into Nahas’ hands 30 years ago, at Pierce Community College in California, where Emmet Chapman himself bequeathed a used Chapman Stick to Nahas after Chapman gave a performance on campus. 
Nahas started bringing the instrument to band practice. He was still figuring out how to use it and integrate it into songs, with not much to go off of, since the instrument isn’t really brought out in contemporary music as much as it was closer to its invention. Nahas said the Stick was often overshadowed in the mainstream because rock music was so defined by its band structure: guitar, bass, keyboard, lead singer.
“As a result, a lot of music sounds kind of formulaic, and the Stick allowed me to break the rules,” Nahas said.
But there is a new generation of Chapman Stick players swimming upstream to keep the eclectic instrument alive. 
Dan “Chef” Zahal, a second year bass student at Berklee, has been teaching himself to play a Chapman Stick with 12 strings since he was a senior in highschool. He said he hasn’t been able to find any faculty at the music school to integrate his studies on the Chapman Stick into any legitimate classroom environment, but Zahal plays the stick in his band, Trophy Husband. He said part of a reason for the rarity of Stick players is because of the dizzying prospects for inventing sound through electronic music production.
“The whole technical aspect was a lot bigger in the 70s and the 80s with bands like King Crimson and Rush. It was all about who could play the coolest lines, the flashiest, the cleanest,” Zahal said. “A lot of more modern music is based on, because we have a lot of shortcuts in production and studio, who can manipulate those the best.”

In the way that producers can employ techniques from a variety of instrumental groups on an electronic program such as Ableton or Logic, the Chapman Stick employs dexterity and intricacy to create new sounds using both rhythm and melody in tandem. Because of its multifunctionality, both musicians found the instrument’s capabilities keep expanding as they study it. Zahal has been using drum rudiments in his playing recently, treating each hand — one on the guitar side of the Stick and one on the bass — as a hand in a drum line. Nahas also is inspired by the percussive elements of the Stick.
“Its very nature is percussive because you hammer onto it. So there’s that attack from the fingers,” Nahas said. “You can emphasize that and be really simple and routine, or you can move the notes around and, by playing a little lighter, make it sound more melodic.”
Alex Nahas has released three albums and two EPs under Bright Brown; “Aimless” is the first single to come from his next album, releasing in January. But when Nahas picked up the Stick it wasn’t immediately apparent to him how best to express his art with it, until he started letting the Stick lead. 
“As I started writing, I thought ‘Oh, what if I approach this instrument as the core of the song, as the thing I write on, like it was a piano. And as soon as I started doing that, it made a lot more sense to me, and I haven’t put it down since,” Nahas said.

Nahas began forming bands around songs he wrote on the Stick, and Nahas’ playing took on its own life. While Tony Levin plays the Stick mostly on the bass side, so the sound can sometimes be twangy and rapid, Nahas’ playing more resembles a piano; it’s tender and earnest.
That tenderness is what makes the instrumental loops in “Aimless” so addicting. It’s a vague, wandering, circular song, that exploits both sides of the Stick, to fill you up with emotion and let you down easy with cathartic lyricism. Nahas started the song as just a little improvised lick back in early 2020, before the pandemic even started. 
Once the pandemic settled in, the song’s lyrics took on new life: “Why take aim / because aimless is drifting / and drifting’s easier / easier brings peace / till it lies in pieces / and so we go / into our silence.” 
He recorded the song and his upcoming album at his friend’s studio in Joshua Tree, California. Members of his first band, Eddie Avakian and Jamie Muhoberac played drums and keyboards, respectively; and Ava Nahas, Alex’s sister, was on percussion. This intimate group and the flat, stark, vast landscape of Joshua Tree is infused into “Aimless;” heard in the clarity of production and seen in the album’s cover art — an iPhone picture Nahas himself took on a break from recording. 
“It has a real openness to it, that I probably wouldn’t have gotten writing in my tiny little apartment and recording it there,” Nahas said. “ The songs have patience to them. And, a sort of ease about them. It’s always been my goal to just let the song lead me through it.” 
“Aimless” is out Friday, November 11.

Syracuse Newhouse journalism major (2023) from Washington, DC. Lover of Upstate NY, Lou Reed, print journalism, nouvelle vague films and long walks on the beach. In addition to interning on the NYS Music news and features desk, I am resident art critic at the Daily Orange. I’m obsessed with music across all genres, from John Coltrane to Fugazi to Yung Lean. Thanks for reading. [email protected]
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Binance CEO says he didn’t ‘master plan’ FTX collapse  CNBC
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Salem, Oregon News
After a pandemic hiatus and shift to virtual concerts, the Salem area’s premier vocal ensemble is back for a regular season.
The Willamette Master Chorus will kick off its 2022-23 performance season with its 18th Annual Veteran’s Concert on Nov. 12 and 13.
The chorus includes vocalists from throughout the Willamette Valley. The performers must audition to be part of the group, which has been around for 38 concert seasons. 
“Our ‘19-20 season would have ended with a May concert and we canceled that with Covid, and then our 2021 season was entirely virtual,” administrator Jessica Carpenter said. “We had one free concert in February that was just open seating and with lots of masks and other requirements, and then we had a small seats concert in May.” 
The virtual concerts included individual videos of each ensemble member edited together. Now, audience members will see the ensemble’s full return standing side-by-side. The chorus will perform this weekend in Hudson Hall on Willamette University’s campus at 900 State St. in Salem Saturday and Sunday at 3 p.m. according to a press release.
This veterans concert will feature a 45-minute piece called “Miserere Songs of Mercy and Redemption,” which was written in 2019 by the emerging Welsh composer Sir Karl Jenkins.
“This work is based on verses from Psalm 51 and is dedicated to all who have suffered or perished during conflicts in the Middle East and other parts of the world,” the release said.
In addition to the regular chorus, students from the Salem-Keizer, Dallas, Silver Falls and Stayton school districts will join in as part of the WMC High School Honor Choir. Students from across these districts are recommended by their teachers to be part of the choir, said Carpenter, and there are about 20 students participating this year. 
There are six other concert dates for programs in December, February and May which will include collaborative performances and work including other groups such as the Trail Band Sextet and the bluegrass-style Severin Sisters. 
This season will also feature a special change of scenery for the final concert of the year. 
“About every four years we go up to the Mt. Angel Abbey, so our main concert in 2023 will be at Mount Angel, which is really a treat for everybody who hasn’t been there before because they get to perform in one of their really beautiful buildings,” Carpenter said. 
Box office and will call open at 2:30 pm each day, for this weekend’s shows. Tickets are $22-$33 and available online or at the box office.For more information about the upcoming season, or to purchase tickets for this weekend’s shows visit www.willamettemasterchorus.org or call 503-580-0406.
Contact reporter Jordyn Brown at [email protected]
JUST THE FACTS, FOR SALEM – We report on your community with care and depth, fairness and accuracy. Get local news that matters to you. Subscribe to Salem Reporter. Click I want to subscribe!
Jordyn Brown is an Oregon journalist who formerly worked for the Eugene Register-Guard.
Jordyn Brown is an Oregon journalist who formerly worked for the Eugene Register-Guard.

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The daughter of Debbie Collier was on a podcast on Wednesday evening. She says the disturbing death of Athens office manager Debbie Collier may have been suicide.
ATHENS, Ga. – The daughter of Athens woman Debbie Collier, whose disturbing death in Habersham County has caused much speculation, shared her story Wednesday evening during a live podcast.
Amanda Bearden appeared on the "Crime on the Record Podcast" during a special live-stream.
Bearden revealed for the first time that she thinks her mother took her own life.
Collier was found dead and naked on Sept. 11 in the Chattahoochee-Oconee National Forest south of Clayton, a 90-minute drive from her home in Athens. Her husband, Steven Collier, reported her missing around 6 p.m. the day earlier. She was a discovered few feet downhill from the site of a small fire, with burns on her stomach, soot in her nostrils and clutching at a small tree.
DEBBIE COLLIER: WHAT WE KNOW ABOUT THE INVESTIGATION
Collier was last seen alive at a Family Dollar store on Sept. 10, purchasing several items that were found burned near her remains. She also stopped by a Chick-fil-A restaurant beforehand, the sources noted.
The missing person report came after she sent a bizarre Venmo payment to her daughter, Amanda Bearden, of almost $2,400 along with the cryptic message: "They are not going to let me go love you there is a key to the house in the blue flowerpot by the door."
TIMELINE OF DEBBIE COLLIER DEATH INVESTIGATION, ACCORDING TO POLICE
Bearden and her boyfriend had moved back to Athens from Mayland just a few days before her disappearance. 
FOX 5 shows new development in the mysterious death of Debbie Collier. Surveillance footage shows her just hours before she was found dead.
She recalled being at the scene when investigators made the discovery.
"They were maybe in those woods ten minutes and the police officer came back and he said, ‘Come here.’ And I knew…," she told the podcasters.
At first, authorities said they were investigating her death as a homicide, but have since backtracked.
She says her mother was depressed, and had given away some of her possessions days before her death. 
Bearden denied any involvement in her mother's death.
She told the podcaster she's already provided investigators with a sample of her DNA. 
She said rumors and online speculation have hurt her relationship with her family.
All my family turned against me. So, I get it thinking, you know, ‘This girl’s crazy.’ But they’re horrible awful human beings and I pray that the trauma and the pain that I had to go through when the police do make this press conference, which they told me that they will, I hope you don’t do this to another family," Bearden said during the podcast live-stream.
Debbie Collier’s daughter said she received a note from her mother that scared her around the time investigators say Collier was seen on security video.
Bearden says law enforcement seized money from a Venmo payment her mother sent to her the day of her death.
They've since released it back to her.
Authorities have not yet released the autopsy report, toxicology results or her official cause and manner of death.
The FBI and GBI continue to investigate Collier's death.
Fox News contributed to this article
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Live updates: 2022 midterm election results, livestream and voting day news  CNN
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Chris Shinn Looks Back on His Years Fronting Live  Rolling Stone
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Celebrate local creativity with the inaugural Strait from the Artists Studio Tour, scheduled for 10 a.m.-3 p.m. Saturday, Nov. 12, at various locations across the region.
Attendees are encouraged to engage directly with the artists and the spaces that they create in. Learn more about the tour and find maps and details of artists’ studio locations at straitfromtheartists.com.
This self-guided, free tour from Gardiner to Port Angeles features: Christopher Allen of Bottleworks451 Recycled Art; Mary Beth Beuke of West Coast Sea Glass; Mike Biskup of Mike Biskup Studio; Renne Emiko Brock of hue are you?; Teresa Crecelius of Cascade Caramel; Linda Entrikin of Linda’s Loft; Diane Fatzinger of Sticks ‘n Stones Designs; Monica Gutierrez-Quarto of Monica Gutierrez-Quarto Art; Gloria Knapp of Gloria Knapp Studio; Keith Ross of Keith’s Frame of Mind; Dominica Lord-Wood of Many Paths Fiber Art, and Jean Wyatt of J Wyatt Art.

Strait from the Artists Studio Tour is organized by local Olympic Peninsula art businesses, arts advocates and educators “dedicated to encouraging education, positive professionalism, and creating inclusive and innovative opportunities,” organizers said.
“We have been working together for years planning this inclusive art event for folks to engage directly with the artists and the spaces that they create in,” Emiko Brock said. “Built much like the welcoming, adventurous First Friday Art Walk in Sequim, we are delighted to launch Strait from the Artists Studio Tour on the Second Weekend in November.” For more information or to participate, email to [email protected].

Submitted art / A hand-painted silk scarf by hue are you?’s Renne Emiko Brock, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / A natural tip pine needle basket by Dominica Lord-Wood of Many Paths Fiber Art — one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / Tile art by Jean Wyatt of J Wyatt Art, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / Diane Fatzinger (Sticks ‘n Stones Designs) is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / A wire tree by Christopher Allen of Bottleworks451 Recycled Art, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / Teresa Crecelius of Cascade Caramel is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / “Quarto Salish Sea Variation 4 1024” by Monica Gutierrez of Monica Gutierrez-Quarto Art, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / Mike Biskup of Mike Biskup Studio is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / Gloria Knapp is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted photo / A footed plate by Gloria Knapp of Gloria Knapp Studio, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.

Submitted art / A hand-painted silk scarf by hue are you?’s Renne Emiko Brock, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / A natural tip pine needle basket by Dominica Lord-Wood of Many Paths Fiber Art — one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / Tile art by Jean Wyatt of J Wyatt Art, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / Diane Fatzinger (Sticks ‘n Stones Designs) is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / A wire tree by Christopher Allen of Bottleworks451 Recycled Art, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / Teresa Crecelius of Cascade Caramel is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / “Quarto Salish Sea Variation 4 1024” by Monica Gutierrez of Monica Gutierrez-Quarto Art, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / Mike Biskup of Mike Biskup Studio is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / Gloria Knapp is one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
Submitted photo / A footed plate by Gloria Knapp of Gloria Knapp Studio, one of a dozen participating artists on the Strait from the Artists, a free, self-guided tour slated for Nov. 12.
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With six-plus decades directing choirs of various ages and denominations, Dr. Jerome Wright has a plethora of pieces to pick…

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Memorial Park Golf Course
Golfers We Like
Six years ago I had the pleasure of playing alongside avid golfer Barry Gibbons. Only avid doesn’t even begin to describe this retired IBM VP of Sales. Barry doesn’t play rounds of golf, he devours them like his beloved tubs of chocolate ice cream.
I met up with Gibbons on, what was for him, a typical day. He had completed a morning 18 at Ridgefield (Conn.) Golf Course. We played a middle 18 together and then I left him for his final loop of the day. Again, this was a typical day for him. Ernie Banks famously said, “Let’s play two,” but that wouldn’t be enough golf for Gibbons, who would go onto play an unofficial world record of 878 rounds that year. And consume an undisclosed amount of ice cream at night. Hey, when you spend all day every day walking, you deserve to treat yourself.
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I hadn’t thought much about Barry the past few years until a Wisconsin man named Nolan Krentz made headlines by becoming the latest golfer to break the record for the most golf in a calendar year by playing 17,820 holes or 990 rounds—an accomplishment chronicled by Wisconsin.Golf’s Gary D’Amato and that resulted in Krentz recently receiving a plaque commemorating the feat. But as impressive as this new mark was—especially considering Krentz isn’t retired and he basically did it all in Wisconsin—I found myself defending my guy Barry for doing it on longer 18-hole courses (Krentz plays a nine-holer, Norsk Golf Club in Mount Horeb) and for carrying his own bag. Krentz uses a push cart. What a slacker. (Kidding!)
Apparently, others were thinking about Barry, too. And it prompted him to contact me all these years later.
“It irritates me that I have all these friends blowing up my phone telling me this guy beat my record!” Gibbons said.
Wait a minute. So Nolan Krentz doesn’t have the record?
That’s right, folks. Apparently, Gibbons shattered his own mark in 2020. And he didn’t even bother to tell me about it. A quick Google search, though, shows he told a couple other people, including the National Golf Foundation, who acknowledged his mark last March. C’mon, Barry! You gotta give me that scoop!
Anyway, it turns out Barry was motivated by another golfer, Yancy Methvian, who had topped Gibbons’ mark with 911 rounds of golf played in 2019. After hearing that, Gibbons decided to put the record out of reach by playing more than 100 rounds per month in 2020. He wound up playing an astonishing 1,235 rounds.
Yep, that’s ONE THOUSAND TWO HUNDRED AND THIRTY-FIVE rounds of golf in a single year. Heck, I was happy breaking the 30-round mark in 2022. As Gibbons neared the finish line his goal was 1,234 because it sounded better, but he just couldn’t help himself from playing one final round. What a nut.
Suddenly, Krentz’s 17,820 holes had been topped by Barry’s 22,230. Well, had already been topped. And the rest of the numbers surrounding Barry’s year-long accomplishment are just as amazing.
Playing all of his golf in Austin, where he and his wife (yes, he has a wife and four grown kids) are members at The Hills at Lakeway, Gibbons averaged 3.4 rounds per day. He only took three days off the entire year. And that wasn’t by choice.
“Two days were washed out due to weather,” the 63-year-old Gibbons says, “but I also took a rest on Christmas day.”
Gibbons also wore a Fitbit during every round and walked an absurd total of 8,424 miles. He took 16,824,607 steps while burning 1,749,289 calories. He spent a total of 3,561 hours on the golf course, which comes out to nearly 10 hours per day(!) and more than 148 full days of playing. And would you look at all the golf shoes he went through!
Unfortunately, Barry believes his Herculean effort did long-term damage to his knees so he’s really cut back on his golf. You know, to only one round per day. As a result, he’s cut back on the ice cream as well.
"When you’re not playing three rounds per day," Gibbons says, "you have to watch your weight."
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Like Krentz, Gibbons’ milestones haven’t been recognized by the Guinness Book of World Records, which requires witnesses for every round among other things. Well, I witnessed one round, and I can assure you that Barry is the real deal. He also keeps a spreadsheet with information from all of his rounds.
But despite being in contact with Guinness and submitting paperwork, Gibbons says it hasn’t been good enough for official recognition, and he shares Krentz’s frustration in that. But to be clear, he doesn’t wish to share the record for most golf played in a year with anyone.
“I’d like to get in contact with the guy in Wisconsin,” Gibbons said. “I’d tell him, ‘Maybe next year.’”
He’s joking—to an extent. Actually, both Gibbons and Krentz asked me about contacting each other. Clearly, they have a lot in common—and a lot of admiration for each other so there’s no controversy here. Also, you can make a case that they both deserve their own records.
Gibbons has played and walked the most, but Krentz only has about a nine-month window in Wisconsin to get his golf in compared to the Barry’s year-round course access in Texas. And at 31, Krentz, a grocery store worker and high school golf and basketball coach, doesn’t have as much free time as the retired Gibbons.
Nolan Krentz gets recognized by the Wisconsin State Golf Association. (Photo: Gary D’Amato, Wisconsin.Golf)
By the way, they both putt everything out and are really good players. Gibbons had an average score of 78.46 for his 1,235 rounds and Krentz says he’s a scratch at his home course, where his best score was a six-under-par 30.
So both deserve plenty of recognition for all the (good) golf they’ve played. In any event, Krentz doesn’t seem too broken up over not having broken the rounds/holes played record.
“It’s really for my own personal satisfaction,” says Krentz, who added it was a couple great members at his club who pushed for him to be recognized. “So no, I’m not bothered by him having the record in the slightest. It’s just, you know, if I was at 10,000 holes, my goal the next year would be 10,001.”
Or, 17,821, because Krentz is actually on pace to top his mark this year. So Wisconsin weather permitting, he will. It just won’t be enough to catch Barry Gibbons. For now.
RELATED: Introducing the luckiest golfer on the planet
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Cloudy skies this evening will become partly cloudy after midnight. Low 67F. Winds light and variable..
Cloudy skies this evening will become partly cloudy after midnight. Low 67F. Winds light and variable.
Updated: November 11, 2022 @ 9:46 pm

LOS ANGELES — Someone who bought a Powerball ticket in Southern California has won a record $2.04 billion Powerball jackpot after more than three months without anyone hitting the top prize.
The winning numbers were selected Tuesday morning, nearly 10 hours after the scheduled Monday night drawing because of problems processing sales data at one of the game’s member lotteries. Lottery officials acknowledged the unprecedented delay for such a high-profile drawing but said the game’s security process took precedence.
“Protecting the integrity of the draw is of utmost importance, and we were able to do that during this historic drawing with the cooperation of all participating lotteries,” said Drew Svitko, the chairman of the Powerball Product Group and executive director of the Pennsylvania Lottery.
On Tuesday afternoon, the Minnesota Lottery acknowledged their sales verification system caused the lengthy delay.
The winning numbers drawn Tuesday morning at the Florida Lottery draw studio in Tallahassee were: white balls 10, 33, 41, 47 and 56, and the red Powerball was 10.
The jackpot ticket was sold at Joe’s Service Center in Altadena, an unincorporated community in the foothills northeast of Los Angeles. For selling the winning ticket, business owner Joe Chahayed will receive a maximum Powerball bonus of $1 million.
“I’m very surprised. Very excited. Very happy,” said Chahayed, who wore a bright yellow California Lottery shirt and cap.
Chahayed said he didn’t know who won the giant prize but hopes it’s someone local.
“I wish I knew the person but most people who buy tickets from me are from the neighborhood. I hope one of them will be the winner,” he said.
Chahayed said he would spend his $1 million on his five children and donate some to the community.
Under California rules, the name of the winner must be disclosed but no other information, including the winner’s address, has to be be made public.
Thomas Murrell said he had stopped at Joe’s Tuesday morning with the intention of buying gas and $200 worth of Powerball tickets, in case no one had won the giant jackpot.
“I know Joe. I’ve known him for years and talk to him all the time,” Murrell said. “Joe’s always been a lucky guy. He’s a good guy. I’m not surprised it happened here.”
The $2.04 billion jackpot was by far the largest lottery prize ever won, topping the previous record $1.586 billion prize won by three Powerball ticketholders in 2016. Only four previous jackpots have topped $1 billion, but none of those are close to the current prize, which started at $20 million back on Aug. 6 and has grown over three winless months. No one has won the jackpot since Aug. 3.
The jackpot was initially reported as an estimated $1.9 billion on Monday, but the prize was increased to $2.04 billion Tuesday morning after updated calculations.
The Multi-State Lottery Association said the scheduled drawing was delayed from 10:59 p.m. EST Monday to 8:57 EST a.m. Tuesday because a participating lottery wasn’t able to process its sales data. After Minnesota completed its pre-draw procedures, the drawing was able to go ahead.
Marie Hinton, a Minnesota Lottery spokeswoman, said the lottery was reviewing what happened.
Terry Rich, a former director of the Iowa Lottery who also served on the Powerball board, said the delay was likely due to a two-part verification system of ticket sales that makes use of an outside vendor to ensure all is in order before the game’s numbers are drawn.
“Each state must verify through a dual process that all of the sales and dollars match before the Multi-State Lottery Association can do the draw,” said Rich, who headed the Iowa Lottery for 10 years and was president of the North American Lottery Association. “This is a state-by-state procedure, which separates the whole process and has been very effective.”
Rich said state lotteries deal with similar problems several times a year but the delays usually don’t attract much attention because the potential jackpots are far less than was up for grabs this week.
The winning numbers and recorded video of the drawing were posted to the Powerball’s YouTube channel.
The $2.04 billion prize is for a winner who chooses an annuity, paid annually over 29 years. Nearly all winners instead opt for cash, which was valued at $997.6 million.
The odds of winning the jackpot are 1 in 292.2 million.
The game is played in 45 states, as well as Washington, D.C., Puerto Rico and the U.S. Virgin Islands.
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By: Buzz Staff
Local News Desk
Last Updated: November 10, 2022, 14:24 IST
Delhi, India
A lot of people also earn a bomb by opting for these unconventional professions.
The idea of success is subjective as it differs from person to person. While working 9-5 corporate jobs is considered one of the safest ways to earn a living, the concept of unconventional careers is becoming increasingly popular in recent times. From content creation and music production to travel blogging and bartending, the sources of income have become more diverse over the years.
A lot of people also earn a bomb by opting for these unconventional professions. However, would you leave your high-paying job to sell Chole Bhature outside a railway station? Yes, you read that right. Recently, an anonymous user got Quora talking after they asked this question on the social question-and-answer website.
The user asked the online fraternity, “Would it be the right decision to leave my job that has a package of Rs 8 lakhs per annum and put up a Chole Bhature stall outside the station?” One might assume that other users would have trolled the person for asking this question on Quora. However, much to one’s surprise, people supported the decision and even tried answering how it would be more profitable for them to open a Chole Bhature stall rather than continuing their current job.
One user penned an extensive note, where he presented a hypothesis. According to him, one could earn as much as Rs 71,250 a month by opening a food stall instead of making Rs 62,666 of the Rs 80,000 salary after all the professional deductions. He even cited the example of MBA Chai Wala, who had dropped out of his MBA course to start a tea stall that is highly popular across the country now, in his note.
Others told the user that the kind of job doesn’t matter if it pays them well. They also advised him to go ahead and set up the stall if he’d be happy doing so.
Read all the Latest Buzz News here
About the Author
A team of writers at News18.com bring you stories on what’s creating the buzz on the Internet while exploring science, cricket, tech, gender, Bollywoo…Read More
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