In the latest Comic Book Legends Revealed, discover why Jim Starlin quit Master of Kung Fu soon after co-creating Shang-Chi
In the latest Comic Book Legends Revealed, discover why Jim Starlin quit Master of Kung Fu soon after co-creating Shang-Chi
Welcome to Comic Book Legends Revealed! This is the eight hundred and seventieth installment where we examine three comic book legends and determine whether they are true or false. As usual, there will be three posts, one for each of the three legends. Click here for the first legend in this installment.
NOTE: If my Twitter page hits 5,000 followers, I'll do a bonus edition of Comic Book Legends Revealed that week. Great deal, right? So go follow my Twitter page, Brian_Cronin!
Jim Starlin quit Master of Kung Fu because he finally read a Fu Manchu novel and was disgusted by it.
I'm Going With a True
In case you're unfamiliar with the character (outside the distinctive facial hairstyle that the film version of the character inspired), Fu Manchu is an Asian villain who appeared as the villain in a series of adventure novels by British novelist Sax Rohmer that began in 1913. Fu Manchu was the epitome of the idea of "Yellow Peril," which is when writers turn Asian villains into some sort of exotic boogey man. Here is how Rohmer described Fu Manchu in one of the books, "Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, … one giant intellect, with all the resources of science past and present … Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the Yellow Peril incarnate in one man." Fu Manchu is essentially one of the world's earliest supervillains.
In the 1970s, Steve Englehart and Jim Starlin had pitched a new character to tie in with the martial arts craze that was spreading through popular culture at the time. The hero of the book would be Shang-Chi. Marvel Editor-in-Chief, Roy Thomas, however, then insisted Fu Manchu be part of the series and so Shang-Chi became the SON of Fu Manchu who is trained as the world's greatest assassin by his father, but then splits from his father to become a hero instead…
Shang-Chi was inspired by the TV series, Kung Fu, which Starlin ADORED and he got Steve Englehart into, as well (Starlin, though, was way more into the series).
Roy Thomas had heard from some DC writers that he knew that they had gone to DC head Carmine Infantino and asked if they could license Kung Fu for a comic book series, since Kung Fu was a Warner Bros. production. Infantino had no interest in doing so. When they allegedly retorted that it would be a good idea because otherwise, Marvel might get the license themselves, Infantino supposedly came back with "Don't worry, if Marvel does Kung Fu, we'll do Fu Manchu." Now, the important thing is not whether that conversation actually happened (although I'd love to know if it actually happened) but that Roy Thomas heard that it happened and it amused him enough that when Starlin and Englehart then effectively pitched him the same thing as the DC writers had pitched Infantino (although without licensing the TV show itself), he thought it would be great if he took away Infantino's back-up. So he told Starlin and Englehart that they had to work Fu Manchu into the comic and then Thomas asked Stan Lee to license Fu Manchu from the Sax Rohmer estate (it wasn't a hot license at the time, so they got it relatively cheap). Thomas was certainly aware of Fu Manchu, as well, so it wasn't like he was doing it STRICTLY as a joke, but that was sort of the driving aspect of it all.
So Starlin and Englehart dutifully worked Fu Manchu into their new character's story and did a couple of issues of this new character, and things were going well. However, a new Marvel creator at the time was Larry Hama, who was doing some early artwork for another then-new martial arts character at Marvel that Roy Thomas and Gil Kane had created called Iron Fist. Starlin and Hama were friend, and Starlin explained last year, "Only after I got done with the first issue, did Larry Hama, a friend of mine, say, 'Have you ever read one of these books?' And he gave me one the next day, and I was going, ehhh, jeez, it's kinda embarrassing."
You can tell that Starlin was unfamiliar with the books, because he actually killed off a character that he wasn't supposed to, as I noted in an old Comic Book Legends Revealed. So it is very believable that Starlin legit had never read one of the novels before he started working on Shang Chi (since the book was done Marvel Method style, Starlin was in control of what happened in the story, so Englehart had to just go with what Starlin had done when he later scripted the story).
So Starlin explained last year, "Over the following week, while I was working on the second issue [of Shang-Chi], I read it. I was horrified by these… yellow peril books. These are not politically correct whatsoever. Anybody who's not white is villainous in these things. Quite frankly, I was horrified. That's why I ditched Shang-Chi after only three issues and went back fully to Captain Marvel. I was kind of embarrassed by it. We'd started with good intentions, and by the time I was in the middle of the second issue I was sort of like 'I want to get out of here.' That's why I only did a few issues of it."
Thanks to Jim Starlin, Popcorn Talk and CBR's own Brandon Zachary for doing an article on the interview last year for the information!
In the latest Movie Legends Revealed – Discover the crazy original ending of Bill & Ted's Bogus Journey!
Check back soon for part 3 of this installment's legends!
Feel free to send suggestions for future comic legends to me at either [email protected] or [email protected]
CBR Senior Writer Brian Cronin has been writing professionally about comic books for over fifteen years now at CBR (primarily with his “Comics Should Be Good” series of columns, including Comic Book Legends Revealed). He has written two books about comics for Penguin-Random House – Was Superman a Spy? And Other Comic Book Legends Revealed and Why Does Batman Carry Shark Repellent? And Other Amazing Comic Book Trivia! and one book, 100 Things X-Men Fans Should Know & Do Before They Die, from Triumph Books. His writing has been featured at ESPN.com, the Los Angeles Times, About.com, the Huffington Post and Gizmodo. He features legends about entertainment and sports at his website, Legends Revealed and other pop culture features at Pop Culture References. Follow him on Twitter at @Brian_Cronin and feel free to e-mail him suggestions for stories about comic books that you’d like to see featured at [email protected]!
Subscribe to the CBR newsletter for exclusive comics, TV & movie news, reviews, interviews & much more!
Why Jim Starlin Quit Master of Kung-Fu Soon After Co-Creating Shang-Chi – CBR – Comic Book Resources
BOO! Seattle once again brings magic and mayhem to Halloween weekend – Dance Music Northwest
Subscribe
Seven Lions sets date for release of long-awaited debut album ‘Beyond The Veil’
Kai Wachi releases heavy yet heartfelt EP ‘Skins’
Scumz begins Titans tour at Stage Seattle
Seattle’s Faraday brings cutting-edge production across the PNW (Local Spotlight)
All the 2022 EDM artist Grammy nominations
ANKORS to get new funds as harm reduction movement continues to build momentum in British Columbia
Shambhala Music Festival announces 2023 ticket release date
GRiZ launches brand new harm reduction-centric Harmony Project
Police no longer believe man arrested at Bass Canyon intended to conduct mass shooting
King County declares July 29, 2022 ‘ODESZA Day’ ahead of trio of shows at Climate Pledge Arena
A conversation with Erica Opsvig & Sean Fischer, up-and-coming creators of Seattle’s Duck Brunch and Plamphaus
Review: The Midnight dazzles the Paramount with their Change Your Heart Tour
DMNW’s complete BOO! Seattle 2022 artist guide
A decade later, Swedish House Mafia plays the show of a lifetime in Seattle
Trio of Pacific Northwest artists set to take the stage at Lost Lands 2022
Tips for keeping yourself safe from theft at music festivals
MDLBeast, a music collective in Saudi Arabia, is uplifting EDM culture in the Middle East
Grooving for Good mental health nonprofit initiative kicks off at UW
An important conversation about hearing loss
Beat the cold in line for shows this winter with these helpful tips
Looking back on a decade to remember with the Pacific Northwest’s own ODESZA
DMNW Spotlight: Mahalo Promotions coming back strong after the return of live music
Music Rights 101: What you need to know about licensing your music rights to a label
C89.5 celebrates 50 years as Seattle’s unstoppable home for dance
The Dance Music Northwest team picks their favorite albums of 2021
A conversation with Erica Opsvig & Sean Fischer, up-and-coming creators of Seattle’s Duck Brunch and Plamphaus
DMNW sits down with talented turntablist DJ Mixxtress
‘My personal escape’: EL1AX on how his new track ‘Sculpture Park’ captures PNW beauty
Get to know LA-based DJ and producer CHYL, Seattle’s CID Block Party headliner
‘It’s been a wild ride’: Kraken, Storm’s DJ Trunks on his journey to the bright lights of Climate Pledge Arena
These Washington music production programs can help take your career to the next level
DMNW Interview: Anjunadeep’s Enamour talks music gear and production before Ora show
Apple Music launches Dolby Atmos-powered ‘Spatial Audio’ along with lossless tier
Antelope Audio launches Zen Q Synergy Core 14 x 10 bus-powered portable audio interface
Black Lion Audio announces Revolution 2×2 audio interface
Reviews
Reviews
Reviews
Reviews
Reviews
By
on
Pacific Northwest dance music fans celebrated in true festival style this past Halloween weekend as the second annual BOO! Festival took place at WaMu Theater in Seattle October 28 & 29. It was a sold-out event with patrons coming in from all areas to be trick-or-treated to multiple stages, top-tier artists, carnival rides, art installations, and more.
There was no end of amazing things to see lurking in every corner in addition to a plethora of actors in spectacular costumes. It was truly a sight to behold as we entered the venue and got to see first hand the fantastic work from Insomniac and the excitement from the crowd.
Attendees had multiple stages to choose from over the weekend at Boo!, all of which were well equipped to bring the noise and entertain the masses for this sold out event.
Photo Courtesy of: Insomniac Events
House of Haunts
The overall mainstage presence for this event was astounding, and Insomniac certainly came to play! With multiple screens and more lasers than we could even imagine, House of Haunts had heart-pounding bass that made us move all night long. The massive screen and lighting configuration left endless viewpoints and a refreshing never before seen take on WAMU’s stage setup.
Groove Graveyard
Situated along the side space of the venue, the Groove Graveyard lent itself well to some top-tier artists and some super-spooky graphics! The tombstone shaped screens and decorations really helped this stage live up to the name. We couldn’t help ourselves to the groovy beats of Benni Bennasi, Vintage Culture, Jauz, Kendoll, and Marten Horger just to name a few.
Den of Darkness
Don’t let this “garage stage” fool you. It was dark, eerie, and full of thumping bass. Just what we needed to get down to the likes of Netsky, Rusko, Jessica Audiffred, and more. The key placements of speakers and screens throughout the garage kept the music and entertainment quality high while giving us plenty of room to headbang and mosh to our favorite heavy bass artists.
Silent Disco Secret Stage
Tucked away in a secret corner lived a small silent disco stage that housed some amazing local talent. Crawl under the spider web tunnel, and you’ll be led into the space with your headphones and some super funky tunes. It was a perfect escape from the crowds. We got to see a bunch of local favorites jam out to a variety of different music.
Photo by Orhun Uygur I www.turkphotos.com
Sullivan King
Who other than the scream-king himself to come dressed as the Joker and put on what we’d like to consider as one of the best sets of the entire weekend. Everyone was in pure shock and amazement as he took the stage with notably some of the most wicked visuals we’ve seen. Everyone was head-banging to songs like his Ray Volpe remix of Lasers, and Dark Love.
Best part of the set? Seeing this man get up and shred guitar like none other on top of the decks while lasers and fire are blasting out of the stage. No words!
Tiesto
This tried-and-true artist never disappoints when it comes to playing a banger set with all the classics. While we were a bit sad Adagio was never played, Tiesto came out swinging with the heavy hitters like Let’s Get Down to Business, Boom, and even a remix of Swedish House Mafia’s (Calling) Lose My Mind. There wasn’t a single person that wasn’t dancing along; plus the visuals and lasers were insane!
Rezz
This was a very special set performed by everyone’s favorite space mom. The first half of her setlist was a new batch of released and unreleased music. The other half however was Nightmare on Rezz Street, an annual mix of Rezz’s spookiest and most experimental unreleased tracks. She truly brought the weekend to a spectacular end with the scariest tunes and most hypnotizing melodies out there.
With two full days of amazing sets, theatrics, and fun activities, there was no shortage of excitement for all attendees. Everything Insomniac put together was top-tier production. All in all we can certainly say that BOO! came back bigger and even better this year; we can’t wait for next Halloween!
Dance Music NW will notify you when there is breaking news in the Pacific Northwest nightlife industry.
Your email address will not be published.
DMNW’s complete BOO! Seattle 2022 artist guide
DMNW Review: Insomniac takes Seattle on a Day Trip
Insomniac brings Boo! back to Seattle’s WaMu Theater this October
Going down the rabbit hole at Beyond Wonderland at The Gorge (DMNW Review)
Dance Music NW will notify you when there is breaking news in the Pacific Northwest nightlife industry.
Founded in 2013. © 2021 Dance Music Northwest, LLC.
Dance Music NW will notify you when there is breaking news in the Pacific Northwest nightlife industry.
Bronx Affordable Community Opens Doors – Multi-Housing News
A 277-unit, fully affordable community dubbed 425 Grand Concourse has officially opened its doors in The Bronx. The 26-story building features 310,000 square feet of mixed-use and mixed-income housing space. Co-developers Trinity Financial and MBD Community Housing Corp., together with Monadnock Construction and Dattner Architects, completed the $178 million project that is also the largest passive house in North America.
“425 Grand Concourse provides visually stunning green spaces and much-needed affordable housing, healthcare, food, cultural programming space and other on-site resources that will reinvigorate this historic community,” Thomas Brown, vice president of development at Trinity Financial, told Multi-Housing News. “We thank our co-developer MBD Community Housing Corp., and our partners at the City of New York for working alongside us to bring this project to fruition.”
The Grand Concourse community took shape on a parcel formerly occupied by P.S. 31, a Bronx institution originally built in 1899. The building fell into extreme disrepair and was closed in 1997. Only in 2015, New York City issued a request for proposals to redevelop the property as affordable housing and selected the Trinity Financial/MBD partnership for this undertaking.
READ ALSO: Why Affordable Housing Production Lags Demand
The newly completed 425 Grand Concourse caters to tenants earning from less than 30 to 130 percent of the area median income. The building encompasses a mix of studio, one-, two-, three-bedrooms units ranging between 378 and 984 square feet, including apartments targeted for previously homeless individuals. Common-area amenities feature a fitness center, working spaces, a resident lounge and meeting room, a skyview terrace and laundry facilities.
The property also includes a 29,000-square-foot educational facility for Hostos Community College’s branch of the CUNY Accelerated Study in Associate Programs (ASAP) program. A 1,200-square-foot space on the ground floor will act as a cultural center, while a supermarket will provide fresh and affordable produce and groceries. In addition, Damian Family Care Centers will operate the on-site Mott Haven Family Health Center, providing the community long-term primary care and dental services with no insurance requirement.
The Phius-certified passive house consumes up to 70 percent less energy than a conventional housing project. The building achieves efficiency at minimal added cost through electrification, enhanced thermal integrity of the exterior envelope and energy recovery measures through balanced ventilation, and heating and cooling systems.
Situated near Interstate 87, the community has numerous retail and green spaces, dining options and entertainment venues nearby, as well as several public transportation options. The location is less than 3 miles from another Bronx affordable housing development that will add 326 units to the borough’s inventory.
TD Bank served as both the Low-Income Housing Tax Credit and the conventional non-LIHTC equity investor. The tax credits were allocated by The New York City Department of Housing Preservation and Development (HPD) and Redstone Equity Partners syndicated them. JPMorgan Chase participated as construction lender, while The New York City Housing Development Corp. (HDC) issued the tax-exempt bonds. Both HPD and HDC provided subsidies.
The project was supported by The Bronx Borough President’s Office and the New York City Council with RESO A funds. NYSERDA provided nearly $214,000 in funding through its Multifamily New Construction Program, while $750,000 were awarded through the Buildings of Excellence Competition.
The latest multifamily news, delivered every morning.
Like what you’re reading? Subscribe for free. Subscribe
© 2022 – Multi-Housing News Online
Music producer buys flipped oceanfront Jupiter home for $15M – The Real Deal
For full functionality of this site it is necessary to enable JavaScript. Please Allow Javascript and reload this page.
22 Ocean Drive, Jupiter and German music producer Dirk Ulrich (Google Maps, Plugin Alliance)
A German music producer and his wife bought an oceanfront home in Jupiter for $15 million, their third acquisition in the area.
Records show Dirk and Marina Ulrich bought the house at 22 Ocean Drive from Robert Weed and his wife, Maria De Los Angeles Lopez.
Dirk Ulrich is a German-born music producer who has worked with the likes of Toto and Michael Jackson. He is also president and CEO of two companies, Germany-based production firm Brainworx and California-based Plugin Alliance.
Rob Thomson of Waterfront Properties & Club Communities represented the buyers, and Andrew Russo of Illustrated Properties had the listing.
Weed and Lopez bought the nearly 0.5-acre oceanfront home for $12.6 million in January, and flipped it for a $2.4 million profit in 10 months, records show.
The 6,200-square-foot, five-bedroom, five-full-bathroom house was built in 2011, according to records. It has an elevator and a newly renovated kitchen, the listing shows.
Coronado, Calif.-based Weed and Lopez own three other homes in Palm Beach County, totaling $10.2 million in residential real estate investments, records show. They also bought two boat slips in local marinas for a combined $490,000.
Records show the Ulrichs also own two other properties in Palm Beach County, including the home at 708 Ocean Drive in Juno Beach, which they bought for $8 million in March. With the addition of their waterfront home at 386 Eagle Drive in Jupiter, their local portfolio now totals $26.9 million in purchases over the last two years.
Property values in Jupiter and the rest of northern Palm Beach County have been on the rise since the pandemic, spurred by an influx of buyers from the Northeast and West Coast of the U.S.. After reaching a fever pitch last winter, the market has cooled, but pricing remains strong.
PGA champion Justin Thomas bought a waterfront spec mansion in the area for $13.5 million this month. Frank Seminara, a retired pitcher for the Padres and Mets, sold his waterfront Jupiter home for just under $10.9 million, moving to a waterfront Palm Beach Gardens house he bought for $5.8 million in October.
All rights reserved © 2022 The Real Deal is a registered Trademark of Korangy Publishing Inc.
The Deal’s newsletters give you the latest scoops, fresh headlines, marketing data, and things to know within the industry.
By clicking Subscribe you agree to our Privacy Policy.
Round-up top news and topics for each of the following cities
Select the newsletter you’d like to receive below
Select the newsletter you’d like to receive below
Select the newsletter you’d like to receive below
Ebb & “Flow 2” With MC David J`s Most Recent Drop – EDM Sauce
Hi, what are you looking for?
Kim Sane Doesn’t Miss a Beat!
How To Become a Club Promoter
How Did Aaron Carter Die? Singer Dead at 34
How to Become a Tour Photographer
How To Become a Music Publicist
Ebb & “Flow 2” With MC David J`s Most Recent Drop
Raymond Revel Drops Positive Retro Record “Take a Break”
Ty Shaja Renee Unleashes Her Inner Hot Girl Swag With Upcoming Album “Goat Status”
Hiddenhillsforever Gives Us Meaningful R&B Record, ‘Westwood Village’
Artist ProdigysPicks Shares His Story Through His Music
New Music
New Music
New Music
New Music
New Music Sponsored Up and Coming
New Music
New Music
New Music
New Music
Album Release New Music
By
Published
In the music world, there are some artists who are content to follow the status quo and rely on others to create their sound. And then there are those who blaze their own trail and forge their own path. The latter is certainly true of up-and-coming artist MC David J. Not only is he a talented rapper and multi-
While MC David J may be relatively new to the scene, he is already making waves with his exclusive sound. His music combines elements of pop, hip-hop, and Jazz, creating a sound that is both fresh and exciting. And with his impressive flow and undeniable charisma, this artist is sure to capture the attention of listeners around the world.
At the delicate age of 7, David’s passion for music was intensified when he started to learn to play instruments such as the piano, guitar, trumpet, and the drum machine. His first exposure to Hip Hop was when he watched his father break dancing to artists such as Melle Mel, Sugar Hill Gang and Run DMC. This would be the spark for him at only 10 years old to start writing his first rhymes. When he discovered artists such as Dr. Dre, The Roots, The Notorious B.I.G, Eazy-E and Slick Rick this would only add more fuel to the fire burning inside of him. From the age of 16 David would begin making his very own home studio after receiving his first drum machine from his grandfather, then adding recording software, electric keyboards, and a microphone to the collection. This would be just the beginning of his musical voyage.
On his latest release, “Flow 2”, MC David Jdemonstrates his versatility as an artist, with a sound that is at once both fresh and familiar. The hypnotic, enchanting background vocals are set against a backdrop of fuzzed-out atmospheric synths and a bass-heavy groove, providing the perfect foundation for J’s lyrical flow. With this release, J is poised to take the hip hop world by storm. His unique style and approach to music have already won him a loyal following, and “Flow 2” is sure to garner even more fans. With its catchy hook and infectious beat, the single is sure to get stuck in your head – in the best way possible.
https://open.spotify.com/
What is going on dance music nation? We are so happy to bring you only the BEST in up and coming music, and today…
Copyright © EDM Sauce
EDM Sauce is reader-supported. We may earn a commission through products purchased using links on this page. Learn more about our process here.
5 Band Dynamic EQ Plug-In – Sonic State
MIA Laboratories tells us that, after many months of development, they have released their latest product, the 590 Dynamic EQ. A spokesperson described it as “Another fine addition to their expanding line of software products based on the premium audio hardware found in world class recording studios.”
It is now available from the MIA Laboratories website and through Plugivery’s network of Pro Audio resellers worldwide. Here’s the official details…
The 590 is a 5 band Dynamic EQ, offering dynamic equalization under MIA Laboratories’ envelope detector, based on the analogue envelope detector circuit. It features parallel band compression or expansion under double precision processing and can be operated in x4 oversampling. “Color” and “Distortion” can be applied to each band, delivering a characteristic analogue feel through Tube or Class-A – flavoured equalization and a fine-tuned Triode distortion algorithm.
Compression/Expansion :
Each band of the 590 can be operated in compression or expansion mode, with attack and release times reaching up to 200 ms and 2.000 ms, respectively. Under the hood, MIA’s custom envelope detector, used in 925 and 409 compressors, utilises the classic feed-back topology, resulting in smoother and more “controllable” dynamic response. The user is able to select between more subtle or aggressive dynamic response, by switching between “Slope” and “Ratio” modes.
Color :
The “Color” knob, coming from the Musiqual EQ Series, applies a specific set of filters to enhance the harmonic and subharmonic frequencies, related to the selected main frequency. This creates a more natural and musical result, often accompanied by a profound change in timbre.
Bands 1 and 2 utilise Musiqual Red, emulating the “slower” Tube pre-amps, which tend to push sounds back – in terms of perceived depth of field. Bands 3 to 5 utilise Musiqual Blue, inspired by the “fast” Class A pre-amps, which tend to bring sounds forward. This allows for easier separation between lower (tube) and higher (class A) bands.
Distortion :
Another intrinsic characteristic of analog gear is the harmonic distortion, a “defect” that the musical industry eventually embraced over the years, rendering it essential to the sound that we are used to. “Distortion” knob emulates the corresponding harmonic distortion introduced by a Triode vacuum Tube amp when driven “hot”. The user has control over the amount of distortion applied to the signal – without the need of additional gain stages, easily achieving the characteristic analog feel.
Extra Features :
Using the top bar, the user can navigate through presets, undo and redo actions with a click, as well as compare different configurations using the A/B feature. 590 comes with a number of MIA Presets, while it also offers the ability to create custom presets, accessible through the dropdown menu from all instances of the plugin.
Features:
• Detection based on the analogue envelope detector circuit
• Tube & Class A Colour, Triode Distortion
• Double precision processing with x4 Oversampling
• MIA Presets
Pricing and Availability:
Introductory Promo $49 through, January 15th, 2023 (List price: $129)
More information:
F9 Audio co founder
From recent Brighton gig
More Feedback Machine is insane
On playing live, his evolving studio setup, and creative dream states
Copyright Sonic State Ltd © 1995-2022. All rights reserved.
Reproduction in whole or in part in any form or medium without express written permission from Sonic State is prohibited.
Hey there, we use Cookies to customize your experience on Sonicstate.com
Cambridge Markets EQ, Sydney – Concrete Playground Sydney
Make Concrete Playground yours with My Playground. Save and share your favourite picks and make plans to go out with friends. Registration is fast and free.
Make Concrete Playground yours with My Playground. Save and share your favourite picks and make plans to go out with friends. Registration is fast and free.
Make Concrete Playground yours with My Playground. Save and share your favourite picks and make plans to go out with friends. Registration is fast and free.
Make Concrete Playground yours with My Playground. Save and share your favourite picks and make plans to go out with friends. Registration is fast and free.
in partnership with
2022 marks a big milestone for an unsung Sydney cultural pillar, one you might not be aware of. As of October, the Entertainment Quarter markets are celebrating 21 years of connecting Sydneysiders with fresh produce and artisanal products from all around Australia and the world.
Since starting out in 2001, it joined the Cambridge Markets family in 2017, expanding into the far-reaching network of regional markets (that set up shop in practically every corner of Sydney). However, its roots remain firmly in the Entertainment Quarter.
After 21 years, most Sydney residents have likely wandered the stalls at least once, whether they knew the name of the market or not. It’s a memorable experience to see the empty showground transformed with the sights, sounds and smells from 100+ stalls.
The Entertainment Quarter was organised with an activity-first approach, but the markets bring depth to the usual range of Hoyts, Strike Bowling and al fresco pub dining. Current vendors include Mayfarm Flowers (which brings buckets of flowers directly from its local farm), Vegie King, Prickle Hill Produce and Organic Bread Bar. Choose a delicious lunch option from an array of international options — like Spanish from Mojo Picon, Vietnamese from Pho Bay, Israeli from Food Theatre and Ottoman Turkish Gozleme. Or, stick to old favourite Two Duck Trading Co. with its French provisions, baskets and striped tees.
Beyond the food, you can also browse a beautiful natural range of handmade body washes, creams and candles from Verve Candles, and get a jump-start on silly season planning by stopping by Wrappsody and stocking up on premium wrapping paper, cards, ribbons and Christmas bonbons and decorations.
The lineup of stalls shifts week to week, changing with the seasons and reflecting growing conditions.
If you prefer your shopping to focus on sustainable products, made authentically by original vendors, plan a trip to Moore Park for the Cambridge Markets EQ. The markets are open from 8am–2pm, every Wednesday and Saturday. Visit the website for more information.
NO ADDRESS FOUND
Alabama's Jeff Cook Dead At 73 – Stereogum
The Number Ones
We’ve Got A File On You
Album Of The Week
10 Best Songs
Kristen Van Zant
Kristen Van Zant
Jeff Cook, a co-founding member of the country band Alabama, has died. The news was confirmed by the band’s official social-media accounts on Tuesday, noting that the guitarist had “passed away peacefully yesterday, November 7, with his family and close friends by his side at his beach home in Destin, Florida.” He was 73. Cook was diagnosed with Parkinson’s disease in 2012, and he publicly disclosed his diagnosis in 2017.
Hotboxx Shares Some Tips And Music Production Advice – EDMTunes
Hotboxx is a DJ and music producer based in Miami with more than 10 years of experience under his belt, during this time, he has garnered the attention and support of the biggest names in the Electronic music world, getting the opportunity to play alongside acts like Fred Everything and Trick Daddy, as well as perform at Miami’s most popular venues like Treehouse, LMNT and Racket. His experience and unmatched talent are displayed with every fresh release he puts out. While he keeps working in the upcoming releases scheduled for the near future, we asked him to share some of his insights as a music producer as well as give some advice to those starting out their music production journey, here’s what he said.
Hello Hotboxx how are you?
I’m doing well, thank you.
What would you say is the best set of gear to get for setting up a home studio?
Personally, I keep my studio somewhat simple but it is enough for me. I have a Maschine
MK3 and a fully weighted keyboard. To me, that is more than enough and really lets me master the few pieces of gear I have.
Which DAW would you recommend to someone starting out?
I started with Reason but now, I use logic or Ableton. Although I loved certain things about Reason, to me, Logic and Ableton are a bit more user friendly, practical and seem to accomplish similar things with less effort. So, I would recommend Logic or Ableton especially for those looking to produce electronic music.
Do you use samples? How do you think anyone can make the most out of a sample?
I do, but I don’t like to use them because most of the time I try to manipulate the sample either by chopping it up, transposing the pitch, or changing the BPM. I would recommend doing same so that you can use a common sample but you make it unique to you and your production.
Which plugins or effects are your favorites?
I use many of the stock plugins within my DAW but I also use Kontakt, Maschine, Arcade, and Loop cloud. I try not to over complicate things but there are so many good plugins out there it’s tough not to use some, it definitely helps push projects to the next level.
Which part of a track do you like starting with first?
For the initial loop, I like to start with either the bass or a synth or keys melody, but this depends on the kind of vibe I am going for.
To elaborate, if it is a track that I want to try and make more upbeat, to play at a high energy club, something more driving, I tend to start with bass and percussion. On the other hand, if I want to make something more melodic or groovy, I tend to begin with a synth or keys of some kind.
Do you have a book or video recommendation for a beginner music producer?
Not really a book, or video in particular but, I would definitely say YouTube is amazing and can basically teach you anything you need to know to get started. I used YouTube tutorials many times and most have been extremely helpful and have helped me develop as a producer.
What piece of advice would you say is important to remember when producing music?
Keep it simple. Don’t try to overcomplicate the track and give your ear breaks every hour or two to make sure your ears are fresh and you don’t add unnecessary layers just because your ear got too used to the loop.
What would you say is a good thing to do or element to add in a track to make it perfect for a live performance?
I wouldn’t say necessarily an element, because every track is different. But I would definitely say the mix and master are crucial, so make sure before playing a track at any event that there is at least a decent mix and master so it sounds good in reference to another track that you may be mixing in.
How do you keep yourself inspired?
Working with other artists is huge for me to keep me involved and inspired, going to shows and seeing some of the producers I look up to perform really is inspiring, and helps me gather fresh ideas for my projects.
Hotboxx Online
CCM's Opera Series presents Poulenc's harrowing 'Dialogues of the Carmelites' – University of Cincinnati
Story by CCM Graduate Student Lucy Evans
The UC College-Conservatory of Music opens its 2022-23 Opera Series with Francis Poulenc’s 1953 masterpiece, Dialogues of the Carmelites. One of the most revered operas of the 20th-century, this profound drama runs November 18-20 in CCM’s Corbett Auditorium. Guest artist Christopher Larkin conducts with stage direction by CCM Professor Robin Guarino. Tickets are on sale now through the CCM Box Office.
Based on the true story of the Martyrs of Compiègne, the opera follows the fictional aristocrat Blanche de la Force as she seeks refuge and purpose in a Carmelite convent during the French Revolution. However, the political tumult outside the cloistered community proves unavoidable, and Blanche and the other Carmelites are forced to grapple with their faith in the face of persecution and death.
The libretto, adapted from a play by Georges Bernanos, is structured in a series of 12 scenes. Rather than following a traditional sequence of arias and ensembles, the characters converse with one another in melodies and rhythms which are at once lyrical and speech-like. This approach highlights the hauntingly beautiful choral sections, in which the voices of the convent evoke religious hymns and chants.
Though framed within a highly dramatic scenario, the music and libretto work together to tell the harrowing story in a deeply human way. Within Poulenc’s distinct musical language, the characters wrestle with complex psychological and philosophical ideas: faith, duty, grace, and ultimately, martyrdom.
Dialogues of the Carmelites’ estimated runtime is three hours and 6 minutes with an intermission. The opera will be sung in French with English supertitles.
Tickets for Dialogues of the Carmelites can be purchased online through CCM’s box office, over the phone at 513-556-4183 or in person at the CCM Box Office in the atrium of UC’s Corbett Center for the Performing Arts.
Music and Libretto by Frances Poulenc
Libretto by Emmet Lavery
* Thursday/Saturday Performances
^ Friday Performance
Corbett Auditorium, CCM Village
University of Cincinnati
Tickets are $35.50-$39.50; student and group discounts available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online.
Learn about additional ticket options for current CCM students.
CCM is located on the campus of the University of Cincinnati. For detailed driving directions, visit ccm.uc.edu/directions.
Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus.
CCM OnStage patrons can add pre-paid parking to their checkout carts when purchasing tickets. Pre-paid parking is date/performance specific. CCM Garage parking rates for a performance or special event is usually available for $10-15. Learn more about parking at UC’s CCM Garage.
For additional information on parking at UC, please visit uc.edu/about/parking.
CCM Graduate Assistant, Marketing + Communications
[email protected]
Lucy Evans is a master’s student studying Vocal Performance at CCM. She is a graduate of Northwestern University’s Bienen School of Music, and was recently an Apprentice Artist with the Santa Fe Opera.
A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, visit ccm.uc.edu/onstage.
Featured image at the top: A promotional image for CCM’s production of Dialogues of the Carmelites.
Rebecca Butts | Assistant Public Information Officer | UC College-Conservatory of Music
[email protected] | 513-556-2675
August 12, 2022
Audiences are invited to return to the University of Cincinnati College-Conservatory of Music’s (CCM) concert halls and theaters to experience world-class performances and presentations by the next generation of performing and media artists! The college’s fall 2022 schedule of free and ticketed events is now available. Tickets go on sale beginning on Monday, Aug. 22, through the CCM Box Office website.
January 1, 2019
CCM's spring lineup includes theatre and dance productions, orchestral, choral, piano, jazz and winds performances and much more! CCM’s performance series runs Jan. 14 through May 12, 2019.
January 6, 2020
Spring's CCMONSTAGE events range from choral and winds concerts to theatre arts productions and more
University of Cincinnati
2600 Clifton Ave.
Cincinnati, OH 45220
513-556-0000
UC Tools
About Us
University of Cincinnati | 2600 Clifton Ave. | Cincinnati, OH 45221 | ph: 513-556-6000
Alerts | Clery and HEOA Notice | Notice of Non-Discrimination | eAccessibility Concern | Privacy Statement | Free Speech | Copyright Information
© 2020 University of Cincinnati
University of Cincinnati
2600 Clifton Ave.
Cincinnati, OH 45220
513-556-0000
© 2020 University of Cincinnati
Metal, Maria & ‘The Sound of Music’ for Surrey’s Chelsea Rose, who blossoms on many stages – Cloverdale Reporter
Chelsea Rose stars as Maria in the Arts Club Theatre Company’s 2022 production of “The Sound of Music,” at Stanley Industrial Alliance Stage in Vancouver starting Nov. 10. (Submitted photo: Emily Cooper)
Newton-raised performer stars on Arts Club’s Stanley stage, sings with metal band Ophelia Falling
From community theatre productions in Surrey to a big stage in Vancouver, Chelsea Rose has taken steps toward stardom over the past two decades.
The Newton-raised actor/singer stars as Maria in “The Sound of Music,” an Arts Club Theatre Production set to fill Vancouver’s storied Stanley Industrial Alliance Stage with familiar Rodgers & Hammerstein songs for a fall run.
Rose got her start doing shows in Surrey with Fraser Valley Gilbert & Sullivan Society (now Fraser Valley Musical Theatre), and also acted, sang and danced at Sullivan Heights Secondary years ago.
“I was about 12 or 13 years old when my dad (Tim Tucker) saw an audition posting in either the Now or The Leader, one of the papers, for the Fraser Valley Gilbert and Sullvan Society’s production of ‘The Pajama Game,’” Rose recalled.
That was back in 2001.
“He suggested we both audition, and we both got into the ensemble,” Rose added. “It was absolute blast, I loved it, and I knew that was something I had to continue doing. So I continued doing shows with them, and my dad as well, and he’s still the musical director there.”
This fall, Tucker helps bring Fraser Valley’s musical panto “Sleeping Beauty” to the stage at Surrey Arts Centre (Nov. 23 to Dec. 4), while daughter Chelsea keeps very, very busy with “The Sound of Music” in Vancouver, from Nov. 10 to Dec. 24.
The musical is legendary, of course. In pre-Second World War Austria, Maria teaches and cares for the seven von Trapp children before eventually falling in love with their widowed father, Captain von Trapp (Damien Atkins). Many iconic songs are sung, including “My Favorite Things,” “Do-Re-Mi,” “Climb Ev’ry Mountain,” “Edelweiss” and, of course, the title track.
For Rose, the role of Maria is a dream come true.
“I grew up with ‘The Sound of Music’ and remember the first time I saw the movie,” she recalled. “And Julie Andrews, if I ever had an icon or star, a hero of mine, it would be her. This role is one of those bucket-list kind of roles.”
It’s also a demanding one.
“There’s a lot going on,” Rose noted, “and every moment I’m offstage I’m changing and getting ready for the next scene, so there’s not much downtime for Maria.”
STORY CONTINUES BELOW VIDEO
In life, there’s not much downtime for Rose, who sings in the symphonic metal band Ophelia Falling when not acting on stage.
“We’ve been together since 2017, so five years-ish,” she reported. “It’s something I love to do, and the goal of the band is world domination, according to my guitar player,” she said with a laugh.
“It’s very difficult, actually, to split my time and my passion between theatre and acting and the band,” Rose continued. “I sometimes feel iike I have a split personality. I’ll be playing a big metal gig at the Rickshaw Theatre until one in the morning, then the next morning I’m doing a children’s play, playing a sasquatch — yes, that actually happened,” she laughed.
Rose plays a sasquatch in Axis Theatre’s “Th’owxiya: The Hungry Feast Dish,” a “deliciously dark Kwantlen First Nations fable” that played Surrey Arts Centre’s Studio Theatre just prior to the pandemic, in February 2020.
”I’ve worked with Axis Theatre over the past six years doing a few projects, including that one,” Rose explained. “We filmed it and it’s gone on tour again, and this is the first year I’m not involved in it, with a new cast.”
As for Ophelia Falling, the band rehearses every Monday, even with Rose’s commitments to “The Sound of Music” production.
“It’s a lot, but we have a gig coming up called The Bowie Ball, a cancer fundraiser, and we’ll be doing four songs, I think,” Rose noted. “That’s January 7 at The Rickshaw.”
Last fall at the Stanley, Rose was among cast members in “Dolly Parton’s Smoky Mountain Christmas Carol,” and now returns to star in a large-cast production of “The Sound of Music,” directed by Ashlie Corcoran, who was born and raised in White Rock and is the artistic director of the Arts Club company.
It’s Corcoran’s second time directing the show, first staged by the Arts Club in the fall of 2019.
“This is one of the most beloved musicals of all time and one of my most favourite productions to work on,” Corcoran said. “I am thrilled that we will be once again celebrating the festive season with this piece and am so excited to be working with this extraordinary team.”
Show tickets start at $43 on artsclub.com, or call 604-687-1644.
Elsewhere, other Arts Club shows this month include “Mom’s The Word: Talkin’ Turkey” comedy at the Granville Island stage. At BMO Theatre Centre, the new “Me Love Bingo!: Best in Snow” sure sounds like a fun “immersive” show that spins “the ol’-timey game of luck into an unexpected journey filled with guest performances, silly prizes, and nuanced storytelling. Join your drag-clad host, Kyle Loven, and his pals for a reality-blurring experience of community and camp.”
CLICK HERE to read more stories about Chelsea Rose in the archives of surreynowleader.com.
CLICK HERE to read an interview with Rose about the band Ophelia Falling, on volatileweekly.com.
[email protected]
Like us on Facebook Follow us on Instagram and follow Tom on Twitter
Arts and EntertainmentLive musicLive theatre
Be Among The First To Know
Create a free account today, and start receiving free newsletters.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
A link has been emailed to you – check your inbox.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
A link has been emailed to you – check your inbox.
