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God of War's Santa Monica Studio 'Spread Out on a Lot of Different Things' – Push Square

God of War’s Santa Monica Studio ‘Spread Out on a Lot of Different Things’  Push Square
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Music Production 101: 15 Ideas to help you finish a project – hypebot.com

Stuck on a project? You know it needs something but you’re not sure what? Well, here are 15 different strategies to get you out of this rut and turn ideas into masterpieces…
by LANDR
Music production is a challenging process.
Whether you’re a seasoned pro or an emerging creator, you’re bound to encounter some roadblocks along the way.
The good news is that it’s normal—even if it’s no fun while it’s happening.
If you find yourself stuck or unable to move forward, you’re probably looking for some quick advice to get you back on track.
That’s why in this article I’m giving my top 15 general tips to help you get the most out of your workflow.
Let the music production tips begin!
It might seem simple, but it’s worth it to spend some time getting comfortable with your DAW.
Once you know its basic functions you’ll work faster and more fluidly with additional confidence.
There’s nothing worse than getting stopped in your tracks trying to figure out a standard function while your fresh ideas are slipping away.
The antidote? Take a few minutes every session to learn something new about your DAW’s workflow.
It could be as simple as looking up a few key commands, or as serious as taking on its comping workflow.
The key is to keep building your skills all the time!
Whether you’re a seasoned pro or an emerging creator, you’re bound to encounter some roadblocks along the way.
Hot tip: Want more creative advice and inspiring tips? Subscribe to the LANDR Newsletter to get our best posts in your inbox.
It’s important to take regular breaks to give your ears a rest during long sessions.
Once ear fatigue sets in, you’ll have difficulty making decisions on critical issues like mixing or audio editing.
The best way to fix it is to avoid it altogether. Make sure to break up long sessions with short breaks away from your speakers to let your ears recharge.
Headphones are especially prone to causing this effect, so take care when using them for long periods.
But the single most important rule? Turn it down.
Monitoring too loud is not only more fatiguing, it’s less accurate. Blasting your speakers drives their amplifiers closer to the limit, causing a change in response. It can even affect your listening environment in small spaces.
Keep it at a reasonable volume, and don’t stress your ears—they’re the only pair you’ve got!
Many producers express the common frustration that they can’t finish a track.
If you have plenty of ideas and few complete songs, you may be experiencing this issue as well.
While there are plenty of creative strategies that can help you breakthrough blocks, it’s important to set your sights on the goal.
Do your best to orient your process around the big picture, rather than obsessive details.
After all, it doesn’t have to be perfect, it just has to be done!
Try a songwriting challenge or just set yourself a goal without stressing over the quality of the results.
Doing so will hone your skills and help you grow.
You should always be on the lookout for new ways to improve as a producer.
Even if you have the basics down, learning continuously is important to keep your ideas fresh and your practice evolving.
Luckily, there are plenty of places to find inspiration and get caught up on new techniques.
Whether you prefer to learn from videos, tutorials or other producers, the most important thing is to keep your curiosity sharp.
Getting stuck in a rut is another common complaint, especially among producers who work in a single genre.
Do your best to orient your process around the big picture, rather than obsessive details.
If you find yourself going through the motions, do whatever you can to shake up your workflow.
That could mean trying a new genre, an unconventional technique or even a new instrument!
Plenty of notable figures swear by the benefits of “beginner’s mind” to unlock new creative insights.
Luckily, it’s easy enough to cultivate in music by simply trying something new.
Are you a guitarist? Try writing a song with synth.
Do you start every track with the drums? Try writing the chord progression first.
There are endless ways to shake up your production process, so don’t be afraid.
Once again, every piece of advice has another side to it.
In many situations in music production, the simplest solution is best.
Many of the best producers are known for their distinctive sound.
Consistency and the ability to reproduce results are considered valuable in any industry—music production is no different!
If you have presets, samples or techniques that just work, don’t be afraid to use them.
Eventually, your go-to methods will form your signature producer pallet.
In many situations in music production, the simplest solution is best.
Don’t be afraid to use loops, samples, pitch correction or other time saving measures if they help you stay focused and make headway.
In many cases, your listeners will never be able to tell you did something ‘the hard way’ even after you agonize over it in the studio.
Part of developing intuition as a producer is knowing when something is good enough.
If it truly is, you’re ready to move on!
The flipside of the previous tip is that sometimes, more effort does produce superior results.
Some processes like audio editing reward careful attention and stick out when done hastily.
Make sure you understand the situations where putting in the time is worth it. Then knuckle down!
Chances are the most time consuming tasks can be made shorter with practice and expertise—see tip number one!
It’s easy to get bogged down by fixating on what you could do—if only you had a particular piece of gear.
That mindset stops you from moving forward with what you can do in the moment.
Try to reframe it as discovering new possibilities with what you already have.
A good sound is a good sound, no matter where it came from.
The best producers understand their gear inside and out. They know how to squeeze the most performance out of even weak points in their studio.
Use what you have, and don’t sleep on the full potential of your equipment.
On the other hand, any artisan needs quality tools to do their work.
A good sound is a good sound, no matter where it came from.
Learn to recognize when your equipment is holding you back and do your best to put together a suite of tools that work.
That doesn’t mean you have to spend a lot—just make sure you have quality basics that get the job done.
Luckily for modern producers, capable production gear is pretty accessible in 2022.
As long as you have a serviceable audio interface, DAW and headphones, you’ll be able to make strides with your production skills!
The best way to avoid an aimless workflow is to go in with a plan.
What do you intend to accomplish in your session? Or on a more fundamental level, why did you choose that plugin? And how exactly do you plan to use it?
Knowing the answers to these questions will give you the confidence to move forward and make good decisions.
With the above tip in mind, nothing ever goes perfectly according to plan.
The best producers are generalists with the skills and mindset to make the most of any situation.
If the song calls for something out of the ordinary, you shouldn’t hesitate to embrace it.
That means knowing a little bit from all the disciplines in music.
Are your synth presets too boring? Basic synthesis technique lets you build your own.
How about trying to write a bassline? Maybe you’ll come up with something if you know how to improvise.
And of course, mixing your own music gives you the final say over its aesthetic presentation.
No one should be expected to learn everything about music production on their own.
Luckily for today’s producers there’s a treasure trove of educational material available online.
Whether you need DAW tutorials, beat making tips, gear guides or mixing help, chances are someone has covered the answer to your question already.
Take a look online and find some resources you can turn to when you need a helping hand
For example, you can always visit the LANDR Blog and subscribe to the LANDR Youtube channel!
On the flipside, there are plenty of voices out there with advice to give about music production.
While most of them offer compelling information, some are more valuable than others.
Treat every perspective with the assumption that no one is correct 100% of the time.
Some approaches may work for you and others may not.
Just don’t take anyone’s opinion as the settled truth on any subject in music.
Instead, see it as a direction to experiment and find out for yourself!

Production techniques are every producer’s bread and butter.
But understanding the deep structure of music itself can elevate your skills above the rest.
Understanding the deep structure of music itself can elevate your skills above the rest.
If you work primarily in the DAW, music theory might not seem relevant at first.
But anytime you deal with chords, progressions, melodies, structure or rhythm, there’s some underlying musical theory that can help you navigate them.
You’ll even find that knowing theory gives you access to new ideas!
It may feel discouraging when your creative flow isn’t as easy as it usually is.
But the important thing is to keep going. The tide will eventually change and you’ll be back in the driver’s seat of your own creativity.
Until then, use these 15 tips to help you make headway.
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Jeremy Hunt says he has not ‘ducked difficult decisions’ as OBR says living standards growth wiped out – as it happened – The Guardian

Jeremy Hunt says he has not ‘ducked difficult decisions’ as OBR says living standards growth wiped out – as it happened  The Guardian
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2021 a record breaker for kitchen injury claims – ACC – RNZ

There’s a lot of slicing and dicing going on in kitchens around the country and we’re not just talking about food preparation. ACC figures show last year was a record breaker – with the highest number of kitchen injury claims in five years. And it’s costing us millions.
Chef and restaurateur Martin Bosley is working with ACC on a safety campaign. And he knows what a minefield a kitchen can be.
Bosley said he had to have reconstructive surgery later in life after suffering severe burns on his torso while emptying fat from a deep fryer while he was still starting out in the industry. He has also cut off the tip of his finger while slicing bacon. He took the fingertip with him in a taxi to A&E and it was re-attached.  
ACC says kitchen injuries cost the country $78 million last year.
Injury prevention programme lead James Whitaker told Checkpoint the entity supports around 70,000 people to recover from kitchen-related injuries annually.
He said that number could be reduced if people just took the time to assess the risk before doing something. 
The injury toll was double the total number of injuries from some popular sports.
“Anything can be dangerous and if you don’t have your smarts about you you can get hurt doing anything but the data tells us there’s twice as many injuries in the kitchen than there are to people playing cricket, touch rugby, softball and tennis.”
Photo: 123RF
Common forms of injuries included burns and back strains after people slipped over in the kitchen, although people also injured other parts of the body when they fell. 
“Most of the injuries are sprains and strains because if you pick up something heavy and twist in a strange way or if you fall over you are going to get a pretty bad strain or sprain.” 
The millions of dollars paid out covered treatment, rehabilitation, transport and weekly compensation if required. “Whatever it takes to get them back on their feet.”  
Whitaker said people needed to slow down in the kitchen to stop themselves getting hurt and that way they could still do something they enjoyed, that is preparing food. 
“If you get injured it doesn’t just affect you, there’s heaps of flow-on effects – for family members, mates, workmates, everyone.”
He said while he had suffered a few minor cuts in the kitchen, he was relatively unscathed but people he knew had suffered some bad burns and in hindsight had seen how their ordeal could have been prevented.  
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Uber testing Audio Recording safety feature in Calgary – MobileSyrup

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Uber is bringing a new safety feature to Calgary.
Audio Recording allows riders and drivers to record audio during their trip. Uber will only be able to access the recording if the driver or rider reports an issue and shares the audio with the company.
Uber says privacy will be protected, and audio recordings are encrypted and stored on the device of the person making the recording.
Riders and drivers can start taping after the trip has begun. To access the feature, select the blue shield on the map to pull up the safety toolkit. Click ‘audio recording’ and give permission to the microphone. Select ‘start.’
While Calgary is the only Canadian city where the feature is currently available, Uber says it will roll out Audio Recording to the rest of the country in the new year.
Image credit: Uber
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South Florida dancers heading to Macy's Thanksgiving Day Parade – South Florida Sun Sentinel

Dancers from the ProAm Dance Studio in Pompano Beach will be performing at the Macy’s Thanksgiving Day Parade in front of thousands of spectators and a national television audience. They are, from left, Madeline Muñoz, Delaney Driscoll, Alexis Adams, Devyn Sherfield, Jesse Westfall, Camila Gomez de la Vega and Evie Breckenridge (graduating senior). (ProAmDance / Courtesy)
It will be a memorable occasion for some teen dancers who will be showcasing their skills at the Macy’s Thanksgiving Day parade in New York City. The dancers from ProAm Dance Studio of Pompano Beach and the Boca Dance Studios will participate in one of America’s favorite holiday traditions in which thousands of people line the streets in Manhattan with millions of viewers tuned into their televisions. The parade began in 1924 as the Macy’s Christmas Parade before the name change in 1927.
Every three years, the ProAm Dance Studio has sent a troupe of their dancers to perform at the iconic parade. This marks the seventh time the studio has participated. It is the third time for the Boca Dance Studio dancers. ProAm is sending seven dancers, while the Boca Dance Studio has 17 dancers going.
Boca Dance Studio dancers will be traveling with the ProAm Dance Studio dancers to New York City to perform at the Macy’s Thanksgiving Day Parade. (ProAmDance / Courtesy)
ProAm Dance Studio was founded in 1969 and trains for aspiring dancers ranging from pre-K-3 to teen, including the competitive dance company. The dancers will be taking in the sights of The Big Apple for the weeklong trip and will have an opportunity to attend two Broadway musicals, go on a guided tour, visit museums and watch the Christmas Spectacular starring the world-famous Radio City Rockettes. In between, there will be dance rehearsals to prepare for their big Thanksgiving Day adventure.
The dance students will be performing with hundreds of talented dancers from across the United States under the direction of Spirit of America Productions. They have preparing for the event for the last month.
Co-owner and director of the two dance studios is Melanie Gibbs.
“Performing in the Macy’s Parade is nothing short of a dancer’s dream,” she said. “It’s a fantastic opportunity for our students to participate in a professional-level production in New York City with fellow dancers from around the country. That it is broadcast on live television for the entire nation is a bonus. Our dancers have been talking about this since last year. It’s truly the trip of a lifetime.
The ProAm Dance Studio dancers have been putting in extra time at the studio sharpening up their routines as they will join dancers from all around the country under the direction of Spirit of America Productions. (ProAmDance / Courtesy)
“Dance is very uniting, and we come from many different backgrounds,” Gibbs said. “Once a dancer, always a dancer. We all fondly remember our dance experiences and the friends we have made. It is a special group. We had thousands of girls come through our studios. It will be a cool bonding experience for the Boca Dance Studio and ProAm Dance Studio girls to be doing this together.”
The dancers have been rehearsing at their studios before the big sendoff to New York. They will be joining 600 girls from around the country.
“It is such an impressive experience and a marvel of logistics to see how the production company puts this together. This is a big investment for the parents with the kids fundraising and the whole studio is behind them. After being there live a couple of times, I always tell the parents the best seat in the house to view the parade will on your living room sofa in front of the TV. The camera setup is out of this world. I’ll be glued to my couch this year from 9 a.m. till noon for this lifetime tradition. Everyone is excited about this and it’s really a community experience.”
Dancers and their ProAm Dance Studio instructors are busy rehearsing routines that they will be performing at the Macy’s Thanksgiving Day Parade. They are, front row, from left, Madeline Muñoz, Delaney Driscoll, Devyn Sherfield, Evie Breckenridge and Alexis Adams; top row, from left, Tara Moras, Camila Gomez de la Vega, co-owner/director Melanie Gibbs, Jesse Westfall and community coordinator Courtney Thomas. (ProAmDance / Courtesy)
The dancers send in an audition tape to Spirit of America and must be accepted to perform. Most of the dancers take four to eight classes a week at their studio and are committed and disciplined to their craft. They are scheduled for four, five-hour dance rehearsals three times that week when they arrive in New York City.
“It is a once-in-a-lifetime experience and most of the kids ranging in age from 14 to 18 will have only one opportunity to enjoy this kind of a trip,” Gibbs said. “The one graduating senior is Evie (Breckenridge) who is a lifer with ProAm and she’s very special. The younger girls watch her and learn. One of the cool things about this job is seeing the kids grow up right before your eyes.”
Breckenridge is a member of the ProAm competitive dance team and is a dance captain. The 17-year-old Cardinal Gibbons High School senior has been dancing before she could walk. She has been indoctrinated in all forms of dance and is reviewing multiple college dance programs and dance teams.
Boca Dance students with co-owner/director Melanie Gibbs are hard at work for a weeklong trip to The Big Apple as they will be performing for thousands of people at the Macy’s Thanksgiving Day Parade. (ProAmDance)
“I’ve been dancing for 16 years and I’m in competitions three times a year,” Breckenridge said. “This will be the first time going to Macy’s for all of us. Dancing is our favorite thing to do. We’re all determined to be the best we can be and are super excited about this.”
The ProAm competition dance team rehearses 9 1/2 hours a week in the studio and outside of that there is another six to seven hours of rehearsing with school dance teams. This will be the first visit to New York for six of the seven dancers.
“We have watched three to four groups of our dancers go to Macy’s Thanksgiving Day Parade and they come back with such amazing stories,” she said. “It will be great to have that live dancing experience in New York and to dance with all these other girls around the country. We are so grateful for this opportunity.”
Boca Dance Studio dancers do a dress rehearsal in preparation for the Macy’s Thanksgiving Day Parade. (Emmett Hall / Courtesy)
Visit proamdancestudio.com.
Copyright © 2022, Sun Sentinel
Copyright © 2022, Sun Sentinel

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Taylor Swift ticket debacle renews calls to split up Ticketmaster and Live Nation – ABC News

Swift fans can't 'Shake It Off' as some tour tickets soar to more than $22,000.
Ticketmaster is pulling the plug on the general-public ticket sale for Taylor Swift's "Eras" tour that was set to take place Friday, Nov. 18.
The company tweeted Thursday: "Due to extraordinarily high demands on ticketing systems and insufficient remaining ticket inventory to meet that demand, tomorrow's public on-sale for Taylor Swift's 'The Eras Tour' has been cancelled." It remains unclear whether the general sale will be rescheduled.
The announcement comes after backlash from Swift fans who experienced long waits and "error" messages when trying to purchase tickets during a "verified fan" pre-ticket sale Nov. 15.
Samantha Miller said she knew scoring tickets for Taylor Swift's 2023 "Eras" tour for her 13-year-old daughter wouldn't be easy, but she said her experience with Ticketmaster left her stressed, angry and empty-handed.
"The whole thing was like a bad joke," Miller told ABC News. The New York City mom said she made sure to register her daughter's name, email address and contact number a week before pre-sale tickets were available, so Ticketmaster could vet her "Swiftie" (as the popstar's fans are called) and confirm she was a "verified fan" and not a third-party ticket reseller.
Despite having a special code from Ticketmaster to access tickets, Miller was stuck waiting in an online queue for four hours before seeing the below message pop up on her computer screen:
"We're sorry! Something went wrong on our end and we need to start over. Broken things are a drag — our team is on it so it doesn't happen again."
At the same time, tickets that were selling for between $49 and $449 each, were already being listed on resale sites like StubHub for as much as $22,700 per ticket. West Coast fans had to wait an extra three hours as Ticketmaster delayed those sales to help ease traffic on its site.
Despite the glitches, Ticketmaster says it sold 2 million tickets for Swift's first stadium concert tour in five years — the most tickets ever sold for an artist in a single day. Unfortunately for Miller, she wasn't one of the lucky ones. She had to eventually abandon her efforts to "get back to my day job" and said she feels "guilty" about not being able to secure the tickets for her daughter.
Similar scenarios played out for thousands of disappointed Swift fans, renewing calls from activists and lawmakers to split up Ticketmaster and the concert promoter Live Nation, which merged in 2010.
Tennessee Attorney General Jonathan Skrmetti told reporters during a news conference on Wednesday that he is looking into whether consumer protection laws were violated after Ticketmaster botched the rollout of Taylor Swift tickets.
"We have received complaints about the sale process, and we have previously looked into antitrust allegations involving Ticketmaster and Live Nation. We want to make sure that there are no issues here that merit legal response," Skrmetti said, according to a transcript of the news conference obtained by ABC News.
Consumer advocates say the Taylor Swift ticket debacle underscores the pitfalls of consolidation in the ticketing industry. The combined company, which controls 70% of primary ticketing and live event venues, has been accused of abusing its market power by hiking up ticket prices and adding on arbitrary fees.
House Democrat Alexandria Ocasio-Cortez called Ticketmaster a monopoly and said the merger with Live Nation should never have been allowed. "They need to be reigned in… Break them up," she tweeted.
Senate Democrat Richard Blumenthal tweeted that Swift's tour sale is "a perfect example of how the Live Nation/Ticketmaster merger harms consumers by creating a near-monopoly."
Congressman David Cicilline, D-R.I., added his voice to the chorus, calling the excessive wait times and fees "a symptom of a larger problem" at "an unchecked monopoly."
Politicians are not the only ones targeting Ticketmaster. A consortium of organizations, including the American Economic Liberties Project and Sports Fans Coalition are lobbying to end the company's hold on the ticketing industry with their Break Up Ticketmaster campaign.
In a statement to ABC News, Ticketmaster said, "Even when a high demand on sale goes flawlessly from a tech perspective, many fans are left empty handed. For example: based on the volume of traffic to our site, Taylor would need to perform over 900 stadium shows (almost 20x the number of shows she is doing)…that's a stadium show every single night for the next 2.5 years. While it's impossible for everyone to get tickets to these shows, we know we can do more to improve the experience and that's what we're focused on." Ticketmaster added that, "Every ticket was sold to a buyer with a Verified Fan code."
On Oct. 26, President Joe Biden criticized companies adding on "junk fees" along with other "hidden fees" that banks and hotels charges, The Associated Press reported.
In a follow-up tweet Nov. 3, Biden said of the fees, "They're unfair, deceptive, and add up. That's why, last week, I called on my Administration to crack down on these fees and put that money back in your pocket."
The pandemic wreaked havoc on the live music industry as concerts and festivals were canceled and companies were forced to handle hoards of refunds. As a result, Live Nation's revenue for the second quarter of 2020 was down 98% from the previous year.
Since then, the industry has roared back as fans flock to live entertainment again, and concert tickets prices have jumped nearly 20% from pre-pandemic levels.
ABC News' Luke Barr contributed to this report.
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Android apps on Windows 11 get better audio recording for Insiders – XDA Developers

The latest update to the Windows Subsystem for Android improves audio recording quality and two-factor authentication.
Microsoft is rolling out a new update to the Windows Subsystem for Android in the Dev and Beta channels of the Windows Insider program. The update brings the platform to version 2210.40000.7.0, and it focuses on further improvements to the experience, though there aren't major new additions in terms of features.
One of the improvements in this release is better audio recording quality for Android apps on Windows, so apps like voice memos should be a bit more useful now. Microsoft also mentions improvements to OAuth scenarios, which should mean that users are now able to sign in to certain apps and websites more reliably.
This update also adds support for MPEG2 video decoding, and it features improvements to the camera experience if your device doesn't have a camera. What that means is that apps that use the camera should now handle the absence of a camera a bit better. Microsoft also mentions generic improvements to input reliability. Finally, the version of Chromium that powers the web experience on Android has been updated to version 106.
It's not the most exciting update, but these gradual upgrades make the experience increasingly smoother for users and developers, so apps can be tested more effectively on a Windows device using the Windows Subsystem for Android. Microsoft releases these updates on a monthly basis, and last month's update also included some camera-related improvements, alongside many others.
Android apps on Windows 11 are currently available in 31 countries. Initially, the feature was only rolled out in the United States with access to a limited number of apps, but through testing with Insiders and other users, the experience became more stable, and thus, it rolled out to more markets. There are over 50,000 apps available to download through the Amazon Appstore, though you can sideload apps that aren't available there if you want to.
If you're a Windows Insider in the Dev or Beta channels, you can get the latest update for the Windows Subsystem for Android through the Microsoft Store.
Source: Microsoft
I’ve been covering the tech world since 2018, and I love computers, phones, and – above all that – Nintendo videogames, which I’m always happy to talk about.

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John Kanell recommends a simple holiday dessert that any cook can master, interview – FoodSided

Dulce de Leche flan from John Kanell and The Incredible Egg, photo provided by The Incredible Egg
During the holiday season, many people step into the kitchen and yearn to bake masterful desserts. While the dream of recreating that culinary competition stunning dish might be a touch lofty, the reality is that a simple holiday dessert is one that anyone can accomplish. With the help from John Kanell of Preppy Kitchen fame and the Incredible Egg, the sweet ending to a meal will get cheers all around.
Sometimes holiday baking can be a little too ambitious. Although many people may enjoy a perfectly flakey croissant, mastering that French pastry takes tremendous skill. It might be better to focus on a dessert that is easier to master,
During a recent conversation with John Kanell, he offered some simple advice and a tasty dessert idea that can make the holidays a little less stressful and a lot more joyful. For John, it starts before even stepping into the kitchen. John mentioned that the holidays can come with higher expectations. But, the idea is to spend time with friends and family, not worrying about the perfect dessert.
Specifically, John mentioned that one thing that can keep everyone on track is to plan things out. Picking a few items to prep ahead of time can avoid that stress on the big day. In some ways, that simple concept is the basis of Preppy Kitchen. Prep work is the foundation to any successful bake.
While some people might try to bake a pie from scratch or stack a tower of cakes, John recommends a simple holiday dessert, a flan. He describes the flavors as melting in your mouth in the most delightful way.
Dulce de Leche Flan, a simple holiday dessert, photo provided by Incredible Egg
Although flan might look like a difficult dessert to master, John said that making flan is easy. He said to start by mixing sugar and water to make a caramel. When the mixture reaches a beautiful amber color, it is ready to be poured into an 8 inch pan. Making the caramel might be the hardest part. When making a caramel, it should always be done under a watchful eye so that it does not cook too much.
Then, it is time to make the custard. John combines dulce de leche, five whole eggs, evaporated milk, cream, and a pinch of salt. The key is not to over mix the custard. The idea is to create a “homogeneous silky mixture” but not add too much air into the custard.
John cautions that home cooks should avoid overmixing the custard. Gently folding the ingredients is vital. In this case, it might be time to keep the stand mixer off. The idea is to create a smooth mixer with fewer air bubbles.
When the mixture comes together, simply pour it into the pan with the caramel. Then bake in a water bath to ensure even cooking.
And, John said that a simple 8 inch cake pan works. There is no need to purchase a specialty pan for the occasion. Again, the idea is to keep things simple for holiday baking.
When it is time to serve, simply invert the pan. The luscious flan with its beautiful caramel is a simple holiday dessert that everyone will want to enjoy.
Even though pies, cakes and cookies might fill the dessert table, a flan is a simple holiday dessert that even a novice baker can master. Plus, it is a flavor that everyone will have everyone raving.
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Cherry Creek to begin posting audio recordings of school board meetings – Sentinel Colorado

AURORA | Following calls for more options for virtual participation, the Cherry Creek school board has begun posting audio recordings of its meetings online.
Board President Kelly Bates announced the change at Monday’s school board meeting, which she said was in response to requests during public comment. Audio recordings of meetings will be posted on the district’s website the day after each meeting, she said.
The district has now posted recordings of its September, October and November meetings from the current school year on its website.
The district moved its board meetings online at the beginning of the pandemic through the 2020-2021 school year, but at the start of the 2021-2022 school year moved back to in-person only with the exception of one meeting that was moved online due to a potential threat.
During the pandemic board members met without an audience in the district’s administration building. Once in person meetings resumed they returned to the practice of holding meetings at a different district school year month.
During public comment this school year, speakers have repeatedly asked the school board to consider having a livestream option to increase transparency and make the meetings more accessible for people who would have a hard time showing up in person.
Cherry Creek is one of few school boards in the metro area that does not livestream its meetings or post recordings of them after the fact. Aurora Public Schools livestreams its meetings through YouTube and posts recordings for the following 90 days. Denver Public Schools, JeffCo and Douglas County have virtual options as well.
District spokesperson Lauren Snell said that the district has not decided how long meetings will be available for yet, and wants to see how many people listen to them. Holding meetings at schools instead of a district office makes livestreaming a challenge, she said.
“Currently, the district is going to monitor the interest of the audio recordings,” Snell said in an email. “Since our board meetings are held at different schools in the district each month it provides an invaluable opportunity for board members and district staff to engage in-person with school communities across the district and hear firsthand from students, parents, and community members however it makes it difficult to be able to live stream the meetings.”
At Monday’s meeting, several people who spoke at public comment continued to advocate for a livestream. Maureen Welch, the parent of a special needs student in the district, thanked the board for deciding to post audio recordings but said that it was only a half measure.
“We are the last school district in digital transparency,” she said. “Every other school district livestreams videos of their meetings and has them on demand.”



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Spitfire Audio Releases Originals Wurli – Sonic State

Spitfire Audio tells us that Originals Wurli is the definitive rendition of the legendary vintage keyboard. They say that presented with four separate presets — Classic, Funky, Mellow and Stabs — Wurli allows you to adjust Attack and Release controls to create pads and unique tones, and, in the classic keyboard section of the library, Tremolo Rate and Depth controls offer the ability to curate the perfect  sound for your compositions. Here’s a full press release with more details…
LONDON, UK: sound-specialising British music technology company Spitfire Audio is proud to announce availability of its WURLI release — representing the latest (18th) addition to its inspiring ORIGINALS series making rare and classic instruments accessible and affordable to all in authentic detail with no compromise on recording quality, this time creatively capturing performances by British session-playing giant Sean Hargreaves on the legendary electronic piano to which it owes its (nick)name at North Seven Studios, a Munro Acoustics-designed 5.1 facility forming part of the Tileyard Studios complex within walking distance of London’s King’s Cross St Pancras station, served up with four separate presets and adjustable controls courtesy of the sound-specialising British music technology company’s in- house (AAX-, AU-, VST2-, and VST3-compatible, NKS-supporting) plug-in, presented as a classic and familiar instrument reimagined like no other vintage keys library, with which users can curate the perfect sound for their compositions.
“A classic sound from the 1950s, all the way through to the early ’80s, this is an instrument that you’ll have heard on countless records of the time.” So says Spitfire Audio in-house composer Dan Keen, knowingly alluding to the fact that it was not only a pillar of R&B classics from the likes of American singer, songwriter, and pianist Ray Charles to American soul singer, keyboardist, songwriter, and arranger Donny Hathaway, but British singer, pianist, and composer Elton John; American musician, pianist, singer, songwriter, record producer, and music arranger Richard Carpenter (who formed half of sibling duo the Carpenters alongside younger sister Karen); American musician and songwriter Eddie Van Halen (best known as guitarist, keyboardist, and backing vocalist with rock band Van Halen); and English rock band Supertramp, to name but a notable few, also put the electronic piano manufactured and marketed by Wurlitzer from the mid-1950s through to the mid-1980’s to musically varied use on record and on stage — most notably the latter’s ‘Dreamer’ that peaked at number 13 on the UK Singles Chart in February 1975 before re-emerging as a live version, hitting number 15 on the US charts in 1980 to further cement the instrument’s impact on the world stage.
Spitfire Audio’s WURLI is the definitive reimagining of the legendary vintage so-called ‘Wurli’ keyboard. Constituting the latest (18th) library in the sound- specialising British music technology company’s inspiring ORIGINALS series making rare and classic instruments accessible and affordable to all in authentic detail with no compromise on recording quality, its quality (5.6GB download-sized) sampled content comes from performances by British session-playing giant Sean Hargreaves — who studied in New York with American jazz pianist, bandleader, composer, arranger, and educator Barry Harris and at Berklee College of Music, appeared on national TV with Canadian singer Michael Buble, and also worked with Australian singer and actress Natalie Imbruglia and British singer-songwriter Alison Moyet — that were recorded by in-demand British engineer, music editor, and producer Simon Changer — who started out as an intern at London’s Sony Music Studios and has since worked on a variety of projects ranging from full orchestral film scores through to commercial records with some of the eminent producers, composers, and artists of our time — at North Seven Studios, a Munro Acoustics-designed 5.1 facility — ideal for music production, enabling both recording and mixing by combining vintage and modern analogue equipment with the latest Avid Pro Tools | HDX technology, as well as a wealth of instruments, including, of course, a Wurlitzer EP200A — forming part of the world’s largest community of independent artists and businesses at the Tileyard Studios complex, conveniently located on the same road housing Spitfire Audio’s worldwide HQ — within walking distance of London’s King’s Cross St Pancras station.
By being served up with four presets — Classic uses the physical output of the ‘Wurli’ keyboard itself; Mellow includes a post-produced Pads signal created using granular synthesis; Funky has a crunchy overdriven signal, processed via a digital effects chain; and Stabs makes use of a shorter sample length, useful for more percussive sequences and backing vamping sections — that utilise five different signals — Direct, the direct input from the ‘Wurli’ (for a clear representation of the keyboard); Amp, the keyboard amplified through an Ampeg B-15 amplifier; Speaker, the speaker output of the keyboard itself; Pads, the samples are time-stretched and passed through an effects chain (to create an atmospheric and ambient texture); and Drive, the samples are overdriven (to create a crunchy and fuzzy sound), Spitfire Audio’s ORIGINALS WURLI is clearly capable of producing a variety of musical moods. Indeed, its TREMOLO DEPTH and TREMOLO RATE controls recreate a classic vibrato sound — the former controlling the size of the amplitude modulation (measured as an intensity in percentage) and the latter controlling the speed of the tremolo (measured in Hz), while REVERB controls the amount of reverb, ATTACK controls the attack of the ADSR envelope, and RELEASE controls the release of the ADSR envelope.
Exploring the classic sound so beloved of ‘Supertramp & Co’ is intrinsically what ORIGINALS WURLI is all about — albeit reimagined like no other vintage keys library, with which users can curate the perfect sound for their compositions. Concludes Dan Keen, ending on an even higher note: “It’s got a beautifully warm circuit to it, but it also has this bite that is just undeniable and cuts through a mix really well; this instrument was recorded at North Seven Studios, and was actually part of our original [now-discontinued] NORTH7KEYS library, so any customer of that library will get [ORIGINALS WURLI] as a free download, but because we’ve brought this into our Merlin engine we’ve been able to do things with it that we wouldn’t have been able to do on the original.”
ORIGINALS WURLI is available as an AAX-, AU-, VST2-, and VST3-compatible plug-in supporting Native Instruments’ NKS (NATIVE KONTROL STANDARD®) for Mac (OS X 10.13 – macOS 12) and Windows (7, 8, 10, and II — latest Service Pack) that loads directly into any compatible DAW (Digital Audio Workstation).
Spitfire Audio’s namesake Spitfire Audio application allows anyone to buy now and download anytime, and is available for free from here: http://www.spitfireaudio.com/info/library-manager/
Pricing and Availability:
£29.00 GBP (inc. VAT)/$29.00 USD/€29.00 EUR (inc. VAT
More information:
 

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Rafael Covarrubias Joins EAW LATAM Team As Regional Sales Manager – Live Design

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'Working' on the weekend | News, Sports, Jobs – The Mirror – The Mirror

Shawn F. Linenberger/Staff
The Tonganoxie High School Drama and Music department performed “Working: A Musical” on Friday and Saturday at the Tonganoxie Performing Arts Center on the THS campus.
“Working” is based on Studs Terkel’s best-selling book of interviews with a cross-section of American workers. The Tony Award-Nominated musical was adapted by Stephen Schwartz and Nina Faso.
Stage manager for the Tonganoxie production was Katy Duncan.
Joseph Turner played the role of ironworker Mike Dillard and firefighter Tom Patrick. Faith Morgan took on the role of project manager Amanda McKenny. Sophie Boltshauser, Brooke Eis, Addyson Shepherd and Harper York. They also were part of the ensemble with Journey Larson and Marley Kubichi. Shepherd also played the role of publicist Edi Jaffee.
Chloe Ferguson portrayed fast-food worker Freddie Rodriguez, while Joshua Duvall was hedge fund manager Rex Winship. Duvall also portrayed student Ralph Werner.
Santiana Garcia was teacher Rose Hoffman, Madeline Funk flight attendant Very Mason and Gabriel Altenhofen interstate trucker Frank Decke. Funk also played the role of care worker, as did Taylor Brents and Madison Farr. Katie Denholm and Farr split time as a call center worker and housewife Kate Rushton on different nights, while Tye Baldwin also was a call center worker.
Sierra Helaas was UPS driver Connie Swibel, while Abby Vick was millworker Grace Clements and cleaning lady Maggie Holms.
Playing the role of community organizer Allen Epstein was Alaina Rogers and stone cutter Toni Coelho was played by Josey Bartlett. Emma Skelley portrayed teacher Delores Dante.
Crew members were Keira Beverly, Bethany Overmiller, Brooke Hurley, Aiden Van Middlesworth, Isabelle Ferguson, Ella Pruitt, Kaylaeigh Williamson, Miley Andersen, Sara Celene, Allie Lowe, Izzy Estes, McKenna Klamm, Ana Estes, Lucy Graveman, Ian McCloud, Charlotte Woods, Aaron Wiseman, Gage Slabaugh, LydiaRafols, Vic Crable, Julianna Johnson, Brianna Santos, Kenisen Large, Charlotte Absher, Eros Price and Alex McConaughey.
Director was Steve Harrell, THS drama, speech and debate; vocal director was Tom Gifford, 6-12 vocal music director at Tonganoxie middle and high schools; and costume director was Debbie Holloway, eighth grade ELA and TMS drama.
Gage Slabaugh and Eros Price handled lighting, Bethany Overmiller and Isabelle Ferguson handled sound and assistant was Mary Kate Dial.
Copyright © The Mirror | www.tonganoxiemirror.com | P.O. Box 71, Tonganoxie, KS 66086

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Thanksgiving 2022 in Detroit: America's Thanksgiving Parade and more – Detroit Free Press

America’s Thanksgiving Parade has the attention of millions each holiday season, but along with the grand parade are a few other Thanksgiving festivities to enjoy in Detroit this November.
Low-income families and individuals are welcome to enjoy free food, games, music, clothing and hygiene products during the fourth “Let’s Give Thanks: Harvest Festival” from 4-7:30 p.m. Nov. 19. The event will take place at the World of Truth Christian Center, at 16194 Wyoming Avenue, Detroit.
Local nonprofit organization Take my Hand partners with a different nonprofit each year to put on the harvest festival and provide the necessary resources. This year, they are partnering with WISE Mentoring Program, an organization that supports women through workshops and mentorship.
Meals will be available on a first-come-first-serve basis but priority seating is also available upon RSVP by texting Take my Hand CEO Letitia Russell at 248-270-8391. Those not able to stay for the event can reserve to-go plates.
Free winter clothing, hygiene kits, diapers, health screenings and other resources will also be available to attendees in need, many of which have been donated by local entrepreneurial women, Russell said. About 150 community members are served during Take my Hand’s harvest festival each year.
Holiday shoppers can support local businesses during a pre-Thanksgiving retail party on Nov. 20, organized by Waist Bead Envy — a female and Black-owned Detroit business.
Thankful in the City II showcases small businesses from all over metro Detroit. About 35 vendors will have their tables set up at the Detroit Rescue Mission Ministries banquet hall, 3606 E Forest Ave, Detroit, from noon to 5 p.m.
Shoppers will be able to book appointments with service-based businesses and purchase health, beauty and fashion products, food and wine, jewelry and more.
Many of the vendors are home-based and very few actually have a brick-and-mortar shop, said host and creator of Waist Bead Envy, Emily Raine Rucker. The event gives small businesses exposure and helps build their network.
The holiday-themed retail party will also include a complimentary 360 photo booth, a 50/50 cash raffle and free giveaways.
More:Detroit Thanksgiving parade will have 9 new floats: ‘That’s a record for us’
More:Thanksgiving dinner to cost about 20% more this year, survey shows
Bruiser Thanksgiving, an annual concert hosted in Detroit, is an event for music fans to kickstart their holiday season right, and it is back for its ninth year.
The concert consistently features local and rising musical artists. This year, guests Omar S, Tammy Lakkis, Hi Tech and Ziggy Waters will be performing. Previously, featured artists included Sada Baby, Joey Bada$$, JPEGmafia, Lil B, Jay Daniel and more.
The 18+ bash is presented by MeanRed, an arts and music production company, and hosted by Detroit artist Danny Brown at Russell Industrial Center, 1600 Clay St., Detroit. Doors open at 7 p.m.
Tickets are $30 and can be purchased here.
“Expect a stacked lineup, local vendors, artistic activities and surprises lasting throughout the night,” according to MeanRed.
To kick off America’s Thanksgiving Parade, it is tradition for the Parade Company to host a turkey trot along Woodward Avenue and nearby streets.
This year marks the 40th Annual Strategic Staffing Solutions (S3) Turkey Trot presented by Gardner White. Thousands participate each year and many participants dress up in costumes for the event, according to the Parade Company.
A variety of races are available for those interested in participating, including:
All races are set to finish on Atwater behind Huntington Place, next to the Riverwalk. Course maps are available at parade.org.
Registration information can also be found online.
Nominated for USA Today’s 10 Best Holiday Parades again in 2022 and broadcasted in more than 185 television markets across the U.S., nearly a million Michiganders attend America’s Thanksgiving parade and millions more tune in to view the extravagant event each year.
Presented by Gardner White, the 96th America’s Thanksgiving Parade theme is “Our Great City! Detroit.” Nine new floats will be seen rolling down Woodward Avenue this upcoming parade.
At least an hour before the parade steps off at the corner of Kirby and Woodward, at 8:45 a.m., parade watchers line up to prepare for the array of large floats, colorful balloons, Santa, marching bands, clowns, dancers, beloved stars and more.
The parade will wrap up around noon at Woodward and Congress.
The event will be aired live on WDIV-TV (Local 4) and WOMC-FM (104.3). A pre-show with Paul W. Smith on WJR-AM (760) will also be broadcasted from 6-9 a.m. 
Families can gather to watch America’s Thanksgiving Parade with an all you can eat breakfast buffet at The Majestic Theater from 7-11 a.m.
The buffet includes biscuits and gravy, scrambled eggs, sausage, pancakes, french toast, hash browns, hummus, paczkis, assorted pastries, coffee and more.
The parade will be live streamed in the Majestic Theater Lobby or the Garden Bowl Lounge. Bowling will also be available from 7am until noon upon reservation online.
Tickets are $40 for adults, $18 for children and can be purchased on ticketweb. Proceeds will benefit The Children’s Center of Detroit.
Union Assembly at 2131 Woodward will be open 8 a.m.-1 p.m. The restaurant, on the ground floor of Little Caesars world headquarters, has a second-floor outdoor heated terrace with an elevated view of Woodward Avenue overlooking the parade.
On Thanksgiving Day, the restaurant will offer brunch. On the menu are a variety of items including entrees like Union French toast, birria burrito, breakfast pizza and more. There are sides of sticky buns, toast, potatoes, eggs, ham and grits.
Groups of eight or more can reserve a table with a minimum $200 food and drink spend to watch the parade and have brunch. For info and reservations: unionassembly.com.
Contact Nour Rahal: [email protected]
Detroit Free Press Food Reporter Susan Selasky contributed to this story.

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Students present research at Southern Conference forum – Western Carolina University News

 WCU Stories      November 17, 2022
By Julia Duvall
surf 2022
 
Students from Western Carolina University were given the opportunity to network with students from other Southern Conference schools and expand their knowledge of other academic areas at the SoCon Undergraduate Research Forum held in October.
The event is a collaborative project of the Southern Conference membership hosted annually at Wofford College in Spartanburg, South Carolina.
“We are so thrilled that our students get to experience this forum each year and learn about so many different disciplines,” said Kloo Hansen, WCU’s undergraduate research coordinator in the Office of the Provost. “This is a fantastic collaboration between the SoCon schools and allows students to network and refine their presentation skills.”
Supervised by a panel of faculty members representing each SoCon school, SURF welcomes research from humanities, the arts and STEM disciplines. Nearly 125 students from the 10 Southern Conference institutions gave presentations.
Ten students from WCU participated in this year’s SURF.
Abigail Gulley, an interior design student, shared her conference experience and why she chose “Cognitive Disability Informed Design within Religious Building and the Impact of Acoustics” as her research topic:
“The most rewarding part of the conference was experiencing the other presenters’ enthusiasm and learning about topics that were never on my radar,” said Gulley. “My research set out to prove that designing a space with acoustical awareness will impact the wellbeing of individuals on the autism spectrum. The setting of this research is applied within a religious building because of a personal experience where the decibels were too high during the worship service, and this inspired the research at hand.”
Adam Mottershead, a natural research management student, wanted to conduct research on a new approach to market-based water policy using ecological boundaries known as watersheds as the trading areas. His presentation was titled, “Budgeting North Carolina Water through Watershed Trading Quotas.”
“In this research I did with Dr. Sean Mulholland, people were given percent allotment of the total available water in the watershed, with hopes to have conservation occur through trading,” said Mottershead. “SURF was great because I got exposed to so many disciplines across several universities in attendance. It was a great chance to see incredible work done by other undergraduates, refine my presentation skills, and to network with others.”
Other WCU student presentations included:
Caleb Hempton, oral presentation, “Clashing of Sickle and Star: The Sino-Soviet Border Clash.”
William Janke, poster presentation, “Evaluating Audio Recording Method for Detection of Two Frog Species.”
Jordan Chambers, poster presentation, “Related to Influenza Disease & Vaccination.”
Keanu Ammons, poster presentation, “Single-Hop Parallel Algorithm Comparison.”
Caroline Witherspoon, poster presentation, “Learning from leaves; teaching kids science with herbarium specimens.”
Ryan D’Amore, oral presentation, “Investigation into the Possibility of Making a Biodegradable Croc.”
MacKenzie Gascon, oral presentation, “Microwave-Assisted Synthesis of Terbium-Doped Calcium Fluoride Nanoparticles for Potential Luminescent Detection.”
Maya Berkowitz, oral presentation, “Mirror Neuron System Development and Social Mirroring in Infancy.”
WCU faculty that attended the conference with the students were Channa de Silva, associate professor in chemistry and physics and Robert Youker, associate professor in biology.
For more information about WCU’s participation in SURF, contact Hansen at [email protected].
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River Rock Capital Secures Financing for Austin Asset – Multi-Housing News

River Rock Capital has landed $35.3 million in bridge loan financing for the acquisition and lease-up of its community in Round Rock, Texas. NewPoint Real Estate Capital LLC provided the funding for the 198-unit property, Siena Round Rock.
The funding is a two-year floating-rate bridge loan with three one-year options for extension. Once the asset is stabilized, River Rock expects to try and secure permanent agency or HUD/FHA financing.
Siena Round Rock is currently 97 percent leased after opening for leasing in January, according to Yardi Matrix data. The community features studio, one- and two-bedroom apartments ranging from 597 square feet to 1,137 square feet.
“Located just north of Austin, Round Rock has recently been touted as one of the most livable cities in the country thanks to its low cost of living and relatively high median family income from close proximity to leading employers in the tech, healthcare, e-commerce and transit sectors,” Brian Skurnik, managing director of proprietary lending at NewPoint Real Estate Capital told Multi-Housing News. “With its premier location in one of the top 20 fastest growing cities in the country, it is no surprise that Siena Round Rock was so well received by the market.”
Located at 6531 County Road 110 Round Rock, the property is situated some 27 miles northeast of downtown Austin. Interstate 35 is 6.5 miles from the property, providing residents with access to Austin as well as employers such as Apple, IBM, Oracle, Tesla and Samsung.
Community amenities at Siena Round Rock include a pool with beach entry, a fitness center, a dog park, billiards  and outdoor grilling stations. Individual apartments feature walk-in closets, Ring doorbells and washers and dryers.
Meridian Capital Group’s Managing Director Judah Hammer, along with Vice President Daniel Neiss, represented the borrower.
Round Rock is one of the more affordable submarkets in the area. According to Rebusiness Online, North Austin, including Round Rock, is the Austin area that is experiencing the highest growth in new construction.
Overall, Austin rents rose 0.8 percent on a trailing three-month basis through this May, while occupancy rates rose to 95.7 percent in April.
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© 2022 – Multi-Housing News Online

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Waurika man jailed on charges of rape – KSWO

WAURIKA, Okla. (KSWO) – A Waurika man is now in police custody and is facing charges of first degree rape.
Waurika’s Chief of Police said they arrested a suspect on Wednesday following a four day investigation.
The suspect is being identified by court documents as Andrew Javier Gutierrez, 34.
Court documents allege the victim was asleep before being woken up by Gutierrez touching them, despite the victim refusing his advances.
The victim was later allegedly raped, according to those same documents.
Investigators, according to paperwork, also obtained an audio recording of Gutierrez apologizing for the incident, saying “I’m sorry, I didn’t mean to do that.”
Court documents say when investigators initially questioned him he denied any wrong doing, but that changed after police brought up the audio recording.
Investigators say in the affidavit that Gutierrez admitted to having sexual intercourse with the victim and stated he was, “sorry for what he had done.”
Gutierrez is behind bars at the Jefferson County Jail. His bond is set at $50,000.
Copyright 2022 KSWO. All rights reserved.

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‘Overwatch 2’ Midseason Patch Notes: Mei’s Return, Nerfs, OWL Skins And Tokens, Aim Assist And More – Forbes

I might be overusing this image of Sombra, but I can’t help it. Such a great one.
After a delay of two days, Blizzard has at last rolled out the latest Overwatch 2 patch, which it’s referring to as the midseason patch even though we’re two thirds of the way through Season 1.
As previously revealed, the update brings in some major balance changes for several heroes, with nerfs for Sombra, Genji, Zarya, D.Va and Kiriko. It seemed at first that Junkrat got a surprise nerf, but it turns out that those changes were implemented previously. Mei has returned to Overwatch 2, after Blizzard benched her for over two weeks due to an Ice Wall bug that has been resolved.
If you watched enough Overwatch League Play-offs and Grand Finals to earn rewards like skins, sprays and emotes, you should start seeing those appearing on your account now that the patch is live. Some remixed Overwatch League skins are now available as well. Importantly, a bug meant that players were not seeing the true number of Overwatch League tokens that they have. That’s now fixed.
Intriguingly, there are some updates related to Competitive mode, matchmaking and aim assist. Expect more bug fixes too.
Without further adieu, here are the full midseason Overwatch 2 patch notes, including Blizzard’s comments:
Celebrate the Overwatch League’s Tournament Champions with the Royal Gladiator, Dallas Summer, and Shanghai Summer Legendary Skins! These skins are purchasable for a limited time with Overwatch League Tokens.
We’re continuing to monitor the health of competitive play and matchmaking across Overwatch 2, both for returning and new players. We’ve made numerous tuning adjustments on the server for both the initial and continued determination of a player’s skill tier and division, many of which will become even more noticeable at the start of Season 2.
We’ve increased the precision of our queue time estimates for each individual role in role queue.
The audio transcription feature has been added with a limited rollout for PC players in select countries. As a piece of our Defense Matrix initiative, audio transcriptions allow us to analyze a transcript from a temporary voice chat recording of a reported player. Players will now see a notification when entering voice chat for the first time during a play session indicating that voice chat may be recorded. Make sure you report as close to when disruptive behavior occurred to maximize this feature’s effectiveness.
Once reported, a temporary audio recording will be used to make a text file transcript through speech-to-text programs. No one listens to the temporary audio recording, which is quickly deleted after being transcribed. Transcriptions are only made for reports of disruptive behavior in public voice channels, which includes team and match chat — group “party” chat is excluded.
We made a change to Aim Assist in Crossplay (PC + Console) lobbies. If you play in a Crossplay game now, Aim Assist is enabled in all matches except Competitive.
In our data, we found many groups were crossplay groups between PC and console players. This meant if you were playing on console and grouping with players on PC, you were opting into a bad experience for yourself to play with your friends. Also, if you had a group that was primarily console, but one of your friends was a PC player, you had to leave the PC player out to have a good experience.
We’d like to reiterate — at this point Aim Assist exists only on console platforms.
We’ll be monitoring the deployment of this change carefully and making changes quickly if needed.
D.Va felt too deadly after the last round of changes given how resilient she can be with her improved Defense Matrix.

Early player sentiment predicted Zarya as one of the weakest solo tanks in 5v5, although her high damage potential and barrier uptime have proven to be extremely effective. For opponents, feedback has indicated this can feel as though Zarya has very limited windows of vulnerability, which feels difficult to deal with when combined with her ramping damage potential.
These changes will reduce the barrier uptime, making it slightly more difficult for her to gain energy and will provide enemies with more time to deal damage to her.

Genji has greatly benefited from the move to 5v5. Changing to a single Tank and the reduction of crowd control has removed a lot of obstacles for Genji. However, he hasn’t received tuning updates since he wasn’t actively in the meta until launch—an intentional decision based on our general preference to avoid preemptive adjustments when possible. These changes will bring Genji more in line with the other flanking damage heroes like Tracer and Reaper.

With Sombra’s rework, she gained a lot more damage to help account for the reduced ability lockout duration of Hack. This has proven to be too deadly for a flanker with easy access to the enemy backlines, especially in 5v5.
She can also no longer channel hack on an already hacked target as feedback indicated the reduced cooldown combined with hacking from stealth proved to be too frustrating for many players. This is essentially a per-target cooldown that enables Hack to keep its current 4-second cooldown for potentially hacking multiple targets.

This invulnerability window is primarily intended to help avoid instantly dying to something unseen after teleporting through walls, but it ended up being a little too long and led to some confusion while shooting at Kiriko.

For more news and updates on Overwatch 2 and other games, follow my Forbes blog! You’ll get a weekly round-up email that includes everything I publish. You’d be doing me a solid, too — it’s a great way to support me and my work at no cost.
If you have any questions about Overwatch 2 or anything else I write about, feel free to ask! Twitter, Discord and Mastadon are the best options right now).

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