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By SVG Staff
Thursday, November 17, 2022 – 10:56 am
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Those seeking a studio in Austria for ultra-high-quality recording of classical music inevitably come to the name “tonzauber”, and for good reason. The studio, whose name means “sound magic”, has gained a reputation for providing superior audio quality and expert engineering services for the performers who record there, which include not only classical performances but other musical genres from jazz to metal.
Now, tonzauber has expanded their capabilities with the addition of a new on-location mobile recording truck, equipped with a state-of-the-art Lawo mc²36 MkII mixing desk. Georg Burdicek, who founded the studio in 1998, says it’s the fulfillment of his dream.
“Building an OB truck was my long-cherished wish,” says Burdicek, “but the need to build it was greatly heightened due to circumstances brought on by the pandemic. When Covid hit, all of a sudden there were orders for many live streams that often had to be implemented within short lead times. This also affected very elaborate mobile productions, which then had to be ready-mixed immediately.”

“It all got to the point where I thought to myself, ‘I don’t like that – every time packing everything up, driving somewhere, unpacking again, setting up the equipment and then still having to sit and mix in some room, a storeroom or, at open-air events, in a tent!’”
Other factors also drove Burdicek’s decision to build an OB truck designed to meet his specific needs: the limited selections of truck sizes and available options.
“I’ve noticed that for the music productions I’m in charge of in Austria, the trend is toward smaller and smaller TV OB trucks, because you don’t have the budget for more than 5 or 6 cameras, which any Sprinter can do, even in 4K and HD. The problem with this is that there is no sound control room built in — at least not one where I would want to mix an orchestra!” says Burdicek.
With all this in mind, Burdicek decided in early 2021 to make his wish a reality. “Especially since the technology was already there, and I only had to build the OB truck,” Burdicek smiles. After working through various possibilities from trailers to box vans, the detailed planning of a sound OB van based on a full-grown truck began in August, and construction began in October 2021, with the in-house tonzauber team working with TV service provider Euro-TV, which has extensive experience in the construction of OB trucks. The new mobile studio rolled out in Spring, 2022.
Burdicek banks on IP technology for the future. “Our entire vehicle is based on RAVENNA / AES67 technology, which gives me a level of flexibility not available in the broadcast sector before. My smallest stagebox is 1RU and offers eight microphone inputs, 4 line outputs, and is powered by PoE. This makes it suitable for distributed use and can replace long analog multicores,” Burdicek says. “These granular stageboxes, as well as additional devices such as DirectOut’s prodigy.mp for taking over MADI and Dante signals including clock decoupling, leave hardly anything to be desired.”

Drawing on his many years of experience with mixing consoles from Lawo and others, Burdicek chose a Lawo mc²36 MkII All-in-One production console. With its A__UHD core technology, it offers 256 processing channels available at both 48 and 96 kHz, making it possible to master even large orchestral productions. The all-in-one mixer natively supports ST2110, AES67, RAVENNA and Ember+. With an I/O capacity of up to 864 channels and local I/Os, the mc²36 MkII offers extensive connectivity, including 3 redundant IP network interfaces, 16 Lawo-quality mic/line inputs, 16 line outputs, 8 AES3 inputs and outputs, 8 GPIO connectors and an SFP MADI port.
Demands on the monitoring environment are high, so a superstructure with very elaborate acoustical treatment was mounted on a truck chassis, with the outer shell and interior isolated from each other and fitted with thick, 10cm insulation. Designed for “immersive audio”, the truck can accommodate mixing for Dolby Atmos and is fitted with a 7.1.4 sound system.
The new tonzauber audio OB truck triumphantly debuted in May, 2022 at the “Fest der Freude” (“Festival of Joy”), an open-air concert by the Vienna Symphony Orchestra, with Burdicek producing the live broadcast for Austrian public broadcaster ORF. Other broadcasts and recordings of concerts by renowned orchestras followed, including the London Symphonic Orchestra with Sir Simon Rattle, the Bruckner Orchestra Linz at the “Gmunden Open Air”, and a television broadcast of an Austrian operetta at the Summer Arena event from the City Theater Baden.

“The biggest and most elaborate production so far was the performance of the opera Nabucco by Guiseppe Verdi at “Oper im Steinbruch” (“Opera in the Quarry”) in St. Margarethen in the Burgenland county,” Burdicek relates. “I had 128 channels to mix there, so I have to be able to set up the console perfectly in order to keep track of everything and quickly reach buttons or faders without thinking. That’s the only way to handle a live concert mix of that complexity, and Lawo gives me a big advantage doing so because I can label everything very easily, I am supported by the color-coded controls, and I can also work with logos and symbols from the new mc²36 MKII. All of this dramatically increases the overview.”
The new tonzauber sound OB truck can do more than just classical music, however. “I built the vehicle primarily for classical recordings, but that doesn’t mean I don’t let other people use it as well,” says Burdicek, noting that he recently went to the metal festival in Wacken (Germany) to oversee a concert production for a client at the Wacken Open Air. “The colleague who mixed the production came with his own prepared plug-ins on his own hardware, which I integrated into our system within minutes. This shows the flexibility of my sound OB truck – audio-wise there are practically no restrictions,”
Finally, Burdicek concludes, “Sound-wise, I’m very happy with Lawo, because the console has no inherent sound; it just delivers what it’s supposed to and responds to my control. I don’t want any big sound colorations. What happens in front of the mic and comes out of the mic should end up with my specifications on the sum. With Lawo, it does.”
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NEW YORK, Nov. 16, 2022 /PRNewswire/ — GLOSSLAB, a hygiene-first, membership based nail studio operator, has just released a new line of proprietary nail polishes and nail treatments – in response to the overwhelming feedback and the success of the GLOSSLAB brand studios.
Founder Rachel Apfel Glass created GLOSSLAB when she saw a gap in the market during her years working at a hedge fund, when she found it nearly impossible to fit in an efficient manicure during the busy work week. After the birth of her second daughter, Rachel and a team of experts got together to open the first GLOSSLAB location in the Flatiron district of New York.
GLOSSLAB quickly grew in popularity, and currently has thousands of members. The hygiene-first, waterless, and membership based studio also features technology enhanced services such as online booking, cashless payment, and contactless check-in and check-out. GLOSSLAB patrons can choose from a curated group of performance-based products at the forefront of beauty and nail trends including best-in-class, long-lasting gel and non-toxic polishes.
The new line of GLOSSLAB products includes:
“We are thrilled to bring GLOSSLAB products into so many homes across the country,” says Rachel Apfel Glass, founder of GLOSSLAB. “You will be able to use our polishes and kits at home or on the go, wherever and whenever you need a mani or pedi touch up.”
The GLOSSLAB products will be available on GLOSSLAB.com and will ship nationwide, as well as be sold in GLOSSLAB’s 17 locations including: New York City (Chelsea, Nomad, Columbus Circle, Noho, Upper East Side (E 69th + E 84th), Tribeca, Flatiron, West Village), Connecticut (Westport), New Jersey (Hoboken), Maryland (Bethesda), Washington, DC (Dupont Circle + Union Market), Texas (Preston Royal, Dallas) and Florida (Coconut Grove + Red Road) – with additional studios to open in Houston and across DC, FL, NJ and the NY metro area.
GLOSSLAB has become the go-to destination for top names including: Lil Yachty, The Chainsmokers, Jennifer Garner, Kate Bock, Minka Kelly, Neil Patrick Harris, Matt James, and PK Subban.
For more information on GLOSSLAB and their product line, please visit glosslab.com. Follow along on Instagram at: @glosslab.
Rachel Apfel Glass founded GLOSSLAB with a mission to modernize the nail studio experience with its hygiene-first, membership based concept. After giving birth to her second daughter, Glass made her dreams a reality, and founded GLOSSLAB on three key pillars including: Hygiene, Efficiency, and Membership. In addition to focusing on the client experience, Glass believed it was equally important to provide employees with a safe working environment, fair wages, and a true career path. GLOSSLAB prides itself on being totally water free, as water is a breeding ground for germs. Hygiene is GLOSSLAB’s guarantee, with strict measures in place long before COVID-19 guidelines were developed. The future forward studio features technology enhanced services (online booking, cashless payment, contactless check-in and check-out) and performance based products at the forefront of beauty and nail trends including best-in-class long lasting vegan polish, gel, and non-toxic polishes.
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mini concert in the heart of Bangkok to inspire energy sustainability through music
published : 17 Nov 2022 at 16:26
Banpu Public Company Limited, a leading international versatile energy provider, ignites public inspiration to realise that smart and clean energy can create something new and that everyone can be a part of it.
Conveying the message “Banpu is closer to you than you think”, Banpu comes up with a campaign entitled “Love Song from Clean Energy” using ‘a love song’ to connect young generations to clean energy. Only clean energy is used in the song and music video production process as well as the mini concert at See Fah yard in the heart of Bangkok at Siam Square. This reinforces Banpu’s Greener & Smarter strategy which aims to achieve energy sustainability as a gift to the people on the 40th anniversary of the Company next year. Violette Wautier, an artist who is passionate in supporting the concept of sustainability and would like to see a better future for our world, performed a song called “Brighter Sky”.
Mrs. Somruedee Chaimongkol, Chief Executive Officer of Banpu Public Company Limited, said “The campaign was initiated from Banpu’s brand position to deliver smarter energy for sustainability. One of our missions is to bring clean energy and growing energy technology to drive business and global industry. This is another challenge in bringing energy that seems distant to be more accessible to younger generations while raising awareness that Smarter Energy for the Future from Banpu can create something new and everyone can engage with it through a love song that reaches people of all genders and ages.”
“We want this campaign to be a good starting point for us to get to know each other better and let everyone know that ‘Banpu is closer to you than you think’ and Banpu’s energy businesses is applicable to people’s lives. We have energy solutions that can connect to people’s lifestyles and we hope everyone will know Banpu as a Thai energy company that is growing internationally to deliver Smarter Energy for the Future to meet the quality of life for people today. Under the Greener & Smarter strategy that aims to achieve energy sustainability, together with adhering to ESG (Environmental, Social and Governance) principles, this campaign is a special gift on the 40th anniversary of Banpu next year.”
Mr. Sinon Vongkusolkit, Chief Executive Officer of Banpu NEXT Company Limited, said, “Love Song from Clean Energy campaign uses a love song to connect Banpu to people of all genders and ages, especially young generations who have a Greener & Smarter lifestyle. We want people to see that smart and clean energy can bring us something new by using solar energy stored in our energy solutions to produce electricity in every stage of the campaign, including music production and music video shooting. To organise this mini concert, we only use electricity from clean energy to create light and sound and everything on stage where the artists perform.”
“We also had the opportunity to work with Violette Wautier, an artist from the renowned record label, Universal Music Thailand, who is tabbed to convey the intention and identity of Banpu. We expect that this campaign will bring us closer and make people more interested in clean energy. At the same time, we hope to see Banpu brand get closer to the hearts of everyone,” concluded Sinon. 
Follow more details at www.banpu.com or at https://www.facebook.com/Banpuofficialth/ and watch the music video for the song “Brighter Sky” on YouTube at https://youtu.be/bqd_CB-k7jM or Banpu’s Facebook page at https://www.facebook.com/watch/?v=833511600996527 
Police are under fire after the emergence of a video showing an officer assaulting a reporter covering an anti-Apec protest on Friday in Bangkok, while detained demonstrators are facing multiple charges.
SURAT THANI: Two drivers and 42 illegal migrants from Myanmar were arrested in Phunphin district in the early hours of Friday following a chase involving one of two pickup trucks used for smuggling.
PHETCHABUN: Twelve people, including five monks, were injured in a crash involving two vans on a downhill curve on Phu Thap Boek mountain in Lom Kao district on Friday.

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Through dozens of new laws, Wyoming hopes to become America’s blockchain headquarters, attracting businesses from across the crypto sector. Whether they show up though is yet to be determined.
Crypto Whistleblowers in Line for Multimillion-Dollar Payouts
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ECB’s Knot Urges ‘Resolute’ Action on Inflation to Curb Demand
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Elizabeth Holmes Faces Years in Prison for Her Crimes in Theranos Collapse
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Man United Takes ‘Appropriate Steps’ After Ronaldo Interview
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Nancy Pelosi Is the Greatest Speaker in History
It Takes More Digging to Fill the World’s Copper Gap
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Isabelle Lee
US stocks and Treasuries slumped as Federal Reserve officials hammered home their resolve to remain persistent in their fight against inflation and warned of more pain to come.  
The S&P 500 and the tech-heavy Nasdaq 100 declined for the second straight session. Commodities from oil to copper fell while the dollar snapped a two-day drop.

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Kian Pirfalak was one of several people killed on Wednesday as anger over Mahsa Amini transforms into wider protest against the regime
The family of a nine-year-old boy killed on Wednesday evening by assailants on motorbikes during some of the worst violence in Iran in two months of protests have accused security forces of carrying out the attack.
Kian Pirfalak was one of seven people, including a woman and a 13-year-old child, killed by gunmen in the western city of Izeh.
Authorities blamed the deaths on “terrorists” who “took advantage of a gathering of protesters … to open fire on people and security officers”, according to a report by the official IRNA news agency.
IRNA said eight people were wounded, including three police and two members of the Basij paramilitary force, which is linked to the Islamic Revolutionary Guards.
But in an audio recording tweeted by Radio Farda, a US-funded Persian station based in Prague, a man identifying himself as a family member said security forces were responsible for Kian’s death. “He was going home with his father and was targeted with bullets by the corrupt regime of the Islamic republic. Their car was attacked from all four sides,” the man is heard saying in the recording. A similar allegation was made on Instagram.
The boy’s body was reportedly taken to the family home covered in ice because family members feared if he was sent to the morgue it would be taken by the security forces, as has happened in numerous other cases.
Protesters said members of the Basij paramilitary force were running amok in the city on Wednesday.
Ali Karimi, an Iranian footballer and supporter of the protesters who lives in the United Arab Emirates, wrote on social media: “Kian! We will take back Iran!” Kataneh Afshar Nejad, an Iranian actor, posted footage of herself on Instagram without a hijab condemning Pirfalak’s death.
In a separate attack hours later in Isfahan, two assailants on a motorcycle fired automatic weapons at members of the Basij, killing two and wounding two others, the Fars news agency said.
Protests over the death in custody of Mahsa Amini on 16 September have intensified this week, on the third anniversary of a bloody crackdown on unrest over fuel price hikes. The unrest has been fanned by fury over the brutal enforcement of the mandatory hijab law, but has grown into a broad movement against the theocracy that has ruled Iran since 1979.
On Thursday one protester was killed in Bukan and two in Sanandaj, where mourners were paying tribute to “four victims of the popular resistance” 40 days after they were killed, the Oslo-based Hengaw rights group said.
Footage from Sanandaj on Thursday showed protesters marching down a street filled with bonfires and chanting “death to the dictator”. IRNA reported that a police colonel called Hassan Youssefi had been killed after being stabbed repeatedly in the city.
Late on Wednesday Hengaw had said security forces were accused of killing at least 10 people within a 24-hour period during protests in the cities of Bukan, Kamyaran, Sanandaj and Amini’s home town of Saqez.
Three days of renewed violence had begun on Tuesday when security forces opened fire on people at a metro station in Tehran.
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In a sign that the regime could be preparing the ground for an uptick in repression, official news agencies said Wednesday night’s deaths might be evidence that the protests were turning into an “armed insurrection”. An investigation of the bullets in the bodies of those shot dead is to be held and there is now likely to be a massive propaganda battle in which authorities will argue the protests are the seedbed for what it calls the “Syrianisation” of Iran and a collapse of public order.
As well as the protests, shopkeepers and others have gone on strike in Iran, and videos posted on social media on Wednesday showed shops closed in Tehran’s Grand Bazaar as protesters chanted anti-government slogans. The state claims there is no enthusiasm for the strikes and that organised gangs have been harassing hard-pressed business owners into pulling down their shutters.
The regime’s difficulty, acknowledged by many reformist politicians and academics inside Iran, is that many protesters have long ago stopped taking their news from what they regard as utterly discredited official sources, and instead rely either on internal social media or international Farsi-speaking satellite broadcast channels and websites, such as BBC Persian or Iran International.
At least five protesters have now been officially sentenced to death, according to the media centre for the judiciary, one for allegedly setting fire to a government building.
Speaking at the G20 meeting in Indonesia on Wednesday, the French president, Emmanuel Macron, likened recent events in Iran to a revolution.
“Something that has changed [on the ground in Iran] is this revolution of women, young people of Iran, defending universal values like gender equality,” he said. “It’s important to commend the courage and legitimacy of this fight.”
The west appears to be rethinking its entire strategy towards Iran, something Iran’s political establishment is only starting to realise. The internal protests, and evidence that Iran has been supplying Russia with drones to help attack Ukraine, has left advocates of a revival of the nuclear deal struggling for political footing. So far criticism within Iran of the decision to take Russia’s side over Ukraine, given the inevitable wider diplomatic impact, has not been forceful enough to challenge hardliners’ grip on foreign policy.
Agence France-Presse contributed to this report

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In 2021, Maurice Lacroix debuted the Aikon Master Grand Date, which combined the signature sporty design language of the brand’s popular Aikon collection with an in-house movement and the mechanical design emphasis that is typically characteristic of its Masterpiece lineup of watches. While that original model featured a stainless steel case with a blue dial and the option of either a stainless steel bracelet or matching blue strap, the latest new release from Maurice Lacroix is the Aikon Master Grand Date Black, which offers a fresh take on the flagship model from last year, and it features a largely jet black color profile with small contrasting elements in bright white and polished metal.
Just like the watch that was unveiled last year, the new Maurice Lacroix Aikon Master Grand Date Black features a 45mm stainless steel case, which makes it the largest Aikon model currently available. The case itself offers the Aikon collection’s signature design with a rounded angular shape, integrated lugs, and the same bezel that can be found across the series, which features six “claws” along its perimeter for a distinct overall appearance. However, rather than appearing in a mix of brushed and polished steel surfaces, the case of the new Aikon Master Grand Date Black features a black DLC finish. With that in mind, just like the previous edition, a sapphire crystal protects the dial side of the watch, while a signed crown at 3 o’clock works in conjunction with a screw-on display style caseback to help provide users with 100 meters of water resistance.
Although the overall dial layout of the new Maurice Lacroix Aikon Master Grand Date Black is identical to the stainless steel edition from last year, the fact that it appears in the same color as its case ultimately results in a significantly different overall aesthetic. Set against a vertically brushed black DLC surface is a small offset dial in the upper right-hand corner that is decorated with a Clous de Paris pattern and displays the hours and minutes, while a smaller circular register dedicated to the running seconds overlaps with the bottom edge. In the upper right-hand corner is a large double-digit date display, and sitting directly below it is an asymmetric aperture that reveals the sizable balance wheel and the skeletonized bridge that holds it in place. To offer added contrast against the monochromatic black display, the pointed baton-shaped hands and hour markers are finished with white luminous material, and this also has the added benefit of increasing legibility when viewing the watch in low-light conditions.
Powering the Maurice Lacroix Aikon Master Grand Date Black is the brand’s in-house Caliber ML331 automatic movement, which is the same movement featured in the stainless steel model from last year, although the version fitted to the new watch features different finishing to match is all-black color profile. Both versions of the movement feature bridges with sandblasted surfaces, but while they were left in their natural color on the previous version, they have been given a black DLC finish on this version for a cohesive overall appearance. That said, the design of the movement itself is identical, and it runs at a frequency of 18,000vph (2.5 Hz) while offering users a power reserve of approximately 50 hours. Additionally, the Maurice Lacroix Cal. ML331 utilizes a traditional style of balance and regulator, which features a large balance wheel with individual screw weights placed along the perimeter that can be adjusted by a watchmaker in order to achieve optimal performance. Due to the fact that this style of balance wheel does not lend itself well to mass production, seldom do you see them featured on modern watches, and the Maurice Lacroix Aikon Master Grand Date Black makes this feature visible on both sides of the watch.
Unlike the stainless steel model that debuted last year, the new black DLC version of the Maurice Lacroix Aikon Master Grand Date isn’t available with a matching metal bracelet. Instead, the new model is exclusively fitted with a rubber strap that features the Maurice Lacroix name in relief, and it also includes an optional secondary strap that is made from black synthetic leather with a unique textile effect on its outer surface that incorporates the brand’s signature ‘M’ logo. Additionally, both of the included straps attach to the case of the Maurice Lacroix Aikon Master Grand Date Black with the brand’s Easy Strap Exchange system, which enables instantaneous strap changes that permit you to quickly switch up the look and feel of your watch, completely on the fly and without the use of any tools. That being said, both versions of the step are completed by stainless steel push-button deployant clasp that feature a black PVD finish to match the case of the watch.
When it first debuted last year, the Maurice Lacroix Aikon Master Grand Date was the largest and most expensive model from the Aikon collection, with most options coming in closer to the 39mm to 42mm range and priced at less than half its cost. That said, the new Maurice Lacroix Aikon Master Grand Date Black now claims this title with the same 45mm case as its predecessor, but with an official retail price of $8,500 USD. Admittedly, this does seem quite expensive when you consider that the standard 42mm Aikon model retails for just north of $2k and even the chronograph versions can be purchased for less than $4k. However, it’s important to remember that the Aikon Master Grand Date Black is powered by one of Maurice Lacroix’s in-house movements, and everything from its layout to the way that it chooses to present its information is entirely unlike anything else that exists within the Aikon lineup. Despite offering the Aikon collection’s signature aesthetic, the new model is really more in-line with the brand’s Masterpiece series, which consists of more elevated options that are frequently priced anywhere between $5k and $10k, and which represent the very best that Maurice Lacroix has to offer. For more information, please visit the brand’s website.

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Giuliano Ruffini at his home in 2020. Photo: Baptiste Giroudon/Paris Match via Getty Images)
The French art dealer and collector Giuliano Ruffini, who is suspected to be the mastermind behind a series of forged Old Masters that shook the art world, is seemingly nowhere to be found, according to sources close to the investigation in Italy and France. Ruffini, aged 77, has a warrant out for his arrest in Europe, launched in 2019 by Parisian judge Aude Burési who has led a seven-year investigation into a series of allegedly forged Old Masters paintings sold over recent decades for tens of millions of euros.
But the arrest of the French art dealer had been delayed after the Italian high court ruled it could only be executed following the finalisation of a fiscal procedure against him. The Italian tax office had sought a €12m fine for undeclared business deals, but Ruffini, who claimed he was a fiscal resident in countries like Belgium or Malta, was cleared by the court. The prosecution did not appeal the judgement, opening the way for his arrest and transfer to France. However, according to our sources, law enforcement authorities were not able to find him in his home in the mountains near Reggio Emilia, he had disappeared and has not responded since to police summons.
Police seems to have no idea of his whereabouts or even if he is still in Italy. The Art Newspaper found that his phone lines have been disconnected, and Ruffini has not replied to emails asking if he would be ready to defend himself before the French judge or if he was indeed on the run.
One of Ruffini's lawyers in Paris tells The Art Newspaper that his client “is free to come and go and is not restricted by any legal control or disposition”. But neither Ruffini, contacted by mail, nor his lawyer confirm whether he will defend himself before the French judge.
Giuliano Ruffini has always claimed his innocence, arguing that it was up to the experts to make attributions. Over the past several decades, he sold dozens of paintings including a Venus owned by the Prince of Liechtenstein and attributed to Cranach, and a Saint Cosmas belonging to the New York Alana Collection, given to Bronzino. Both paintings were returned to their owners after being judged as fakes by legal scientific examinations that found common characteristics with the other panels seized in Paris, attributed to Brueghel or Greco, all of which have an allegedly forged provenance.
Sotheby’s, which sold a Saint Jerome painting as the work of Parmigianino’s circle and a portrait then-attributed to Frans Hals, on behalf of the British dealer Mark Weiss, reached the same conclusions when James Martin’s laboratory found traces of a 20th century pigment under the paint layers. Both buyers of the paintings were refunded. Beforehand, the Louvre, the Jacquemart André Museum in Paris, the National Gallery of London, the Metropolitan Museum of New York, the Kunsthistorisches Museum in Vienna, as well as dealers and curators throughout Europe, had all endorsed the authenticity of works sold by Ruffini.

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GRANDVIEW, Mo. — KSHB 41 News has told countless stories about the illicit use of fentanyl.
Stories about people who have lost their loved ones, near-fatal overdoses, enforcement efforts and billboards with the faces of those who lost their battle.
But this time, a teenager is sharing his story of how he’s joined the fight to keep people away from the drug.
“I’m really surprised and really proud of myself,” said Ethan Wood, a 15-year-old student at The Barstow School.
Ethan talked to KSHB in his bedroom, which also serves as his studio and production bay.
“I started making music videos of me playing piano,” Ethan said. “Through the pandemic, I learned video production. In my community, I want to be a leader, I want to make a difference in the world.”
He made a public service video for the Kansas City Drug Enforcement Agency warning about the dangers of fentanyl use and abuse.
“During the pandemic, it’s hard for teenagers to be isolated,” said Andrea Wood, his mother. “Instead of turning to drugs or alcohol or other things, he channeled his alone time into learning video and music production.”
The PSA is part of a competition sponsored by the DEA in Kansas City, DEA Educational Foundation and Keepin Clean with Coop.
Retired DEA agent Steve Murphy was invited to speak at the competition’s awards ceremony. He says he thought he’d seen it all before fentanyl.
“We thought, well there’s nothing worse than meth. Well now there’s fentanyl,” Murphy said. “Cliché, but the children are the future. If we don’t do things to help the kids, how do we expect things to get better? We’re seeing things in our country now that we’ve never seen before.”
But Ethan knew he wanted to make a difference.
“I thought that’s just devastating,” he said. “If people knew more about drug abuse in our community, then maybe people would make better choices.”
He won the DEA’s competition and earned $1,000 for his college fund.

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FARGO — Over half of Fargo’s plans for downtown are in progress or complete, according to goals outlined by the city’s consultant for the Downtown InFocus Master Plan .
The announcement was made by the plan’s consultant, Interface Studio, during an informational meeting about the plan held at Fargo City Hall on Tuesday, Nov. 15.
The city rehired Interface Studio to present an update on the status of Fargo’s downtown master plan, five years after its adaptation. This allows the city and community to learn about how the plan’s implementation process is going and discuss any potential barriers the plan may face, according to Nicole Crutchfield, Fargo’s director of planning & development.
Scott Page, principal at Interface Studio, said great downtowns don’t happen by accident. It takes great planning and excellent local implementation to build a vibrant downtown, he said.
While the plan’s goals have all been broached on various levels, there is still more work to be done, Page said, noting that 52% of the goals are in progress or complete.
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The plan’s seven goals include growing as a neighborhood, prospering as a business center, thriving as a destination, serving as a model for inclusive growth and development, diversifying means of transportation, creating smart parking options and linking green spaces.
At this point in the process Page says the focus is on understanding what has been implemented and investigating what hasn’t to gain a greater understanding of why it hasn’t been done yet.
“Does it need more resources, does it need more people looking at it, does it need more coordination?” Page said.
Creating more public spaces along Broadway was a priority in the plan five years ago that Page sees as an ongoing opportunity to create public space all along the area to give visitors a place to rest. 
“There’s a lot of people coming to downtown Fargo for different reasons,” Page said. 
Expanding programming and events outwards from Broadway would be a good thing for off-Broadway businesses, Page said, identifying Second Ave, Civic Plaza and the former Mid America Steel site by the Red River as potential locations.
Going forward, Page suggests that streets be redeveloped in a “street hierarchy” with some streets close to downtown prioritizing a pleasing aesthetic and others intended for loading and garbage pickup.
A conversation that should continue, Page said, is bringing more trees, bike lanes and parking to downtown Fargo.
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In this vein he mentioned a future goal that would involve creating an urban greenway alongside the railroads that go through Fargo. This would eventually connect to an existing trail network, Page said, to further enhance downtown.
City Hall Plaza, Page said, is another area outlined in the plan that is yet to be fully addressed. The first option in the plan was building a stage where programming could be held, a need currently being met by Broadway Square, Page said. 
The second option was to create a “land bridge” to foster a connection between City Hall Plaza and the Red River. The City Commission is currently exploring this idea through the proposed Second Street Pedestrian Bridge project.
Highlighting recent achievements in downtown over the last five years, Page underlined Broadway Square and the construction of 800 new housing units with over $300 million in private investment.
Page noted that downtown’s population has not grown as much as other parts of Fargo in recent decades. He said it’s more difficult to build downtown because there is less land available than elsewhere in the city. Most of the land still to be developed downtown consists of surface parking lots and the former Mid America Steel property.
“We need to think about what it’s like to build in an area where there’s less and less land to build on,” Page said.
The former Mid America Steel site is part of the plan’s goal to merge downtown Fargo with downtown Moorhead. This site has many challenges, Page said, because of the money it will take to get this former industrial site ready for redevelopment.
“The future of this site will mean a lot to the future of downtown Fargo and the region as a whole,” Page said.
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Downtown’s growth over the last five years has brought new challenges, Page said. Five years ago their priority was bringing more people downtown. The growing pains associated with accomplishing that goal have included quality of life issues like finding a good home in the area and the perception of crime downtown .
Fargo Mayor Tim Mahoney asked Page who would be responsible for creating the next steps in the downtown planning process. Page suggested that a dedicated organization — well staffed and well resourced — can manage the process. It’s a model that has worked well for other towns big and small, he said. The organization should collaborate extensively with the city and grow larger as downtown Fargo grows.
Although Page didn’t elaborate as to who specifically would make up the organization, Page said now is the time to identify those roles.
“The planning department has a lot on their plate,” Page said. “This is the opportunity for us to step back … come together as a community and figure out the best way to put the resources behind it.”
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Do you love music? Do you have a passion for travel? If so, then you may want to consider becoming a roadie! Roadies play an important role in the music industry, and there is always a need for talented individuals who are willing to travel and work long hours. In this blog post, we will discuss what it takes to become a roadie, and we will provide some tips that will help you get started on your journey!
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What is a Roadie?

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A roadie is someone who works in the music industry and is responsible for setting up and breaking down stage equipment. Roadies typically travel with bands or artists, and they often work long hours during tours. While it is a demanding job, it can also be very rewarding. Roadies get to see the world, meet new people, and experience live music on a regular basis. If you are passionate about music and love to travel, then becoming a roadie may be the perfect career choice for you!

What Does It Take To Become a Roadie?

There are no specific qualifications that are required to become a roadie, but there are some skills that will help you succeed in this field. First and foremost, you must be physically fit and able to lift heavy objects. Roadies often have to carry equipment that weighs 50 pounds or more, so it is important that you are strong enough to handle this type of work. Additionally, you should be organized and detail-oriented, as roadies are responsible for setting up and breaking down stage equipment in a timely and efficient manner. Finally, it is also helpful to have some experience working with audio or lighting equipment, as this will make your job easier.

Traveling as a Roadie

One of the best parts about being a roadie is that you get to travel! If you love to see new places and meet new people, then this job is definitely for you. Roadies typically travel with bands or artists, and they often go on tour for several months at a time. While it can be tough being away from home for long periods of time, it is also an incredible experience that you will never forget. If you are interested in travel and want to see the world, then becoming a roadie is the perfect career choice for you!

Working Long Hours

Another important aspect of being a roadie is that you must be prepared to work long hours. Roadies often work 12-hour days or more, and they often have to work overnight shifts. This can be tough, but it is also part of the job. If you are not willing to work long hours, then becoming a roadie may not be the right career choice for you.

Making It as a Roadie

If you are interested in becoming a roadie, then there are a few things that you can do to increase your chances of success. First, it is important to be physically fit and able to lift heavy objects. Additionally, you should be organized and detail-oriented, as roadies are responsible for setting up and breaking down stage equipment in a timely and efficient manner. Finally, it is also helpful to have some experience working with audio or lighting equipment, as this will make your job easier. If you have these qualities, then you will be well on your way to making it as a roadie!

Tips for Getting Started

If you are interested in becoming a roadie, there are a few things that you can do to get started. First, research the music industry and learn as much as you can about the role of a roadie. Next, start attending local shows and get to know the people who work in the music industry. Finally, reach out to bands or artists that you are interested in working with and see if they have any openings for roadies. If you follow these steps, then you will be well on your way to becoming a roadie!

How Much Do Roadies Make?

Roadies typically earn an hourly wage, and they may also receive tips from band members or fans. Roadies who work for large bands or artists can make a decent salary, but it is important to keep in mind that this job is not always glamorous. Roadies often have to work long hours, and they may have to travel for extended periods of time. If you are interested in becoming a roadie, then you should be prepared for a demanding job that does not always pay well. However, if you love music and enjoy traveling, then becoming a roadie may be the perfect career choice for you!

Is Being a Roadie Stressful?

Being a roadie can be stressful, as roadies often have to work long hours and travel for extended periods of time. Additionally, roadies are responsible for setting up and breaking down stage equipment, which can be challenging. If you are not well-organized or detail-oriented, then becoming a roadie may not be the right career choice for you. However, if you are prepared to work hard and handle stress, then becoming a roadie may be an excellent career choice!

What Are the Benefits of Being a Roadie?

Despite the challenges, there are many benefits to being a roadie. First, roadies get to travel and see the world. If you love to travel and meet new people, then becoming a roadie is an excellent career choice. Additionally, roadies often form strong bonds with the bands or artists that they work with. These relationships can last a lifetime, and they can lead to other opportunities in the music industry. Finally, being a roadie is an excellent way to gain experience in the music industry. If you are interested in working in the music industry, then becoming a roadie is an excellent place to start!

What Are the Disadvantages of Being a Roadie?

Despite the many benefits, there are also some disadvantages to being a roadie. First, as mentioned above, roadies often have to work long hours and travel for extended periods of time. This can be tough on personal relationships and can make it difficult to maintain a healthy lifestyle. Additionally, roadies are often responsible for setting up and breaking down stage equipment, which can be challenging. If you are not well-organized or detail-oriented, then becoming a roadie may not be the right career choice for you.

Should You Become a Roadie?

Only you can answer this question! If you love music and enjoy traveling, then becoming a roadie may be an excellent career choice for you. However, it is important to keep in mind that being a roadie can be demanding and challenging. If you are not prepared to work long hours and travel frequently, then becoming a roadie may not be the right fit for you. Consider your skills and interests carefully before making a decision!
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Bartending can be a fun and exciting job, but it can also be challenging. If you’re looking to become a bartender, there are some things you need to know. In this post, we’ll give you tips on how to become a bartender and what you can expect from the job. Stay tuned for more information!
This post originally appeared on Music Industry Jobs.

How to Become a Bartender

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There are a few different ways to become a bartender. The most common way is to get a job at a bar or restaurant and work your way up. Many bartenders start out as servers or barbacks, and then learn the trade from more experienced bartenders. Another option is to attend a bartending school, which can provide you with the skills and knowledge you need to start working right away. There are also many online courses available that can teach you the basics of bartending. Whichever route you decide to take, it is important to remember that practice makes perfect. The more you mix drinks, the better you will become at creating delicious cocktails. With time and patience, you can become a master bartender.

Do You Have to go to School for Bartending?

School is not always the best option for learning how to bartend. Many people choose to learn through on-the-job training instead. There are a few schools that offer bartending programs, but they can be expensive and may not be necessary. Most bartending jobs will require some level of experience, so it is important to get started in the industry as soon as possible. There are a few things that you can do to increase your chances of getting a bartending job without any formal training. Research different cocktails and learn how to make them. This will show potential employers that you are serious about the job and have a basic understanding of the industry. You can also look for opportunities to shadow or work with a experienced bartender. This will give you a chance to see what the job is really like and start to build your skills. With a little effort, you can learn everything you need to know about bartending without ever setting foot in a classroom.

How Long is Bartending School?

Many people think that bartending school is a quick and easy way to get ahead in the hospitality industry. However, bartending school is not a one-week crash course. In fact, most schools offer programs that last between four and six weeks. During this time, students will learn about the history of bartending, different types of alcohol, mixology, and customer service. They will also have the opportunity to practice making a variety of drinks. While the length of bartending school may seem like a lot, it is important to remember that it takes time to learn how to make drinks correctly and efficiently. Bartenders who have gone through formal training are often more successful than those who have not. So, if you are serious about becoming a bartender, be prepared to dedicate some time to learning the trade.

How Much Do Bartenders Make?

If you enjoy interacting with people and making cocktails, then a career as a bartender may be the perfect fit for you. But how much do bartenders make? The answer depends on several factors, including the type of establishment where they work and the number of hours they are able to work. In general, bartenders in high-end restaurants or hotels can expect to earn significantly more than those who work in bars or nightclubs. Additionally, bartenders who are able to work multiple shifts or overtime hours will often earn a higher wage. Of course, tips can also play a significant role in a bartender’s earnings. In many cases, bartenders will receive a percentage of their total sales each night, which can add up to a substantial amount of money. In general though, the average bartender will earn between $23,000-$60,000 per year.

How Stressful is Bartending?

At times, bartending can be a very stressful job. You are constantly dealing with customers, some of whom may be very intoxicated. You also have to keep track of inventory and make sure that you are making drinks correctly. In addition, you often have to work long hours, sometimes standing for most of the shift. However, bartending can also be a very rewarding job. You get to meet new people and serve them drinks that they will enjoy. You also get to see the satisfaction on their faces when they leave your bar. If you are good at bartending, you can also make a lot of money in tips. Overall, bartending is a very demanding job but it can also be very rewarding.

What Do Bartenders Do?

Bartenders are responsible for a wide range of tasks, from mixing drinks to keeping the bar stocked and clean. A successful bartender is both knowledgeable about the drinks they serve and personable with the customers. In addition to making sure that the bar runs smoothly, bartenders also need to be able to handle payment transactions and keep track of inventory. Bartending can be a fast-paced and demanding job, but it can also be very rewarding. For those who enjoy working with people and providing excellent customer service, bartending can be a great career choice.

What Should a Bartender Wear?

When it comes to bartending, there are a few key things to keep in mind. First and foremost, it is important to always be professional. This means being clean and well-groomed, with your clothing free of stains and wrinkles. In addition, it is important to dress for the occasion. For example, if you are working in a upscale restaurant, you will want to wear something more formal than if you are working in a dive bar. When in doubt, be on the safe side by being more formal rather than less. With that said, there are a few general guidelines that all bartenders should follow when choosing their wardrobe. First, always avoid wearing white – it’s too easy to spill drinks on it! Second, be sure to stick to dark colors – they hide stains better and tend to be more slimming. Third, choose comfortable shoes – you’ll be on your feet all night long! By following these simple tips, you can ensure that you always look your best while behind the bar.

How Often Do Bartenders Drink on the Job?

One of the most common questions people ask about bartending is whether or not bartenders drink on the job. The answer, of course, depends on the bar and the bartender. In some cases, it’s perfectly acceptable for bartenders to have a drink while they’re working. In others, it’s strictly prohibited. There are a few factors that tend to dictate whether or not drinking on the job is allowed. For instance, bars that serve food are generally less likely to allow drinking than bars that don’t serve food. This is because bartenders are handling food as well as alcohol, and it’s important to maintain a high level of sanitation. Bartenders who work in high-end establishments are also less likely to be allowed to drink on the job, as it can give the impression that they’re not taking their job seriously. Ultimately, it’s up to the bar owner or manager to decide whether or not drinking on the job is allowed.
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Mission Viejo, CA-based North American Health Services said Tuesday that it is preparing to transfer 24 skilled nursing facilities in California and Washington that were part of an “untenable” master lease agreement with Sabra Health Care REIT to different operators and refocus its footprint on its remaining 12 California facilities.
“NAHS anticipates leveraging and expanding on this base to re-establish itself as a leading provider of high-quality skilled nursing services,” the company said.
The transition will see NAHS exit from the master lease agreement with Sabra “after efforts to renegotiate the economic terms failed to materialize in an agreement,” according to NAHS.
“Our team worked diligently, in good faith, and consistently to reach a resolution with Sabra which would have enabled us to retain our full 36 facilities. Ultimately, we had no option other than transferring our operations in these 24 Sabra-owned facilities,” NAHS CEO Michael Moore said in a statement.
In NAHS’ telling, the separation sounds more contentious than Sabra President and CEO Rick Matros indicated on a third-quarter earnings call earlier this month.
Matros said that NAHS has new leadership, which approached Sabra in mid-August about either downsizing or obtaining rent discounts. 
“We didn’t [think] the rent reduction is something that was necessary given our assessment of the performance of the portfolio, and we’re actually happy to accommodate them on their request to downsize [to] the 12 [remaining] buildings,” Matros said, adding that North American had been “terrific” about the deal.
Tuesday, however, Moore said: “Losing 24 facilities and the more than 3,000 loyal employees and [employee stock ownership plan] members is heartbreaking, but the lease terms at these facilities had become uneconomic given the continuously slow recovery of the skilled nursing market. We believe our scaled-down company will be more viable without the Sabra lease terms. We look forward to continuing to invest in our ESOP in ways that will drive value back into the business and provide us the flexibility to pursue strategic growth opportunities.”
NAHS said that, in addition to recovering from the effects of the pandemic, it had, as had other skilled nursing operators, “endured significant operational strains from labor and supply shortages, exponentially increased costs for goods and services from vendors and suppliers, and a reimbursement landscape that has failed to keep pace with these rising costs.”
As previously reported, 20 of the NAHS facilities in California will move to the Ensign Group, and four in Washington will go to Avamere. Both new operators have indicated their intent to offer employment to virtually all current employees, according to NAHS.
“With 12 facilities remaining, NAHS will need to retain as much of their talent as possible in order to continue providing best-in-class service at their remaining facilities while being able to support our anticipated future growth,” the company said.

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